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This paper argues that the key mechanisms protecting retail investors’ financial stake in their portfolio investments are indirect. They do not rely on actions by the investors or by any private actor directly charged with looking after investors’ interests. Rather, they are provided by the ecosystem that investors (are legally forced to) inhabit, as a byproduct of the mostly self-interested, mutually and legally constrained behavior of third parties without a mandate to help the investors (e.g., speculators, activists). This elucidates key rules, resolves the mandatory vs. enabling tension in corporate/securities law, and exposes passive investing’s fragile reliance on others’ trading.
Can reenactments be a way to create counter-narratives in and for the museum? Through the analysis of political performance (or what the artist Tania Bruguera calls 'political-timing-specific' artworks), this essay discusses the potential of reenactment as both a practice of materializing memories and narratives of oppression and of rethinking museum policies in terms of preservation and display. Its main argument is that, while the archive can be regarded as a form of materializing the memory of these works, reenactment is more than a way of recovering the past; it is also a device for reconstructing memories of activism and oppression. This essay further suggests that reenactments of political-timing-specific works demand a change in accessioning, conservation, and presentation practices, which might be inclined to erase decentralized art-historical and material narratives.
The internet has often been considered a 'technology of freedom' – a nearly revolutionary tool believed to flatten social hierarchies and democratize access to media by 'giving voice' to everybody equally. Contradictory to this point of view, research has shown the existence of a 'digital divide,' the phenomenon that access to and use of the internet, as well as the outcomes derived from this use, correlate with pre-existing inequalities.
Based on ethnographic fieldwork among activists in Dakar, Senegal, this thesis analyzes how inequalities shape and are shaped by the relationships between activists and smartphones. Do smartphones indeed flatten social hierarchies, or are inequalities rather reproduced – or even reinforced – through them?