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PURPOSE: This theoretical study seeks to understand how the development of ‘Transnational Business Feminism’ in response to the 2008 financial crisis, was implemented in 2013 through Japan’s ‘Womenomics’ program. The paper further examines how efficient this said form of neoliberal feminist economic program was in in addressing vulnerabilities in the Japanese financial system during the ongoing Covid-19 pandemic. Finally, it looks at how the pandemic has shifted conversations around the future of gender and finance in Japan through the Environmental, Social and Governance (ESG) framework.
DESIGN/METHOD: Drawing on a variety of sources, this paper uses a case study research methodology as well as statistical data from a variety of sources to draw theoretical conclusions on the specific case of Japan’s economy.
RESULTS/FINDINGS: This paper reveals that the programs implemented by the Japanese government failed to address existing gender inequalities and systemic risk in the Japanese economy, and that women in Japan were hit much harder by the repercussions of the pandemic, in spite of Womenomics policies.
ORIGINALITY/VALUE: This study offers insights into the effectiveness of neoliberal feminist agendas in addressing systemic financial and economic risk, in order to help optimize the potential of ESG.
Das Ziel des Beitrags ist, die von uns entwickelten digitalen Materialien einer Ausspracheschulung für den DaF-Unterricht in japanischen Hochschulen vorzustellen. Im Mittelpunkt steht dabei die Diskussion, wie die Ausspracheschulung mit digitalen Medien im Deutschunterricht, vor allem im Online-Unterricht, aussehen soll.
Markeninszenierung in Japan - zur narrativen Konstruktion der Lifestyle-Marken "Muji" und "Uniqlo"
(2020)
Die Einzelhandelsketten "Muji" und "Uniqlo" gelten als Musterbeispiele für international erfolgreiche Lifestyle-Marken aus Japan. Aus einer interdisziplinären Perspektive heraus identifiziert Christiane Rühle die Strukturen und Akteure dieser spezifischen Markeninszenierungen und arbeitet die dazugehörigen Positionen, Mittel und zentralen Motive heraus. Sie fragt im Kontext von unternehmensbezogener und nationalstaatlicher Imagebildung nach den Bezügen zwischen Konsum, Kultur und Identität und fokussiert dabei auf die Rolle, die privatwirtschaftliche Unternehmen innerhalb dieses Prozesses einnehmen.
The artworks of the Peruvian artist Carlos Runcie Tanaka, who has his British and Japanese Roots combined in his surname, refer to pre-Columbian ceramics and traditional Peruvian, Japanese and European practices. He represented Peru in ARCOmadrid 2019, the 12th Havana Biennial, the XXVI Sao Paulo Biennial, the 49th Venice Biennale, and the I Bienal Iberoamericana de Lima. In August, we sat down to talk about music, the past, the present, and the future. We discussed how all references of time can be combined into one material.
By studying pre-Columbian ceramics, researchers have developed several interpretations about the lifestyle and cosmovision of the ancient Peruvian people. Many of the techniques and motifs included in these traditional practices are still being passed on to communities throughout the country today. This ancestral knowledge is a fundamental element of identity. Therefore, ceramic is a material that has made the generation of historical discourse and the preservation of cultural memory possible. At the same time, ceramics are connected to aspects of our daily life. As objects of daily use (such as mugs, plates and bowls) they contribute to the fulfillment of basic needs. They are also included in ritual and funerary practices. In conclusion, the use of ceramics can be understood not only in a practical sense, but in an artistic sense as well.
Heilige Texte im modernen Japan? : das "Kojiki" im Blick von Ōkura Kunihiko und Tsuda Sōkichi
(2017)
In räumlicher Erweiterung der Frage nach 'heiligen Texten' in der Moderne sei der Blick auf Japan gerichtet. Denn nicht unerheblich sind Überlegungen darüber, ob es sich beim 'heiligen Text' um eine über Europa hinaus anwendbare Denkfigur handelt, die auch Perspektiven für transkulturelle Forschungen eröffnet. Japan bietet durch seine lange, wechselvolle Erfahrung im Umgang mit anderen Kulturen einen idealen Fall für transkulturelle Vergleiche an, mit denen sowohl die Verhältnisse in Japan näher beleuchtet als auch zugleich die eigenen Ausgangsbedingungen hinterfragt werden können. Wie es dazu kam, dass gerade das 'Kojiki' zum exemplarischen 'heiligen Text' in Japan avancierte und welchem geistesgeschichtlichen Kontext diese Wahrnehmung verbunden ist, sei im Folgenden näher erläutert.
Interview mit Katerina Teaiwa über ihr Buch zu den Umweltschäden und schweren Menschenrechtsverletzungen auf der Insel Ocean Island (Banaba) aufgrund des Phosphatabbaus durch Besatzungs- und Kolonialmächte.
Diversity and distribution of adeonid bryozoans (Cheilostomata: Adeonidae) in Japanese waters
(2016)
Adeonid bryozoans construct antler-like erect colonies and are common in bryozoan assemblages along the Japanese Pacific coast. The taxonomy of Japanese adeonid species, however, has not been studied since their original descriptions more than 100 years ago. In the present study, adeonid specimens from historical collections and material recently collected along the Japanese coast are examined. Eight adeonid species in two genera were detected, of which Adeonella jahanai sp. nov., Adeonellopsis parvirostrum sp. nov., and Adeonellopsis toyoshioae sp. nov. are described as new species based on the branch width, size and morphology of frontal or suboral avicularia, shape and size of areolar pores, and size of the spiramen. Adeonellopsis arculifera (Canu & Bassler, 1929) is a new record for Japan. Lectotypes for Adeonellopsis japonica (Ortmann, 1890) and Adeonella sparassis (Ortmann, 1890) were selected among Ortmann’s syntypes. Most species of Adeonellopsis around Japan have a southern distribution from Sagami Bay to Okinawa, while A. japonica shows a more northern distribution from Kouchi to Otsuchi. In contrast, Adeonellopsis arculifera was collected only from southwestern Japan. A key to Japanese adeonid species is provided.
Two new species of the genus Chrysotus Meigen, 1824 are described: Ch. masunagai Negrobov, Kumazawa, Tago sp. nov and Ch. saigusai Negrobov, Kumazawa & Tago sp. nov. Chrysotus parilis Parent, 1926 is recorded from Japan for the first time. An identification key to all known species of the genus Chrysotus of Japan is presented together with a tree diagram showing relationships among them.