Refine
Year of publication
Document Type
- Part of a Book (1055) (remove)
Language
- English (1055) (remove)
Has Fulltext
- yes (1055)
Is part of the Bibliography
- no (1055) (remove)
Keywords
- Syntax (83)
- Spracherwerb (64)
- Deutsch (61)
- Phonologie (46)
- Englisch (43)
- Semantik (42)
- Sprachtest (33)
- Thema-Rhema-Gliederung (32)
- Rezeption (28)
- Intonation <Linguistik> (25)
Institute
- Sprach- und Kulturwissenschaften (39)
- Extern (28)
- Rechtswissenschaft (15)
- Informatik (9)
- Medizin (8)
- Wirtschaftswissenschaften (7)
- Kulturwissenschaften (5)
- Gesellschaftswissenschaften (4)
- Universitätsbibliothek (4)
- Cornelia Goethe Centrum für Frauenstudien und die Erforschung der Geschlechterverhältnisse (CGC) (3)
In this contribution I shall be interested, among other things, in finding a place for the European phenomenon of the ›Speculum humanae salvationis‹ within German literary history, which will inescapably involve revisiting the unfashionable discussion of date and origins. I also intend to ask about the place of this text in the ‘didactic’ literature of the Middle Ages. Is a religious text structured according to sacred history didactic? Much didactic poetry is in the vernacular: What does it mean that the ›Speculum‹ was composed in Latin? And what place should be accorded to its vernacular reception? The ›Speculum‹ is inscribed within a set of oppositions that would appear to be recurrent in the didactic literature of the later Middle Ages: Latin and vernacular, verse and prose, words and pictures, religious and profane, moral
teaching and devotion, clerical and lay. In view of its exceptionally broad transmission in the German lands, both in Latin and in vernacular reworkings, is it possible to describe this text so that it takes a place within a larger picture? In some respects it may stand at a threshold in the history of European didacticism.
We propose a compositional analysis for sentences of the kind "You only have to go to the North End to get good cheese", referred to as the Sufficiency Modal Construction in the recent literature. We argue that the SMC is ambiguous depending on the kind of ordering induced by only. So is the exceptive construction – its cross-linguistic counterpart. Only is treated as inducing either a 'comparative possibility' scale or an 'implication-based' partial order on propositions. The properties of the 'comparative possibility' scale explain the absence of the prejacent presupposition that is usually associated with only. By integrating the scalarity into the semantics of the SMC, we explain the polarity facts observed in both variants of the construction. The sufficiency meaning component is argued to be due to a pragmatic inference.
This article discusses some syntactic peculiarities of Chinese yes/no questions. Starting from the observation that Standard Mandarin shares significant typological features with prototypical SOV languages, Chinese is treated as an underlyingly verb-final language. Based on this heuristic principle, A-not-AB, AB-not-A and AB-not questions are uniformly derived by means of one simple raising rule that operates within the sentence constituent V'. This novel idea is elaborated on in great detail in the first part of the article. In contrast to the prevailing trend, it is argued that the question operator contained in A-not-A and A-not sentences CANNOT be raised to "Comp". In consequence, A-not-A and A-not questions are "typed" in the head position of a sentence-internal functional phrase that we call Force2 Phrase (F2P) in the present paper. This position is not to be confused with Drubig's (1994) Polarity 1 Phrase (PollP), in the head position of which assertive negations and an abstract affirmative element are located. The existence of a head position F2° other than Poll° is supported by the fact that F2° can be occupied by certain overt question operators, such as assertive shi-bu-shi, which are compatible with negations. In contrast to the assertive question operator shi-bu-shi which is obligatorily associated with information focus, non-assertive shi-bu-shi serves as a compound focus and question operator whose focus feature is complex insofar as it is composed of two subfeatures: a contrastivity and an exhaustivity subfeature. Non-assertive shi-bu-shi is obligatorily associated with identificational focus in the sense of Kiss (1998). In accordance with some basic ideas of Chomsky's checking theory, the two subfeatures of the complex focus feature carried by the non-assertive shi-bu-shi operator check a correlating subfeature in the head position of a corresponding functional phrase (Contrastive Phrase and Focus Phrase, respectively). The question feature contained in the non-assertive shi-bu-shi operator is attracted by the head of Force1 Phrase (F1') at the level of LF. Due to the fact that F1° is sentence-final, the question feature of non-assertive shi-bu-shi must be Chomsky-adjoined to F1'. Unlike identificational focus phrases which are inherently contrastive, topics are non-contrastive in the default case. As separate speech acts, they are located in a c-commanding position outside the sentence structure. Semantically, there is a difference between Frame-Setting Topics and Aboutness Topics. As shown in the article, both A-not-A and A-not questions on the one hand and yes/no questions ending with ma on the other can be used in neutral and non-neutral contexts. The decisive advantage of mu questions, however, is that their question operator has scope over the whole sentence.
This essay identifies in the materialist strand of world literature theory, especially Pascale Casanova and the Warwick Research Collective, a reliance upon a priori structures (the worldsystem) and prioritisation of the literary registration of inequality. By contrast, I contend, world-literary critics who wish to maintain the dissident spirit of postcolonialism ought to demonstrate a shared equality. By reference to the philosophies of Bruno Latour, Gilles Deleuze and Jacques Rancière, this essay sets out the case for an alternative to world-systems critique: one that maintains literature's potential for creating new forms of resistance, dissent, and, crucially, equality.
The Child Language Data Exchange System (CHILDES) consists of Codes for the Human Analysis of Transcripts (CHAT), Computerized Language Analysis (CLAN), and a database. There is also an online manual which includes the CHILDES bibliography, the database, and the CHAT conventions as well as the CLAN instructions. The first three parts of this paper concern the CHAT format of transcription, grammatical coding, and analyzing transcripts by using the CLAN programs. The fourth part shows examples of transcribed and coded data.
To what extent does cultural distance interfere with or limit literary experience? What kind of intimacy is needed to make a text into a work? This essay seeks to answer these questions by focusing on the writings of Arvind Krishna Mehrotra. In doing so, it suggests that the challenges of cultural distance may be most acute when dealing with texts from homo-linguistic literary environments, and that we might overcome these challenges by undertaking a world literary criticism that attends to localized fields and materials without forgetting the charge of particular works.
This article deals with the Tashlhiyt dialect of Berber (henceforth TB) spoken in the southern part of Morocco. In TB, words may consist entirely of consonants without vowels and sometimes of only voiceless obstruents, e.g. tft#tstt "you rolled it (fem)". In this study we have carried out acoustic, video-endoscopic and phonological analyses to answer the following question: is schwa, which may function as syllabic, a segment at the level of phonetic representations in TB? Video-endoscopic films were made of one male native speaker of TB, producing a list of forms consisting entirely of voiceless obstruents. The same list was produced by 7 male native speakers of TB for the acoustic analysis. The phonological analysis is based on the behaviour of vowels with respect to the phonological rule of assibilation. This study shows the absence of schwa vowels in forms consisting of voiceless obstruents.
The German causal preposition durch ('by', 'through') poses a challenge to formal-semantic analyses applying strict compositionality. To deal with this challenge, a formalism which builds on recent important developments in Discourse Representation Theory is developed, including a more elaborate analysis of presuppositional phenomena as well as the integration into the theory of unification as a mode of composition. It is argued that that the observed unificational phenomena belong in the realm of pragmatics, providing an argument for presuppositional phenomena at a sentence- and word-internal level.
In this paper I investigate a change in the word order patterns of Greek nominalizations that took place from the Classical Greek (CG) period to the Modem Greek (MG) one. Specifically, in CG both the patterns in (A), with its two subtypes, and (B) were possible; the MG system, on the other hand, exhibits only the (B) pattern. The difference between the two systems is that agents can only be introduced in the form of prepositional phrase in MG nominals in a position following the head noun, while they could appear in a prenominal position bearing genitive case in CG. Moreover, the theme genitive, i.e. the objective genitive, could precede the head nominal in CG; this is no longer the case in MG, where the theme genitive follows the head noun obligatorily:
(A) i) Det-(Genagent)-Nprocess-Gentheme 1 ii) Det-Gentheme-Nprocess
(B)Det-Nprocess-Gentheme (Ppagent)
I argue that the unavailability of (A) in MG is linked to the nature and the properties associated with a nominal functional projection contained within process non~inals and to other related changes in the nominal system of Greek.
In this brief excursion into the poetry of Dante and Montale, Rebecca West suggests some approaches to only a few issues that emerge out of the creation of both the primary beloveds of Dante and Montale and of those feminine figures that have been characterized as ostensibly 'antitranscendental' and more secondary in their roles and meanings. As regards Montale's primary feminine figure, Clizia, West argues that she is, to use Teodolinda Barolini's term for Beatrice, a 'hybrid' poetic character, and ultimately exceeds the limits of the poetic beloved as traditionally conceived and read, not only in the courtly tradition upon which she is modelled but well beyond it. In the case of the so-called secondary 'other women' in Dante's and Montale's poetry, West seeks to show that they are much less separable from the primary feminine figures than such binaries as major/minor, transcendent/erotic, soul/body, and traditional/experimental may lead us to believe. Lastly, West considers specifically the wife-figure, in her conspicuous absence from Dante's corpus and in her late appearance in Montale's. For both poets, there are complex intertwinings, interferences, and non-dualistic patterns that form a densely textured poetic weave, in which both the primary and the secondary feminine figures provide "fili rossi" as well as not so easily graspable dangling threads of meaning. These threads have to do with the preoccupation of both poets with the possible integration of immanence and transcendence, embodiment and abstraction, and with the very limits of poetic language. West's topic is also motivated by a feminist-oriented search for modes of deciphering the figure of the feminine beloved in lyric poetry that are not conditioned exclusively by the traditional emphasis on the male poet-creator, but which allow for a shift in focus onto the female figure who is, of course, the creature of the poet's imagination and skill, but who also often takes him into regions in which the excesses (commonly associated with the female) of non-binary thought and the mysteries of alterity - the feminine symbolic sphere, in short - do not so much allow the emergence of neatly squared-off meanings as the evolution of more oblique, circular conduits of potential significance. As a specialist of modern literature, Rebecca West concentrates on Montale more than on Dante, mainly noting the Dantesque aspects of the former's poetry.