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The paper discusses Paul Tillich's changing conception of a "prophetic critique" of contemporary culture and society through the notion of a "kairos", the moment of fullfilled time. It shows how Tillich refers both to a specific notion of prophecy (developed in Max Weber's reflections on charisma) and to a concept of eschatological time (developed in Karl Barth's dialectical theology). In different texts from the 1920ies and the 1950ies, Tillich uses the idea of "kairos" for a critique of the "idols" of bourgeois culture that is both radical and urgent. However, read in their historic sequence, these texts also reveal the difficulty of upholding the urgency of such a critique over time - as a result, Tillich's notion of "kairos" becomes more and more reflexive and self critical as the possibility of prophetic critique is concerned.
The Romanian poet and internationally acclaimed mathematician Ion Barbu (i.e. Dan Barbilian), 1895-1961, practiced in his occasional poetry related to his experience as a doctoral student and later as a visiting professor in interbellic Germany a poetic discourse of immediate, sometimes diary-like reflection. The vitality of his occasional poetry mainly addressed to his close friends and seldom intended for publication is fed by the permanent contrast between the German and the Romanian cul-ture and civilization. The paper analyzes the intercultural dialogue which constitutes the background of Ion Barbu’s Germany-related occasional poetry with special emphasis on his poems written in German
Corporatist regulation has a hybrid structure in that it covers state regulation, regulated self-regulation as well as private-public co-regulation. Notably diverging from the standard mode of state regulation, such arrangements required a higher degree of legitimation. Corporatist concepts flourished in the Weimar Republic. This paper deals with three legal scholars’ considerations regarding how to legitimize corporatist models, namely Edgar Tatarin-Tarnheyden, Heinrich Herrfahrdt, and Friedrich Glum. Their institutional touchstone was the Imperial Economic Council, as provided for by article 165 of the Weimar Constitution. This article envisioned a multi-level system of economic councils ranging from regional economic councils up to the Imperial Economic Council and involving representatives of all occupational groups in the performance of state tasks. However, only a Provisional Imperial Economic Council, with a restricted consultative remit, was ever actually established. Based on this model, Tatarin-Tarnheyden, Heinrich Herrfahrdt, and Friedrich Glum conceptualized organizational structures aiming at the comprehensive inclusion of non-state actors. They were legitimized primarily with reference to their output; that is, these organizational forms were supposed to enable a more appropriate and efficient realization of public interests. The input-based argument was basically a question of participation, which implies considerable proximity to typical topoi of democratic legitimation. This similarity is perhaps counter-intuitive, given that corporatist concepts are traditionally associated with anti-democratic ideologies due to their anti-parliamentarian slant. The numerous points of convergence between corporatist and democratic thought simultaneously reflect the heterogeneity of democratic reasoning in the Weimar period and the openness for ideas that were sceptical of—or even hostile to—parliamentary democracy and the party-based state.
The latest publication of Professor Ioana Crăciun from the University of Bucharest deals with the (de)construction of bourgeois values and norms in the silent movies during the Weimar Republic. In five substantial chapters the author approaches the representation in the silent movies of different aspects which she considers relevant for that epoch. The themes range from the metropolis and its psychopathological aspects, the male homosexuality, the destiny of children, the law-breaking and the Doppelgänger motif.