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The events of 1968/69 initiated a dispute between Adorno and Marcuse over the (alleged) separation of theory and praxis. While Marcuse “stood at the barricades” Adorno sought recluse in the “ivory tower”. Marcuse and German students perceived Adorno’s move as departure from fundamental postulates of critical theory as laid down in Horkheimer’s 1937 essay. Adorno died amidst the process of clarifying his differences with Marcuse and thus the “unlimited discussions” between the two remain unfinished. This paper sets to examine how both Marcuse and Adorno remained dedicated to the unity of theory and praxis, albeit in different ways. I argue that Adorno did not separate theory and praxis; instead, he perceived the gap between critical theory and concrete historical situation. Adorno rejected simple and unreflective translation of theory into praxis. Hence his attempt to recalibrate critical theory. Marcuse’s and Adorno’s differences lie in their different evaluation of the student movement and this (mis)evaluation was context related. My second argument is that Marcuse/Adorno disagreement is partly caused by the absence of the two from the concrete historical context.
Recent years have witnessed a revival of interest in Marcuse's critical theory. This can be partly ascribed to Marcuse's interdisciplinary approach to humanities and social sciences. Many of Marcuse's ideas and concepts are tacitly present in contemporary social and ecological movements. Contemporary literature on Marcuse is positively inclined to his theory while the critique of Marcuse dates back to the '70s, and remains largely unimpaired. This fact poses significant challenges to the revival of Marcuse's critical theory. This study sets out to report on current interest in Marcuse's critical theory trying to correct "past injustices" by responding to negative criticism. The main flaw of such criticism - as we see it - is in failing to perceive interdisciplinary character of Marcuse's critical theory. Marcuse's renaissance cannot be complete without, to use dialectical term, sublating the history of negative criticism.