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White Masks
(2019)
This collection of poetry both reflects and creates attitudes that we now regard as characteristic of our age - the crisis of nationhood and the burden of citizenship. Abi Yeibo's White Masks unambiguously exposes the dystopian nightmares of a nation and a people's willing detachment from humanity. While some poets of his generation are content with dreaming of an ideal world, in White Masks, Yeibo, through the resources of memory, experiments with the idea of a better world - Professor Ogaga Okuyade, Niger Delta University, Wilberforce Island, Bayelsa State, Nigeria.
The Fourth Masquerade
(2014)
As one of the most important Nigerian poets who continue to write the nation in verse, Yeibo, in this fifth collection of poems, has strategically fashioned a kind of poetry that does not only derive its idiom from the prosody and folk tradition of the Izon of Nigeria, it equally advances the poet's vision through form and structure. His recourse to folklore and reliance on oral materials in the image making process gives coherence and form to the poems. However, what distinguishes this collection from the previous ones is the question of the form through which he demonstrates an intense awareness of the Nigerian experience.