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In this study, cross-dialectal variation in the use of the acoustic cues of VOT and F0 to mark the laryngeal contrast in Korean stops is examined with Chonnam Korean and Seoul Korean. Prior experimental results (Han & Weitzman, 1970; Hardcastle, 1973; Jun, 1993 &1998; Kim, C., 1965) show that pitch values in the vowel onset following the target stop consonants play a supplementary role to VOT in designating the three contrastive laryngeal categories. F0 contours are determined in part by the intonational system of a language, which raises the question of how the intonational system interacts with phonological contrasts. Intonational difference might be linked to dissimilar patterns in using the complementary acoustic cues of VOT and F0. This hypothesis is tested with 6 Korean speakers, three Seoul Korean and three Chonnam Korean speakers. The results show that Chonnam Korean involves more 3-way VOT and a 2-way distinction in F0 distribution in comparison to Seoul Korean that shows more 3-way F0 distribution and a 2-way VOT distinction. The two acoustic cues are complementary in that one cue is rather faithful in marking 3-way contrast, while the other cue marks the contrast less distinctively. It also seems that these variations are not completely arbitrary, but linked to the phonological characteristics in dialects. Chonnam Korean, in which the initial tonal realization in the accentual phrase is expected to be more salient, tends to minimize the F0 perturbation effect from the preceding consonants by taking more overlaps in F0 distribution. And a 3-way distribution of VOT in Chonnam Korean, as compensation, can be also understood as a durational sensitivity. Without these characteristics, Seoul Korean shows relatively more overlapping distribution in VOT and more 3-way separation in F0 distribution.
It is one of the most highly debated issues in loanword phonology whether loanword adaptations are phonologically or phonetically driven. This paper addresses this issue and aims at demonstrating that only the acceptance of both a phonological as well as a phonetic approximation stance can adequately account for the data found in Japanese. This point will be exemplified with the adaptation of German and French mid front rounded vowels in Japanese. It will be argued that the adaptation of German /oe/ and /ø/ as Japanese /e/ is phonologically grounded, whereas the adaptation of French /oe/ and /ø/ as Japanese /u/ is phonetically grounded. This asymmetry in the adaptation process of German and French mid front rounded vowels and further examples of loans in Japanese lead to the only conclusion that both strategies of loanword adaptation occur in languages. It will be shown that not only perception, but also the influence of orthography, of conventions and the knowledge of the source language play a role in the adaptation process.
In this paper, I discuss four different verb forms in Ndebele (a Nguni Bantu language spoken mainly in Zimbabwe) - the imperative, reduplicated, future and participial. I show that while all four are subject to minimality restrictions, minimality is satisfied differently in each of these morphological contexts. To account for this, I argue that in Ndebele (as in other Bantu languages) Word and RED are not the only constituents which must satisfy minimality: the Stem is also subject to minimality conditions in some morphological contexts. This paper, then, provides additional arguments for the proposal that Phonological Word is not the only sub-lexical morpho-prosodic constituent. Further, I argue that, although Word, RED and Stern are all subject to the same minimality constraint – they must all be minimally bisyllabic - this does not follow from a single 'generalized' constraint. Instead, I argue, contra recent work within Generalized Template Theory (see, e.g., McCarthy & Prince 1994, 1995a, 1999; Urbanezyk 1995, 1996; and Walker 2000; etc.) that a distinct minimality constraint must be formalized for each of these morpho-prosodic constituents.
Much work on the interaction of prosody and focus assumes that, crosslinguistically, there is a necessary correlation between the position of main sentence stress (or accent) and focus, and that an intonational pitch change on the focused element is a primary correlate of focus. In this paper, I discuss primary data from three Bantu languages – Chichewa, Durban Zulu and Chitumbuka – and show that in all three languages phonological re-phrasing, not stress, is the main prosodic correlate of focus and that lengthening, not pitch movement, is the main prosodic correlate of phrasing. This result is of interest for the typology of intonation in illustrating languages where intonation has limited use and where, notably, intonation does not highlight focused information in the way we might expect from European stress languages.
The goal of this paper is to survey the accent systems of the indigenous languages of Africa. Although roughly one third of the world’s languages are spoken in Africa, this continent has tended to be underrepresented in earlier stress and accent typology surveys, like Hyman (1977). This one aims to fill that gap. Two main contributions to the typology of accent are made by this study of African languages. First, it confirms Hyman's (1977) earlier finding that (stem-)initial and penult are the most common positions, cross-linguistically, to be assigned main stress. Further, it shows that not only stress but also tone and segment distribution can define prominence asymmetries which are best analyzed in terms of accent.
This paper presents a preliminary survey of the positions and prosodies associated with Wh-questions in two Bantu languages spoken in Malawi. The paper shows that the two languages are similar in requiring focused subjects to be clefted. Both also require 'which' questions and 'because of what' questions to be clefted or fronted. However, for other non-subjects Tumbuka rather uniformly imposes an IAV (immediately after the verb) requirement, while Chewa does not. In both languages, we found a strong tendency for there to be a prosodic phrase break following the Wh-word. In Tumbuka, this break follows from the general phrasing algorithm of the language, while in Chewa, I propose that the break can be best understood as following from the inherent prominence of Wh-words.
Introduction
(2011)
In spite of this long history, most work to date on the phonology-syntax interface in Bantu languages suffers from limitations, due to the range of expertise required: intonation, phonology, syntax. Quite generally, intonational studies on African languages are extremely rare. Most of the existing data has not been the subject of careful phonetic analysis, whether of the prosody of neutral sentences or of questions or other focus structures. There are important gaps in our knowledge of Bantu syntax which in turn limit our understanding of the phonology-syntax interface. Recent developments in syntactic theory have provided a new way of thinking about the type of syntactic information that phonology can refer to and have raised new questions: Do only syntactic constituent edges condition prosodic phrasing? Do larger domains such as syntactic phases, or even other factors, like argument and adjunct distinctions, play a role? Further, earlier studies looked at a limited range of syntactic constructions. Little research exists on the phonology of focus or of sentences with non-canonical word order in Bantu languages. Both the prosody and the syntax of complex sentences, questions and dislocations are understudied for Bantu languages. Our project aims to remedy these gaps in our knowledge by bringing together a research team with all the necessary expertise. Further, by undertaking the intonational, phonological and syntactic analysis of several languages we can investigate whether there is any correlation among differences in morphosyntactic and prosodic properties that might also explain differences in phrasing and intonation. It will also allow us to investigate whether there are cross-linguistically common prosodic patterns for particular morpho-syntactic structure.
As work like McCarthy (2002: 128) notes, pre-Optimality Theory (OT) phonology was primarily concerned with representations and theories of subsegmental structure. In contrast, the role of representations and choice of structural models has received little attention in OT. Some central representational issues of the pre-OT era have, in fact, become moot in OT (McCarthy 2002: 128). Further, as work like Baković (2007) notes, even for assimilatory processes where representation played a central role in the pre-OT era, constraint interaction now carries the main explanatory burden. Indeed, relatively few studies in OT (e.g., Rose 2000; Hargus & Beavert 2006; Huffmann 2005, 2007; Morén 2006) have argued for the importance of phonological representations. This paper intends to contribute to this work by reanalyzing a set of processes related to vowel harmony in Shimakonde, a Bantu language spoken in Mozambique and Tanzania. These processes are of particular interest, as Liphola’s (2001) study argues that they are derivationally opaque and so not amenable to an OT analysis. I show that the opacity disappears given the proper choice of representations for vowel features and a metrical harmony domain.
Introduction
(2006)
The papers in this volume reflect a number of broad themes which have emerged during the meetings of the project as particularly relevant for current Bantu linguistics. [...] The papers show that approaches to Bantu linguistics have also developed in new directions since this foundational work. For example, interaction of phonological phrasing with syntax and word order on the one hand, and with information structure on the other, is more prominent in the papers here than in earlier literature. Quite generally, the role of information structure for the understanding of Bantu syntax has become more important, in particular with respect to the expression of topic and focus, but also for the analysis of more central syntactic concerns such as questions and relative clauses. This, of course, relates to a wider development in linguistic theory to incorporate notions of topic and focus into core syntactic analysis, and it is not surprising that work on Bantu languages and on linguistic theory are closely related to each other in this respect. Another noteworthy development is the increasing interest in variation among Bantu languages which reflects the fact that more empirical evidence from more Bantu languages has become available over the last decade or so. The picture that emerges from this research is that morpho-syntactic variation in Bantu is rich and complex, and that there is strong potential to link this research to research on micro-variation in European (and other) languages, and to the study of morpho-syntactic variables, or parameters, more generally.