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This study evaluates whether the short version of the German LITMUS quasi-universal nonword repetition task (LITMUS-QU-NWR) can be used as an index test for monolingual and early second language learners (eL2) of German aged 8 to 10 years. The NWR taps into quasi-universal phonological knowledge via the so-called language-independent part and into language-specific phonological knowledge via the language-dependent part. Thirty-six monolingual and thirty-three eL2 learners of German, typically developing (TD) and diagnosed as language-impaired (DLD), participated in the study. The effects of the language group (Mo vs. eL2) and the clinical status (TD vs. DLD) on repetition accuracy are investigated by a logistic mixed-model analysis. Receiver operating characteristics (ROC) and likelihood ratios are calculated to determine the diagnostic accuracy of the two parts. The group comparisons showed significant effects of the clinical status but not of the language group. The ROC analyses and the likelihood ratios reveal better diagnostic values for the language-dependent compared to the language-independent part and almost similar diagnostic values for the monolingual and the eL2 group. The results indicate that the LITMUS-QU-NWR helps to disentangle DLD and DLD in monolingual children and eL2 learners aged 8 to 10 years.
Von A bis Å. (Fast) alles über die Frankfurter Skandinavistik. Ausgabe 7 ; Wintersemester 2023/24
(2023)
Sentence repetition tasks (SRTs) have been extensively used as measures of bilinguals’ language abilities. Most studies relied on SRTs in which the target sentences were not connected to each other. However, participants’ performance may differ if these sentences are embedded in discourse, since discourse provides participants with additional cues for sentence comprehension and interpretation. For the present study, we designed a discourse-based SRT, whereby the target sentences were connected to each other in a story. We examined the effect of discourse on bilinguals’ performance in the SRT and investigated whether this effect varied based on the language of administration, bilinguals’ dominance score and type of target structure. We tested 32 Italian-German bilingual children (7–12 years) living in Germany with two SRTs in each language, one with discourse and one without discourse. Participants showed a better performance in the SRTs with discourse, especially in the heritage language (Italian). The effect of discourse was visible across the board with all target structures. On the whole, SRTs with discourse seem to reduce the processing costs associated with lexical retrieval and shifts in scenarios, thus tapping more directly into children's processing abilities, compared to more traditional SRTs. The results are discussed in terms of ecological validity of different assessment instruments.
"Mir ist so digk vor gesait" : Studien zur erzählerischen Gestaltung des "Meleranz" von dem Pleier
(2024)
In der germanistischen Mediävistik richtet sich das Forschungsinteresse vornehmlich auf die höfische Literatur und dabei insbesondere auf die frühen und späten Artusromane. Vor allem die Werke von Hartmann von Aue und Wolfram von Eschenbach sind zentrale Forschungsobjekte, während Texte wie Pleiers ‚Meleranz‘ bisher nur begrenzt Beachtung fanden.
Die Forschungslücke, die die vorliegende Arbeit adressiert, liegt in der detaillierten Analyse der spezifischen Erzähltechniken des pleierschen Textes, die sich sowohl durch die Verwendung traditioneller arthurischer Motive als auch durch innovative narrative Ansätze auszeichnen. Ausgehend von dem Befund eines stark zurückgenommenen Erzählers wird untersucht, welche narrativen Strategien und Verfahren der Pleier im ‚Meleranz‘ anwendet, um trotz dieser Abkehr von der implizierten poetischen Regelhaftigkeit einer dominanten Erzählerfigur das Erzählen vom Ritter ‚Meleranz‘ gelingen und zugleich an einigen Stellen ausgesprochen konventionell wirken zu lassen.
Um aufzudecken, wie der Text ohne die Stimme eines deutlich hervortretenden Erzählers vermittelt wird, nutze ich im Verlauf der Arbeit eine Typologie der Stoffvermittlung durch (arthurische) Erzähler. In den Einzelstudien zum ‚Meleranz‘ werden seine Motive, Erzählmuster und Figurenkonstellationen in einem close reading erarbeitet und mit der Typologie abgeglichen, um bestimmen zu können, welche Vermittlungsformen im pleierschen Text genutzt werden. Mit Hilfe dieses Vergleichs kann das Erzählverfahren im ‚Meleranz‘ extrapoliert und gleichzeitig offengelegt werden. Mittels dieses Vorgehens wird verdeutlicht werden, dass es sich beim ‚Meleranz‘ um einen Text handelt, der arthurische Konventionen lediglich anders inszeniert, um die vermittelnde Funktion der Stimme des Erzählers zu substituieren oder ihr Fehler auszugleichen.
In narratology, a widely recognized method involves exploring the connection between implied authors and implied readers. It entails correlating abstract narrative components within a text to understand the conveyed message and the multitude of interpretations it can offer. The present study adopts an implied reader-oriented approach to analyze three selected novels from the twentieth and twenty-first centuries—one Nigerian, one Caribbean, and one Kurdish. The aim is to explore the potential readings within these texts, considering the hermeneutic process of critical reading. The selected texts include Chinua Achebe’s Things Fall Apart, (1958), Same Selvon’s The Lonely Londoners, (1956), and Karwan Kakesur’s The Channels of the Armed Monkeys, (2011). This approach closely examines the communication between the author and reader of the text, with a special focus on the varying levels of communication between the components of the narration, including fictional and implied fictional communication.
The implied fictional communication occurs between a narrative agent known as ‘the implied author’ and its fictional counterpart ‘the implied reader’ rather than between the real, flesh and blood authors and readers. I argue that this level of communication is coded, and the act of decoding it is part of the reading process performed by the reader. Certain texts can propose different and sometimes opposing readings which are initially and purposefully designed by the implied author and addressed to different implied readers. These readings are not necessarily the results of different real readers but rather incorporated ones predetermined by the implied author only to be acknowledged and uncovered by the readers. In other words, the latent meaning is and always was an integral part of the text and is not something created by the imaginative reader or critic. The core interest of my thesis lies in identifying prompts and suggestions within the narrative of the selected texts and ultimately understanding the readerships prestructured in them. Identifying the different readers within those texts will provide new reinterpretations that can add undetected values to the reading process and sometimes suggests opposing readings to how those texts have so far been read. Additionally, it is the objective of this thesis to propose new ways that readers can interact with reading literature that would result in a more aesthetic and entertaining reading experience besides providing ways to be more informed and aware of the cues certain narrative texts contain.
There have been numerous critical studies on both narratology and postcolonial or minority literatures; however, there has been little scholarly work that attempts to utilize narratology as a theoretical foundation for understanding postcolonial and minority fiction.
This study examines fictional texts from Nigerian, Caribbean, and Kurdish literature, employing the narratological concept known as ‘Multiple Implied Readers’. By incorporating concepts from Brian Richardson’s ‘Singular Text, Multiple Implied Readers’, and Peter J. Rabinowitz’s ‘authorial audiences’, I explore the various readerships that the texts could encompass. This exploitation may lead to the discovery of new readings, interpretations, and meanings that would otherwise remain undetected. These structures introduce provocative indeterminacies that challenge the reader’s synthesis of information into coherent configurations of meaning. Consequently, this approach not only enhances the reading experience but also opens doors to new interpretations of the text. In some cases, these interpretations could even dismantle prior understandings and propose entirely new readings.
The concepts of the implied author and implied reader have been studied before in relation to various disciplines of narratology. However, by applying them in conjunction with the relatively less researched subject of multiple implied readers, I aim to shed light on important aspects of these readings. This exploration could prove beneficial for literature students as well as critical readers of literary texts, revealing the potential of these texts to accommodate more than one implied reader within their narratives.
In diesem Beitrag werden Spezifika der mit der qualitativen Inhaltsanalyse vorgenommenen Leserezeptionsforschung dargestellt. Der Schwerpunkt liegt auf dem literarischen Lesen. In Analysen von Textrezeptionszeugnissen, die zu literaturdidaktischen Forschungszwecken vorgenommen werden, ergibt sich eine doppelt-hermeneutische Herausforderung: Ziel ist es zu verstehen, was Leser_innen in Texten verstehen. Für den Analyseprozess folgen daraus spezifische Anforderungen: Erstens muss der Umfang der Kontexteinheit geklärt werden. Hier sind differenzierte Antworten notwendig, weil sich der gegebene Kontext im Leseprozess ständig verändert. Zweitens erfordert das Forschungsinteresse eine bestimmte Art von Kategorien, die in der Literatur als formal bzw. analytisch bezeichnet werden. Eine weitere Differenzierung zwischen strikt formalen und theoriebasiert formalen Kategorien wird hier vorgeschlagen. Drittens muss geklärt werden, ob die rekonstruierten Leseaktivitäten Prozesse sind, oder ob sie auf zugrunde liegende Dispositionen schließen lassen. Diese Anforderungen werden diskutiert und mit Lösungsansätzen versehen.
Two studies investigate the production and perception of speech chunks in Estonian. A corpus study examines to what degree the boundaries of syntactic constituents and frequent collocations influence the distribution of prosodic information in spontaneously spoken utterances. A perception experiment tests to what degree prosodic information, constituent structure, and collocation frequencies interact in the perception of speech chunks. Two groups of native Estonian speakers rated spontaneously spoken utterances for the presence of disjunctures, whilst listening to these utterances (N = 47) or reading them (N = 40). The results of the corpus study reveal a rather weak correspondence between the distribution of prosodic information and boundaries of the syntactic constituents and collocations. The results of the perception experiments demonstrate a strong influence of clause boundaries on the perception of prosodic discontinuities as prosodic breaks. Thus, the results indicate that there is no direct relationship between the semantico-syntactic characteristics of utterances and the distribution of prosodic information. The percept of a prosodic break relies on the rapid recognition of constituent structure, i.e. structural information.
Pitch peaks tend to be higher at the beginning of longer than shorter sentences (e.g., ‘A farmer is pulling donkeys’ vs ‘A farmer is pulling a donkey and goat’), whereas pitch valleys at the ends of sentences are rather constant for a given speaker. These data seem to imply that speakers avoid dropping their voice pitch too low by planning the height of sentence-initial pitch peaks prior to speaking. However, the length effect on sentence-initial pitch peaks appears to vary across different types of sentences, speakers and languages. Therefore, the notion that speakers plan sentence intonation in advance due to the limitations in low voice pitch leaves part of the data unexplained. Consequently, this study suggests a complementary cognitive account of length-dependent pitch scaling. In particular, it proposes that the sentence-initial pitch raise in long sentences is related to high demands on mental resources during the early stages of sentence planning. To tap into the cognitive underpinnings of planning sentence intonation, this study adopts the methodology of recording eye movements during a picture description task, as the eye movements are the established approximation of the real-time planning processes. Measures of voice pitch (Fundamental Frequency) and incrementality (eye movements) are used to examine the relationship between (verbal) working memory (WM), incrementality of sentence planning and the height of sentence-initial pitch peaks.
The standard view of the form-meaning interfaces, as embraced by the great majority of contemporary grammatical frameworks, consists in the assumption that meaning can be associated with grammatical form in a one-to-one correspondence. Under this view, composition is quite straightforward, involving concatenation of form, paired with functional application in meaning. In this book, we discuss linguistic phenomena across several grammatical sub-modules (morphology, syntax, semantics) that apparently pose a problem to the standard view, mapping out the potential for deviation from the ideal of one-to-one correspondences, and develop formal accounts of the range of phenomena. We argue that a constraint-based perspective is particularly apt to accommodate deviations from one-to-many correspondences, as it allows us to impose constraints on full structures (such as a complete word or the interpretation of a full sentence) instead of deriving such structures step by step.
Most of the papers in this volume are formulated in a particular constraint-based grammar framework, Head-driven Phrase Structure Grammar. The contributions investigate how the lexical and constructional aspects of this theory can be combined to provide an answer to this question across different linguistic sub-theories.
The neural processing of speech and music is still a matter of debate. A long tradition that assumes shared processing capacities for the two domains contrasts with views that assume domain-specific processing. We here contribute to this topic by investigating, in a functional magnetic imaging (fMRI) study, ecologically valid stimuli that are identical in wording and differ only in that one group is typically spoken (or silently read), whereas the other is sung: poems and their respective musical settings. We focus on the melodic properties of spoken poems and their sung musical counterparts by looking at proportions of significant autocorrelations (PSA) based on pitch values extracted from their recordings. Following earlier studies, we assumed a bias of poem-processing towards the left and a bias for song-processing on the right hemisphere. Furthermore, PSA values of poems and songs were expected to explain variance in left- vs. right-temporal brain areas, while continuous liking ratings obtained in the scanner should modulate activity in the reward network. Overall, poem processing compared to song processing relied on left temporal regions, including the superior temporal gyrus, whereas song processing compared to poem processing recruited more right temporal areas, including Heschl's gyrus and the superior temporal gyrus. PSA values co-varied with activation in bilateral temporal regions for poems, and in right-dominant fronto-temporal regions for songs. Continuous liking ratings were correlated with activity in the default mode network for both poems and songs. The pattern of results suggests that the neural processing of poems and their musical settings is based on their melodic properties, supported by bilateral temporal auditory areas and an additional right fronto-temporal network known to be implicated in the processing of melodies in songs. These findings take a middle ground in providing evidence for specific processing circuits for speech and music in the left and right hemisphere, but simultaneously for shared processing of melodic aspects of both poems and their musical settings in the right temporal cortex. Thus, we demonstrate the neurobiological plausibility of assuming the importance of melodic properties in spoken and sung aesthetic language alike, along with the involvement of the default mode network in the aesthetic appreciation of these properties.
Verb production in stroke induced aphasia and semantic dementia: similarities and dissociations
(2012)
This introductory paper provides an overview of the main phenomena investigated in this Special Issue, such as the relation between the encoding of indefinites and the presence of genitive and definite markers, the relation between partitivity and indefiniteness and the distribution of these phenomena in minority, or “micro”, varieties – such as Italian dialects, Galloromance varieties, North and South Saami – compared to the distribution of the same phenomena in majority, or “macro”, varieties – such as French, Italian, Spanish, Brazilian Portuguese, Estonian, Finnish, Czech and Serbian. The second part of the paper, then, provides an overview of the content of each original paper collected in the special issue.
This contribution focuses on indefinite arguments in object position. We address this topic from the point of view of the crosslinguistic variation within the Romance continuum, especially looking at Northern Italian Dialects (NIDs). The target is to describe the distribution of the different possible realizations of this kind of arguments in this area by means of an in-depth analysis of the data coming from the ASIt database and from three new fieldwork sessions. We show that the microvariation attested in this area reflects and refines the “macro” variation attested among the major Romance languages. The fine-grained picture that can be drawn from a closer look to a set of minimally varying languages helps crosslinguistic comparison and, consequently, the modeling of more precise analyses.
This thesis investigates the structure of research articles in the field of Computational Linguistics with the goal of establishing that a set of distinctive linguistic features is associated with each section type. The empirical results of the study are derived from the quantitative and qualitative evaluation of research articles from the ACL Anthology Corpus. More than 20,000 articles were analyzed for the purpose of retrieving the target section types and extracting the predefined set of linguistic features from them. Approximately 1,100 articles were found to contain all of the following five section types: abstract, introduction, related work, discussion, and conclusion. These were chosen for the purpose of comparing the frequency of occurrence of the linguistic features across the section types. Making use of frameworks for Natural Language Processing, the Stanford CoreNLP Module, and the Python library SpaCy, as well as scripts created by the author, the frequency scores of the features were retrieved and analyzed with state-of-the-art statistical techniques.
The results show that each section type possesses an individual profile of linguistic features which are associated with it more or less strongly. These section-feature associations are shown to be derivable from the hypothesized purpose of each section type.
Overall, the findings reported in this thesis provide insights into the writing strategies that authors employ so that the overall goal of the research paper is achieved.
The results of the thesis can find implementation in new state-of-the-art applications that assist academic writing and its evaluation in a way that provides the user with a more sophisticated, empirically based feedback on the relationship between linguistic mechanisms and text type. In addition, the potential of the identification of text-type specific linguistic characteristics (a text-feature mapping) can contribute to the development of more robust language-based models for disinformation detection.
This dissertation deals with the lexical, morphological, syntactic, and semantic properties of (VP )idioms and their behavior in combination with restrictive relative clauses, raising, constituent fronting, wh-movement, VP-ellipsis, pronominalization, the progressive form, verb placement, passivization, conjunction modification, and the N-after-N construction. It provides empirical evidence towards a combinatorial analysis of both semantically non-decomposable idioms (SNDIs) and semantically decomposable idioms (SDIs) and contributes to the (formal) formulation of such an account.
The Introduction (Chapter 1) first motivates why idioms are an exciting and challenging phenomenon and then gives a definition of the term idiom, a classification of idioms, and an overview of the wide spectrum of idiom analyses found in the linguistic literature.
Chapter 2, “Idioms as evidence for the proper analysis of relative clauses”, shows that the Modification Analysis beats the other two major analyses of restrictive relative clauses (RRCs), namely Raising and Matching, as (i) the latter two lead to a loss of numerous empirical generalizations in syntax and morphology, and (ii) contrary to the assumption in the literature, idioms in RRCs can, in fact, be licensed without literal syntactic movement of the RRC-head, which makes modification fully compatible with idiom reconstruction effects.
Chapter 3, “How frozen are frozen idioms?”, presents new empirical observations on the lexical, morphological, and syntactic flexibility of kick the bucket and displays that this idiom is not completely frozen with respect to its NP complement, the progressive form, and, in some contexts, even passivization. The chapter concludes that analyses of kick the bucket as a single lexical entry should be replaced by analyses of this and other SNDIs with a syntactically regular shape as consisting of individual word-level lexical entries that combine according to the standard rules of syntax.
This idea is taken up in Chapter 4, “The syntactic flexibility of semantically non-decomposable idioms”, which – based on the differences between English and German with regard to verb placement, constituent fronting, and passivization as well as a short outlook on Estonian and French – spells out a combinatorial analysis of SNDIs and augments it with a semantic analysis formulated in Lexical Resource Semantics, according to which some idiom parts make identical semantic contributions to the overall meaning of the idiom. The analysis further suggests that the syntactic flexibility of idioms is due to the semantic and pragmatic constraints on the involved constructions, rather than the syntactic encoding of the idioms.
Chapter 5, “Modification of literal meanings in semantically non-decomposable idioms”, reviews Ernst’s (1981) classical three types of idiom modification (internal, external, and conjunction) to then closely investigate the most challenging type, namely conjunction modification, in SNDIs. Based on naturally occurring examples of four SNDIs (two English, two German), it sketches an analysis in terms of two or more conjoined independent propositions, each of which can be the result of figurative reinterpretation. One of the propositions contains the idiomatic meaning, in (one of) the other(s), the meaning of the modifier applies to the literal meaning of the idiom’s noun.
Chapter 6, “Semantically decomposable idioms in the N-after-N construction”, offers a formal syntactic and semantic account of SDIs like pull strings in the N-after-N construction, as in Kim pulled string after string to get Alex into a good college. While the idiom contributes the type of entity at stake (‘string’ in the case of pull strings), N-after-N contributes that there are several instantiations of that type of entity and that these are subject to temporal or spatial succession. The chapter first summarizes the empirical properties of N-after-N, then provides an account of N-after-N in Head-driven Phrase Structure Grammar (HPSG), presents an updated version of the account of SDIs suggested in Chapter 2 within HPSG, and combines it with the HPSG account of N-after-N.
Von A bis Å. (Fast) alles über die Frankfurter Skandinavistik. Ausgabe 6 ; Sommersemester 2023
(2023)
Restructuration des répertoires langagiers de migrant·e·s de la République du Congo en Lorraine
(2023)
Cette thèse étudie la complexité du plurilinguisme des migrant·e·s d’origine de la République du Congo en Lorraine à travers le prisme de la restructuration des répertoires langagiers. En affûtant la conceptualisation de la restructuration des répertoires langagiers par l’étude du plurilinguisme des migrant·e·s d’origine congolaise, cette recherche ouvre de nouvelles perspectives pour les recherches portant sur le plurilinguisme, notamment concernant les mobilités transgénérationnelles et la diversité des processus de restructuration façonnant les répertoires langagiers. En se focalisant sur les biographies langagières et migratoires de 15 individus migrants, sur leurs réseaux sociaux et sur leurs ressources langagières, cette étude révèle la diversité des processus et des facteurs au cœur des restructurations des répertoires langagiers à travers une étude ethnographique multi-située en Lorraine et au Congo. La compréhension de la diversité des dynamiques restructurant les connaissances langagières des enquêté·e·s passe par l’étude des situations de socialisation langagière au Congo dans leur historicité, des itinéraires de migration et des restructurations des réseaux sociaux ainsi que des répertoires langagiers dans l’installation en Lorraine. Les participations à la société lorraine et ses groupes sociaux imprègnent les identifications, les orientations sociales et les positionnements dans les réseaux sociaux et vice-versa.
Les répertoires langagiers apparaissent comme des enregistrements de la mobilité des individus et de celle des générations antérieures ainsi que de leur entourage. Les restructurations concernent entre autres les ressources associées au français, aux langues congolaises et à d’autres langues appropriées par la migration. Les ressources du français sont restructurées par les migrant·e·s en s’appropriant les ressources courantes dans différentes situations sociales en Lorraine, en marquant et/ou en dissimulant les ressources appropriées ailleurs et inappropriées dans ces situations. En même temps, un savoir de différenciation des ressources, dont font aussi partie les schémas de catégorisation et les stratégies communicatives, est développé et une (in)sécurité langagière se manifeste. Les ressources associées aux langues congolaises, leurs fonctions sociales et leurs représentations sont restructurées dans des processus d’attrition, d’actualisation, de transformation et d’élaboration langagière. Les ressources associées à d’autres langues européennes appropriées par la migration sont reléguées au second plan et se perdent lentement par manque d’usage. Enfin, les connaissances liées à la gestion du plurilinguisme, de la diversité culturelle et de l’altérité, appropriées dans les mêmes situations de diversité, aident au traitement interne des expériences des mobilités spatiales et sociales ainsi que des restructurations des répertoires langagiers.
Von A bis Å. (Fast) alles über die Frankfurter Skandinavistik. Ausgabe 5 ; Wintersemester 2022/23
(2022)
Von A bis Å. (Fast) alles über die Frankfurter Skandinavistik. Ausgabe 4 ; Sommersemester 2022
(2022)
Von A bis Å. (Fast) alles über die Frankfurter Skandinavistik. Ausgabe 3 ; Wintersemester 2021
(2021)
Von A bis Å. (Fast) alles über die Frankfurter Skandinavistik. Ausgabe 2 ; Sommersemester 2021
(2021)
Von A bis Å. (Fast) alles über die Frankfurter Skandinavistik. Ausgabe 1 ; Wintersemester 2020/21
(2020)
Lange Zeit gab es in der deutschsprachigen Kinder- und Jugendliteraturkritik keine Unterscheidung zwischen phantastischen Erzählungen und Fantasy. Diese Gattungsdifferenzierung beginnt sich erst ab der Jahrtausendwende durchzusetzen. Betrachtet man das deutsche Textkorpus, das bis dahin global als Phantastik bezeichnet wurde, so lässt sich feststellen, dass der mittlerweile herausgearbeitete Unterschied zwischen phantastischen Erzählungen und Fantasy schon in den 1950er und 1960er Jahren zu erkennen ist. Sowohl die gattungstheoretischen Unterscheidungen als auch die Gattungsbegriffe haben jedoch erst um die Jahrtausendwende eine gewisse Festigkeit gewonnen.
Ein zentrales Anliegen dieser Arbeit ist es, die nicht-realistischen kinder- und jugendliterarischen Werke der Nachkriegsjahrzehnte im Lichte der jüngeren gattungstheoretischen Differenzierungen neu zu bewerten und ggf. zuzuordnen. Gefragt wird, ob in der deutschen Kinder- und Jugendliteratur der 1950er bis 1980er Jahre bereits Werke existieren, welche nach aktuellem Begriffsgebrauch als Fantasy zu bezeichnen sind. Ein dabei zu berücksichtigender Aspekt betrifft die Gattungsgeschichte, welche nicht mit der der englischer bzw. amerikanischer Kinder- und Jugendliteratur vergleichbar ist. Laut einer Definition von Ewers (2013) versuchte die deutsche Kinder- und Jugendliteraturwissenschaft lange Zeit, dem Genre Fantasy „beizukommen“, indem sie diese als ein Sub-Genre der Phantastik ansah. Hierin sieht er einen Irrweg. Sicherlich gibt es Parallelen zwischen phantastischer Erzählung und Fantasy, doch seien diese rein äußerlicher Natur.
Anhand der Definition von Ewers untersucht diese Arbeit, ab wann von Texten gesprochen werden kann, die dem jüngeren Verständnis von Fantasy entsprechen und welche kinder- und jugendliterarischen Werke nach diesem Erkenntnisstand hinzuzuzählen sind. Dabei liegt das Augenmerk auf der Bedeutung und Vorgeschichte von Fantasy-Literatur für den westlichen deutschsprachigen Raum. Methodisch wurde wie folgt vorgegangen: Ein Korpus aus kinder- und jugendliterarischen Texten wurde gebildet. Anschließend wurde dieser im Hinblick auf die in Ewers‘ Definitionsansatz genannten Charakteristika untersucht. Hieraus entwickelte sich der Gedanke, eine für die weiterführende Forschung hilfreichen Klassifizierung der phantastischen Kinder- und Jugendliteratur der Nachkriegszeit zu entwickeln, um den Stellenwert zeitgenössischer Fantasy verdeutlichen zu können.
KEIN SCHLUSSSTRICH! Bundesweites dezentrales Theaterprojekt zum NSU-Komplex : Die Nachbetrachtung
(2022)
Polish-German film relations in the process of building German cultural hegemony in Europe 1933-1939
(2022)
The article presents Polish-German film relations in the framework of Nazis cultural diplomacy between 1933 and 1939. The Nazi effort to create a cultural hegemony through the unification of the European film market under German leadership serves as an important point of reference. On the example of the Polish-German relationship, the article analyses the Nazi “soft power” in terms of both its strength and limits. Describing the broader geopolitical context, the article proposes a new trail in the research on both the film milieus and the cinema culture in Poland in the 1930s. In mythological terms, it belongs to cultural diplomacy and adds simultaneously to film history and New Cinema History.