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With reportedly over USD50 billion lost annually through graft and illicit practices, combating corruption in Africa has been challenging. However, laws and policies at the continental, regional and national levels have been promulgated and enacted by African leaders. These initiatives have included the establishment of anti-corruption agencies mandated to tackle graft at national level, as well as coordinate bodies at regional and continental levels to ensure the harmonisation of normative standards and the adoption of best practices in the fight against corruption. Yet, given the disparity between the apparent impunity enjoyed by public servants and the anti-corruption rhetoric of governments in the region, the effectiveness of these agencies is viewed with scepticism. This continent-wide study of anti-corruption agencies aims to gauge their relevance and effectiveness by assessing their independence, mandate, available resources, national ownership, capacities and strategic positioning. These surveys include evidence-based recommendations calling for stronger, more relevant and effective institutions that are directly aligned to regional and continental anti-corruption frameworks, such as the African Union Convention on Preventing and Combating Corruption (AUCPCC), which the three countries in this current report ? Kenya, Tanzania and Uganda ? have all ratified.
The search for answers to the issue of global sustainability has become increasingly urgent. In the context of higher education, many universities and academics are seeking new insights that can shift our dependence on ways of living that rely on the exploitation of so many and the degradation of so much of our planet. This is the vision that drives SANORD and many of the researchers and institutions within its network. Although much of the research is on a relatively small scale, the vision is steadily gaining momentum, forging dynamic collaborations and pathways to new knowledge. The contributors to this book cover a variety of subject areas and offer fresh insights about chronically under-researched parts of the world. Others document and critically reflect on innovative approaches to cross-continental teaching and research collaborations. This book will be of interest to anyone involved in the transformation of higher education or the practicalities of cross-continental and cross-disciplinary academic collaboration. The Southern African-Nordic Centre (SANORD) is a network of higher education institutions from Denmark, Finland, Iceland, Norway, Sweden, Botswana, Namibia, Malawi, South Africa, Zambia and Zimbabwe. Universities in the southern African and Nordic regions that are not yet members are encouraged to join.
May I Have This Dance
(2015)
May I Have This Dance tells the courageous and moving story of Connie Manse Ngcaba, who grew up in the Eastern Cape, South Africa, where she became a nurse, community figurehead and a leading voice of dissent against the apartheid regime. Her sense of justice and morality, and her compassion for those around her, brought her into frequent conflict with the government, culminating in her being detained for a year without trial at the age of 57. It is also the story of the strength of family ties, and the triumph of Connie's love for her husband and children.
This book approached water and sanitation as an African gender and human rights issue. Empirical case studies from Kenya, Malawi, South Africa and Zimbabwe show how coexisting international, national and local regulations of water and sanitation respond to the ways in which different groups of rural and urban women gain access to water for personal, domestic and livelihood purposes. The authors, who are lawyers, sociologists, political scientists and anthropologists, explore how women cope in contexts where they lack secure rights, and participation in water governance institutions, formal and informal. The research shows how women - as producers of family food - rely on water from multiple sources that are governed by community based norms and institutions which recognise the right to water for livelihood. How these 'common pool water resources' - due to protection gaps in both international and national law - are threatened by large-scale development and commercialisation initiatives, facilitated through national permit systems, is a key concern. The studies demonstrate that existing water governance structures lack mechanisms which make them accountable to poor and vulnerable water users on the ground, most importantly women. The findings thus underscore the need to intensify measures to hold states accountable, not just in water services provision, but in assuring the basic human right to clean drinking water and sanitation; and also to protect water for livelihoods.
Riding the Samosa Express is a collection of life stories exploring issues of marriage, love, loss, family life, culture, religious beliefs, suburban life, local and international politics, freedom and education among other important issues faced by professional and well-educated Muslim women who have not been held back by global stereotypes.
Follow the Road
(2015)
This book powerfully demonstrates that some of the most resourceful entrepreneurs in the South African informal economy are migrants and refugees. Yet far from being lauded, they take their life into their hands when they trade on South Africa's 'mean streets'. The book draws attention to what they bring to their adopted country through research into previously unexamined areas of migrant entrepreneurship. Ranging from studies of how migrants have created agglomeration economies in Jeppe and Ivory Park in Johannesburg, to guanxi networks of Chinese entrepreneurs, to competition and cooperation among Somali shop owners, to cross-border informal traders, to the informal transport operators between South Africa and Zimbabwe, the chapters in this book reveal the positive economic contributions of migrants. these include generating employment, paying rents, providing cheaper goods to poor consumers, and supporting formal sector wholesalers and retailers. As well, Mean Streets highlights the xenophobic responses to migrant and refugee entrepreneurs and the challenges they face in running a successful business on the streets.
The study demonstrates that informal cross-border is a complex phenomenon and not uniform across the region, or even through border posts of the same country. However, the overall volume of trade, duties paid and VAT foregone, as well as the types of goods and where they are produced, indicate that this sector of regional trade should be given much greater attention and support by governments of the region as well as regional organizations such as the Common Market for Eastern and Southern Africa (COMESA), SADC and the Southern African Customs Union (SACU).
Terra Incognita
(2015)
In Terra Incognita, Short Story Day Africa is proud to present nineteen stories of speculative fiction. Contained within the pages are stories that explore, among other things, the sexual magnetism of a tokoloshe, a deadly feud with a troop of baboons, a journey through colonial purgatory, along with ghosts, re-imagined folklore, and the fear of that which lies beneath both land and water. Terra Incognita. Uncharted depths. Africa unknowable.
Das Phänomen des Primitivismus in Kunst, Musik und Literatur der Moderne ist ein Arbeitsfeld, das für die Komparatistik besonders ergiebig zu sein verspricht, von ihr bislang aber nur in Ansätzen erforscht wurde. Im Primitivismus bündelt sich eine Vielzahl von Problemkomplexen, die eine vergleichende Vorgehensweise geradezu unabdingbar macht, sei dies auf dem Feld der interkulturellen Hermeneutik, der Wissensgeschichte oder der Intermedialitätsforschung. Die Arbeitshypothese des vorliegenden Bandes: Intermedialität stellt für den modernen Primitivismus ein konstitutives und bestimmendes Moment dar. Unter dieser Prämisse untersuchen die Beiträge, wie sich zu Beginn des 20. Jahrhunderts ein europäischer Diskurs des Primitivismus im Wechselspiel verschiedener künstlerischer und technischer Medien (Malerei, Plastik, Literatur, Musik, Theater, Film, Photographie) herausgebildet hat.