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This study investigates a historical event that occurred during the Indonesian Revolution as depicted in Indonesian historical films and argues that these films not only attempt to depict the past but also use the past as a means of social commentary, teaching moral insight, and historical reinforcement. The historical films selected are The Long March (Darah dan Do’a) (1950) and Mereka Kembali (1972). Both films deal with the Long March event experienced by the troops of the Siliwangi Division in 1948. These troops were previously assigned to infiltrate Yogyakarta and its surrounding areas. They were instructed to march back to their original base in West Java as a part of the military strategies to confront the Dutch during the Indonesian Revolution, also known as the Indonesian War of Independence. This event became known as the Long March of the Siliwangi Division. This study examines not only the representation of the past or the texts of the films but also the production process, which includes the motivations of the filmmakers and the public reception when the films were screened for the public at the time—in 1950 and 1972, respectively. This approach provides a broader and richer dimension, valuable insights into the behind-the-scenes process of making the selected historical films, and essential information about the public reception of the films. From the production point of view, there are two main reasons for making these historical films: personal reason and social engagement. Further, the military also plays a vital role in these historical film productions. From the historical representation aspect, these two films depict the events of the Long March of the Siliwangi Division as a journey full of various obstacles and difficulties, such as harsh terrain, lack of food, battles against the Dutch, and internal disputes with fellow Indonesians: Darul Islam. From the reception aspect, the audience’s point of view, these films provide several representations that meet their expectations about the Long March of the Siliwangi Division. However, the audience disagrees with some of the other representations. Finally, the study revealed that historical films are potential vehicles for telling, interpreting, entertaining, legitimating and preserving the past. In addition, this study has a vital implication for reopening the tradition of Indonesian film studies and reigniting attention to old films.
This paper studies the intergenerational effects of parental unemployment on students’ post-secondary transitions. Besides estimating the average treatment effect of parental unemployment on transition outcomes, we identify the economic, psychological or other intra-familial mechanisms that might explain any adverse impact of parental unemployment. Using longitudinal data from the German Socio-Economic Panel and propensity score matching estimators we find that paternal unemployment has an adverse impact on the likelihood of entering tertiary education, whereas maternal unemployment does not. We also find that the magnitude of the effect depends on the duration of unemployment. Even though we are unable to fully account for the underlying mechanisms, our mediation analysis suggests that the effect of paternal unemployment is not due to the loss of income, but relates to the negative consequences of unemployment for intra-familial well-being and students’ declining optimism about their academic prospects.
Refugee reception in Germany is a primarily municipal task that relies heavily on neighborhood-based volunteering. This paper asserts that there are fundamental spatial mismatches between municipal policies and neighborhood-based approaches that place additional burden on all of the stakeholders involved. Drawing from the case of Frankfurt-Rödelheim, which is a socially and ethnically mixed neighborhood in Frankfurt am Main, I show how the way the municipality accommodates refugees disregards the politically embraced work of neighborhood-based volunteers and how the ideal of neighborhood-based inclusion creates a spatial fetish that fails the living reality of the refugees. The findings are based on my ethnographic fieldwork as volunteer in a neighborhood-based welcome initiative.
This review analyses the aesthetic engagement with Nazi atrocities during WWII and belonging in post-war Germany as presented in Nora Krug’s graphic novel Heimat: A German Family Album. The authors employ Marianne Hirsch’s concept of ‘postmemory’ as an analytical tool that helps them locate the complex historical and emotional contexts from which this graphic novel receives its impulses. The concrete scenes from the novel are presented and subsequently related to the field of memory and postmemory scholarship. Wider critical debates on how aesthetic articulations of past atrocities influence the next generations of ‘victims’ and ‘perpetrators’ are examined, to ask: What does it mean to inhabit memories of ghostly narratives about perpetrators and how does it form a feeling of post-home?
By the latter half of the twentieth century, a documented, substantial quantitative increase had occurred in the total number of Christian political organizations operating in Washington, D.C. with the sole purpose of influencing Congress and the administration through direct lobbying. This study seeks to understand what were the contributing historical factors that influenced the rise of Christian Lobby Organizations (CLOs), resulting in their normalization in American society?
Über den Abfall des Menschen
(2019)
Die historisch gewachsene Relevanz des Abfallproblems kulminiert in jüngsten theoretischen Versuchen, die Kultur als Ganzes vom Müll her in den Blick zu nehmen. Damit wird ausbuchstabiert, worauf Begriffe wie 'Wegwerfgesellschaft' hindeuten: dass Müll nicht nur als Anderes oder Rest der Produktion zu denken ist, sondern in einem viel grundlegenderen Zusammenhang mit dieser steht. Eine bis heute relevante Pionierarbeit zum Müll ist Michael Thompsons "Rubbish Theory". Am Beispiel von Seidenbildern aus dem 19. Jahrhundert zeigt er, wie einstmals Wertloses zur Antiquität wurde und welche sozialen Distinktionen mit der Deklaration einer Sache als Abfall verbunden sind. In seiner Spur lesen neuere soziologische Studien am Müllaufkommen den sozialen Status der 'Entsorger' ab: Zeige ihnen deinen Müll, und sie sagen dir, wer du bist. Reich sein heißt auch, etwas wegzuwerfen haben, und was den einen Müll, ist andern Lebensmittel. Nach Thompson ist klar geworden, dass etwas zu Müll nicht allein aufgrund seiner intrinsischen Eigenschaften wird. Eine spezielle Aufgabe der Kulturwissenschaften liegt daher in der Untersuchung der kulturellen und sozialen Codierung von Müll und des historischen Wandels objektbezogener Wertzuschreibungen.
In the context of globalisation and internationalisation, multilingualism and intercultural interaction are indispensable prerequisites that are desired in all areas. The focus of this paper is to highlight the importance and necessity of multilingualism and intercultural dialogue on the example of Timișoara. The beginnings and traces of multilingualism and the intercultural dimension of Timișoara can be traced based on the geography and history of the city alone. Considering these historical, political, social, cultural and economic prerequisites, this paper presents how the intercultural character and multilingualism of the Banat capital has led it to become a unique phenomenon in Europe, and how it has influenced the history and existence of this region of Romania. The good interethnic relations between the minorities shape the spirit of this city and have helped Timișoara become the European Capital of Culture 2021.The multicultural character of the city has also enabled the emergence of numerous cultural institutions, educational institutions, associations and organisations, which in turn promote this diversity of languages and intercultural interaction.
After the First Wald War, the community of Transyvanian Saxons found itself in a new political context. This study analyses cultural representations as both self-identification and cultural dialogue in two of the main publications in German language of the early inter-war period, the cultural journals Ostland and Klingsor. Literary translations and the representation of other literatures through the selection of authors and texts are also subjects of this study.
An essential factor for the naming practice lies in the language(s) spoken by that certain family. In the nowadays very common multilingual families in Transylvania, the so called ‚mixed marriages’, the linguistic contact also becomes manifest in the field of onomatology. Out of the vast subject matter, four aspects will be approached: the decline of the tradition of naming a child after a parent; naming practices following ethnic reasons in order to denote a certain identity; naming preferences for international names in mixed families; the increasing diversification and inter-culturality of name-giving due to globalization and the impact of social media. Concrete examples – based on bap tis mal registers of the local Lutheran Church – illustrate the monitored trends.