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Blooming Cactus
(2019)
'From invisibility to invincibility, Mikateko takes us through verses of despair, assault, discrimination, fear and hopelessness that girls and women encountered in a system that does not serve their interests to the life of purpose, power and freedom that girls and women continue to wedge in the face of all odds. This is one anthology that has the power to break and mend you. Mikateko has freed us all!' - Dr. Toyin Ajao (PhD), Researcher, Teacher and Storyteller
Born Nude
(2019)
Born Nude is philosophical poetry that explores myriad themes, from equality to humility and environmental consciousness. It is divided into chapters that pinpoint specific areas of interest. The author delves into human weaknesses and strengths based on nature and nurture. He invites the reader to contemplate the ephemeral nature of all things material, and how to nurture oneself into a higher order and loyalty of being human. The volume's satirical tone is critical of the destructive sterility of zero-sum games of superiority and dominance. It treats as anathema exploitation based on contrived hierarchies of gender, geography, politics and the geopolitik of the modern world.
Botlhodi ? The Abomination is a powerful story about British colonialism and its aftermath in Molepolole, Botswana. It is a compelling juxtaposition between Traditional Setswana ways and Christianity. The protagonist, Modiko, finds himself conflicted when both his strict father, a pastor of Motlhaoetla church, and his grandfather, an unapologetic traditionalist, expect him to choose between Setswana tradition and Christianity. Torn between the two worlds, Modiko at the end makes an informed personal decision. The road is not smooth though, as he experiences persecution, bullying, abuse, witchcraft and nightmares along the way. Other characters in the novel engage in some serious conversations that allude to some important historical developments. In this work, T.J. Pheto presents to his readers a hilarious story pregnant with themes of identity, social change, discrimination, racism, colonialism, love and, ?tradition? versus ?modernity?. This pioneering literary response to British colonialism in Botswana is an outstanding postcolonial fiction of resistance. Pheto?s humor makes the book all the more hard for a reader to put down.
Boxing is no Cakewalk! : Azumah 'Ring Professor' Nelson in the Social History of Ghanaian Boxing
(2019)
Boxing is no cakewalk! Azumah Ring Professor Nelson in the Social History of Ghanaian Boxing explores the social history of boxing in Ghana and its interesting nexus with the biography of Azumah Nelson, unquestionably Ghanas most celebrated boxer. The book posits that sports constitute more than mere games that people play. They are endowed with enormous political, cultural, economic and social power that can influence peoples lives in various ways. Boxing is no cakewalk! interrogates the social meaning and impact of boxing within the colonial and postcolonial milieux of popular culture in Ghana. Consequently, it reconsiders the prevailing conception of boxing as adversative to enlightened human culture by arguing that it is a positive formulator of individual and national identities. The historicising of sports and the lives of sportspersons in Ghana provides an eloquent backdrop for an understanding of the past social dynamics and their effect in the present. The books analytical narrative offers an intellectual contribution to the promising areas of social and cultural history in Ghanas historiography and the scholarly discourse on identity formation and social empowerment through the popular culture of sports.
Namibian beer is celebrated as an inextricable part of Namibian nationalism, both within domestic borders and across global markets. But for decades on end, the same brew was not available to the black population as a consequence of colonial politics. This book aims to explain how a European style beer has been transformed from an icon of white settlers into a symbol of the independent Namibian nation. The unusual focus on beer offers valuable insight into the role of companies in identity formation and thus highlights an understudied aspect of Namibian history, namely business-state relations.
Anthropological reflections on citizenship focus on themes such as politics, ethnicity and state management. Present day scholarship on citizenship tends to problematise, unsettle and contest often taken-for- granted conventional connotations and associations of citizenship with imagined culturally bounded political communities of rigidly controlled borders. This book, the result of two years of research conducted by South African and Japanese scholars within the framework of a bilateral project on citizenship in the 21st century, contributes to such ongoing efforts at rethinking citizenship globally, and as informed by experiences in Africa and Japan in particular. Central to the essays in this book is the concept of flexible citizenship, predicated on a recognition of the histories of mobility of people and cultures, and of the shaping and reshaping of places and spaces, and ideas of being and belonging in the process. The book elucidates the contingency of political membership, relationship between everyday practices and political membership, and how citizenship is the mechanism for claiming and denying rights to various political communities. Self requires others to construct itself, a reality that is subject to renegotiation as one continues to encounter others in a world characterised by myriad forms of interconnecting mobilities, both global and local. Citizenship is thus to be understood within a complex of power relationships that include ones formed by laws and economic regimes on a local scale and beyond. Citizenship in Africa, Japan and, indeed, everywhere is best explored productively as lying between the open-ended possibilities and tensions interconnecting the global and local.
Die in der vorliegenden Bibliographie in der Rubrik "Übersetzungen in Buchform" enthaltenen Einträge beruhen hauptsächlich auf Recherchen in Bibliothekskatalogen (in erster Linie im DNB-Katalog), in manchen Fällen ergänzt durch Autopsie. Autoptisch ermittelt wurden des Weiteren alle unselbständigen Titel.
Clara Brauner, 1875–1940
(2019)
1875 in Minsk geboren, gehörte Clara Brauner zu den zahlreichen jüdischstämmigen Migranten, die im letzten Drittel des 19. Jahrhunderts mit ihren Familien oder allein Osteuropa bzw. das Zarenreich aus wirtschaftlichen und politischen Gründen Richtung Westen verließen. Das von zu Hause "mitgenommene" Russisch war dabei Voraussetzung und Grundlage für die übersetzerischen und literaturvermittelnden Aktivitäten, die Clara Brauner, zum Teil gemeinsam mit ihrem Ehemann Alexander Brauner, um die Jahrhundertwende in Wien entfalten konnte.