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The present article focuses on the preservation of identity in the works of three Romanian-born authors (two of them of German origin – Herta Müller and Hans Bergel and the third of Jewish origin – Norman Manea). Their existence has been highly influenced on the one hand by being born in Romania, by the interaction with Romanian people, on the other hand by the oppressive communist regime under Ceaușescu, having to undergo censorship, imprisonment and even deportation. Therefore, all three authors have chosen to leave Romania and emigrate to Germany or America. These experiences have added new dimensions to their concept of identity. At the same time, they act as intermediaries between cultures, and keepers of their own multi-layered and complex identity.
German in space and time is a central aspect both from a scientific perspective and from the perspective of one´s own identity preservation within the language island situation. MsGerhild Rudolf’s thesis offers an analysis of the choice of languages within the Evangelical Church A.B. in Romania (ECR) and at the same time a general overview of language change processes within the ECR. There is an irreversible paradigm shift that is taking place along with the ongoing transition from a monolingual to a bilingual linguistic culture in worship. The status of German in the public use of language is also reflected, the efforts of preserving the German language and culture are presented from a current perspective, and the importance of the German minority is discussed historically and in a forward-looking manner. The thesis offers sufficient reason as well to think about future research on the role of the church and of German from different perspectives, to also emphasize the relevance of interdisciplinarity
The paper presents Horst Samson’s volume of poetry Kein Schweigen bleibt ungehört -No silence stays unheard (2013). The review focuses on the main themes dealt with: emigration / exile, absurd existence within the Romanian society during the communist period and national socialist past of the former generation of the German ethnics in Romania. Although the themes may seem disparate one from another, the analysis shows eventually similarities in the stances of the lyrical self.