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Essential for my study is to show the nature and status of gypsy women from Transylvania, which has to be necessarily considered in the context of its own culture. The pictures of these women are mostly shown in the work of Heinrich von Wlislocki, transylvanian gypsy researcher, translator and folklorist of the 19th century. The gypsy women can occupy positions of power, such as an old wise woman,as magic woman, as a mother and as a potential wife. In these cases she is highly valued by the tribe. The above criteria for a gypsy woman to be measured, can be seen only in the context of tribal laws and customs of traditional gypsy groups.
Sibiu was in the 19th century an important centre, with a vivid cultural life, despite of the difficult political context in Transylvania. The close cohabitation of the Romanian and German people leads to a very important multicultural experience. The study deals with the ways of reception of German culture in the Romanian press of the 19th century reflected in the three most important publications of the time: Telegraful Român, Tribuna and Transilvania. The results of the research are presented in thematic groups (translations, theatre and concert announcements, reviews, travel literature, aphoristic or biographical writings).
The paper focuses on the way Romanians perceive their co-nationals of German origin and analyses the building up of auto-stereotypes and foreign-stereotypes. Starting point of the essay and corpus is an online-petition to back up the German Mayor of Sibiu as the Prime Minister of Romania in the autumn of 2009, a proposal made by a coalition of several political parties. The arguments of the petitioners for their support are being interpreted by using instruments and principles of imagology. The patterns of perception discovered show the interesting ways Romanians relate to their own ethnicity and their perceptions of ethnic minorities.
For intercultural language teaching, coaching students on how to perceive the cultural “other” is of crucial importance in order to avoid culturally based misunderstandings. This paper explores how perceiving the other can offer conclusions for perceiving and becoming aware of the self. Through that, a process of giving and taking ensues in which perceptions of the self and of the other are constantly fluctuating depending on the context in which the communication is taking place. At the crossroads between members of two different cultures, a dialogue emerges in which the points of view of both parties are changed. The paper outlines how perception is a construct in which one’s own origin, education, and emotions are blended in. Intercultural learning is the way to deal with this constructs in a flexible manner so as to create new interpretation patterns. It teaches how to sympathize with the other and how to better understand oneself.
The purpose of this study is to reconstruct and document the image of “The Other’’ starting with the historical street names in the Transylvanian town of Sebeş, Alba County, founded in the thirteenth century by German settlers. Due to the fact that, throughout Middle Ages, one of the criteria of naming the streets of a borough was, inter alia, the ethnic one, the street names of the town reveal the ethnic groups which would form the population of the town: Székelys (Siculorumgasse), Saxons (Sachsgasse, Herrengasse, Petrigasse a.s.o.), Romans (Opricestengasse, Suseni– and Joseni Viertel), Greek and Macedonian, as well as Germans from the Southwestern Germany and Austria, who founded the north quarter of the town, in the eighteenth century (Saxonii Noi Street, Saxonii Vechi Street, Quer Gasse). In Sebeş, the street names established after the specific place the road leads the way to also contribute to the image of “The Other’’ (Petersdorfer Gässchen, Daiagasse and Hermannstädter Straße). Furthermore, the names of various local or super regional personalities who influenced the existence of the town also have an important contribution. Examples to illustrate this aspect are particularly the street names from the early stalinist period of communism in Romania (Stalin Street, V. I. Lenin Street, Miciurin Street, Malinovski Street, Rosa Luxemburg Street).
The Romanian literature of the 18th century is witnessing a remarkable metamorphosis, whereas step by step the Enlightment’s ideas penetrate the Romanianspeaking soil and through various mechanisms replace the medieval order in society, politics and arts. In this time of the Enlightment the small popular book “Bertoldo” from the late Italian 16th century was adapted in French and then in German and through the German intermediary reached Transylvania at the end of the 18th century (Hermannstadt, 1799). In the centre of our analysis we place the concept of “cultural transfer” and that of the “cultural translation”, concepts that help us illustrate the adaptation strategies of the foreign material and the integration principles of the Enlightment’s ideals on the Romanian soil. Working with eloquent examples from the “Bertoldo”-text in a comparative manner we will try to bring to light the interaction of the poetical and ideological functions of the translations from German and its role in forming and shaping a new kind of Romanian cultural and literary sensibility.
Im Geflecht der Identitäten : Kulturgeschichtliches, dargestellt am Beispiel von János Bolyai
(2015)
The Transylvanian-born János Bolyai (1802-1860) never ceases to attract the attention of all those interested in the history of science, as he is one of the founders of non-Euclidean geometry. Bolyai also concerns the philosophy researchers, due to a social utopia, which he presents in his works, unpublished during his lifetime. From older and newer documentation, it is known that the Hungarian Bolyai nobility descent also has a German origin, from German Grafs. On the Calvaserului Valley, situated north of the Hârtibaciului Valley, lies the Buia parish, named Bolya by the Hungarians, Bell by the Germans, where the Bolyai family owned an estate and a castle. In this work, the author presents approaches concerning the genealogy of János Bolyai and reports about visits to the places where Bolyai has lived, such as Buia, Domald (Viişoara parrish) and Târgu Mureş.
The Western European culture in the 18th century builds an impressive reference framework for the intellectual life in Central and Eastern Europe, where the ideals of the Enlightenment had spread rapidly mainly by means of translations of secularized works from all fields of knowledge. Among these, one should mention a series of historical writings that give account of the great monarchs of the time. In the following study we try to illustrate the concept of “cultural translation” by analysing a historical text about Catherine II of Russia. The Moldavian manuscript illustrates the process in which ideas and concepts have circulated in the European space: it is an Austrian (Habsburg) portrait of a German princess that managed to be crowned empress of Russia under debatable circumstances. This portrait written at the court of Joseph II in 1877 was translated in the same year in Greek and through this intermediary entered the Romanian speaking soil, where it was translated a year after. The circulation of ideas and conceptions respectively misconceptions can be illustrated in then textual mutations that occurred during this cultural transfer process from East to West and then to East again. The ideological and political intent of the text can be also seen in the self-aware translation that aimed to bring plusvalue to the Enlightened discourse of its original text.
Each language has its own silence, which is a mirror; one gets to see in it that the unsaid is not uttered. The fact that people from different cultures understand one another is not self-evident. Practice shows that understanding does not run smoothly. The way cultures can understand other cultures is to be pointed out with the help of conversation as the prototype of language use, as the source of all uses of language. The present article deals with silence in communication. He who is silent imparts something as well and the others react to it. They react differently, depending on the situation, on individually and culturally determined contexts. Words and silence are all of communicative nature. They influence people, who react to them. Every instance of communication contains a piece of information and reference to the communication partners. Each linguistic exchange involves a cultural exchange, and consists of the contribution of speaker and listener to the linguistic utterances, of the turn-taking of speakers. Silence can more precisely be defined in a conversation as ‘meaningful silence’ or as ‘the act of falling silent’, as ‘quietness’.
The present paper accumulates information and studies the etymology of the Romanian ethnonym “Aleman” and its versions, beginning from their geographical spread throughout Romania and Germany. The Romanian surnames “Aleman” and “Aloman” (highest prevalence in the area of Transylvania, in the Sibiu and Alba counties), as well as “Aliman”, “Alimănescu”, “Alaman” and “Alman” (highest prevalence in the areas of Muntenia, Oltenia and Dobrogea) do not come from the French term “allman” as their German equivalents “Allman”, “Allmang”, “Lallemand” do, which are concentrated in the Western Germany (in the Saarland, Rhineland-Palatinate German federal districts), due to the fact that there are no correspondents to the surnames of the Transylvanian Saxons. Therefore, the origin of these Romanian surnames is more likely to relate to the Turkish term “aleman” (see Iordan, 1983, p. 25 and 23), which also refers to the Germanic tribe of alamans or alemans, having the same meaning of “German”. The geographical proliferation of the “Aleman” and “Aliman” versions of the term is specific to the East to West population migration phenomena. These versions are the only ones existent in today’s Germany. Thus the “Aleman” and “Aliman” surnames are to be found in strongly industrialized centers such as Munich, Stuttgart, Karlsruhe, Mannheim, Wiesbaden, Bielefeld, Hamburg and not in the area of the German-French frontier (see following map).
The family name Fleşer and its viariations come from the German family name and from the common noun with the same form Fleischer (Rom. „măcelar” – butcher) which is prevalent in East and Northeast of Germany today, and which in its turn appeard as the aftermath of a contraction of the compound noun Fleischhauer (Lat. macellator), initially spread in the centre and North of Germany.
The monophthongal noun Fleşer and its variant forms Fleşeru, Fleşeriu, Fleşieru and Fleşariu, formed with the suffix of German origin determining the agent -er (< lat. -arius) or with that/those of Romanian origin -ar(iu), (< lat. -arius) are concentrated mainly in Transilvania today, especially in the neighbouring counties of Alba and Sibiu.
Hence, the family name Fleşer and its variations turn out to be compelling examples of the linguistic interculturality between German and Romanian in Transilvania and in Romania, in this case demonstrated in terms of onomastic.
In this paper a study concerning the situation of the islamic headscarf in Germany is presented. This study relies on an analysis of the information from the mass media and from the laws issued after the debates related to this subject.
Intermarriages in Transylvania are a topic that is still to little scientifically explored. Saxons and Romanians in Transylvania each married in their own circles in accordance with the times they lived.The Second World War, the establishment of communism, deportation and nationalization have changed relations between the Transylvanian Saxons and Romanians. The number of mixed marriages has begun to grow and cultural proximity has become real. Life in Communism has become a collective destiny. At the base of this study are 25 questionnaires filled in by people coming from mixed marriages. The following aspects were analyzed: the name and identity attributed thereto, spoken languages, confession, family life, identity positioning.
The materialis based on the fact that German citizens which have been born in Transylvania (Saxons) and immigrated to Germany return even “in death” to their homeland, be that through the choice of the medium where the death notice is published, or through the content of the death notice itself. The article follows the mechanisms through which this reference is built and analyzes the objective, geographical and cultural referentiality as well as the subjective recollections of the former, now far away, homeland, relying on death notices published in the Siebenbürgischen Zeitungbetween January 2012 – December 2015 und January 2017 – March 2018.
Cele două nume de origine germanică, Gerhard şi Konnerth (ultimul fiind o formă derivată locală din Transilvania a numelui Konrad) sunt folosite ca paradigme pentru prezentarea interdependenţei dintre numele proprii ca şi clasă specială a substantivelor şi conotaţiile culturale ale antroponimelor. Rezultatul este o scurtă schiţă istorico-culturală pe o perioadă de studiu de peste 1000 de ani cu referinţă la persoana purtătoare a acestor nume, profesor dr. Gerhard Konnerth din Sibiu.
The tendency to apply media in regional studies for students of German as a foreign language (Deutsch als Fremdsprache, DaF) is no longer a novelty. Thus, we see media applied as such in multiple different forms, like videos, press releases, radio segments or online statements. This contribution is focused on the radio interview, as a constitutive part of the regional studies’ courses for DaF students of Germanistik in Romania. As a starting point serves the assumption, that the application of visual media can be enhanced through dialogue sequences, which further highlight the subject of the course. Through chosen interviews, that have been aired by the state channels, students can become familiar with such issues, that affect the German minority in Romania. The authenticity that is being sought for, will result from the primary situation of the interviewer and the interviewee communicating, as well as through the utilization of Rumäniendeutsch as the standard language of the German minority, living in Romania. Thus can cultural, social, historical and linguistic phenomena that are specific for the local German speaking population and that are (re)constructing the cultural inheritance of Germans in Romania, be regarded in greater detail.
In the context of globalisation and internationalisation, multilingualism and intercultural interaction are indispensable prerequisites that are desired in all areas. The focus of this paper is to highlight the importance and necessity of multilingualism and intercultural dialogue on the example of Timișoara. The beginnings and traces of multilingualism and the intercultural dimension of Timișoara can be traced based on the geography and history of the city alone. Considering these historical, political, social, cultural and economic prerequisites, this paper presents how the intercultural character and multilingualism of the Banat capital has led it to become a unique phenomenon in Europe, and how it has influenced the history and existence of this region of Romania. The good interethnic relations between the minorities shape the spirit of this city and have helped Timișoara become the European Capital of Culture 2021.The multicultural character of the city has also enabled the emergence of numerous cultural institutions, educational institutions, associations and organisations, which in turn promote this diversity of languages and intercultural interaction.
Here the German language acts as a bridge between Eastern and Western Europe playing an important role. It is exactly on the Banat with its multicultural tradition that many hopes are pinned. The introduction of the subject German Cultural Studies within the framework of the Communication Sciences at the “Polytechnic” University Timișoara is only a stepping stone, but in the given context this is however a sign that betokens our will to participate in the task of building the linguistic and cultural bridge. The present paper elaborates on starting points towards a cultural history of the Banat.
After the First Wald War, the community of Transyvanian Saxons found itself in a new political context. This study analyses cultural representations as both self-identification and cultural dialogue in two of the main publications in German language of the early inter-war period, the cultural journals Ostland and Klingsor. Literary translations and the representation of other literatures through the selection of authors and texts are also subjects of this study.
An essential factor for the naming practice lies in the language(s) spoken by that certain family. In the nowadays very common multilingual families in Transylvania, the so called ‚mixed marriages’, the linguistic contact also becomes manifest in the field of onomatology. Out of the vast subject matter, four aspects will be approached: the decline of the tradition of naming a child after a parent; naming practices following ethnic reasons in order to denote a certain identity; naming preferences for international names in mixed families; the increasing diversification and inter-culturality of name-giving due to globalization and the impact of social media. Concrete examples – based on bap tis mal registers of the local Lutheran Church – illustrate the monitored trends.