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Biopower, governmentality, and capitalism through the lenses of freedom: a conceptual enquiry
(2012)
In this paper I propose a framework to understand the transition in Foucault’s work from the disciplinary model to the governmentality model. Foucault’s work on power emerges within the general context of an expression of capitalist rationality and the nature of freedom and power within it. I argue that, thus understood, Foucault’s transition to the governmentality model can be seen simultaneously as a deepening recognition of what capitalism is and how it works, but also the recognition of the changing historical nature of the actually existing capitalisms and their specifically situated historical needs. I then argue that the disciplinary model should be understood as a contingent response to the demands of early capitalism, and argue that with the maturation of the capitalist enterprise many of those responses no longer are necessary. New realities require new responses; although this does not necessarily result in the abandonment of the earlier disciplinary model, it does require their reconfiguration according to the changed situation and the new imperatives following from it.
Pasolini's first visit to a Third World country dates to 1960-61. His impressions and experiences during this journey are told in the collection of articles "L'odore dell'India", which, in Silvia Mazzini's opinion, also reveals his (perhaps characteristic) tension between being up-to-date and being out of time. This essay can thus be understood as a small journey through the author's travels in and relations with India. It argues that while in the 1960s the myth of India became a veritable spiritual fashion, for Pasolini this fashion trivialized the sharp contradictions of a country at once poor and splendid, full of traditions and subversive, rich with mysticism and pragmatic vitality. The collection of journalistic articles "L'odore dell' India" (1961) and the documentary "Appunti per un film sull'India" (1968), which originate from Pasolini's first journeys to the so-called 'Third World', intertwine sharp sociological analyses with instinctual observations and remarks. Mazzini shows that between the effluvia of incense and the adventures of a tiger, one can catch a glimpse of the Pasolinian vision of a humanity which is at once disruptive, archaic, and subversive, and which represents an alternative to the standardization of the consumerist society and its tendency to suppress and absorb any cultural difference.