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Chieftaincy in Africa has displayed remarkable dynamics and adaptability to new socio-economic and political developments, without becoming totally transformed in the process. Almost everywhere on the continent, chiefdoms and chiefs have become active agents in the quest for ethnic, cultural symbols as a way of maximising opportunities at the centre of bureaucratic and state power, and at the home village where control over land and labour often require both financial and symbolic capital. Chieftaincy remains central to ongoing efforts at developing democracy and accountability in line with the expectations of Africans as individual 'citizens' and also as 'subjects' of various cultural communities. This book uses Cameroon and Botswana as case studies, to argue that the rigidity and prescriptiveness of modernist partial theories have left a major gap in scholarship on chiefs and chieftaincy in Africa. It stresses that studies of domesticated agency in Africa are sorely needed to capture the creative ongoing processes and to avoid overemphasising structures and essentialist perceptions on chieftaincy and the cultural communities that claim and are claimed by it.
The idea that human beings are inextricably bound to one another is at the heart of this book about African agency, especially drawing on the African philosophy Ubuntu, with its roots in human sociality and inclusivity. Ubuntu's precepts and workings are severely tested in these times of rapid change and multiple responsibilities. Africans negotiate their social existence between urban and rural life, their continental and transcontinental distances, and all the market forces that now impinge, with relationships and loyalties placed in question. Between ideal and reality, dreams and schemes, how is Ubuntu actualized, misappropriated and endangered? The book unearths the intrigues and contradictions that go with inclusivity in Africa. Basing his argument on the ideals of trust, conviviality and support embodied in the concept of Ubuntu, Francis Nyamnjoh demonstrates how the pursuit of personal success and even self-aggrandizement challenges these ideals, thus leading to discord in social relationships. Nyamnjoh uses a popular Ivorian drama with the same title to substantiate life-world realities and more importantly to demonstrate that new forms of expression, from popular drama to fiction, thicken and enrich the ethnographic component in current anthropology.