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The present paper reviews the articles published in the 20th volume of the Kronstädter Beiträge zur germanistischen Forschung, which focus on a variety of postmodern elements found within German culture, language, and literature. A special emphasis is set on the person and works of the German author living in Romania Joachim Wittstock, whom the given volume has been dedicated to, on the occasion of his 80th birthday.
El trabajo intenta explicitar el concepto de crítica en la obra de Siegfried Kracauer durante el período de entreguerras. Pone para ello en entredicho una clave interpretativa generalizada que quiere todavía hoy encontrar en este filósofo a un teórico posmodernista avant la lettre. El artículo rastrea el desarrollo de la relación sujeto-objeto en la obra de Kracauer como malla configuradora de los respectivos conceptos de crítica de este. En primer lugar, se analiza la crítica anticapitalista de los primeros años de la década de 1920 como forma peculiar de la 'Kulturkritik'. En segundo lugar, se caracteriza la crítica ideológica a la que el propio Kracauer somete la 'Kulturkritik' a partir de aproximadamente 1925. Finalmente, se analiza la forma de la crítica a partir de 1925 como activación consciente de categorías que constituyen la estructura objetiva del mundo histórico. Se concluye así que en Kracauer, y de una manera irreconciliable con las lecturas posmodernistas, el criterio de verdad se halla condicionado por el polo objetivo.
International society consists of states and the rules and institutions they share. Although international society has become a mundane feature of the world and the principal research focus of International Relations, it has become meaningless. More specifically, the technical rules that determine what states are and how they relate to other features of the world are units of semantic meaning, but their rampant, unprincipled proliferation has corroded their capacity to contain existential meaning. This deterioration is to be deplored because it alienates subjects from each other, it is totalising and excludes alternatives, and it is theoretically irreversible. To connect the two kinds of meaning, the first step is to reconceptualise international society as consisting strictly of constitutive rules whose meaning depends on the context they jointly compose, which implies that these rules can in turn be represented as signs in a semiotic structure. In order to evaluate the capacity of the signs to contain existential meaning, the next step is to adapt Baudrillard’s hierarchical typology of semiotic systems, ranging from the most meaningful systems based on symbolic exchange value to the vapid terminus of hyperreality based on sign value, in which semantic meaning is without value and existential meaning is impossible. The narrative traces the history of the signs of international law from the premodern period, when Christendom was understood as an approximation of the divine kingdom and a vehicle for salvation, to the present postmodern period, in which hundreds of articles of international maritime law make the decision to go to war over isolated rocks intelligible – even rational – and international trade law catalogues potato products to six digits. Three cases in particular exemplify this devolution in international law: the laws determining the territorial sea, the most-favoured national principle of international trade law, and nationality as a normative basis for statehood.
This essay examines the emancipatory possibilities of interculturalism. The aim is to evaluate whether the philosophical discourse of interculturalism, which is still parasitic on a vocabulary of modernism, can achieve its emancipatory role in a postmodern world by trying to empower difference through consensus. Further, this essay aims to propose a way out of modernist dialecticism and towards a truly postmodern theory of interculturalism.