830 Literaturen germanischer Sprachen; Deutsche Literatur
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The German minority emigrated massively from Romania after the fall of the communist regime in 1989, so the void left by it had to be filled with representatives of Romanian ethnicity. The main actors for the relations between the Saxons and the Romanians in Transylvania are the children who study in schools with German as a mother tongue. They will carry on the cultural heritage left by the Saxons. But how can we reach out for these children? The answer is given to us by the writer Anne Junesch in her book „Das Amenchen. Mäuseleben”, published in 2019. An attempt is being made to sensitize young readers to Transylvanian culture. With the help of a story centered around a fortified church and a main character from Germany, a world full of secrets and of the unknown is revealed to us. With small steps, an incursion is thus made into the almost lost world of the Transylvanian Saxons.
The Chess Story, written at the end of 1941, is considered internationally to be Stefan Zweig‘s greatest success. At the center of the novella is undoubtedly Dr. B. He comes from a distinguished Austrian family, was the head of a law firm in Vienna, which advised monasteries and part of the imperial family in property matters. When the Nazi occupation of Austria was imminent, the activity became dangerous. A day before Hitler invaded Austria, he was arrested by the Gestapo and imprisoned in the Hotel Metropole. The isolation and monotony wore him down. Shortly before a new interrogation is scheduled, Dr. B. discovers a book with a collection of one hundred and fifty chess games. To escape the threat of nothingness, he plays chess games blind. Playing chess is not understood by Dr. B. as a mere pastime, but as meaning; it has an existential significance.
The game, with its creative potential and rich semantics, has repeatedly animated writers’ imagination, motivating them to imagine new worlds or to present the experience of the existent world according to other rules. Beyond this, games have been perceived as a form of transposing traumatic experiences or an expression of heteronomy in man’s relation with destiny. The dice game appears in Paul Celan’s early poetry, but it is more present in late poems. The present paper analyses the semantics of the dice game in Celan’s poetry, trying to evidentiate its ontological and poetical values.
This article traces patterns of engaging with Budapest‘s topographies in the auto-fictional works by Richard Wagner, Cătălin Dorian Florescu und Peter Rosenthal. Through a dialogical reading of their novels, the article highlights the links and overlaps between the genre of autofiction and space. The article argues that through mapping fictional settings and routes on a real map of Budapest, one may explore the intersection of literature and geography and the ways in which space influences the movement and behavior of the characters.
Yvonne Hergane‘s first novel The Chameleon Ladies can be discussed from several perspectives. On the one hand, it can be read as a generational novel, on the other hand, it can also be read as a women‘s novel in the sense of portraying the history of emancipation of four generations of women. The novel can also be seen as a historical novel, because it covers a historical period of over 120 years and describes the living conditions of four generations of women, three of them living first in Romania and then in Germany, which are also historically conditioned. The novel could therefore also be seen as part of migration literature. This article will explore this complexity of this structure.
The story of Hansel and Gretel, published by the German Brothers Grimm, has been translated from German to Turkish many times by many translators. In this context, our study aimed to examine the translation approaches, processes and strategies of translation works produced by different translators and in different years. The sentences forming the source text were selected at random and their equivalents were searched for in three different translation texts. Our research evaluated general translation strategies and included the similarities/differences found in the source and target translation works. As a result, it can be seen that translation strategies such as addition, rearrangement, enlargement and reduction are applied. Our study was examined according to Gideon Toury‘s goal-directed translation theory and tried to determine within the framework of adequacy and acceptability using examples.
The present text is dedicated to an anthology of German poetry from Romania, which was collected in 1980 but could not be published during the communist dictatorship and was subsequently published in 2022 to great success on the German book market. The anthology illustrates the fact that a modern movement parallel to the one in Germany emerged within the insular German-language literature in Romania, developing a set of very distinct particularities.
The writer Otto Fritz Jickeli (1888-1960) turned to events of the 19th century in his unpublished story Die Kosakenbraut. The revolution of 1848 /49 forms the chronological axis for the events in the description, with their befor and after. The episodes do not lack the unusual moments that occur in times of revolutionary upheaval. As is well known, the Imperial Austrian troops were supported in their fight against Hungarian revolutionaries by the Tsarist Russian army, and the armies of the insurgents finally succumbed to this military alliance of the great powers. The changing fortunes of war, the events effecting private life are vividly presented, also with the help of a spontaneous love affair between a Cossack commander of the Russian army and a Transylvanian woman who, under problematic circumstances, becomes the „Cossack bride” and mother of a half-Cossack. It is both fluent and stimulating reading about the customs and moral concepts of the time, aprose work that testifies to the author’s expertise and also to this sense of humour.
German-language literature of the Banat develops under specific historical circumstances amidst a multiethnic Region, in which the multiple social-political, religious and linguistic relations to Romanians, Hungarians, Serbs and Jews find their immediate expression. The beginning of the German-language writings of the Banat Swabians are under the aegis of the Austrian model, especially of the Viennese model. Here one mainly includes the extremely stimulating press and theater tradition of the Banat, which can still be remarked in the interwar period, and which created the conditions for the unfolding of a lively spiritual life. Johann Friedel born in Timișoara, an outstanding representative of Josephine epistolary satire, was considered on account of his novels and letters to be the founder of the local German-language writings by several scholars.
Using the example of the village novel Three Kilometers from the final phase of the Ceaușescu dictatorship, the article follows the discovery of memory, examining the image of the Banat village community, which is dominated by hopelessness, fear and thoughts of flight. The emptiness and the cold motif used at the end point to the dissolution of the Swabian village world. The Banat village is presented at the interface between real life reality and a landscape of memories.