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Best New African Poets 2016 Anthology has 251 pieces from 131 poets and artists in 7 languages (English, Portuguese, French, Afrikaans, Shona, Yoruba and Kiswahili) from 24 African countries and Diasporas, with South African and Angolan poets dominating the list. We also have a healthy number of poets from Uganda, Zimbabwe, Kenya, Mo'ambique, Ghana, and Nigeria, as usual. The nationalist sense is the one that most predominates with its pink, blue and gray tints that are expressed in parallel with existentialist perspectives that in turn go hand in hand with love, desire, hankering, joy, sensuality that transports us to epic, lyrical, utopian contexts without being lost in fantasy, they are artistic lines sometimes with traditional and sometimes more innovative touches. However, in contrast and to a lesser extent, almost as if there were resistant and with restraint we also find desolation, pain, negation that can be so sweet or so bitter that it allows the imagination to stop in a lament or end in resignation.
With the demographic explosion of young people in major African cities, we are witnessing the emergence of youth languages and new speech forms. In search of well-being, these young people, plagued by poverty, social injustice, unemployment and idleness, invent linguistic codes that allow them to find themselves. The linguistic and sociolinguistic description of these youth languages is the object of this volume. The contributions inform on the statutes and functions of the youth languages of Africa, their forms and structures, their representations, and envisage perspectives and prospective didactics.
Wir freuen uns, dass Sie sich für einen Aufenthalt an der Goethe-Universität entschieden haben. Frankfurt ist eine der internationalsten Städte Deutschlands, eine Stadt der Begegnungen und interkulturellen Befruchtung. Seit jeher war dieser beeindruckende und überaus historische akademische, logistische, kommerzielle und finanzielle Knotenpunkt auf den regen Austausch mit anderen Kulturen und Völkern angewiesen. ...
In light of the dramatic growth and rapid institutionalization of human-animal studies in recent years, it is somewhat surprising that only a small number of publications have proposed practical and theoretical approaches to teaching in this inter- and transdisciplinary field. Featuring eleven original pedagogical interventions from the social sciences and the humanities as well as an epilogue from ecofeminist critic Greta Gaard, the present volume addresses this gap and responds to the demand by both educators and students for pedagogies appropriate for dealing with environmental crises. The theoretical and practical contributions collected here describe new ways of teaching human-animal studies in different educational settings and institutional contexts, suggesting how learners - equipped with key concepts such as agency or relationality - can develop empathy and ethical regard for the more-than-human world and especially nonhuman animals. As the contributors to this volume show, these cognitive and affective goals can be achieved in many curricula in secondary and tertiary education. By providing learners with the tools to challenge human exceptionalism in its various guises and related patterns of domination and exploitation in and outside the classroom, these interventions also contribute to a much-needed transformation not only of today's educational systems but of society as a whole. This volume is an invitation to beginners and experienced instructors alike, an invitation to (re)consider how we teach human-animal studies and how we could and should prepare learners for an uncertain future in, ideally, a more egalitarian and just multispecies world.
In dem vorliegenden Band mit dem Titel „Prähistorische Konfliktforschung – Bronzezeitliche Burgen zwischen Taunus und Karpaten“ werden die Beiträge der Ersten Internationalen Tagung zum LOEWE-Schwerpunkt „Prähistorische Konfliktforschung“ in Frankfurt/a. M. vom 7. bis 9. Dezember 2016 vorgelegt (https://www.unifrankfurt.de/61564916/LOEWE-Schwerpunkt).
Regeln der digitalen Kommunikation: die Goethe-Universität Frankfurt am Main versteht sich als Ort einer wertschätzenden Kommunikation und eines respektvollen Umgangs aller Beschäftigten, Studierenden und Gäste untereinander, an dem die persönliche Integrität und die Selbstachtung gewahrt wird. Dies gilt auch bei der Verständigung in den digitalen Kommunikationsräumen und Social-Media-Kanälen. Alle Mitglieder, Angehörige und Gäste der Goethe-Universität verpflichten sich zur Einhaltung der folgenden Regeln für die digitale Kommunikation.