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This book questions the politicization/depoliticization of women's and feminists' organizations in the context of globalization. It explores some African pathways, in particular those of South Africa and Senegal. Extending beyond the notions of neoliberalism and 'gender digital divide', the author is searching, through the ICT use of those organizations, the inhibiting factors or the genesis of political action, and particularly the mechanisms of institutionalization. Palmieri shows that the impact of ICT and gender inequality combine to worsen and accelerate social hierarchies and may paradoxically create spaces where non-dominated gendered knowledge emerge. She dissociates domination and power. This book introduces new directions for feminist epistemology. Contemporary societies, strongly foot-printed by digital connection, are mixing the coloniality of power and patriarchy, and this dual system of domination can produce epistemic creation.
When an Anglophone takes up the challenge to write in French and for those who think they have the monopoly of the French language, the result is exhilarating for the reader. This is regarding poetry born of the plume of Bill F. Ndi. Though this is not his first collection in the French language, The Crossroads: Black or Blackened smacks with the poets lexical usage and the imagery the words evoke to awaken the readers conscience of the misdeeds plaguing the society. The word choices are just and à propos. Esthetically and rhythmically, the poems in this volume jolt the readers senses.
Le concept d’autorégulation régulée, réponse la plus récente aux défauts, perceptibles depuis longtemps, de la direction impérative de processus sociaux par l’État, n’a pas encore incité les chercheurs à se demander s’il existait, dans l’histoire de l’État constitutionnel, une tradition pour cette forme de régulation. Quand on s’en met en quête, comme les organisateurs de ce colloquea l’attendent de moi, on a du mal à lui découvrir des précurseurs dissimulés. Il est en revanche tout à fait possible de considérer l’État constitutionnel, tel qu’il est né des révolutions de la fin du XVIIIe siècle et s’est développé depuis lors comme un modèle dominant d’organisation sociale, du point de vue de la régulation afin d’éclairer la genèse de ce nouveau concept et de se demander comment il s’inscrit dans la tradition de l’État constitutionnel. ...
In Compagnon ! Journal d'un noussi en guerre: 2002-2011 Garvey tells the story of intimate and professional life in Côte dIvoire during a decade of civil war. During that period Garvey played an important role in the paramilitary group FLGO-Abidjan, part of the militarised wing of the so-called patriotic movement who supported President Laurent Gbagbo. Compagnon! is the outcome of the collaboration of Marcus Mausiah Garvey and the anthropologist Karel Arnaut which began in 2009 when Garvey showed Karel his autobiography-in-progress. Since that day both became companions in a long, challenging but often intensely creative and reflective literary project which led, among other things, to this book.
Achieving a new integration of Africa into the world economy in the neoliberal era prompts discussion of the success and failure of economic policies undertaken so far in African countries; And how to address the factors that currently hamper Africa's development in a globalized economy. What does globalization mean for Africa? What changes does it imply? Which models of development impose, and under what conditions? A comprehension essay is presented in this book.
This multidisciplinary work shows the movement today of academic research in social sciences in Senegal.
When Gorki wrote his play "The Barbarians" (1906), he probably did not intend to raise such an intricate problem as the relationship between the barbarian, the savage and the civilized. Neither did he envisage talking about this triadic relation in reference to its political, historical and philosophical meaning. He proceeded as a writer and managed to construct a peculiar literary figure of the "barbarian" in its multiple aspects, and as related to other figures, such as the savage, in the first place. In this paper I argue that Gorki's intrinsically literary venture consisted in trying to make collide two categories that never normally enter in a dual relationship, but are always mediated by the category of the "civilized". The objective of this paper is to examine the consequences of this forced dualism, which without imposing any idea of civilization, however, ends up by setting it as a problem for further meditation and, without giving any solution, invites the reader to pursue his reflection.
The barbarian is a construct of the Other which can be distinguished from the "savage" through a certain degree of social organization and from the monstrous through its more realistic-historic outlook. Still, these categories are fuzzy and fantastic fiction – understood in a broad sense – makes new use of the barbarian people motif in a manner which makes the ideological undertones more visible despite an increased freedom from historical references. The " mob" (das Gesindel) getting out of the forests to devastate the civilized order, in 'Auf den Marmorklippen', embodies abjection in its clearest form, a violent return of the dark violent repressed. On the contrary, in the cycle of 'Dune, the Fremens' are 'barbarian' only in the eyes of the corrupt totalitarian elite of the Imperium. Despite their rough way of life, they represent a cultural order much closer to ecological harmony, which constitutes a major theme in Frank Herbert's saga. Borges' perspective, in 'The Story of the Warrior and the Female Prisoner', is not so much ethical/political as it is philosophical : the mutual fascination between the 'civilized' and the 'barbarians' is tantamount to magnetic opposites, border-crossing and meaningful otherness. These three visions of the 'barbarian' can be distinguished not only through their ideological underpinnings, but also through their narrative techniques.