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The paper attempts at outlining some aspects of experienced intercultural phenomena in Transsylvania starting with the late 50ies and deals with the question of cultural and linguistic choice of an individual born into a multilinguistic and multicultural family. The close connection between mother tongue and identity is analysed under the particular circumstances of the author’s biographical background. The paper should be read as an autobiographical statement which the author considers necessary for the understanding of her legitimate status within present day German literature written in Romania.
This article traces the representation of love, gender and national identity in Shani Mootoo’s creative work in general and her most recent novel Valmiki’s Daughter (2008) in particular. In all her work, Mootoo describes the phenomenon of otherness as a part of the negotiating process of the protagonists' selves.Challenging xenophobia, homophobia and all forms of prejudices the author works with the concept of lesbian and bisexual love, cross-racial relationships in order to write identity and to create a home.
This study analyses the role of the Romanian language in Christian Hallers novel Die verschluckte Musik (2008). The Romanian words are linked to the content and symbolical context, and also to intimacy or strangeness. Single words and expressions are connected to memories and rituals. For the family residing in Bucharest they are everyday elements. By migration they become cultural artefacts, are included in family stories. In the new home country Switzerland, the Romanian language is an element of intimacy. The language is also a method of exclusion and dissociation. Ruth, the first-person narratorʼs mother, is excluded in Bucharest until she learns the national language. In the Swiss environment the already familiar Romanian language is for Ruth a method of dissociation. For the first-person narrator, the few Romanian words are details connected to gastronomic culture which distinguish him from the Swiss environment. While travelling through Bucharest, the Romanian language becomes a method of exclusion, it is connected to an area that was not attainable for a long period. His journey updates the language for him.
C’est trop auch! the translation of contemporary French literature featuring urban youth slang
(2016)
The French post-colonial novel has recently been witnessing the emergence of urban youth language or français contemporain des cités (Goudaillier 2001). This linguistic variety allows underprivileged youths from multi-ethnic suburbs to rebel against authority by deliberately violating standard language norms. Its characteristics include frequent lexical input from immigrant languages, in particular Arabic and English, and the use of verlan at the morphological level, with the latter involving a form of back slang using syllabic inversion, which can be recurrently applied to heighten its coding function. In view of the social rejection of this ‘antilanguage’ (Halliday 1978), it has had difficulty penetrating into literature. However, this is now beginning to change, with urban youth discourse appearing in a number of novels, mostly by young ‘post-migration’ writers (Geiser 2008), such as Faïza Guène, Insa Sané and Rachid Djaïdani. While this language variety has mainly been dealt with by sociolinguists, some of the novels concerned are now crossing borders, and a multi-disciplinary approach to this phenomenon is now called for, combining linguistic, literary and translatological tools.
The transfer of this heterolingual genre does indeed raise a number of issues. For example, if we assume that translation is a cultural-political practice (Venuti 2008), what options do translators have to convey the resistant discourse of young immigrant slang users? How will the relationship between language use and social identity manifest itself in the target text? And how can a contrastive linguistic analysis of the features of urban youth language help to resolve translation problems? I will draw on a corpus of French and Dutch novels as well as some translations from French in an attempt to answer these questions.
For intercultural language teaching, coaching students on how to perceive the cultural “other” is of crucial importance in order to avoid culturally based misunderstandings. This paper explores how perceiving the other can offer conclusions for perceiving and becoming aware of the self. Through that, a process of giving and taking ensues in which perceptions of the self and of the other are constantly fluctuating depending on the context in which the communication is taking place. At the crossroads between members of two different cultures, a dialogue emerges in which the points of view of both parties are changed. The paper outlines how perception is a construct in which one’s own origin, education, and emotions are blended in. Intercultural learning is the way to deal with this constructs in a flexible manner so as to create new interpretation patterns. It teaches how to sympathize with the other and how to better understand oneself.
: The concept of the foreign view is a recurring theme throughout all of Herta Müller’s prose. This kind of view derives from her biography. Certainly an unique biography but it is also transferable to many other people. Expressions like „remaining in order to leave“ or „arrived, but long not here“ become guidelines of leaving and arrivals or non-arrivals. The individual acts in-between languages, worlds and in-between cultures. Identity has to change continuously, as it is always in a process.
Erinnerungsdiskurs und Identitätskonstruktion in Carmen Elisabeth Puchianus Roman "Patula lacht"
(2013)
The novel of Romanian-born German author Carmen Elizabeth Puchianu Patula lacht, was published in 2012 by the Karl Stutz Passau publishing house in Germany. The novel is hybrid in nature, with discourse oscillating constantly between the factual and the fictional, many of the events being autobiographical and rendered in the form of recollections. The present article sets out to analyse Carmen Elizabeth Puchianu’s above-mentioned novel in terms of the recollection techniques used. This study is based on research in literary and cultural theory issued over the past several years. The interference between recollection and identity – which is not regarded as an entity proper but rather as one that is built and enriched with multiple facets throughout the narrative – is also investigated.
This article aims to trace different hypostases of alterity as they occur in the novel Vaterlandstage (Days at Home) by contemporary Romanian-born German author Dieter Schlesak. The paper draws on the distinction suggested by Volker Barth between the concepts “das Fremde” (i.e. “the stranger” that remains unknowable and impossible to control) and “das Andere” (i.e. “the other” which is excluded as a result of othering). The analysis of the way in which these two forms of alterity are represented in the novel shows that they go beyond the ethnic and cultural meaning of the terms and are closely linked to Schlesak’s antimimetic poetics, his identity concept based on estrangement and not-belonging as well as to his rejection of a materialist view of the world.
Axel Honneth propone, inspirándose en el joven Hegel, una concepción de la justicia basada en la idea de reconocimiento. Dicha concepción parte del previo acercamiento a una serie de fenómenos negativos, los cuales define como fallas en el reconocimiento. Desde la óptica de Honneth los fenómenos negativos constituyen patologías sociales y formas de injusticia, debido a la falta de calidad moral de las relaciones intersubjetivas. Las consecuencias socio-psicológicas en las personas que los sufren son la construcción de una identidad dañada y dificultades en el logro de la autorrealización. El presente artículo pretende realizar, recogiendo el planteamiento de Honneth, un análisis ético-político de los fenómenos de estigmatización, invisibilización y cosificación sufridos por las personas con diversidad funcional, llegando a la conclusión de que tales fenómenos suponen la negación de la dignidad personal, en la que reside el fundamento de la justicia que nos debemos unos a otros.
Most of us receive numerous spam e-mails, texts that in one or the other way try to convince us to engage in the transaction of enormous sums of money, promising enormous benefits. In reality, such scam e-mails are fraudulent attempts to swindle money from unsuspecting Internet users. Language, its social contexts, and the composition of texts play a crucial role in the scammers’ strategies to approach their victims. This article uncovers and discusses some of the linguistic strategies by which scammers try to shape a sense of identity and mutual relationship – in the face of virtual anonymity –, and to involve their readers personally. In their attempts to get the recipients involved, scammers combine cultural indexicals, interactional roles, and narrative strategies. The analysis distinguishes three different narrative strategies in scam e-mails: Based on first, second, and third person stories, scammers establish links with the recipients by combining fictional content with real-world contexts. Some of the narratives display quite elaborate and artful traits and involve prototypical functions of traditional fairy tales. Hereby they implicitly connect the story content with the interactional roles of e-mail communication.