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Johann Christoph Gottsched hatte als Aufklärer ein zentrales Ziel: Die Bildung der Frau. Denn, wie Steffen Martus in seiner Studie zur Epoche der Aufklärung schreibt, "an Töchtern, Ehefrauen und Müttern erprobte man, wie sich die neue Weltweisheit mit einer neuen Lebenshaltung verbinden" lässt. Wenn der Mensch tatsächlich von Natur aus vernunftbegabt ist, und zwar unabhängig von Stand, Geschlecht und ethnischer Herkunft, dann muss man Frauen auch zu Gelehrten, Dichterinnen oder gar zu Doktorinnen erziehen können. So argumentierten viele Intellektuelle in der Zeit. [...] Wie aber verhielt sich die Programmatik der weiblichen Aufklärung zur sozialen Realität? Welche Chancen hatten gebildete und dichtende Frauen wirklich, gab es die Möglichkeit zur Selbstfindung und Selbstverwirklichung? Oder handelt es sich letztlich nur um Männerphantasien, um leere Gedankengebäude von Akademikern, denen Frauen als intellektueller Spielball dienten? Ich denke, dass gerade die Rolle einer 'femme de lettre', einer gebildeten, selbstbewussten Frau in der Frühaufklärung in der Tat sehr ambivalent war: Man begegnet ihr mit Bewunderung, Anerkennung und Staunen – vom "Wunderthier" wie in einem Kuriositätenkabinett ist oft die Rede -, aber auch mit Misstrauen und Missgunst, Polemik und Sexismus. Diese Ambivalenz lässt sich am Beispiel einer Autorin besonders gut zeigen: Christiana Marianna von Ziegler - Verfasserin saftiger Satiren und sanfter Schäferlyrik, selbstbewusste Salonière und treusorgende Professorengattin, fromme Kantatendichterin und emanzipierte Aufklärungsfeministin.
Two new species of hangingflies, Terrobittacus rostratus sp. nov. and Terrobittacus angustus sp. nov., are described and illustrated from Yunnan, southwestern China, increasing the species number of Terrobittacus Tan & Hua, 2009 to six. Terrobittacus rostratus sp. nov. differs from its congeners by wings devoid of markings and epandrial appendages slightly longer than half the length of the gonocoxites. Terrobittacus angustus sp. nov. can be recognized by wing markings along R5 distally. A key to species of the genus is updated to include the two new species.
The genus Austrotinodes contains 55 species, largely distributed in the Neotropics, with a few species occurring in the Australian Region. In Brazil, 10 species have been recorded, mainly in the southern and southeastern regions. Herein, we describe 13 new species from Brazil, all of them named in memory of great Brazilian scientists: Austrotinodes absaberi sp. nov., A. adolfolutzi sp. nov., A. berthalutzae sp. nov., A. chagasi sp. nov., A. costalimai sp. nov., A. cruzi sp. nov., A. donagrazielae sp. nov., A. gusmaoi sp. nov., A. lattesi sp. nov., A. lenti sp. nov., A. santosdumonti sp. nov., A. vanzolinii sp. nov. and A. vitalbrazili sp. nov. Additionally, we give new distribution records for A. amazonensis Flint & Denning, 1989, A. longispinum Thomson & Holzenthal, 2010, A. paraguayensis Flint, 1983 and A. taquaralis Thomson & Holzenthal, 2010. We also provide new diagnoses and illustrations for A. amazonensis and A. paraguayensis, to facilitate identification of those species.
A taxonomic overview for the fritillary genus Speyeria Scudder (= Argynnis Fabricius) and its placement within the Heliconiinae (Nymphalidae) is presented. Taxonomic accounts, type images, and relevant literature for the 25 subspecies within the Speyeria atlantis (Edwards) and Speyeria hesperis (Edwards) complexes and the 16 nominate Speyeria species are included. Errors in nomenclature are identified, taxonomic, life history, and distributional information are updated, and type locality information is discussed. Images of primary type specimens for all 16 Speyeria species and the 25 subspecies in the atlantis - hesperis complexes appear together in color here for the first time. One new combination of a species-subspecies is created: Speyeria hesperis hanseni Emmel, Emmel, and Matoon, 1998, new combination, which was previously Speyeria atlantis hanseni Emmel, Emmel, and Matoon.
Nomenclatural errors associated with the nymphalid butterfly, Speyeria atlantis greyi Moeck, have persisted in the literature and electronic databases. We present here a synonymy of the various combinations and misspellings associated with it and clearly indicate the correct name and spelling based on Moecks (1950) original description. Additionally, color images of the holotype and allotype specimens are published herein for the first time.
We provide the current holdings of Meropeidae in the Florida State Collection of Arthropods (FSCA). To date, FSCA holds a well-curated collection of extant meropeids representing 17 U.S. states and Western Australia (n = 316 Merope tuber Newman, fi ve Austromerope poultoni Killington). Merope tuber records from Vermont, Texas, and South Carolina are published here for the fi rst time. A total of 298 pinned M. tuber and four pinned
A. poultoni; six M. tuber specimens preserved in 95% ethanol; and 12 M. tuber and one A. poultoni sputter-coated with gold-palladium for SEM are available for researchers interested in studying this unique family of insects.
A recent investigation was conducted to assess the threat of insect venom hypersensitivity to deployed U.S. service members operating in the region. In parallel with this study, a checklist of medically important Hymenoptera was assembled from limited fi eld collections as well as a comprehensive review of the literature and information provided by electronic databases. We compiled names of 14 families comprising 396 species of Hymenoptera capable of stinging humans. This is the first such checklist for Afghanistan, and should aid future taxonomic work and provide reference information for public health-related entomology in this region.
In the first years of cinematography, the exhibitors mostly used magic lantern slides to project films titles before the film’s projection. In Europe and in the United States, around 1902–1903, motion pictures started to be sold with edited titles on films, and edited subtitles on multi shot films. From around 1907, as the length and number of shots, subtitles and words increased, there was a kind of competition between the subtitle and the lecturer to explain the films to the audiences. In the transitional period – 1907–1916 –, the trade press and scenario manuals constantly debated subtitle usefulness and limits. On one hand the dream of cinematography as a universal language was incompatible with this device, and the strong ideal of the titleless film advocated that moving pictures should tell stories by themselves, without the aid of any external narration, like theatre plays. On the other hand, there were more realistic approaches: subtitles were unavoidable, as they were essential to make a film understandable. The main recommendation, however, was to use them very sparingly, and only when it was absolutely necessary, because they might spoil suspense by giving a summary of the action in advance, they were also considered to have an adverse impact on the “reality effect”, to be exterior to the story and to interrupt the flow of images. Despite the reluctances and ambivalences towards it, as the industry organized itself in the 1910’s the subtitle was retooled, and became conventional and largely used for the construction of the classical narrative film.