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Writing Grandmothers, Africa Vs Latin America Vol 2 is a continuation of the cross-continental anthologies series, particularly focussing on African and Latin American writers. It continues on from where Experimental Writing, Africa Vs Latin America, Vol 1. The anthology has 6 nonfiction pieces, 10 fiction pieces, and 67 poems and translations of poems in the two dominant languages of the two continents, English and Spanish. There is work from poets and writers from Honduras, Mexico, USA, UK, Cuba, Costa Rica, El Salvador, Peru, Argentina, Brazil, Chile Puerto Rico, Spain, Nigeria, South Africa, Malawi, Zimbabwe, Kenya, Equatorial Guinea, and Ghana all collaborating on the theme of using the folktale or oral African story telling traditions and finding solutions to problems bedeviling the two continents, which were felt as a result of colonialism and or post colonialism.
Two women, one from the Netherlands and the other one from the Free State Goldfields, meet in a hospital hall in Bloemfontein. Fifty years later Hester tells the story of how life formed them as nurses, community workers, bakers, artists and life partners. In this memoir, she tells of the key moments in her life that led her to leave the strictures of her upbringing in order to find out who she was. Her decisions take her from the Free State to District Six and Venda, to the Netherlands and the United Kingdom, to Heideveld and Hanover Park and, eventually, to McGregor. Her humble story tells of the spiritual isolation of all 'refugees' who leave the irreversible values of their 'home' (whether physical or ideological) and find new ways to create a life. It also describes the wonder of finding love and a partner along the way.
The Unfamous Five
(2019)
Seeking adventure during the school holidays, five teenagers from the Indian suburb of Lenasia accidentally witness a violent crime that has a lasting impact on their lives. Starting in June of 1993, the novel follows the Five through the next decade as they confront, both as individuals and as a group, questions of who they are, who they are allowed to be, and who they are expected to be in the New South Africa. They must query what role they will allow tradition, ancestry, sexuality, skin colour, love, money and culture to play in their lives as they attempt to forge new paths, sometimes stumbling along the way, but always willing to give one another a helping hand.
The thirty-nine stories in Asleep Awake Asleep can be read as a hand-drawn narrative map, charting the course of a country's turbulent history. Together they tell a coming of age and a coming to consciousness story, as Rip - child, adult, journalist, partner, mother - revisits milestones marked and signposts ignored or unseen. Set in the suburbs and newsrooms of South African towns and cities and their wilder surrounds, there are vignettes of relationships; tales of political assassinations, murder and betrayal, and questions asked about complicity and reparation.
An honest exploration of dislocation and (un)belonging in its forms: exile from language, exile from country, and exile from sanity. In her debut collection of poetry, Ndoro divides and intermingles national and personal history in an attempt to reach herself. Within its fragmented prose and lyrical poems, Agringanda is not only a celebrated capture of language but also of its intriguing subversion as it navigates meetings of class, gender, nationality and race.
Arguably, one of the long waited political handover of power, globally, happened in November 2017 in Zimbabwe when the former and now late 37- year long serving and divisive President, Robert Gabriel Mugabe was forced out of power by a combination of forces that were spearheaded by the militarys Operation Restore Legacy. Mugabes departure ushered in President Emmerson Dambudzo Mnangagwas reign. This transition has variously been characterised as marking the inauguration of the Second Republic or New Dispensation or as heralding a new Zimbabwe that is Open for Business. From the moment of the investiture of President Mnangagwas government, anticipations of seismic changes to the order of doing business by both the incoming government and the larger Zimbabwean society in general, were extremely high. There was an expectation that international cooperation with global partners, especially in the West, would be restored alongside the reinvigoration of a near comatose domestic economy. But, did this ever happen? This volume interrogates the impact of the introduction of the Mnangagwa administration from November 2017. The book seeks to broadly dissect and troubleshoot issues of continuity and change from Mugabes reign into Mnangagwas Second Republic. In doing so the book attempts to respond to the grand question: To what extent has Mugabeism that was the hallmark of Mugabes reign, continued or discontinued into the Second Republic? The volume, which comes as a sequel to The end of an era? Robert Mugabe and a conflicting legacy, is sure to generate interest and responses from students and academics in the fields of History, International Studies, Political Science, Sociology and Social anthropology, as well as from practitioners in the human rights, transitional jusrtice, conflict resolution, security studies and diplomatic fields.
Boxing is no Cakewalk! : Azumah 'Ring Professor' Nelson in the Social History of Ghanaian Boxing
(2019)
Boxing is no cakewalk! Azumah Ring Professor Nelson in the Social History of Ghanaian Boxing explores the social history of boxing in Ghana and its interesting nexus with the biography of Azumah Nelson, unquestionably Ghanas most celebrated boxer. The book posits that sports constitute more than mere games that people play. They are endowed with enormous political, cultural, economic and social power that can influence peoples lives in various ways. Boxing is no cakewalk! interrogates the social meaning and impact of boxing within the colonial and postcolonial milieux of popular culture in Ghana. Consequently, it reconsiders the prevailing conception of boxing as adversative to enlightened human culture by arguing that it is a positive formulator of individual and national identities. The historicising of sports and the lives of sportspersons in Ghana provides an eloquent backdrop for an understanding of the past social dynamics and their effect in the present. The books analytical narrative offers an intellectual contribution to the promising areas of social and cultural history in Ghanas historiography and the scholarly discourse on identity formation and social empowerment through the popular culture of sports.
Reading the animal text in the landscape of the damned looks at the diverse texts of our everyday world relating to nonhuman animals and examines the meanings we imbibe from them. It describes ways in which we can explore such artefacts, especially from the perspective of groups and individuals with little or no power. This work understands the oppression of nonhuman animals as being part of a spectrum incorporating sexism, racism, xenophobia, economic exploitation and other forms of oppression. The enquiry includes, physical landscapes, the law, women's rights, history, slavery, language use, economic coercion, farming, animal experimentation and much more. Reading the animal text in the landscape of the damned is an academic work but is accessible, theoretically based but robustly practical and it encourages the reader to take this enquiry further for both themselves and for others.