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The Wooden Bicycle and Other Stories is a compilation of eight compelling short stories which immediately engage the reader, regardless of which story is selected for reading. Just like the author's other collection of short stories, Cup Man and Other Stories, the book is a depiction of the joys and pains of everyday life in the typical African country or even in the West Indies. This dimension includes an in-depth look at life within the African community in the West - an experience which is, of course daunting as the immigrant struggles to adjust to the new dispensation. Azonga once again shows outstanding skill in narrative techniques by adopting a style that is at once simple and intricate, entertaining and instructive.
Feathers in Reverse
(2014)
Feathers in Reverse is the ideal gift for a loved one who is scared of poetry. It engages and immerses readers with the luring subtlety of a serpent. Themes treated include good and evil, heaven and earth, man and woman, birth and death, urbanism and rural life, wealth and poverty. As much as the poet highlights salient issues and conflicts in everyday life, he suggests answers to burning problems as well. A common thread runs through the over 300 poems feathered and featured in this collection. The notion of the 'feather' is cross-cultural. It reminds us of the feather used as a pen in ancient Europe and the 'red feather' that is stuck on the caps of African notables as a mark of distinction. Feathers in Reverse is a magic pudding to be sampled, shared and indulged.
Cup Man and Other Stories
(2009)
Cup Man and Other Stories is a collection of eight fictional short stories on themes such as the intrigues of the civil service, drunkenness, theft, matrimonial relations and living as an African immigrant in the West. The stories are a reflection of everyday life with all that goes with it. Each story is complete it itself, with all its humour, wit and figures of speech. Azonga's attention to detail and alert memory enable him to draw on memory and things past in a fascinating way. He excels in the craft of using simple and down-to-earth language, a factor which makes the collection an easy and compelling read.
The Cowrie Necklace is a graphic account of the struggle for meaning in life. The poems are a carefully woven sizzling and cracking attempt to mirror society. The poet runs a long and wide gamut of poetic themes which include the intricacies of joy and sadness, God and the devil, nature and nurture, good and evil, love, deceit and treachery. The narrative style is reminiscent of Wole Soyinka, Francesco Nditsouna and D.H. Lawrence. The Cowrie Necklace is a "must read".
Modern-day Namibian history has largely been shaped by three major eras: German colonial rule, South African apartheid occupation, and the Liberation Struggle. It was, however, not only military conquest that laid the cornerstone for the colony, but also how the colony was imagined, the dream of this colony. As a tool of discursive worldmaking, literature has played a major role in providing a framework in which to dream Namibia, first from outside its borders, and then from within. In Fictioning Namibia as a Space of Desire, Renzo Baas employs Henri Lefebvres city-countryside dialectic and reworks it in order to uncover how fictional texts played an integral part in the violent acquisition of a foreign territory. Through the production of myths around whiteness, German and South African authors designed a literary space in which control, destruction, and the dehumanisation of African peoples are understood as a natural order, one that is dictated by history and its linear continuation. These European texts are offset by Namibias first novel by an African, offering a counter-narrative to the colonial invention that was (German) South West Africa.