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This analysis of the literary comic 'der Spieler' seeks to identify similarities and differences between the text and its pre-text, exploring whether the comic manifests the intentions of Dostoyevsky's literary model 'The Gambler' and asking whether the stylistic tone of the novel is retained in the comic version. The analysis shows that the authors of the comic manage to retain both Dostoyevsky's intentions and his poetic/narrative techniques, while also creating their own verbal and graphic interpretations.
Este trabalho tem como objetivo analisar a construção das Stimmungen (atmosferas) na livre-adaptação do Fausto de Goethe realizada, em 2011, pelo diretor russo Aleksandr Sokurov. Dentro dessa perspectiva, buscaremos demonstrar, particularmente, como o diálogo entre Sokurov e Goethe não se dá somente no domínio do enredo, mas também no modo peculiar como ambos se utilizam da técnica como forma de modulação dos afetos dos espectadores.
Le miroir intermédial : "Sneewittchen" des Grimm et "Blancanieves" de Pablo Berger en comparaison
(2017)
Contemporary studies about film adaptations of literary texts face many obstacles when it comes to compare two different media. They either tend to establish how faithful the film adaptation is to its textual source or they consider the literary text as canonical, which as such cannot be transposed to any other form. This contribution aims to cross the borders of 'adaptation studies' and offers an intermedial comparison between the Grimms' tale 'Sneewittchen', first published in 1812, and 'Blancanieves', a black and white silent movie directed by Pablo Berger and released in 2012. Regarding 'Blancanieves' not only as an adaptation of the Grimms' text(s), but also and above all as a reconfiguration of numerous media forms (film, photography, opera, among others), reveals how the Spanish director differentiates himself from the German tale and creates a new story with renewed meanings which echo the current social, economical and political situation of Spain.