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This contribution1 is framed within the field of cultural studies and migration and ethnic relations, trying to examine how the Italian American experience has been imaginatively (re)created and received. It will entail an interdisciplinary approach about the cultural and literary analysis of the Italian diaspora in the United States, from a gender perspective that recovers the voice and historical presence of women as has been transmitted in the arts and critical methods. Focusing on the media and literary representations that deal with Italian migration to the United States since the last decades of the 19th century, their welcome or later development until our days, I make particular reference to a community mainly conceived in the masculine, as major receptions and persistent stereotypes about family relations and ethnicity attest. I will analyse, at the same time, the existence of other works that either contest or balance that cultural and gender stereotyping of the Italian American experience or community.
In the ‘age of transnationalization’, spatial mobility is highly valued as a resource and accordingly ‘sedentariness’ is often symbolically devalued. Migration between Poland and Germany (mainly from Poland to Germany) has a century-long tradition. Not only has it yielded the emergence of a dense transnational social space, but is also considered as a re-enactor of cultural traits and symbolic meanings. Spatial mobility is tied to notions of social mobility and to projects of life-making. Since legal restrictions for Polish migrants seeking to work and settle in Germany have vanished, the quest for ‘normalcy’ has enhanced and pressures towards even more migration have increased. I argue that symbolic meanings of mobility are decisive for hierarchies in transnational social spaces. I have put main emphasize on families’ practices of caring for and caring about each other: the first being more a physical or material activity, while the latter is a more symbolic and emotional one. The interviews reveal that people draw multiple differentiations between migrant populations in terms of their migration reasons as well as between the mobile and the immobile. Those differentiations are embedded in the distinct feature of the transnational social space between Poland and Germany with assumed differences in terms of ‘modernity’. At the end the symbolic meanings of mobility also help explain the puzzle of why the emigration rates from Poland are constantly high, although Poland is a comparatively wealthy country.
This paper studies the linkage between international male migration and changes on land inheritance patterns in rural Oaxaca (Mexico). Land inheritance is a long-term exchange between parents and male adult children in Oaxaca: sons are bequeathed with land as long as they provide for their parents (and their wives care for their in-laws) while daughters are excluded from the family patrimony. Drawing on theoretical sample and 37 in depth interviews, this paper argues that intergenerational solidarity based on the parent-son alliance through inheritance is breaking down due to the uncertainty of men´s migration project along with the increase in the fallback position of wives, who may refuse to take care of elderly in-laws. Other alliances emerge instead: parents try to build new alliances with their daughters, bequeathing them agricultural and building plots. However, these new alliances and inheritance shifts are neither a heterogeneous process nor an automatic change and several family and social dimensions must be included to understand the different outcomes.
La temática de nuestro artículo remite al problema de la dominación en el último libro de Axel Honneth El derecho de la libertad. Para abordar satisfactoriamente este problema consideramos necesario, previamente, reseñar cuáles son las principales afirmaciones del libro y cuál es su enfoque teórico general (1). En el libro de Honneth el tema de la dominación se asocia fuertemente a dos nociones: la de “patologías sociales y de la razón” y la de “anomia”, motivo por el cual centraremos fuertemente la atención en estas cuestiones y llevaremos adelante -y esto vale para todo el artículo- lo que metodológicamente se denomina una reconstrucción conceptual-sistemática (2). Nuestra tesis de lectura es que en el Derecho de la Libertad se echa en falta una concepción “robusta” de dominación que el autor promete en otros libros suyos –tal y como lo advertimos en nuestra investigación doctoral, aún en curso–, pero que finalmente no elabora. Entendemos que esto es una laguna conceptual significativa, sobre todo si se tiene en cuenta que se trata de una reflexión sobre la libertad que pretende inscribirse en el legado de la Teoría Crítica de Frankfurt (3).
En el presente trabajo abordo la interpretación que Axel Honneth realiza, en su libro Crítica del poder, de la propuesta de Michel Foucault. Honneth señala, a modo de crítica, la existencia de una contradicción entre lo que denomina la teoría del poder de Foucault y sus estudios históricos –en particular, los reunidos en Vigilar y Castigar–. Uno de mis objetivos es explicar esta contradicción y, a partir de ella, proponer una lectura alternativa. En contraposición a Honneth, para quien las instituciones disciplinarias que analiza Foucault terminarían desplazando la acción y la lucha social, intento mostrar –y este es el aporte que busco realizar en el trabajo a partir de una reconstrucción conceptual– que las disciplinas y por añadidura las instituciones disciplinarias deben considerarse tácticas que nunca alcanzan del todo su objetivo. Son tácticas que no logran bloquear, de manera definitiva, las expresiones de resistencia y conflictividad. Esta lectura alternativa que aquí propongo permitiría, en principio, ensayar al menos dos puntos de contacto entre Foucault y la teoría crítica que aún no han sido elucidados.
Symbolische Herrschaft
(2015)
Joseph Jurt: Die symbolische Macht der Literatur in Frankreich : ein Sonderfall?. - Joseph Jurt: Die symbolische Macht der Intellektuellen (in Frankreich). - Michael Parzer: Das Ende der ästhetischen Intoleranz? : Musikgeschmack und symbolische Gewalt in der Gegenwartsgesellschaft. - Carsten Heinze: Pierre Bourdieu und der / im Film : Vorüberlegungen zu den Konzepten der »Symbolischen Herrschaft«, der Feld-, Habitus- und Symboltheorie als Deutungsperspektive für die Filmsoziologie und zu Legitimationskämpfen im filmwissenschaftlichen Feld. - Hilmar Schäfer: Symbolische Herrschaft und soziale Iterabilität : Die sprachliche Reproduktion sozialer Differenzen bei Pierre Bourdieu und Judith Butler
Die Rüsche am Rock der Revolutionärin markiert eine diskrete Dissonanz, die es in sich hat. Der Revolutionärin wie dem Mikrologen ist die Rüsche nicht nur ästhetisch keine 'quantité négligeable', sondern genauso epistemologisch und geschichtsphilosophisch - die Revolution steckt hier definitiv im Detail.
Este artículo presenta una lectura crítica de un trabajo central de Axel Honneth desde la teoría de la sujeción de Judith Butler. Intenta mostrar que, por la ausencia en su escrito de una consideración sobre el poder, el pensador alemán no logra cumplir satisfactoriamente su objetivo propuesto de enfrentar las posturas que cuestionan el potencial crítico del reconocimiento. La hipótesis que aquí se maneja es que esa ausencia está ligada a su definición del reconocimiento como lo contrario de las prácticas de dominio o sometimiento. Ahora bien, Honneth afirma que el escepticismo de esas posturas respecto del reconocimiento se basa en la idea de que toda praxis recognoscente reproduce de alguna manera el orden social dominante. El presente trabajo se propone entonces, cuestionar esta aseveración del autor advirtiendo que un análisis sobre el modo en que el poder actúa en las prácticas cotidianas de reconocimiento no necesariamente conlleva una renuncia de la función crítica del concepto para la teoría social. Más bien, como sugiere la noción butleriana (y foucaultiana) de crítica, sólo enmarcando al reconocimiento en el horizonte normativo que lo delimita puede convertirse en la base de la indagación social.