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This paper presents psycholinguistic evidence on the factors governing the resolution of German personal pronouns. To determine the relative influence of linear order versus grammatical function of potential antecedents, two interpretation-preference tasks were designed. Their specific aim was to disentangle salience factors conflated in previous research on pronoun interpretation, such as linear or-der, first mention and topicalization. Experiment 1 tested pronoun resolution to non-sentence-initial position (scrambling) and Experiment 2 tested pronoun resolution to sentence-initial position (topicalization). The results across different verb types and across different syntactic contexts in Experiments 1 and 2 show that grammatical function, yet neither linear order, first mention nor topicalization predicts pronoun resolution in German.
This paper investigates the production and comprehension of intrasentential anaphoric pronominal reference in Russian. In particular, it examines the elicited imitation and comprehension of three anaphoric pronouns in subject position – personal 3rd singular masculine, demonstrative and zero – in one hundred and eighty monolingual Russian-speaking children and twenty adults. The three types of pronouns were designed to have an antecedent in the preceding sentence containing a verb and two arguments. These antecedents differ in their syntactical role and animacy. The sentence position, agentivity and topicality remained constant. The sentences with (in)animate subjects and objects constituted the following four 'conditions': two sentences with a subject and an object being either animate or inanimate and two sentences with a subject and an object exhibiting a diverse (in)animacy. Regarding the resolution of the anaphoric pronouns the similarity principle (or feature-concord rule) and its possible violations were tested. This principle suggests that an anaphoric pronoun is most likely resolved to the antecedent with a maximum of similar characteristics or features and it primarily governs the assignment of an antecedent to anaphoric pronouns in subject position in the absence of the violating conditions. Results show the influence of this rule on the anaphora resolution process increasing with age, on the one hand, and the development of the impact of animacy, syntactic role and the type of anaphoric pronouns that violate the feature-concord rule, on the other.
Es gibt viele Möglichkeiten der Beschreibung und Analyse von Literaturverfilmungen. Die meisten jedoch, so Hickethier, werden als Verlusterfahrung des Literarischen gewertet, da im Allgemeinen die Literatur als die eigentliche künstlerische Disziplin, der Film hingegen lediglich als moderne, technisch vermittelte Kunstform angesehen wird. Hickethier stellt in seinem Aufsatz zunächst diverse Konzepte möglicher Filmanalysen vor (der Film als Literaturverwertung, Rezeptionsergebnis, semiotischer Prozeß u.a.), wobei für ihn die Betrachtung des Mediums Film vor allem als ebenbürtige Erzähl- und Darstellungsform im Vordergrund steht. Anhand von Axel Cortis´ Film "Eine blaßblaue Frauenschrift" setzt sich Hickethier exemplarisch mit Filmgeschichte, Verschiebungen, Akzentuierungen, Rhythmisierungen des Erzählens und anderen Kriterien auseinander, wobei zahlreiche Detailanalysen den Text sehr anschaulich werden lassen. Hickethiers Analyse eignet sich besonders für den Deutschunterricht, der nicht nur durch literarische Werke, sondern auch durch deren Verfilmungen lebendig gestalten möchte.
提要 本文通过对信息传达的性质和语言的本质的探讨,来了解语言的发展。Ostension "显 示信息传达意嚣的动作"(以下简称"动作")和inference" 推测/推论"是信息传达过程中的两 个主重要环节。在信息传达的时候,信息传达者总希望信息接受者能又快又准确地对自己所传 达的信息做出"推论/推测因此,信息传达者会尽量地做出最适宜、最不费力、最能帮助对方 进行推论/推测的"动作动作"越具体,对"推论/推测"过程的制约程度就越高。语言在信 息传达过程中的作用只是作为一种制约听话者进行"推论/推测"的工具,因此,语言是因为说 话者要制约听话者的"推论/推测"过程而发展的。不同语言的说话者对不同语义领域进行相 同或不阔的制约,制约程度和手段亦有相同与不同之处。因此,每种语窑有它的独特性,但不 同语言之间也有共岗位。