ICI Berlin
Refine
Year of publication
Document Type
- Part of a Book (283)
- Book (5)
- Article (2)
Language
- English (210)
- German (79)
- Multiple languages (1)
Has Fulltext
- yes (290)
Is part of the Bibliography
- no (290)
Keywords
- Psychoanalyse (25)
- Rezeption (25)
- Dante Alighieri (22)
- Film (20)
- Freud, Sigmund (20)
- Pasolini, Pier Paolo (19)
- Das Unheimliche (18)
- Productive reception (18)
- Reenactment (18)
- Benjamin, Walter (17)
- Erkenntnistheorie (16)
- Ästhetik (16)
- Multistable figures (13)
- Performance <Künste> (13)
- Affekt (12)
- Epistemologie (12)
- Kunst (12)
- Queer-Theorie (12)
- Zeit (12)
- Geschichte (11)
- Inversionsfigur (11)
- Muttersprache (11)
- Wahrnehmungswechsel (11)
- Canguilhem, Georges (10)
- Foucault, Michel (10)
- Multistability (10)
- Sprache (10)
- Conatus (9)
- Divina Commedia (9)
- Lyrik (9)
- Politik (9)
- Archiv (8)
- Philosophie (8)
- Situiertes Wissen (8)
- Spiel (8)
- Spinoza, Benedictus de (8)
- Time (8)
- Weltliteratur (8)
- Widerstand (8)
- Wiederholung (8)
- Ethica ordine geometrico demonstrata (7)
- Haraway, Donna Jeanne (7)
- Inferno (7)
- Offenheit (7)
- Tension (7)
- Aesthetics (6)
- Agamben, Giorgio (6)
- Biowissenschaften (6)
- Feminism (6)
- Mother tongue (6)
- Spannung (6)
- Spieltheorie (6)
- Weathering (6)
- Zeitlichkeit (6)
- Adaption <Literatur> (5)
- Exposure (5)
- Feminismus (5)
- Greek myths (5)
- Kolonialismus (5)
- Lebensnot (5)
- Liste (5)
- Literatur (5)
- Postkolonialismus (5)
- Technik (5)
- Verwitterung (5)
- War (5)
- World literature (5)
- Übersetzung (5)
- Affect (4)
- Aktivismus (4)
- Archive (4)
- Aspect seeing (4)
- Badiou, Alain (4)
- Decolonization (4)
- Deleuze, Gilles (4)
- Derrida, Jacques (4)
- Dialektik (4)
- Drehbuch (4)
- Fotografie (4)
- Ganzheit (4)
- Kollektives Gedächtnis (4)
- Konservierung (4)
- La vita nuova (4)
- Language (4)
- Lyric (4)
- Medienwissenschaft (4)
- Motion pictures (4)
- Politics (4)
- Reduktion (4)
- Resistance (4)
- Temporality (4)
- Tod (4)
- Totalität (4)
- Translation (4)
- Wholeness (4)
- Aeschylus (3)
- Allegory (3)
- Ausstellung (3)
- Autobiografie (3)
- Community (3)
- Cyborg (3)
- Death (3)
- Divina Commedia. Paradiso (3)
- Dokumentarfilm (3)
- Enclosure (3)
- Erzähltechnik (3)
- Experiment (3)
- Experimentalfilm (3)
- Film adaptions (3)
- Form (3)
- Griechenland (Altertum) (3)
- Heidegger, Martin (3)
- Historismus (3)
- History (3)
- Homosexualität (3)
- Identity politics (3)
- Identität (3)
- Identitätspolitik (3)
- Interpretation (3)
- Interruption (3)
- Kant, Immanuel (3)
- Krieg (3)
- Kultur (3)
- Körper (3)
- Liebe <Motiv> (3)
- Love (3)
- Medien (3)
- Memory (3)
- Mundart (3)
- Natur (3)
- Naturwissenschaften (3)
- Objektivität (3)
- Orestia (3)
- Passivität (3)
- Paulus, Apostel, Heiliger (3)
- Plasticity (3)
- Plastizität (3)
- Prekariat (3)
- Preservation (3)
- Proust, Marcel (3)
- Psychoanalysis (3)
- Queer theory (3)
- Rassismus (3)
- Regionalität (3)
- Repetition (3)
- Singularity (3)
- Theorie (3)
- Totality (Philosophy) (3)
- Vulnerability (3)
- Wandel (3)
- Warburg, Aby Moritz (3)
- Wetter (3)
- Winnicott, Donald W. (3)
- Wissen (3)
- Wissenschaft (3)
- Wissenschaftsphilosophie (3)
- Wissensproduktion (3)
- Wittgenstein, Ludwig (3)
- À la recherche du temps perdu (3)
- Übertragung <Psychologie> (3)
- Afrika (2)
- Allegorie (2)
- Althusser, Louis (2)
- Ambivalenz (2)
- Angst (2)
- Animationsfilm (2)
- Animismus (2)
- Anthropologie (2)
- Anthropozentrismus (2)
- Arendt, Hannah (2)
- Art (2)
- Artistic research (2)
- Auerbach, Erich (2)
- Aufklärung (2)
- Aura (2)
- Authentizität (2)
- Behinderung (2)
- Berlin (2)
- Biopolitik (2)
- Callas, Maria (2)
- Chachkhiani, Vajiko (2)
- Cinematography (2)
- Classical antiquity (2)
- Collage (2)
- Collective memory (2)
- Colonialism (2)
- Computerkunst (2)
- Dante, Alighieri (2)
- Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (2)
- Das Passagen-Werk (2)
- Dauer (2)
- Dialectic (2)
- Differenz (2)
- Displacement (2)
- Double (2)
- Duration (2)
- Enantiosemy (2)
- Ereignis (2)
- Erfahrung (2)
- Eschatologie (2)
- Eschatology (2)
- Ethics (2)
- Ethnography (2)
- Ethnologie (2)
- Europa (2)
- Event (2)
- Exegese (2)
- Exegesis (2)
- Fehler (2)
- Fiction (2)
- Figure of thought (2)
- Filmtechnik (2)
- Flüchtling (2)
- Gedächtnis (2)
- Gegenwart (2)
- Geisteswissenschaften (2)
- Gemeinschaft (2)
- Gentrification (2)
- Geologie (2)
- Geschichtsschreibung (2)
- Gesellschaft (2)
- Gesture (2)
- Gewalt (2)
- Global South (2)
- Globaler Süden (2)
- Guattari, Félix (2)
- Historicity (2)
- Historischer Materialismus (2)
- History of knowledge (2)
- Humanökologie (2)
- Humor (2)
- Humour (2)
- Identity (2)
- Il vangelo secondo Matteo (2)
- Indien (2)
- Installation <Kunst> (2)
- Intensity (2)
- Irrtum (2)
- Italian literature (2)
- Italian poetry (2)
- Iteration (2)
- Jarman, Derek (2)
- Joyce, James (2)
- Judaism (2)
- Judentum (2)
- Kafka, Franz (2)
- Klausur (2)
- Klima (2)
- Knowledge production (2)
- Knowledge, theory of (2)
- Komplexität (2)
- Kontext (2)
- Künstlerische Forschung (2)
- Lacan, Jacques (2)
- Lists (2)
- Living History (2)
- Logik (2)
- Loss (2)
- Madness (2)
- Marx, Karl (2)
- Marxism (2)
- Mechanik (2)
- Medea (Film, 1969) (2)
- Medienanthropologie (2)
- Medienkunst (2)
- Medienphilosophie (2)
- Medientheorie (2)
- Medieval (2)
- Mensch (2)
- Metaphysik (2)
- Meteorologie (2)
- Meteorology (2)
- Mimesis (2)
- Mittelalter (2)
- Mnemosyne (2)
- Museum (2)
- Naher Osten (2)
- Naming (2)
- Narrative (2)
- Neoliberalismus (2)
- Nietzsche, Friedrich (2)
- Othering (2)
- Paradoxon (2)
- Parodie (2)
- Parody (2)
- Pasolini, Pier Paolo: San Paolo (2)
- Performance art (2)
- Peripherie (2)
- Philosophische Untersuchungen (2)
- Philosophy (2)
- Physik (2)
- Phänomenologie (2)
- Poetry (2)
- Politische Kunst (2)
- Prodger, Charlotte (2)
- Protest (2)
- Psychiatrie (2)
- Queer activism (2)
- Queere Zeitlichkeit (2)
- Raum (2)
- Reading (2)
- Recitation (2)
- Reductionism (2)
- Reduktionismus (2)
- Regen (2)
- Reinterpretation (2)
- Rekonstruktion (2)
- Religion (2)
- Remediation (2)
- Ritornell <Musik> (2)
- Ritual (2)
- Romantik (2)
- Scheitern (2)
- Schreiben (2)
- Science (2)
- Serial (2)
- Serienfilm (2)
- Sichtbarkeit (2)
- Slow cinema (2)
- Sozialgeschichte (2)
- Spekulativer Realismus (2)
- Spiritismus (2)
- Sprache <Motiv> (2)
- Structure (2)
- Struktur (2)
- Subjektivität (2)
- Suspense (2)
- Tango (2)
- Television (2)
- Tiere (2)
- Transhistoricism (2)
- Trauma (2)
- Türkei (2)
- Uncanny (2)
- Verdrängung (2)
- Verweigerung (2)
- Video art (2)
- Videokunst (2)
- Visual culture (2)
- Vitalismus (2)
- Völkermord (2)
- Wahrnehmung (2)
- Wetter <Motiv> (2)
- Whitehead, Alfred North (2)
- Widerspruch (2)
- Wissensrepräsentation (2)
- Woolf, Virginia (2)
- Worlding (2)
- Öffnung (2)
- 'Shadows' series (2016) (1)
- 120 BPM (1)
- A portrait of the artist as a young man (1)
- ACT UP (1)
- Abbasi, Ali (1)
- Abramović, Marina (1)
- Abstract algebra (1)
- Abstraktion (1)
- Academic publishing (1)
- Acting (1)
- Activism (1)
- Adagia (1)
- Adorno, Theodor W. (1)
- Aesthetic form (1)
- Aethetics (1)
- Affect theory (1)
- Affektive Bindung (1)
- Affirmation (1)
- Affizierung (1)
- African American literature (1)
- Afrikaans (1)
- Afroamerikanische Literatur / USA (1)
- Afterwardsness (1)
- Agamben, Giorgio: Altissima povertà (1)
- Agamben, Giorgio: Il sacramento del linguaggio (1)
- Agamben, Giorgio: L'aperto (1)
- Agathon (1)
- Albers, Josef (1)
- Algorithmus (1)
- Alternative gallery models (1)
- Altnordisch (1)
- Amateurfilm (1)
- Ambiguitiy (1)
- Ambiguität (1)
- Ambitransitive verbs (1)
- Ambivalence (1)
- American art (1)
- American poetry (1)
- Anachronism (1)
- Anagoge (1)
- Anagogy (1)
- Analysis (philosophy) (1)
- Anarchive (1)
- Andria (1)
- Angola (1)
- Animal studies (1)
- Anleitung (1)
- Anthologies - Editing (1)
- Anthropogene Klimaänderung (1)
- Anthropology (1)
- Anthropomorphismus (1)
- Anthropozän (1)
- Apartheid (1)
- Apartment-galleries (1)
- Aphasie (1)
- Apokatastasis (1)
- Apparatur (1)
- Appropriation (1)
- Aracoeli (1)
- Architecture and literature (1)
- Architektur (1)
- Archives (1)
- Arithmetik (1)
- Armenian genocide (1)
- Armenier (1)
- Armut (1)
- Arnim, Achim von (1)
- Art and photography (1)
- Art conservation (1)
- Art history (1)
- Art market (1)
- Art, Yugoslav (1)
- Artificial rain (1)
- Artificial weathering (1)
- Artistic collaboration (1)
- Artistic creation (1)
- Arts (1)
- Asian-African Conference (1)
- Aspect-relative cognition (1)
- Assemblage (1)
- Asylpolitik (1)
- Atlas (1)
- Atlas Group (1)
- Atlas Group. Archive (1)
- Atmosphere (1)
- Atmosphäre (1)
- Atopos (1)
- Attridge, Derek (1)
- Attunement (1)
- Aufführung (1)
- Aufstand (1)
- Augustinus, Aurelius (1)
- Augustinus, Aurelius, Heiliger (1)
- Austerity (1)
- Authenticity (Philosophy) in literature (1)
- Authoritarianism (1)
- Authority (1)
- Autismus (1)
- Autobiografische Literatur (1)
- Autobiography (1)
- Autofiction (1)
- Automat (1)
- Autophilosophy (1)
- Autorität (1)
- Avantgarde (1)
- BDSM (sexual behavior) (1)
- Bachelard, Gaston (1)
- Backbuch (1)
- Bacon, Francis (1)
- Badezimmer (1)
- Bandung Conference (1)
- Baraka, Imamu Amiri (1)
- Baraka, Imamu Amiri: The system of Dantes hell (1)
- Barbieri, Caterina (1)
- Bathroom (1)
- Bearbeitung (1)
- Beatgeneration (1)
- Beckett, Samuel (1)
- Becoming (Philosophy) (1)
- Bedrohung (1)
- Begriff (1)
- Begriffsbildung (1)
- Bellatín, Mario (1)
- Belonging (Social Psychology) (1)
- Benedictines (1)
- Benedikt XII., Papst (1)
- Benediktiner (1)
- Benjamin, Walter: Eduard Fuchs, der Sammler und der Historiker (1)
- Benjamin, Walter: Pergamentheft (1)
- Benjamin, Walter: Rastelli erzählt (1)
- Berlin-Neukölln (1)
- Berliner Chronik (1)
- Berliner Mauer <Motiv> (1)
- Beukes, Lauren (1)
- Beukes, Lauren: Zoo City (1)
- Beuys, Joseph (1)
- Bibel. Rut (1)
- Bichat, Xavier (1)
- Bildband (1)
- Bilir-Meier, Cana (1)
- Biology, experimental (1)
- Biopolitics (1)
- Black Arts movement (1)
- Blackbox (1)
- Blas, Zach (1)
- Bloom, Harold (1)
- Boissier, A. (1)
- Boissier, A.: Les amants électrisés par l'amour (1)
- Bojack Horseman (1)
- Books in paintings (1)
- Books mentioned in the Bible (1)
- Border (Gräns) (1)
- Borderland (1)
- Boudry, Pauline (1)
- Bourgeoisie (1)
- Brasilien (1)
- Brazil (1)
- Brecht, Bertolt (1)
- Brecht, Bertolt: Der Rundfunk als Kommunikationsapparat (1)
- Brief (1)
- Buch <Motiv> (1)
- Böttner, Lorenza (1)
- Bürgertum (1)
- COVID-19 (1)
- Campillo, Robin (1)
- Canon (literature) (1)
- Canzoniere (1)
- Capital market (1)
- Capitalism (1)
- Carpenter, John (1)
- Cartography (1)
- Case law (1)
- Castellucci, Romeo (1)
- Cavell, Stanley (1)
- Center for Historical Reenactments (1)
- Certain women (1)
- Chachkhiani, Vajiko: Heavy Metal Honey (1)
- Chachkhiani, Vajiko: Living Dog Among Dead Lions (1)
- Chachkhiani, Vajiko: Rite (Dog Days) (1)
- Challenge for change (1)
- Chance in art (1)
- Change (1)
- Chaos theory (1)
- Chaotisches System (1)
- Chiha, Patric (1)
- Chinesische Medizin (1)
- Chorality (1)
- Christentum (1)
- Christianity (1)
- Christliche Literatur (1)
- Chrononormativität (1)
- Cinema (1)
- Cistercians (1)
- Clanwilliam Arts Project (1)
- Clara (1)
- Classical reception (1)
- Classical tragedy (1)
- Claustrophilia (1)
- Climate (1)
- Climate change (1)
- Closure (1)
- Coetzee, J. M. (1)
- Cognitive mapping (1)
- Cohen, Albert (1)
- Communal resistance (1)
- Complexity (1)
- Computeranimation (1)
- Computermusik (1)
- Computerschach (1)
- Computerspiel (1)
- Comte, Auguste (1)
- Concentration camps (1)
- Concept-art (1)
- Conceptual art (1)
- Conceptuality (1)
- Conclusion (1)
- Confessiones (1)
- Confined weathers (1)
- Conservation (1)
- Contact improvisation jam (1)
- Contemporary art (1)
- Contingency (Philosophy) (1)
- Continuation (1)
- Contradiction (1)
- Contradictory thinking (1)
- Convents (1)
- Conversion (1)
- Counter-history (1)
- Counterpublic (1)
- Courtly culture (1)
- Creative distruction (1)
- Cripistemology (1)
- Critical thinking (1)
- Cuban art (1)
- Cultural identity (1)
- Curatorial archives (1)
- Curatorial practice (1)
- Curatorial practices (1)
- Curatorship (1)
- Damaskuserlebnis (1)
- Darstellung (1)
- Das Andere (1)
- Das Böse (1)
- Das Dionysische (1)
- Das Groteske (1)
- Das Heilige (1)
- Das Kapital (1)
- Das Phantastische (1)
- Das Soziale (1)
- Das Übernatürliche <Motiv> (1)
- De architectura (1)
- Decolonialsm (1)
- Deconstruction (1)
- Deklamation (1)
- Dekonstruktion (1)
- Delay (1)
- Delay, Jean (1)
- Demoris, Emmanuelle (1)
- Demoris, Emmanuelle: Mafrouza (1)
- Denis, Claire (1)
- Der Bau (1)
- Der Tod in Rom (1)
- Desire (1)
- Destruction (1)
- Deutsch (1)
- Deutschland (1)
- Deutschland <Motiv> (1)
- Developmental biology (1)
- Devotional literature (1)
- Dialect (1)
- Dialog (1)
- Dialogue (1)
- Diaspora <Religion> (1)
- Dictatorships (1)
- Die Serapions-Brüder (1)
- Die fröhliche Wissenschaft (1)
- Die unsichtbare Loge (1)
- Die Ästhetik des Widerstands (1)
- Difference (1)
- Digital art (1)
- Digital images (1)
- Digitale Bildmedien (1)
- Dionysos (1)
- Diptychon (1)
- Disability (1)
- Disability Studies (1)
- Disability aesthetics (1)
- Diskontinuität (1)
- Diskurstheorie (1)
- Disputation (1)
- Disruption (1)
- Disruptive innovations (1)
- Dissens (1)
- Disuse (1)
- Diversorium (1)
- Divina commedia (1)
- Division (split) (1)
- Diyarbakır. Region (1)
- Documentary (1)
- Documentary films (1)
- Doktor Faustus (1)
- Don Quijote (1)
- Doppelgänger <Motiv> (1)
- Dramatic conflict (1)
- Drawing (1)
- Drehbuchautor (1)
- Druck (1)
- Dschinn (1)
- Duineser Elegien (1)
- Duncan, Robert Edward (1)
- Durkheim, Émile (1)
- Dyptich (1)
- Eating disorders (1)
- Eckhart, Meister (1)
- Eclipses (1)
- Eco-feminist praxis (1)
- Eco-redaction (1)
- Ecology (1)
- Education, compulsory (1)
- Edward II (Film, 1991) (1)
- Ein Bericht für eine Akademie (1)
- Einbildungskraft (1)
- Einwanderin (1)
- Eisen (1)
- Electricity (1)
- Elektrizität (1)
- Emerson, Ralph Waldo (1)
- Engels, Friedrich (1)
- Englisch (1)
- Enlightenment (1)
- Entangled ecologies (1)
- Entropie (1)
- Entropy (1)
- Entwicklungsbiologie (1)
- Environmental influence (1)
- Epigenetics (1)
- Epigenetik (1)
- Epilog (1)
- Epilogues (1)
- Episkop (1)
- Epoché <Phänomenologie> (1)
- Erasmus, Desiderius (1)
- Erinnerung (1)
- Eritrea (1)
- Erkenntniskritik (1)
- Eros <Begriff> (1)
- Erotische Lyrik (1)
- Errancy (1)
- Error (1)
- Errors (1)
- Erzählung (1)
- Erzählzeit (1)
- Essstörung (1)
- Estado Novo (1)
- Eternity (1)
- Ethik (1)
- Ethnologe (1)
- Eupalinos (1)
- European asylum system (1)
- Eutopos (1)
- Evolutionary biology (1)
- Evolutionsbiologie (1)
- Evolutionstheorie (1)
- Exceptionalism (1)
- Exhibition reactivation (1)
- Exhibitions (1)
- Exil (1)
- Exile (1)
- Exilic consciousness (1)
- Experimental video (1)
- Experimentelles Video (1)
- Extractivism (1)
- Fanon, Frantz (1)
- Fear (1)
- Feldforschung (1)
- Feldtheorie (1)
- Feminist pornography (1)
- Feministische Philosophie (1)
- Fetischismus (1)
- Field theory (1)
- Figuration <Kunst> (1)
- Figures of speech (1)
- Fiktionale Darstellung (1)
- Film scripts (1)
- Fluide Identität (1)
- Fluxus (1)
- Flächennutzung (1)
- Fog (1)
- Folkbildningsterror (1)
- Forests (1)
- Form (aesthetics) (1)
- Fortleben (1)
- Fortpflanzung (1)
- Fortschritt (1)
- Fotobuch (1)
- Fragmentation (Philosophy) in literature (1)
- Franciscans (1)
- Franziskaner (1)
- Fraser, Andrea (1)
- Frau <Motiv> (1)
- Freedom (1)
- Frege, Gottlob (1)
- Freiheit (1)
- Fremder <Motiv> (1)
- French literature (1)
- Freundschaft (1)
- Friedhof (1)
- Friedrich, Su (1)
- Friedrich, Su: Seeing Red (1)
- Fugitivity (1)
- Furcht <Motiv> (1)
- Future concepts (1)
- Futurismus (1)
- Föderation Nordsyrien - Rojava (1)
- Führungslehre (1)
- Gadda, Carlo Emilio (1)
- Galfredus, Monumetensis (1)
- Galuth (1)
- Game Studies (1)
- Gamification (1)
- Gast <Motiv> (1)
- Gastfreundschaft <Motiv> (1)
- Gated Community (1)
- Gay culture (1)
- Gay erotic poetry (1)
- Geburt Jesu (1)
- Gebäckherstellung (1)
- Gefangener (1)
- Gegenöffentlichkeit (1)
- Gegenübertragung (1)
- Geheimdienst (1)
- Geister (1)
- Gender (1)
- Genocide (1)
- Gentrifizierung (1)
- Geo-aesthetics (1)
- Geography (1)
- Geology (1)
- German colonialism (1)
- Germania anno zero (1)
- Geschichte 1250-1500 (1)
- Geschichte 1700-1800 (1)
- Geschichte 1750-1800 (1)
- Geschichte 1960- (1)
- Geschichte 1990-2000 (1)
- Geschichte 2013 (1)
- Geschichte 2015 (1)
- Geschichte <Motiv> (1)
- Geschichtlichtkeit (1)
- Geschichtsphilosophie (1)
- Geschlechterrolle (1)
- Gesellschaftskritik (1)
- Gestalt psychology (1)
- Gestaltpsychologie (1)
- Geteiltes Deutschland <Motiv> (1)
- Gezi movement, Turkey 2013 (1)
- Gezi-Park (Istanbul) (1)
- Ghettoization (1)
- Gide, André (1)
- Giudici, Giovanni (1)
- Gleichheit (1)
- Global histories (1)
- Goats (1)
- Golem (1)
- Golfkrieg <2003> (1)
- Golfstaaten (1)
- Good and evil in literature (1)
- Gottfried, von Straßburg (1)
- Grimm, Jacob (1)
- Grotesque (1)
- Gruppe T (1)
- Gruppo T (1)
- Guayana-Massiv (1)
- Guest (1)
- Guiana Shield (1)
- Gulf futurism (1)
- Halloween (Film, 1978) (1)
- Hamacher, Werner (1)
- Hamann, Johann Georg (1)
- Hammons, David (1)
- Handlesekunst (1)
- Handlungskompetenz (1)
- Handlungsmacht <Soziologie> (1)
- Harmonie (1)
- Harmony (1)
- Haunting (1)
- Havanna (1)
- Hegel, Georg Wilhelm Friedrich (1)
- Heil (1)
- Heilpflanzen (1)
- Heimat <Motiv> (1)
- Hell (theology) (1)
- Hellsehen (1)
- Helmholtz, Hermann von (1)
- Heretics, Christian (1)
- Hermeneutik (1)
- Herzog, Werner (1)
- Herzog, Werner: Wo die grünen Ameisen träumen (1)
- Heterogenese (1)
- Heterotopie (1)
- Heuristic (1)
- Heuristik (1)
- High Life (1)
- Hindernis (1)
- Historical reconstruction (1)
- Historical time (1)
- Historical transformation (1)
- Historicism (1)
- Historiography (1)
- Historische Kritik (1)
- Historizismus (1)
- History from below (1)
- History in literature (1)
- History of medicine (1)
- History of science (1)
- Hobbes, Thomas (1)
- Hoffmann, E.T.A. (1)
- Holbein, Hans (1)
- Holocaust, Jewish (1939-1945) (1)
- Home (1)
- Homonyms (1)
- Homosexuality (1)
- Honigpumpe am Arbeitsplatz (1)
- Hoover, Nan (1)
- Hope (1)
- Hospitality (1)
- Houston, Shine Louise: The wild search (1)
- Hughes, John (1)
- Hughes, John: The idea of home - autobiographical essays (1)
- Human biology (1)
- Humanismus (1)
- Humanity (1)
- Humanität (1)
- Hume, David (1)
- Hunger strike (1)
- Hungerstreik (1)
- Hybridity (1)
- Hysteria (1)
- Hysterie <Motiv> (1)
- Höfische Literatur (1)
- Hölle <Motiv> (1)
- Idioms (1)
- Illusion (1)
- Illustrated atlas (1)
- Illustration (1)
- Illustration of books (1)
- Imagination (1)
- Imitationen (1)
- Imperfection (1)
- Improvisation (1)
- Inclusion (1)
- Incommensurability (1)
- Incompleteness (1)
- Independent cinema (1)
- Index <Semiotik> (1)
- India (1)
- Indigene Medienkulturen (1)
- Indigeneity (1)
- Indigenes Volk (1)
- Individuation (1)
- Inferno, 26 (1)
- Ingenieurwissenschaften (1)
- Innateness (Philosophy) (1)
- Institution (1)
- Institutional critique (1)
- Inszenierung (1)
- Intensität (1)
- Interdisciplinary research (1)
- Interdisziplinarität (1)
- Interdisziplinäre Forschung (1)
- Intermedialität (1)
- Internet (1)
- Intersubjectivity (1)
- Intersubjektivität (1)
- Intransitives Verb (1)
- Ipomedon (1)
- Irak (1)
- Iran (1)
- Iran / Revolution <1978-1979> (1)
- Iranian studies (1)
- Iraq (1)
- Irish literature (1)
- Irland (1)
- Iron (1)
- Isabella von Ägypten (1)
- Island (1)
- Israel (1)
- Italian literature - 20th Century (1)
- Italien (1)
- Italien. Süd (1)
- Italienisch (1)
- Italy - History (1)
- Italy, Southern (1)
- Iterability (1)
- Iturbide, Graciela (1)
- Jabès, Edmond (1)
- Jacir, Annemarie (1)
- Java (1)
- Je ne sais quoi (1)
- Jean Paul (1)
- Jesus Christus (1)
- Jetztzeit (1)
- Jewish Diaspora (1)
- Jewish law (1)
- Jones, LeRoi (1)
- Juden <Motiv> (1)
- Judenvernichtung <Motiv> (1)
- Jugoslawien (1)
- Julien, Isaac (1)
- Julien, Isaac: The Attendant (1)
- Jungfräulichkeit (1)
- Jüdisches Recht (1)
- Kaaps (1)
- Kabir (1)
- Kahlo, Frida (1)
- Kanada (1)
- Kann, Siegfried (1)
- Kanon (1)
- Kapitalismus (1)
- Kartografie (1)
- Kawauchi, Rinko (1)
- Kejawen (1)
- Kerbaj, Mazen (1)
- Kernspaltung (1)
- Khazem, Jean-Pierre (1)
- Kierkegaard, Søren (1)
- Kinetische Kunst (1)
- Kippfigur (1)
- Klangkunst (1)
- Klee, Paul (1)
- Kleine Geschichte der Photographie (1)
- Kleist, Heinrich von (1)
- Klima <Motiv> (1)
- Kloster Lüne (1)
- Knowledge (1)
- Knowledge representation (1)
- Koeppen, Wolfgang (1)
- Konflikt (1)
- Kontingenz (1)
- Konversion <Religion> (1)
- Konzentrationslager <Motiv> (1)
- Konzentrationslager Auschwitz <Motiv> (1)
- Kooperation (1)
- Kopie (1)
- Kosmologie (1)
- Kosmopolitik (1)
- Koťátková, Eva (1)
- Koťátková, Eva: Asylum (1)
- Kraus, Karl (1)
- Kreuzlingen (1)
- Kritik der praktischen Vernunft (1)
- Kritisches Denken (1)
- Krochmal, Nachman (1)
- Kuba (1)
- Kubota, Shigeko (1)
- Kuhn, Thomas S. (1)
- Kulturelle Identität (1)
- Kunstbetrieb (1)
- Kunstgalerie (1)
- Kunstgeschichtsschreibung (1)
- Kunstmarkt (1)
- Kunstproduktion (1)
- Kurden (1)
- Kurdish movement (1)
- Kurdistan-Irak (1)
- Kurzfilm (1)
- Künste (1)
- Künstlerin (1)
- Künstliche Intelligenz (1)
- LGBT (1)
- LGBT people (1)
- La divina mimesis (1)
- La luna e i falò (1)
- Lachen (1)
- Lachman, Harry (1)
- Lachman, Harry: Dante's Inferno (1)
- Lacoue-Labarthe, Philippe (1)
- Land-art (1)
- Landscape (1)
- Landwirtschaft (1)
- Langsamkeit (1)
- Language acquisition (1)
- Language disorders (1)
- Language politics (1)
- Lanzmann, Claude (1)
- Las Meninas (1)
- Latin (1)
- Latour, Bruno (1)
- Laughter (1)
- Le Nemesiache (1)
- Le dernier des injustes (Film) (2013) (1)
- Le livre de ma mère (1)
- Leben (1)
- Lebendige Gegenwart (1)
- Lebensform (1)
- Lefebvre, Henri (1)
- Legal imagination (1)
- Leitung <Technik> (1)
- Lerne deutsch mit Petra von Kant (1)
- Lesbe (1)
- Lesbian Separatism (1)
- Lesbian continuum (1)
- Lesbische Filmgeschichte (1)
- Lesbische Liebe (1)
- Lesbisches Begehren (1)
- Lesen (1)
- Letters (1)
- Libanon (1)
- Libanonkrieg <2006> (1)
- Liberalismus (1)
- Liebmann, Irina (1)
- Liebmann, Irina: Die freien Frauen (1)
- Liebmann, Irina: In Berlin (1)
- Life sciences and philosophy (1)
- Linguistic apartheid (1)
- Linguistic scepticism (1)
- Listening (1)
- Literarisches Leben (1)
- Literary experience (1)
- Literary field (1)
- Literary history (1)
- Literary material (1)
- Literature (1)
- Living and non-living beings (1)
- Living present (1)
- Logic (1)
- Lokales Wissen (1)
- Lorbeer (1)
- Lorenz, Renate (1)
- Lourdes (1)
- Lyotard, Jean-François (1)
- Lévi-Strauss, Claude (1)
- Löwin (1)
- Machtstruktur (1)
- Mafrouza - Oh la nuit! (1)
- Magic Circle (1)
- Magie (1)
- Magnet Theatre (Kapstadt) (1)
- Mainzer Sand (1)
- Malabou, Catherine (1)
- Malcomess, Bettina (1)
- Management (1)
- Management literature (1)
- Mann, Thomas (1)
- Marcos, Ferdinando Edralin (1)
- Marcos, Imelda Romualdez (1)
- Marginal temporality (1)
- Margulis, Lynn (1)
- Maria (1)
- Marxismus (1)
- Maschine (1)
- Massumi, Brian (1)
- Materiality (1)
- Materialität (1)
- Mathematical analysis (1)
- Mathematik (1)
- Maulbeerbaum (1)
- Mauthner, Fritz (1)
- McLaren, Norman (1)
- McLaren, Norman: Begone dull care (1)
- Media art (1)
- Mediated landscapes (1)
- Medicin, Chinese (1)
- Medienkultur (1)
- Medientechnik (1)
- Medienökologie (1)
- Medium (1)
- Medizin (1)
- Medizingeschichte (1)
- Mehrotra, Arvind Krishna (1)
- Mehrotra, Arvind Krishna: Songs of Kabir (1)
- Memorialization (1)
- Memory <remembrance> (1)
- Mental illness (1)
- Meredith, Sean (1)
- Meredith, Sean: Inferno (1)
- Merrill, James Ingram (1)
- Messianismus (1)
- Metamorphose (1)
- Metamorphosis (1)
- Metaphysics of presence (1)
- Meteorological art (1)
- Middle East (1)
- Middle English (1)
- Migration (1)
- Milḥ hāḏa 'l-baḥr (1)
- Military junta (1)
- Militär (1)
- Militärdiktatur (1)
- Minderheit (1)
- Minefields (1)
- Minimal variation (1)
- Minimalism (1)
- Mise en abyme (1)
- Missverständnis (1)
- Misunderstandings (1)
- Mittelenglisch (1)
- Modernisierung (1)
- Monasticism (1)
- Montage (1)
- Montale, Eugenio (1)
- Moral (1)
- Morante, Elsa (1)
- More-than-human memory (1)
- More-than-human relations (1)
- Moten, Fred (1)
- Moten, Fred: B Jenkins (1)
- Mother (1)
- Motion picture (1)
- Motion picture authorship (1)
- Motion picture play (1)
- Mouvance (1)
- Mulberry trees (1)
- Mundart Afrikaans <Kapstadt, Region> (1)
- Murmelstein, Benjamin (1)
- Museum education (1)
- Museumspädagogik (1)
- Music (1)
- Musical (1)
- Musik (1)
- Mutter (1)
- Mutter <Motiv> (1)
- Muzeum Sztuki (Lodz) (1)
- Muzeum Sztuki (Lodz). Mie̜dzynarodowa Kolekcja Sztuki Nowoczesnej (1)
- Muñoz, José Esteban (1)
- Mysticism (1)
- Mystik (1)
- Mystizismus (1)
- Mythologie (1)
- Mythology in Motion Pictures (1)
- Mythos (1)
- Mönchtum (1)
- Müller, Herta (1)
- Münchhausen Effekt (1)
- Mündiche Überlieferung (1)
- NSZZ "Solidarność" (1)
- Nachleben (1)
- Nachträglichkeit (1)
- Name (1)
- Nancy, Jean-Luc (1)
- Narbe (1)
- Nation building (1)
- National socialism (1)
- Nationalbewusstsein (1)
- Nationalism (1)
- Nationalism and collective memory (1)
- Nationalismus (1)
- Nationalsozialismus <Motiv> (1)
- Nationenbildung (1)
- Nativism (1)
- Nativismus (1)
- Naturdarstellung (1)
- Nature (1)
- Nature images (1)
- Nature-culture (1)
- Naturlandschaft (1)
- Nebel <Motiv> (1)
- Negation (1)
- Negation (Logic) (1)
- Negri, Antonio (1)
- Nemes, László (1)
- Neokolonialismus (1)
- Neoliberal ideology (1)
- Neoliberalism (1)
- Neoplastic Room (1)
- Neoplastizismus (1)
- Nerv (1)
- Neue Medien (1)
- Neurath, Otto (1)
- Nichts (1)
- Nichtstaatliche Organisation (1)
- Nonne (1)
- Northern Renaissance (1)
- Nuclear Aesthetics (1)
- Nuclear Art (1)
- Nuclear Culture (1)
- Nuns (1)
- Object relations theory (1)
- Objektbeziehung (1)
- Observatorium <Motiv> (1)
- Observatory (1)
- Odysseus, Fiktive Gestalt (Sagengestalt) (1)
- Old Joy (1)
- Old Norse (1)
- Old Testament (1)
- Ontogenie (1)
- Ontologie (1)
- Ontology (1)
- Opacity (1)
- Open design (1)
- Openness (1)
- Operative reenactment (1)
- Oppression (1)
- Oral history (1)
- Oral tradition (1)
- Ordensreform (1)
- Ordensregel (1)
- Orey, Inês d' (1)
- Organisms (1)
- Organismus (1)
- Origin of language (1)
- Original (1)
- Ort (1)
- Ostblock (1)
- Otherness (1)
- Outopos (1)
- Owen, Robert (1)
- Paik, Nam June (1)
- Palestine (1)
- Palmistry (1)
- Palästina (1)
- Panafricanism (1)
- Pandemie (1)
- Pane, Gina (1)
- Paradox (1)
- Paradoxes in literature (1)
- Paris (1)
- Partiality (1)
- Partisan (1)
- Partisanship (1)
- Pasolini, Pier Paolo: L'odore dell'India (1)
- Pasolini, Pier Paolo: Appunti per un film sull'India (1)
- Pasolini, Pier Paolo: Appunti per un'Orestiade africana (1)
- Pasolini, Pier Paolo: L'uomo di Bandung (1)
- Pasolini, Pier Paolo: Pilade (1)
- Pathosformel (1)
- Pavese, Cesare (1)
- Pedagogy (1)
- Performance (1)
- Periphery (1)
- Petrarca, Francesco (1)
- Petrolio (1)
- Petzold, Christian (1)
- Pflanzen <Motiv> (1)
- Phantasmata (1)
- Phase transitions (1)
- Phenomenology (1)
- Phenotypic plasticity (1)
- Philippine history (1)
- Philippinen (1)
- Philologie (1)
- Philosophy of consciousness (1)
- Philosophy of science (1)
- Phobias (1)
- Phobie (1)
- Photobooks (1)
- Photographic errors (1)
- Phraseologie (1)
- Physics (1)
- Phänotyp (1)
- Picasso, Pablo (1)
- Pirici, Alexandra (1)
- Piss (1)
- Plants (1)
- Plastik (1)
- Plastizität <Physiologie> (1)
- Pleasure (1)
- Plural thought (1)
- Poem (1)
- Poesia in forma di rosa (1)
- Poetry, Yugoslav (1)
- Polemik (1)
- Political Messianism (1)
- Political atmosphere (1)
- Political beginnings (1)
- Political pressure (1)
- Political science (1)
- Political spirituality (1)
- Political theology (1)
- Political violence (1)
- Political-timing-specific art (1)
- Politics of scale (1)
- Politische Theologie (1)
- Popularisierung (1)
- Porcile (Film) (1)
- Pornografie (1)
- Pornographic films (1)
- Portugal (1)
- Positionality (1)
- Post-Apartheid (1)
- Post-Internet art (1)
- Post-enlightenment (1)
- Post-migrantisch (1)
- Postcolonialism (1)
- Postcolonialism in literature (1)
- Postcolonialismus (1)
- Postkolonialismus <Motiv> (1)
- Postmarxismus (1)
- Postponement (1)
- Potentiality (1)
- Power relations (1)
- Praise (1)
- Praktiken des Attunements (1)
- Precariousness (1)
- Preciado, Paul B. (1)
- Preenactment (1)
- Prekarisierung (1)
- Pressburger, Giorgio (1)
- Pressburger, Giorgio: Nel regno oscuro (1)
- Principi di una scienza nuova (1)
- Principle of an-archy (1)
- Print culture (1)
- Prisons (1)
- Process and reality (1)
- Programmed art (1)
- Prolog (1)
- Prologues (1)
- Promise (1)
- Prophecy (1)
- Prophetie <Motiv> (1)
- Prosthetics (1)
- Prostitution (1)
- Protestbewegung (1)
- Prothese (1)
- Präfix (1)
- Psychiatry (1)
- Psychisches Trauma (1)
- Psychoanalyse <Motiv> (1)
- Psychotherapie (1)
- Psychotherapy (1)
- Public sphere (1)
- Punakawan (1)
- Puppe (1)
- Puppenspiel (1)
- Puppet films (1)
- Pädagogik (1)
- Pêcheux, Michel (1)
- Qadiri, Monira al- (1)
- Queer gaze (1)
- Queer sensibilities (1)
- Queere Kollektivität (1)
- Queere Sebstbestimmug (1)
- Queere Zeitlichkeiten (1)
- Queere Zeitpolitiken (1)
- Queere Ästhetik (1)
- Queerer Experimentalfilm (1)
- Quelle <Hydrologie> (1)
- Quer pasticciaccio brutto de Via Merulana (1)
- Raad, Walid (1)
- Racial justice (1)
- Racism (1)
- Radiation (1)
- Radical indifference (1)
- Radical psychiatry (1)
- Radioactive (1)
- Radioaktivität (1)
- Rain (1)
- Rancière, Jacques (1)
- Rationalismus (1)
- Rationalität (1)
- Raubbau (1)
- Rauschenberg, Robert (1)
- Re-citation (1)
- Re-enactment (1)
- Re-enactment, historical (1)
- Re-presentation (1)
- Realismus (1)
- Receptivity (1)
- Recht (1)
- Recipe (1)
- Recirculation (1)
- Reconstruction (1)
- Red (1)
- Reduction (1)
- Reduktion <Phänomenologie> (1)
- Reenaction (1)
- Reference (1)
- Refugee tales (1)
- Refugees (1)
- Rehabilitation (1)
- Reichardt, Kelly (1)
- Relapse (1)
- Religious studies (1)
- Reparativ (1)
- Repeatability (1)
- Repetition compulsion (1)
- Reproduction (1)
- Reproduktion (1)
- Repräsentation (1)
- Resistant roots (1)
- Resnais, Alain (1)
- Resonance (1)
- Restaging (1)
- Restraint (1)
- Retrospection (1)
- Revelation (1)
- Revolt (1)
- Revolution (1)
- Rezept (1)
- Rezirkulation (1)
- Rheinberger, Hans-Jörg (1)
- Rhetorical criticism (1)
- Rhetorical simplicity (1)
- Rhetorik (1)
- Rilke, Rainer Maria (1)
- Rivera, Diego (1)
- Robotik (1)
- Rohstoffgewinnung (1)
- Romanze (1)
- Rosario, Arthur Bispo do (1)
- Rossellini, Roberto (1)
- Rossellini, Roberto: Deutschland im Jahre Null (1)
- Rost (1)
- Ruine (1)
- Ruins (1)
- Rust (1)
- Römisches Recht (1)
- Sade, Marquis de (1)
- Sado-Masochism (1)
- Sadomasochismus (1)
- Saga (1)
- Salome (1)
- Salvation (1)
- Sammelwerk (1)
- Sammlung (1)
- San <Volk> (1)
- Santal (1)
- Scale (1)
- Scar (1)
- Scenarios (1)
- Scepticism (1)
- Schauspielkunst (1)
- Schelling, Friedrich Wilhelm Joseph von (1)
- Schiff <Motiv> (1)
- Schizoid personality disorder (1)
- Schizoidie (1)
- Scholarly communication (1)
- Scholasticism (1)
- Scholastik (1)
- Schooling (1)
- Schriftlichkeit (1)
- Schuld (1)
- Schulden (1)
- Schule (1)
- Schulpflicht (1)
- Schutz (1)
- Schwarz, Roberto (1)
- Schwarze (1)
- Science-Fiction-Film (1)
- Screen writing (1)
- Screenwriting studies (1)
- Sculpture (1)
- Sebald, W. G. (1)
- Sebastianismus (1)
- Secular order (1)
- Segregation <Soziologie> (1)
- Sein (1)
- Sekula, Allan (1)
- Selbst (1)
- Selbstbestimmung (1)
- Selbstreflexion (1)
- Semiperipherie (1)
- Semprún, Jorge (1)
- Senegal (1)
- Sereni, Vittorio (1)
- Serra, Richard (1)
- Sexfilm (1)
- Sexuality (1)
- Sexualverhalten (1)
- Shekhar, Hansda Sowvendra (1)
- Shekhar, Hansda Sowvendra: The adivasi will not dance (1)
- Silveira, Nise da (1)
- Singularität <Philosophie> (1)
- Situated knowledge (1)
- Situierte Subjektivität (1)
- Skeptizismus (1)
- Sklaverei (1)
- Slavery (1)
- Smartness mandate (1)
- Smith, Ali (1)
- Social complexity (1)
- Social history (1)
- Social theory (1)
- Social transformation (1)
- Societas Raffaello Sanzio (1)
- Society (1)
- Son of Saul (1)
- Sonic reenactment (1)
- South Lebanon (1)
- Sozialer Wandel (1)
- Sozialphilosophie (1)
- Spaltung (1)
- Sparpolitik (1)
- Spatial turn (1)
- Speculative realism (1)
- Spekulativer Materialismus (1)
- Spiegelung <Motiv> (1)
- Spielifizierung (1)
- Spieltherapie (1)
- Spielwissenschaft (1)
- Spirited water spots (1)
- Spirituality (1)
- Spiritualität (1)
- Splace (1)
- Splitting (psychology) (1)
- Spracherwerb (1)
- Sprachphilosophie (1)
- Sprachpolitik (1)
- Sprachskepsis (1)
- Sprachtheorie (1)
- Sprachursprung (1)
- Spur (1)
- Staat (1)
- Stadt (1)
- Stadt <Motiv> (1)
- Stage adaptions (1)
- Stalking (1)
- Standardsprache (1)
- State (1)
- State security archives (1)
- Stedelijk Van Abbe-Museum (1)
- Steinmetz, Charles Proteus (1)
- Stench (1)
- Stengers, Isabelle (1)
- Sternwarte (1)
- Steyerl, Hito (1)
- Strahlung (1)
- Strangers (1)
- Stratigraphie (1)
- Stratigraphy (1)
- Strauss, Richard (1)
- Streubombe (1)
- Structuralism (1)
- Strukturale Anthropologie (1)
- Strukturalismus (1)
- Strukturelle Diskriminierung (1)
- Störung (1)
- Subjectivity (1)
- Subjectivity in literature (1)
- Subjekt (1)
- Subjekt <Philosophie> (1)
- Subjektive Sicherheit (1)
- Susceptibility (1)
- Symbiose (1)
- Szenarium (1)
- Südafrika (1)
- Südafrika. Truth and Reconciliation Commission (1)
- Südlibanon (1)
- Talmud (1)
- Teaching (1)
- Technikphilosophie (1)
- Technologie (1)
- Teilung <Motiv> (1)
- Teleologie (1)
- Teleology (1)
- Temporal paradox (1)
- Temporalität (1)
- Teorema (Film) (1)
- Terentius Afer, Publius (1)
- Terminologie (1)
- Testimony (1)
- Text-Installation (1)
- Textuality (1)
- The Beats (1)
- The Childhood of Jesus (1)
- The Dionysian (1)
- The Nativity (1)
- The Owls (1)
- The Sacred (1)
- The Simpsons (Fernsehsendung) (1)
- The book of Margery Kempe (1)
- The extraordinary (1)
- The many (1)
- The self (1)
- The structure of scientific revolutions (1)
- The unconcious (Psychology) (1)
- The waves (1)
- Theater (1)
- Theatre-Philosophy (1)
- Theologie (1)
- Theoretische Physik (1)
- Theorizing (1)
- Therapie (1)
- Theresienstadt (Film) (1)
- This makes me want to predict the past (1)
- Thomas, Yan (1)
- Thomas, von Cantimpré (1)
- Tiere <Motiv> (1)
- Time in motion pictures (1)
- Time-based art (1)
- Time-based media (1)
- To-do lists (1)
- Tod <Motiv> (1)
- Todesangst (1)
- Todestrieb (1)
- Topografie (1)
- Totality (1)
- Totem und Tabu (1)
- Totò (1)
- Touch (1)
- Toxic affect (1)
- Toxicity (1)
- Trace (1)
- Tradition (1)
- Tragedy (1)
- Tragödie (1)
- Trans Rights (1)
- Transcontextual (1)
- Transferability (1)
- Transformation audiovisueller Medien (1)
- Transgender (1)
- Transgender men (1)
- Transindividuelles Beziehungsgefüge (1)
- Transitives Verb (1)
- Transmediality (1)
- Transnational economy (1)
- Transsexueller (1)
- Trantraal, Nathan (1)
- Trieb (1)
- Trägheit (1)
- Turing, Alan Mathison (1)
- Turkey (1)
- Täuschung (1)
- USA (1)
- Ubiquitous Computing (1)
- Umwelt (1)
- Umweltfaktor (1)
- Umweltschaden (1)
- Unbestimmtheit (1)
- Unbewusstes <Motiv> (1)
- Universalism (1)
- Universalismus (1)
- University system (1)
- Universität (1)
- Unmittelbarkeit (1)
- Unsterblichkeit <Motiv> (1)
- Unterdrückung (1)
- Unterhaltung (1)
- Untranslatability (1)
- Unvollkommenheit (1)
- Unvollständigkeit (1)
- Urban change (1)
- Utopia (1)
- Utopie (1)
- VUCA (1)
- Valéry, Paul (1)
- Variation (1)
- Velázquez, Diego Rodríguez de Silva y (1)
- Venedig (1)
- Verführung <Motiv> (1)
- Vergiftung (1)
- Vergleichbarkeit (1)
- Verlust (1)
- Vermeidung (1)
- Vernacular photography (1)
- Versammlung (1)
- Versprechen (1)
- Verwundbarkeit (1)
- Verzweiflung (1)
- Verzögerung (1)
- Veröffentlichung (1)
- Veteranyi, Aglaja (1)
- Vico, Giambattista (1)
- Video (1)
- Video-Installation (1)
- Violence (1)
- Virtuelle Kraft (1)
- Virtuelle Realität (1)
- Visibility (1)
- Visitation (1)
- Visual lists (1)
- Vita Christinae (1)
- Vita Merlini (1)
- Vitruvius (1)
- Volkserzählung (1)
- Voltaire (1)
- Wace (1)
- Wahnsinn <Motiv> (1)
- Wald (1)
- Wapikoni mobile (1)
- Warum das Kind in der Polenta kocht (1)
- Wassergeist (1)
- Wayang kulit (1)
- Weak resistance (1)
- Weather (1)
- Weather art (1)
- Weiss, Peter (1)
- Weltkrieg <1939-1945> (1)
- Weltliche Macht (1)
- Wendy and Lucy (1)
- Werden (1)
- Wert (1)
- Westliche Welt (1)
- Wiederholungszwang (1)
- Wieland, Christoph Martin (1)
- Wild medicinal plants (1)
- Wildnis <Motiv> (1)
- Wirklichkeit (1)
- Wissenschaftliche Literatur (1)
- Wissenschaftsgeschichte (1)
- Wissenschaftsgeschichte <Fach> (1)
- Wissenschaftstheorie (1)
- Withholding power (1)
- Wolff, Charlotte (1)
- Women in literature (1)
- Women* (1)
- Wong, Ming (1)
- Work (1)
- Worldliterature (1)
- Wright, Charles (1)
- Writing (1)
- Wunder (1)
- Yeats, William Butler (1)
- Yella (1)
- Yi jing (Werk) (1)
- Yugoslav wars (1991-2001) (1)
- Yugoslavia - history (1)
- Zanzotto, Andrea (1)
- Zeichnung (1)
- Ziegenhaltung (1)
- Zisterzienser (1)
- Zugehörigkeit (1)
- Zuhören (1)
- Zweite industrielle Revolution <Technik> (1)
- al-Bika (1)
- aperire (1)
- aperte (1)
- hooks, bell (1)
- iPhone-Film (1)
- katéchon (1)
- Öffentlichkeit (1)
- Ökofeminismus (1)
- Ökologie (1)
- Über das Marionettentheater (1)
- Übergangsobjekt (1)
- Überleben (1)
- Übernatürliches Wesen (1)
- Überschreitung (1)
- Übertragbarkeit (1)
- Übertretung (1)
- Überwachung (1)
- Überwachungstechnik (1)
- Žižek, Slavoj (1)
Havana's apartment-galleries have been vital venues for the city's art scene since the 1990s, hosting art exhibitions, workshops, and conferences. In the context of Cuba's limited art market and dearth of cultural institutions with international reach, these residential spaces have offered artists a unique opportunity to display their work and to connect with international art circuits. Focusing on the histories of three specific apartment-galleries - El Apartamento, Estudio Figueroa-Vives, and Avecez Art Space - this chapbook reflects on the complex interplay of the local and the global in the 'worlding' of cultural institutions.
To what extent does cultural distance interfere with or limit literary experience? What kind of intimacy is needed to make a text into a work? This essay seeks to answer these questions by focusing on the writings of Arvind Krishna Mehrotra. In doing so, it suggests that the challenges of cultural distance may be most acute when dealing with texts from homo-linguistic literary environments, and that we might overcome these challenges by undertaking a world literary criticism that attends to localized fields and materials without forgetting the charge of particular works.
Anarchival practises : the Clanwilliam Arts Project as re-imagining custodianship of the past
(2023)
Where is the past? It is not really behind us, but with us, constantly imagined and re-imagined in public discourse through historical narrations. Using the Clanwilliam Arts Project as a case study, this volume is founded on the 'anarchive', a conceptual constellation that positions the past in relation to the present, bringing into view strategies to facilitate remembering beyond the colonial archive.
Umut Yıldırım's introduction combines the genres of literature review and commentary. It re-examines contemporary works on posthuman life to articulate ecological life-and-death politics within the context of colonial, imperial, and genocidal mass violence, and their entangled environmental legacies and actualities. A dissident repertoire of anthropological and artistic research is offered, which examines the ecological impact of war through the perspectives of human and more-than-human actors whose racialized and geographically regimented lives endure and counter ongoing environmental destruction.
How can the Armenian genocide be considered in terms of its ecological roots and remnants? Umut Yıldırım explores the more-than-human flora and fauna indigenous to the banks of the Tigris river in Upper Mesopotamia - in particular, centenarian mulberry trees - as resistant roots that register the evidentiary ecologies of the Armenian genocide through the Turkish state's denialist present and its ongoing war against the Kurds.
'Inbuilt errans' points to the core of the concept, namely the semantic entanglement of errantry and error. Errans as the erroneous wandering or the drifting error complicates the celebration of movement, fluidity, flexibility, or even 'queering'. The rigid or stubborn aspect of errans, its erroneousness on the other hand not only accompanies but also enables its errancy. The 'rigidity' (as rigidity in flux) requires scare quotes in order to mark the ways in which these qualities might collapse when a question of 'to whom?' is posed. Through an eclectic errantry through a personal anecdote, a meme video, an ethnographic note, as well as medical history and queer theory, this text theorizes, with the help of the 'inbuild errans' of the human body, that is, its orifices, a 'radical indifference' that points to an unplanned, ambiguous, and weak while at the same time strategic, rigid, and powerful form of resistance.
Am Beispiel des Stalkerfilms diskutiert Michaela Wünsch filmästhetische Verfahren der Evokation des Unheimlichen und der Angst. Eine Technik, das Unheimliche aufzurufen, besteht darin, die Filmkadrierung durch Rahmungen im Filmbild selbst zu verdoppeln. Wünsch macht deutlich, dass konkrete Techniken in den größeren Zusammenhang einer allgemeinen Unheimlichkeit des Medialen gestellt werden können. Anhand exemplarischer Filmszenen aus "Halloween" analysiert sie die Rahmungen genauer und entwickelt unter Bezugnahme auf Lacans "Seminar X" eine medientheoretische Unterscheidung zwischen dem Gefühl des Unheimlichen und der Angst.
Beginnend mit der Rahmenerzählung aus E.T.A. Hoffmanns "Die Serapions-Brüder" (1821) verbindet Tan Wälchli das poetologische Konzept des 'Scheinlebens' oder 'scheinlebendigen Bildes' mit theologischen Diskursen im frühen 19. Jahrhundert. Darüber hinaus analysiert er Achim von Arnims Inszenierung der Golem-Figur in "Isabella von Ägypten" (1812) und in der "Zeitung für Einsiedler" (1808). Sowohl bei Hoffmann als auch bei Arnim zeichnet sich ein poetologisches Konzept eines 'Körpers ohne Seele' ab, das von beiden Autoren polemisch gemeint ist. Mangelhafte künstliche Wesen werden aufgerufen, so Wälchli, um klassizistische und frühromantische Konzepte des Dichters als Nach-Schöpfer Gottes anzufechten. Dies ist wiederum dem auf dem Feld der romantischen Literatur belesenen Freud nicht entgangen, für den die Figur des Golems in seinem Aufsatz über das Unheimliche von besonderem Interesse war.
Volker Woltersdorff's essay 'Sexual Ghosts and the Whole of History: Queer Historiography, Post-Slavery Subjectivities, and Sadomasochism in Isaac Julien's "The Attendant"' discusses the controversial concept of wholeness in historiography with regard to the fascination with past horrors and the desire to do justice to their victims who retain a ghostly presence. The essay retraces how this commitment produces a dilemma, as it can result either in the aspiration to historical wholeness as full memoralization or alternatively in the radical rejection of wholeness as an impossible healing. Employing Elizabeth Freeman's notion of 'erotohistoriography', Woltersdorff introduces affect into the work of historiography in order to find an escape from the dilemmatic impasse between history's wholeness as pacified reconciliation and as ongoing catastrophe along the lines of Walter Benjamin. Sadomasochism is presented as a practice that may correspond most adequately to the paradoxical affect caused by traumatic history that continues to haunt the present. Indeed, re-enactments of historical oppression and violence occur frequently within the BDSM community. However, what distinguishes them from 'living history' re-enactments is their potential to modify affective attachments to history by altering the historical script. The essay elaborates this potential through Isaac Julien's 1993 short film "The Attendant", which, in a kind of queer re-enactment, overwrites the memory of colonial chattel slavery by a sadomasochistic encounter of a black guardian and a white visitor in a museum dedicated to the history of slavery. The film raises the ethical and political question of how to relate affectively to the legacy and ongoing presence of racism. Against this backdrop, the author argues that, through the BDSM scenario and its changes to the historical script, Julien's film represents and promotes a paradoxical way to perform both the memorialization and the forgetting of past horrors and pleasures. Here, historical wholeness acquires a conflicting double meaning of both achieving completeness and restoring integrity. Woltersdorff concludes by interpreting "The Attendant" as urging a utopian perspective, produced by the tension between the impossibility of history's wholeness and the necessary, reparative desire for it. The article concludes by highlighting the paradox that Julien's film shows wholeness 'to be impossible and yet necessary' and 'expresses a necessary desire made impossible'. While the essay explicitly engages with the figure of haunting, one could perhaps speak here also of plasticity insofar as the contradictory conjunction of remembering and forgetting seems to rely on a malleability of affects and on producing an affective economy that sustains the fantasmatic remembrance of a painful past through paradoxical pleasure but breaks with any pleasure derived from real inequality, injustice, or suffering imparted non-consensually.
Ausgehend von Benjamins Analogie von Nervenbahn und elektrischer Leitung konzentriert sich der Beitrag auf eine der wichtigen Fragen, die im "Passagen-Werk" behandelt werden, nämlich ob mit der modernen Technik eine Verbindung von organischer und technischer Sphäre vorliegt oder ob die Technik vielmehr als eine denaturierte Natur anzusehen ist. Um diesem Aspekt nachzugehen und die Besonderheit von Benjamins technikphilosophischen Reflexionen herauszustellen, vergleicht Wolfsteiner sie mit Hannah Arendts Handlungstheorie und Max Benses Entwurf einer informationstheoretischen Ästhetik. Die Aktualität von Benjamins Techniktheorie wird abschließend anhand der Science and Technology Studies (STS) in der Nachfolge Bruno Latours und der technikphilosophischen Schriften Gilbert Simondons erörtert.
In "The Book of Margery Kempe", the protagonist shifts between identities and geographies as a nomadic subject, dispersed across compassionate responses to violence that unusually include a recognition of animal suffering. The "Life" of Christina the Astonishing also seizes on the nonhuman aspects of extreme affective experience as her bodily transformations participate in a process of becoming animal. Both texts reflect a medieval fascination with the devotional body as a zone of closure and opening where transhuman and interspecies associations can be safely explored.
Der Literatur- und Medienwissenschaftler Tobias Wilke widmet sich in seinem Aufsatz der in der Forschung bislang unbeachtet gebliebenen Beziehung von "Aura" und "Medium". Dem Begriff des technischen Mediums, so Wilke, liegt ein nicht-technisches Konzept von Medialität zugrunde, das sich in enger Korrelation und Konvergenz mit dem Aura-Begriff herausbildet. Die Aura ist die sichtbare Umhüllung eines Objekts und damit ein Phänomen der optischen Wahrnehmung, in der die Konturen des Gegenstandes aufgelöst werden, wie Benjamin am Beispiel von Van Goghs "De sterrennacht" ausführt. Wilke verortet Benjamins Kunstwerk-Aufsatz an einer medienhistorischen Zäsur, die den Übergang von einem spiritistischen zu einem technologischen Verständnis von Medialität markiert.
UNFOLD : the strategic importance of reinterpretation for media art mediation and conservation
(2022)
UNFOLD: Mediation by Reinterpretation is a research project and interdisciplinary network initiated by LIMA, Platform for Media Art in Amsterdam, that examines reinterpretation as an emerging practice for artistic production, presentation, and preservation of media works. New elements stretch the boundaries of traditional preservation methods and require insights from both the artist and the curator to decide how pieces can be restaged. This essay investigates how to deal with the changes of digital/media artworks over time, and how to preserve and mediate their performative aspects.
Das Spiel erscheint bei Wiemer als jenes Element in der Geschichte des Wissens, das die Birfurkation des Wissens in Kulturwissenschaften auf der einen und Naturwissenschaften auf der anderen Seite unablässig befragt. Der beste Beweis dafür ist die Irritation und Faszination, welche spielende Maschinen, wie etwa im Fall des Computerschachs oder lebendige Automaten wie das Computerspiel "Game of Life", in beiden Wissenskulturen auslösen. Zugleich jedoch weist Wiemer auch darauf hin, dass der Begriff des Spiels mit der Spaltung des Wissens in Kultur- und Naturwissenschaften selbst eine Spaltung erfuhr, ja, dass er, wie er am Beispiel der Spieletheorie von Johan Huizinga verdeutlicht, selbst zur Begründung des Begriffs der Kultur herangezogen wurde, wodurch das "kulturalistische Spielverständnis" doppelt untermauert wurde. In einem Durchgang durch die Philosophiegeschichte des Spiels stellt Wiemer dar, dass im 20. Jahrhundert eine Traditionslinie wiederauflebte, die dem kulturalistischen, auf das Bewusstsein und den Menschen bezogenen Spielverständnis unter Bezugnahme auf Heraklit und vermittelt über Heidegger einen kosmologischen Begriff des Spiels gegenüberstellte. So sieht Eugen Fink das Spiel als kosmisches Gleichnis, wenn es ohne Spieler gedacht wird. Diesen kosmologischen Spielbegriff sucht Wiemer in der Folge für die mögliche Beantwortung der Frage nach der Schwierigkeit fruchtbar zu machen, spielende Maschinen zu denken.
This paper reads 'The Detainee's Tale as told to Ali Smith' (2016) as an exemplary demonstration of the work of world literature. Smith's story articulates an ethics of reading that is grounded in the recipient's openness to the singular, unpredictable, and unverifiable text of the other. More specifically, Smith's account enables the very event that it painstakingly stages: the encounter with alterity and newness, which is both the theme of the narrative and the effect of the text on the reader. At the same time, however, the text urges to move from an ethics of literature understood as the responsible reception of the other by an individual reader to a more explicitly convivial and political ethics of commitment beyond the scene of reading.
Ausgehend vom Freud'schen Verständnis des Unheimlichen beleuchtet Roman Widholm aus psychoanalytischer Perspektive, wie sich Autismus nicht nur für den Behandelten, sondern auch für den Behandelnden zeigt und welche Phänomene der Übertragung und Gegenübertragung dabei beobachtet werden können. Gleichzeitig wird der Fokus auf die praktischen Folgen der fast vollständigen Beseitigung der Psychoanalyse aus dem Feld der Therapie und Betreuung von Menschen mit Autismus gerichtet. Das seit Mitte der 1990er Jahre erforschte 'Affective Computing', die technische Emulation menschlicher Gefühlsbewegungen in Computermodellen, wird schließlich zum Anlass genommen, um behavioristische neurowissenschaftliche Ansätze als Techniken zu kritisieren, die vor allem dazu geeignet sind, sich Gefühlen der Angst und des Unheimlichen in der Auseinandersetzung mit Autismus zu entziehen.
In this brief excursion into the poetry of Dante and Montale, Rebecca West suggests some approaches to only a few issues that emerge out of the creation of both the primary beloveds of Dante and Montale and of those feminine figures that have been characterized as ostensibly 'antitranscendental' and more secondary in their roles and meanings. As regards Montale's primary feminine figure, Clizia, West argues that she is, to use Teodolinda Barolini's term for Beatrice, a 'hybrid' poetic character, and ultimately exceeds the limits of the poetic beloved as traditionally conceived and read, not only in the courtly tradition upon which she is modelled but well beyond it. In the case of the so-called secondary 'other women' in Dante's and Montale's poetry, West seeks to show that they are much less separable from the primary feminine figures than such binaries as major/minor, transcendent/erotic, soul/body, and traditional/experimental may lead us to believe. Lastly, West considers specifically the wife-figure, in her conspicuous absence from Dante's corpus and in her late appearance in Montale's. For both poets, there are complex intertwinings, interferences, and non-dualistic patterns that form a densely textured poetic weave, in which both the primary and the secondary feminine figures provide "fili rossi" as well as not so easily graspable dangling threads of meaning. These threads have to do with the preoccupation of both poets with the possible integration of immanence and transcendence, embodiment and abstraction, and with the very limits of poetic language. West's topic is also motivated by a feminist-oriented search for modes of deciphering the figure of the feminine beloved in lyric poetry that are not conditioned exclusively by the traditional emphasis on the male poet-creator, but which allow for a shift in focus onto the female figure who is, of course, the creature of the poet's imagination and skill, but who also often takes him into regions in which the excesses (commonly associated with the female) of non-binary thought and the mysteries of alterity - the feminine symbolic sphere, in short - do not so much allow the emergence of neatly squared-off meanings as the evolution of more oblique, circular conduits of potential significance. As a specialist of modern literature, Rebecca West concentrates on Montale more than on Dante, mainly noting the Dantesque aspects of the former's poetry.
Preface
(2020)
The intensifying ecological devastation of the planet is being registered across scientific disciplines and activist, artistic, or more broadly cultural endeavours in ways that rethink the temporal dimensions of a catastrophe that can no longer be considered 'looming'. In many political contexts - trying to get scientists heard, mobilizing state power and international agreements to curb the extractivist rapaciousness of global capitalism - it might still seem essential to create a sense of urgency, of a rapidly closing interval, last chance, now or never. Yet taking stock not only of the planetary sum totals of global climate change but its present local manifestations, the devastations of neocolonial extractivism, the irreversible extinctions of countless species, destruction of ecotopes on land and in the sea, has produced a growing awareness that in many crucial senses, it is 'too late' - that the time can no longer be given as 'five minutes to midnight' but has moved a lot closer to the dead of night, whether this is being regarded primarily as a question of the cumulative loss of biodiversity as part of what is now known as the 'sixth mass extinction' or as the approach of several 'tipping points' of global climate change, such as the current ice sheet disintegrations in the polar regions, the greenhouse gas release triggered by the loss of permafrost, and irreversible desertifications. The complexion of ecology, over these last years, has turned from juicy green to dark and brittle. The most decisive recent interventions, while acknowledging the overwhelming pessimist thrust of ecological thought, have tried to use a more complex, more differentiated account of the temporality of environmental ruination in order to reflect on the diminished possibilities for life in these ruins while avoiding familiar registers both of science fiction dystopias and self-healing planets.
Arnd Wedemeyer's article focuses on the German artist Joseph Beuys (1921–86), who did not shy away from describing the social order with traditional organic metaphors, such as the notion of a 'central organ'. However, it is above all the - plastic - relationship between society and art that is at issue in Wedemeyer's article, entitled 'Pumping Honey: Joseph Beuys at the documenta 6'. Using the term 'Soziale Plastik', Beuys not only classified his own artistic practice as essentially sculptural but, more importantly, thematized its heterogeneous yet anything but passive relationship to art market, exhibition, museum, and various modes of reception, as well as staked its political claim. Wedemeyer looks at Beuys's contribution to the 1977 documenta, 'Honey Pump at the Workplace', in order to argue that the layered invocation of plasticity characteristic of Beuys's practice and theorizing ought not be historicized, as is commonly done, as an instantiation of the excessive, transgressive - and quite possibly disingenuous - zeal of the neo-avant-garde. Beuys's 'Plastik' should not be confused with anti-aesthetic formlessness, base materialism, a post-Duchampian ruination of the 'objet trouvé', and least of all a Neoromantic or Wagnerian projection or hypostatization of the autonomous work of art. The avant-gardes of the twentieth century have rendered the relationship of art and aesthetics tenuous at best, their artistic 'innovations' straining against the supratemporally or anthropologically defined characteristics of aesthetic valuation, play, or force. While many have sought to address this problem by tethering art to society in a shared 'contemporaneity', the article explores the implications of recasting this relation as one of plasticity, using the conceptual richness harvested by Catherine Malabou.