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In discussing final status issues, Palestinians and Israelis approach the question of the refugees and the right of return from radically different perspectives. The Palestinian narrative maintains that the Zionists forcibly expelled the Arab refugees in 1948. The Palestinians insist on the right of the refugees to return to their homes or, for those who choose not to do so, to accept compensation. And they demand that Israel unilaterally acknowledge its complete moral responsibility for the injustice of the refugees’ expulsion. In contrast, the Israeli narrative rejects the refugees’ right of return. Israel argues that it was the Arabs who caused the Palestinian refugee problem, by rejecting the creation of the State of Israel and declaring war upon it—a war which, like most wars, created refugee problems, including a Jewish one. Israel sees the return of Palestinian refugees as an existential threat, insofar as it would undermine the Jewish character and the viability of the state. The two sides’ traditional solutions make no attempt to reconcile these opposing narratives. Yet such an attempt is vital if the issue is to be engaged. Hence the Joint Working Group on Israeli–Palestinian Relations developed two compromise solutions. They narrow the gap between the positions, but do not fully reconcile them. The compromise solution espoused by the Palestinian members of the Joint Working Group would insist that Israel acknowledge both its responsibility for creating the refugee problem and the individual moral right of Palestinian refugees to return. But it recognizes that, in view of the changed situation of the refugees over 50 years, and taking into account Israel’s constraints, the return of only a limited number would be feasible. Israel would pay both individual and collective compensation. The Palestinians’ case for an Israeli withdrawal to the 1967 borders would be strengthened as a result of their willingness to absorb the refugees in the Palestinian state. Under the compromise solution proposed by the Israeli members of the Joint Working Group, Israel would acknowledge that it shares, with the other parties to the 1948 war, practical, but not moral, responsibility for the suffering of the refugees, and that rectification of their plight is a central goal of the peace process. Israel would accept repatriation of tens of thousands of refugees under its family reunification program. Israel would pay collective compensation to the Palestinian state, paralleled by Arab State compensation for Jewish refugees from 1948. In seeking to further reconcile these two compromise solutions, we note that they reflect a large measure of agreement between Palestinians and Israelis: that Israel had a historic role in the events that created the refugee issue; that a massive exercise of the right of return is unrealizable, and “return”/family reunification will be limited; that a larger number of Palestinians will “return” to the Palestinian state; that some resettlement will take place in host states, primarily Jordan; that Israel will pay some form of compensation; and that closing the file on the refugee issue means the dismantling of the entire international apparatus that has sustained the refugees—camps, UNRWA, etc. But there remain significant gaps between the two sides’ compromise proposals as well. These concern the nature of Israeli acknowledgement of Palestinian suffering and the responsibility for it; the nature and number of “return”/family reunification; the nature and size of compensation, and its linkage to compensation for Jewish refugees from 1948; and the size of “return” to the Palestinian state. In order to negotiate an agreed solution that bridges these remaining gaps, Israelis and Palestinians will have to develop the mutual trust required to further accommodate each other’s narratives. They will also, inevitably, have to factor the refugee/right of return issue into the broader fabric of tradeoffs and compromises that will characterize a comprehensive solution to the conflict. This will involve additional parties—primarily the refugee host countries—as well as related substantive issues, such as borders.
The Oryctini (Coleoptera: Scarabaeidae: Dynastinae) is a large tribe of worldwide distribution with approximately 26 genera and 230 species. Fourteen genera and 113 species are found in the Neotropical region. Knowledge of the tribe in the Neotropics is fragmentary, necessitating further studies that address taxonomy, biology, and geographical distribution patterns. This study surveyed the Oryctini of the Brazilian Amazon. The composition of the group in the study area consisted of 7 genera, 18 species and 2 subspecies found in 7 states, 91 municipal districts, and approximately 167 specific localities. States with larger number of species are Amazonas and Pará, with 17 and 13 species respectively. Heterogomphus eteocles Burmeister, Heterogomphus aidoneus (Perty), Heterogomphus telamon Burmeister, Megaceras crassum Prell, and Megaceras laevipenne Prell are reported for the first time from the study area. Megaceras laevipenne is reported for the first time from Brazil. The taxonomy, descriptions, distribution maps, and biological and ecological data are provided for all species. A character analysis is provided as well as an identification key for all oryctine species that occur in the Brazilian Amazon.
Making a Difference
(2012)
'Failure is not in my vocabulary' says Libertina Inaaviposa Amathila - medical doctor, leading member of Namibia's liberation movement SWAPO, and Cabinet Minister for 20 years. Insightful, candid and amusing, this book traces Libertina Amathila's journey from a village in western Namibia travelling alone to Dar es Salaam, Tanzania in 1962; medical training in Poland, Sweden and London; and the health and education centres in Zambia and Angola that she helped develop and run for Namibians in exile; to a victorious return home in 1989; service in the Cabinet of independent Namibia; and a leading role in the World Health Organisation. Courageous, committed, cutting through difficulties that deterred others, Libertina Amathila has assisted and empowered Namibian communities, particularly women, in exile and at home. As Minister of Regional and Local Government and Housing, Minister of Health and Social Services, and Deputy Prime Minister, she focused on those in need, such as squatters, street children, and those affected by HIV/AIDS, and undertook immediate practical measures to improve their lives. Packing her tent and supplies, she drove to remote areas and camped out until houses and clinics were built for marginalized communities, assisting in the design and construction process herself. An indomitable spirit drives this remarkable woman. This is her story.
Son of the Native Soil
(2009)
Son of the Native Soil is a work whose quiet maturity glows in both subject and style. Here, love heals but the force of hate is very real. The hero, Lucas Achamba, by charisma and love undertakes to unite Dudum clan which politicking and egotism have split. His quick success stirs bitter rivalry and heartless cruelty that decide his fate. Nature is jumpy and even hysterical at this, and Ambanasom exposes it with fine evocative mastery. The style is refined and honeyed by sonal devices and visual tropes that half conceal subtle slashes at human foibles.
Here is a collection of sixty-two beautifully crafted poems on some of the deepest of human emotions. They celebrate love, constancy, beauty, marriage, birth and death; in the poems are hailed intellectual labour, leadership and duty. Occasionally, the poet depicts the states of his mind against the backdrop of nature, interfusing description, memory and meditation in a manner essentially romantic. The best in Ambanasom's poetry is matter and manner combined. The striking force of the poems lies in the intriguing relationship between romanticism and romance. Ambanasom's romanticism is concerned with the concept of nature as a universal being or a cosmic entity, nostalgia, the attempt to link his childhood with the present and the future, and the response to nature at different levels of his development. The poet also demonstrates a penchant for rural subject matter, places and people. In the poet of romance there is a more direct expression of basic human emotions, in particular of love that is enchanting, possessing, seductive, and alluring. We find in the poems, love that is reciprocal and imbued with constancy and understanding.
In 2009, Anglophone Cameroon literature celebrated its fifty years of existence. Now at the mature age of fifty plus this literature has a great deal to write home about even if it still has a lot to do in its pursuit of excellence. Part of its maturity resides in the fact that although the scale of literary creativity and literary criticism is skewed in favour of the former, Anglophone Cameroon literary criticism is gradually waking up from slumber in an attempt to catch up with the rapidly expanding creativity. The essays in this book comment practically on some aspects of all the genres of written literature that the Anglophone Cameroon creative writers have produced so far: the novel, drama, poetry, the short story, the essay and children's literature. The essays, on the whole, are a testimony of the transition and reality from the apparent drought of Anglophone Cameroon literary paucity to the actual fruitful period of Anglophone Cameroon abundance of literary creativity. The Anglophone Cameroonians have appropriated an imperial language, English, to serve their postcolonial Cameroonian vision. Their various literary texts are vehicles of representations that are essentially cultural and ideological constructs. The works examined are initially anchored on Cameroonian experiences to take on social significance. As they are grounded on moving human experiences, these works necessarily make references to the immediate Cameroonian environment of their authors before taking on universal human significance. The book abundantly evidences and crowns Shadrach Ambanasom's achievements and reputation as a skilled pedagogue on the art of practical literary criticism.
Initially considered something of a black sheep within the Anglophone Cameroon literary genres, the Anglophone novel has gradually grown to carve out a respectable niche for itself in the Anglophone Cameroon sub-system, imposing itself in a way that makes it impossible for critics to ignore it. Now a vibrant genre, it even threatens to overtake drama and poetry, both of which have enjoyed more critical attention. This book is a study of how Anglophone Cameroon has contributed in extending the possibilities of the novel as a literary form, and of some of the established conventions necessary for a fruitful evaluation of the growing body of the Cameroonian novel in English. In this eclectic and compelling book, Ambanasom sets out to achieve three primary objectives: to introduce the reader to the extensive body of Cameroonian novels in English, to re-examine the distorting and limiting criteria upon which the critical assessment of the Cameroonian novel in English has so far been based, and to bridge the widening chasm between literary theory and actual critical practice. To achieve these objectives, Ambanasom begins by elaborating an alternative and flexible theoretical framework which he christens the 'Socio-Artistic Approach' and which, according to him, is 'concerned with both a text's thematic, moral, cultural or ideological issues, on the one hand, and its central literary analysis, on the other.' He then proceeds to use this new critical framework to examine twenty-seven major Cameroonian novels in English. There are critical voices, already emerging within the Anglophone Cameroonian literary circles, calling for rigorous teaching and practice of theory in the interpretation of literary works, setting in motion a critical discourse. Such a call is salutary, and welcome. Those university lecturers whose responsibility it is to teach theoretical courses should take this call very seriously, moving from theory to hands-on practice. This book is Ambanasom's contribution to that critical debate.
Education of the Deprived is a perceptive socio-artistic examination of the key works of some major writers of Anglophone Cameroon literary drama today. For over two decades now socio-political developments in Cameroon, including the liberalization of the press, have led to an unprecedented proliferation of political, journalistic and imaginative writings. Availing themselves of their new-found freedom of expression, Cameroonians in general are forcefully articulating their views more than even before, and creative writers, in particular, are artistically recording intimate and painful experiences in the on-going endeavour to make sense of the socio-political environment; they are mapping out, through images and symbols, the peculiar contour of the collective Cameroonian soul. What observers have noticed, with regard to Anglophone Cameroon imaginative writing, however, is that there are few significant critical works to match the burgeoning creative literature. While in the 1970s there was a cry concerning the scarcity of imaginative works by Anglophone Cameroonians, the complaint now, at the turn of the 21st century, is that there is a dearth of critical literature capable of catapulting, on to the international literary scene, the Anglophone Cameroon literature being written. This book covers both traditional and modern drama as written by Anglophones, lays bare the technical differences between the two dramatic traditions, and brings out the central themes developed by these committed dramatists.
Taming My Elephant
(2016)
In Oshiwambo, the elephant is likened to the most challenging situation that people can face. If an elephant appears in the morning, all planned activities are put on hold and the villagers join forces to deal with it. For Tshiwa Trudie Amulungu, the elephant showed up on many mornings and she had no choice but to tame it. Growing up in a traditional household in northern Namibia, and moving to a Catholic school, Amulungus life started within a very ordered framework. Then one night in 1977 she crossed the border into Angola with her schoolmates and joined the liberation movement. Four months later she was studying at the UN Institute for Namibia in Lusaka Zambia, later going on to study in France. Amulungu recounts the cultural shocks and huge discoveries she made along her journey with honesty, emotion and humour. She draws the reader into her experiences through a close portrayal of life, friends and community in the different places where she lived and studied in exile. This is a compelling story of survival, longing for home, fear of the return, and overcoming adversity in strange environments. It is also a love story that brought two families and cultures together.