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"Spieglein, Spieglein an der Wand ..." : das Diminutiv im Überzetzungsvergleich Deutsch-Rumänisch
(2012)
The paper presents some aspects connected to the system of diminution in German and Romanian, by offering a comparative analysis of the German version of the fairy tale “Snow White” and six Romanian translations of the text. The focus lies on the ways in which the nouns in the text are marked as ‘diminutives’ in German (mainly by adding suffixes, the synthetic diminutives) and the equivalences suggested by the Romanian translators. Although the category ‘diminution’ is common to both languages, there are significant differences in the way it is linguistically expressed. A main part of the paper is devoted to these differences and their reflection in the text.
U radu se daje analiza i prikaz tvorbenoga sustava umanjenica u kajkavskome narječju. Analiza je provedena na primjerima iz objavljenih dijalektoloških opisa govora, kajkavskih rječnika te iz vlastite građe. U tvorbenome se opisu polazi sa sinkronijskoga stanovišta, a povijesnojezične se napomene donose tek sporadično. Navode se svi u građi potvrđeni sufiksi za tvorbu umanjenica muškoga, srednjega i ženskoga roda. Uz svaku se tvorbenu kategoriju navode i jezične značajke koje se odnose na glasovne promjene na granici osnove i sufiksa.
U radu se donose rezultati istraživanja provedenoga na korpusu reklamnih tekstova te radijskih i televizijskih spotova prikupljenom od 2009. do 2013. godine. U središtu zanimanja su rječotvorbeni postupci kojima se reklamne poruke oblikuju. Analizom je utvrđeno da se radi stvaranja efekta začudnosti u primatelja poruke primjenjuju netipični tvorbeni postupci kao što su grafoderivacija i stapanje. S obzirom na njihovo mjesto u leksičkome sustavu, takve su tvorenice poseban tip prigodnica, tzv. reklamni okazionalizmi.
U radu se donosi opis tvorbenih tipova riječi s brojevnim značenjem u hrvatskom kajkavskom književnom jeziku. Obrađene potvrde ekscerpirane su iz Habdelićeva i Jambrešićeva rječnika, a potvrde nekoliko tvorbenih tipova, kojih nema u kajkavskim rječnicima, pronađene su u Šilobodovu matematičkom priručniku Arithmetika horvatszka.
Reduplicative words like chiffchaff or helter-skelter are part of ordinary language use yet most often found in substandard registers in which attitudinal and expressive meaning components are iconically foregrounded. In a rating experiment using nonwords that either conform to, or deviate from, conventional reduplicative patterns in German, the present study identified affective meaning dimensions, judgments of familiarity and esthetic evaluations of sound qualities associated with such words. In a subsequent recall test, we examined
the respective mnemonic potential of the different types of reduplication. Results suggest that, in the absence of semantic content, reduplicative forms are inherently associated with
several affective meaning associations that are generally considered positive. Two types of reduplicative patterns, namely full reduplication and [i-a]-vowel-alternating reduplication,
boost these positive effects to a particularly pronounced degree, leading to an increase in perceived euphony, funniness, familiarity, appreciation, and positive belittling (cuteness) and, at the same time, a decrease in arousal. These two types also turn out to be particularly memorable when compared both to other types of reduplication and to non-reduplicative structures. This study demonstrates that reduplicative morphology may in and of itself, that is, irrespective of the phonemic and the semantic content, contribute to the affective meaning and esthetic evaluation of words.
U radu se analizira opis rječotvornih procesa u hrvatskim dopreporodnim gramatikama. Istraživani korpus čine dvije najstarije hrvatske gramatike – Kašićeva čakavsko-štokavska i Križanićeva koja opisuje tronarječni hibridni jezik ozaljskoga kruga – i gramatike kajkavskoga književnog jezika.
Cilj je bio utvrditi istosti i razlike u poimanju i prikazu tvorbe riječi u hrvatskim slovnicama koje opisuju različite književne jezike.
In this paper I seek to account for the productive word-formation process resulting in the current proliferation of un-nouns, the semi-legitimate offspring of Humpty Dumpty´s un-birthday present (1871) and 7-Up´s commercial incarnation as The Un-Cola (1968), a construction that can be linked to the more well-established categories of un-adjectives and un-verbs, whose formation constraints we will also examine. Drawing on a large corpus of novel un-nouns I have assembled in collaboration with Beth Levin presented in the Appendices to this paper, I will invoke Rosch´s prototype semantics and Aristotle´s notion of PRIVATIVE opposites, defined in terms of a marked exception to a general class property, to generalize across the different categories of un-words. It will be argued that a given un-noun refers either to an element just outside a given category with whose members it shares a salient function (e.g. un-cola) or to a peripheral member of a given category (an unhotel is a hotel but not a good exemplar of the class-not a HOTEL hotel).
This article covers midwives as such and their designations in the Transylvanian-Saxon vernaculars in detail with emphasis on the early documentary evidence in the first half of the 16th century as well as from the 18th century. The lexemes correlate their respective categories of word formation and show descriptive series of synonyms depicting at the same time the composition of the Transylvanian-Saxon vocabulary. Comments on the etymology of the word formations as well as on the midwife‘s profession are also included. The terms are taken from the Transylvanian-Saxon Dictionary and the North Transylvanian Saxon Dictionary as well as the specialist literature on vernacular.
U radu se analizira metoda opisa tvorbe pridjeva u Grammatik der illyrischen Sprache (Wien, 1854.) Andrije Torkvata Brlića i u Slovnici Hèrvatskoj za gimnazije i realne škole (Zagreb, 1859.) Antuna Mažuranića. Modeli se opisa tvorbe pridjeva propituju s obzirom na tvorbene načine te pripadajuće im sufikse i tvorbene preoblike. Dobiveni se rezultati analize uspoređuju sa suvremenim pristupima gramatičkim tvorbenim opisima pridjeva u hrvatskome jeziku.