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ALICE (A Large Ion Collider Experiment), is the dedicated heavy-ion experiment at the Large Hadron Collider (LHC) at CERN. It is optimised to reconstruct and identify the particles created in a lead-lead collision with a centre of mass energy of 5.5TeV. The main tracking detector is a large-volume time-projection chamber (TPC). With an active volume of about 88m^3 and a total readout area of 32.5m^2 it is the most challenging TPC ever build. A central electrode divides the 5m long detector into two drift regions. Each readout side is subdivided into 18 inner and 18 outer multi-wire proportional read-out chambers. The readout area is subdivide into 557568 pads, where each pad is read out by and electronics chanin. A complex calibration is needed in order to reach the design position-resolution of the reconstructed particle tracks of about 200um. One part of the calibration lies in understanding the electronic-response. The work at hand presents results of the pedestal and noise behaviour of the front-end electronics (FEE), measurements of the pulse-shaping properties of the FEE using results obtained with a calibration pulser and measurements performed with the laser-calibration system. The data concerned were taken during two phases of the TPC commissioning. First measurements were performed in the clean room where the TPC was built. After the TPC was moved underground and built into the experiment, a second round of commissioning took place. Noise measurements in the clean room revealed a very large fraction of pads with noise values larger than the design specifications. The unexpected high noise values could be explained by the 'ground bounce' effect. Two modifications helped to reduce this effect: A desynchronisation in the the start of the readout of groups of channels and a modification in the grounding scheme of the FEE. Further noise measurements were carried out after the TPC has been moved to the experimental area underground. Here even a larger fraction of channels showed too large noise values. This could be traced back to a common mode current injected by the electronics power supplies. To study the shaping properties of the FEE a calibration pulser was used. To generate signals in the FEE a pulse is injected to the cathode wires of the read-out chambers. Due to manufacturing tolerances slight channel-by-channel variations of the shaping properties are expected. This effects the determination of the arrival time as well as the measured integral signal of the induced charge and has to be corrected. The measured arrival time variations follow a Gaussian distribution with a width (sigma) of 6.2ns. This corresponds to an error of the cluster position of about 170um. The charge variations are on the level of 2.8%. In order to reach the intrinsic resolution on the measurement of the specific energy loss of the particles (6%) those variations have to be taken into account. The photons of the laser-calibration system are energetic enough to emit photo electrons off metallic surfaces. Most interesting for the detector calibration are photo electrons from the central electrode. The laser light is intense enough to get a signal in all readout channels of the TPC. Since the central electrode is a smooth surface, differences in the arrival time between sectors reveal mechanical displacements of the readout sectors and can be used to correct for this effect. In addition the measurements can be used to determine the electron drift velocity in the TPC gas. The drift velocity measurements have shown a vertical as well as a radial gradient. The first can be explained by the temperature gradient, which naturally builds up in the 5m high detector. The second gradient is most probably caused by a relative conical deformation of the readout plane and the central electrode.
The relation between reality and language, the instability of language as a signification system, the representation crisis, and the borders of interpretation are the controversial issues that have engaged not only philosophers, but also many authors, translators, and literary critics. Some philosophers like Derrida accuse Western thinking of being obsessed with binary oppositions. In Derrida's view, Western tradition resorts to external references as God, truth, origin, center and reason to stabilize the signification system. Since these concepts lack an internal sense and there is no transcendental signified that can fix these signifiers, language turns to an instable system by means of which no fixed meaning can be created. Many authors like Beckett, Stoppard, and Caryl Churchill also noticed this impossibility of language. While Derrida's deconstructive approach to this crisis has an epistemological nature, these playwrights present an aesthetic solution by turning the deconstructive potential of language against itself in text and performance. This dissertation aims at exploring their performing methods and dramatic texts to demonstrate how their delogocentric strategies work. By analyzing their plays, I will examine if their use of signifiers that have no references in reality, intentional misconceptions, disintegrated subjectivities, decentered narratives, and experimental performances can help them undermine the prevailing logocentrism of Western thought. The examination of the change in aesthetic strategies from Beckett, who belongs to earlier stages of post modernism, to Caryl Churchill, who should perform in a globalized world with increasing dominance of speed and information, is another aim of this research. In my view,Beckett's obsession with unspeakable, absurdity, and disintegration of subjectivity develops to Stoppard's language games, metadrama, and anti-representation and culminates in Churchill's anti-narrative texts and pluralistic performances. The monophony of Beckett's dramatic texts is replaced by the polyphony of Churchill's performances, which are a mixture of theater, dance and music. However, all explored dramatic texts in this dissertation have something in common: they are language games, which have no claim on a faithful representation of reality or transcendental truth.