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Violence in its various proportions, genres and manifestations has had an enduring historical legacy the world over. However, works speaking to approaches aimed at mitigating violence characteristic of Africa are very limited. As some scholars have noted, Africans have experienced cycles of violence since the pre-colonial epoch, such that overt violence has become banalised on the African continent. This has had the effect of generating complex results, legacies and perennial emotional wounds that call for healing, reconciliation, justice and positive peace. Yet, in the absence of systematic and critical approaches to the study of violence on the continent, discourses on violence would hardly challenge the global matrices of violence that threaten peace and development in Africa. This volume is a contribution in the direction of such urgently needed systematic and critical approaches. It interrogates, from different angles and with inspiration from a multidisciplinary perspective, the contentious production and resilience of violence in Africa. It calls for a paradigm shift an alternative approach that forges and merges African customary dispute resolution and Western systems of dispute resolution towards a framework of positive peace, holistic restoration, sustainable development and equity. The book is a welcome contribution to students and practitioners in security studies, African studies, development studies, global studies, policy studies, and political science.
Namibias main liberation movement, the South West Africa Peoples Organisation (SWAPO), relied heavily on outside support for its armed struggle against South Africas occupation of what it called South West Africa. While East Germanys solidarity with Namibias struggle for national self-determination has received attention, little research has been done on West Germanys policy towards Namibia, which must be seen against the backdrop of inter-German rivalry. The impact of the wider realities of the Cold War on Namibias rocky path to independence leaves ample room for research and new interpretations. In West Germany and Namibias Path to Independence, 1969-1990: Foreign Policy and Rivalry with East Germany, Thorsten Kern shows that German division played a vital role in West Germanys position towards Namibia during the Cold War. West German foreign policy towards Namibia, at the height of the Namibian liberation struggle, is investigated and discussed against the backdrop of rivalry with East Germany. The two states deeply diverging policies, characterised in this context by competition for infuence over SWAPO, were strongly affected by the Cold War rivalry between the capitalist West and the communist East. Yet ultimately the dynamics of rapprochement helped to bring about Namibias independence. This book is based upon a doctoral dissertation presented to the University of Cape Town in 2016. Kern conducted research in the National Archives of Namibia and in German archives and his work draws on interviews with contemporary witnesses.
Studies of Yoruba culture and performance tend to focus mainly on standardised forms of performance, and ignore the more prevalent performance culture which is central to everyday life. What the Forest Told Me conveys the elastic nature of African cultural expression through narratives of the Yoruba hunters' exploits. Hunters' narratives provide a window on the Yoruba understanding and explanation of their world; a cosmology that negates the anthropocentric view of creation. In a very literal sense, man, in this peculiar world, is an equal actor with animal and nature spirits with whom he constantly contests and negotiates space.
White Masks
(2019)
This collection of poetry both reflects and creates attitudes that we now regard as characteristic of our age - the crisis of nationhood and the burden of citizenship. Abi Yeibo's White Masks unambiguously exposes the dystopian nightmares of a nation and a people's willing detachment from humanity. While some poets of his generation are content with dreaming of an ideal world, in White Masks, Yeibo, through the resources of memory, experiments with the idea of a better world - Professor Ogaga Okuyade, Niger Delta University, Wilberforce Island, Bayelsa State, Nigeria.
Wholesome Whole Poetry
(2019)
Over the past fifteen years, Weaver Press has published seven anthologies of some one hundred short stories giving voice to new and established Zimbabwean writers. In Windows into Zimbabwe Franziska Kramer and Jürgen Kramer have selected from these anthologies twenty-three stories, which they consider the best or most representative of a particular period in the Zimbabwean narrative since 1980. They present the stories within sections which frame certain themes such as Independence, Gukurahundi, Land, Gender Relations, Money Matters, Social Relations, Exile and Resilience. For the general reader, Windows into Zimbabwe contains some wonderful stories rich in insight, perception, nuance and humour. Writers such as Charles Mungoshi, Petina Gappah, NoViolet Bulawayo, Valerie Tagwira and Shimmer Chinodya are included as well as relative newcomers with new perceptions and fresh voices. The compilers have also provided an introductory overview casting light on the relationship between fiction and society; and for teachers(in schools, colleges and universities) each story is accompanied by explanatory notes, questions and study tasks to further the reader's understanding. Windows into Zimbabwe will positively deepen your appreciation of the country and its people.
Words That Matter
(2019)
Words That Matter attempts to spark conversation around social issues that are often neglected either for their lack of beauty or sheer rigidity. These issues are mainly cultural and political. It further seeks to community hope in its purest form, unfailing and evermore willingly to rewrite situations brightly however dark initially. Find thusly sarcasm and humour, folly and wisdom, discord and harmony, and death and life, all interwoven in revealing just how sound existence can be (or should be henceforth). Above all, get lost and find new paths in these verses!
Writing Grandmothers, Africa Vs Latin America Vol 2 is a continuation of the cross-continental anthologies series, particularly focussing on African and Latin American writers. It continues on from where Experimental Writing, Africa Vs Latin America, Vol 1. The anthology has 6 nonfiction pieces, 10 fiction pieces, and 67 poems and translations of poems in the two dominant languages of the two continents, English and Spanish. There is work from poets and writers from Honduras, Mexico, USA, UK, Cuba, Costa Rica, El Salvador, Peru, Argentina, Brazil, Chile Puerto Rico, Spain, Nigeria, South Africa, Malawi, Zimbabwe, Kenya, Equatorial Guinea, and Ghana all collaborating on the theme of using the folktale or oral African story telling traditions and finding solutions to problems bedeviling the two continents, which were felt as a result of colonialism and or post colonialism.
Zero Point Soldier
(2019)
It took two years for this collection of poems to see the light of day. Two years. Two whole years. But two whole years of thinking, feeling and working through and from one of the strangest and certainly most torturous facts of life on Earth, and one of the least explored themes in the world of the modern woman of Africa, or my world, at least. This is the fact of Death. But not the fact of the death of all. Not the fact of the death of any. It is that of the modern man, the man, of Africa.