450 Italienisch, Rumänisch, Rätoromanisch
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This paper explores the context and reasons for the extensive translation of legal texts from German into Romanian in Bukovina during the Habsburg period (1775–1918) and immediately following the unification with the Romanian Kingdom. The Austrian civil code from 1811 was translated in the three important periods of translation, corresponding to the major administrative changes in the province. The paper analyses the different translations and their impact on the Romanian legislation, legal terminology and juridical style.
The author, attracted to the Romanian poetry written during the inter-war period, tried to translate into German some of the poems wirtten by Ion Pillat and Ion Barbu. From this pursuit he could learn a lot, not only thanks to his inclination towards the original text, by interpreting it from a semantic point of view, but also by searching the lexical equivalents established in the target-language. In the magazine, there are introduced poets that belong to the younger generation and so, he managed to approach their licirical creations more as a translator, especially those written by Nichita Stănescu and Ioan Alexandru. At the same time, the author narrates some of his experiences regarding the folklore poetry, his steps concerning the translation of the ballads written originally by Transylvanian Saxons in the literary German. Moreover, he does not fail to outline the realization of a short edition from the piece of work, created in Latin by the Transylvanian humanist Christian Schesäus, the poem Istoria Anei Kendi, translated with the help of a few contributors in Romanian, Hungarian and German.
Dealing with alternatives
(2006)
Traditionally, pure additive particles and scalar additive particles are both characterized by an existential presupposition. They differ insofar as the set of alternatives that is built is unordered for the former, and ordered for the latter, which carry the so-called scalar presupposition. As a result, the two characterisations cannot be cumulated, an impossibility that is at odds with the fact that several languages exhibit this combination of readings for a single item. The discussion of Italian neanche '(n)either/(not) even', an item that can both be additive and scalar, allows us to expose the connection between the oppositions non-ordered vs ordered set of alternatives and verified vs accommodated existential presupposition by adding content to the traditional view that the set of alternatives is made up of 'relevant' items in the context. The question of how to characterise this item is set against the backdrop of a more general discussion of the network of additive particles found in Italian.
Das Ausgangsmaterial für die vorliegende Untersuchung stammt aus dem Phonetischen Normalbuch von Luzi (1903-05). Zunächst werden die beiden Ortsdialekte von Sils (Nr. 34) und Scharans (Nr. 33) miteinander verglichen (Kap. 2.2). Hernach werden beide zusammen je einer benachbarten Ortsmundart der angrenzenden Talschaften gegenübergestellt (Kap. 2.3 bis Kap. 2.7). Gewählt wurden für das äußere Domleschg Rodels (Nr. 32), für das Schams Zillis (Nr. 42), für das Albulatal Obervaz1 (Nr. 58), für den oberen Heinzenberg der heute ausgestorbene Dialekt von Flerden (Nr. 39), und für den unteren Heinzenberg der heute ebenfalls erloschene Dialekt von Cazis (Nr. 36).
We aim to understand whether Greek and Italian, two null subject languages, differ in the use and interpretation of null subjects, based on evidence from both a production and a comprehension experiment. The results of the two experiments show that the two languages differ in the extent to which they comply with the Position of Antecedent Strategy as formulated by Carminati (2002). In order to account for this difference, we introduce a principle which defines prominence of sentence constituents in terms of hierarchical height, elaborating on a recent proposal by Rizzi (2018). Then we show that the prominence of subject and object constituents in Greek and Italian reflects word-order differences between the two languages (Roussou & Tsimpli 2006). In more general terms, this paper argues in favour of a multi-factorial approach to reference interpretation, in that syntactic factors interact with discourse factors, leading to a gradient variety of reference possibilities.
This study analyses the role of the Romanian language in Christian Hallers novel Die verschluckte Musik (2008). The Romanian words are linked to the content and symbolical context, and also to intimacy or strangeness. Single words and expressions are connected to memories and rituals. For the family residing in Bucharest they are everyday elements. By migration they become cultural artefacts, are included in family stories. In the new home country Switzerland, the Romanian language is an element of intimacy. The language is also a method of exclusion and dissociation. Ruth, the first-person narratorʼs mother, is excluded in Bucharest until she learns the national language. In the Swiss environment the already familiar Romanian language is for Ruth a method of dissociation. For the first-person narrator, the few Romanian words are details connected to gastronomic culture which distinguish him from the Swiss environment. While travelling through Bucharest, the Romanian language becomes a method of exclusion, it is connected to an area that was not attainable for a long period. His journey updates the language for him.
In the present article Bernhard Schwaiger, a Latin language teacher at a school in Thüringen, treats some aspects of the greater or lesser importance of some objects of study, in this case of the foreign languages, importance that is usually determined aleatorily. The article becomes a pleading for the study of the Romanian language as one of the most interesting Romance languages, the Romanian culture being complex and the tourist landscape from Romania very interesting as well. The conclusion of the article is that it is very important for pupils on their way to identity construction to know all the cultural components of Europe, to submit to a critical analysis any object defined „from the outside” as important, because the European continent consists not solely of important countries and languages (such as France, Spain, England, Italy) but also of a multitude of other languages and cultures.