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Institute
This report focuses on the chronology and geography of collective violence against migrant entrepreneurs since South Africa's first democratic elections in 1994. The overall aim of the research was to document and create a chronological account of attacks on migrant businesses, to categorise the types and frequency of attacks and to map the locations where such events occurred.
Now I See You
(2014)
Armed robbery is nothing new in South Africa. But when a pair of clever and squeaky-sounding criminals go on a looting spree that rocks several small towns in the Eastern Cape, Detective Inspector Thabisa Tswane from The Eagles, the Special Violent Crimes Unit is called to work the case. There's only one problem, one of the most important witnesses in the case is her estranged grandfather, Chief Solenkosi, who ordered her violent expulsion from the village over ten years ago. In another world of lunches at the Michelangelo, private game lodges and platinum cards, the rich and slick Ollis Sando smoothes his way through cocktail parties and networking meetings. He is rumoured to be in line for the presidency in the upcoming elections. But he has a dirty past, something to hide and a hostage to hide it for him. In Now I See You Thabisa's traditional and professional skills will be pushed to the limit. She will have to learn the difference between looking and seeing. And in stirring twists of fate, we'll see that past and present blur, everything is interconnected and nothing can be assumed.
As Ama's wedding day approaches and her friends - Beauty, Matlakala and Pamela are there to lend varying degrees of support. But when tragedy strikes on Ama's wedding day and spreads to every corner of the group's lives they hold on to each other to survive. Will their misfortunes bring them closer together or will they tear the quilt of their friendship apart? They are our mothers, our sisters, our daughters, our girlfriends, our aunties. Pamela's body is a ravaged canvas of her troubles. Matlakala tries to prop up a failing relationship. Beauty's sharp tongue and dark secret threatens to doom her to a life lived alone. In To the Black Women We All Knew, Maenetsha showcases the modern township existence and its weakening yet ever-present link to tradition. Her vivid writing tells of the capriciousness of life and love and the strength of women in the face of a crisis..
This Day
(2014)
Loss has left Ella Spinner alone to care for her husband, Bart, who suffers from clinical depression. Their days now echo the tides: any progress made, rolls back. Yet Ella keeps pushing against the monotony. Set in Mossel Bay, Ella?s day begins like any other. But on this day the minutes begin to crack allowing change to filter through. As we cheer on her tenacity, we?re left asking ourselves what motivates anyone to try again.
The Last to Leave
(2014)
The Last to Leave is Margaret Clough's second collection of poetry. These poems follow on from her first extremely popular collection, At Least the Duck Survived (2011) in that the light, warm-hearted tone continues as does Clough's engagement with aging and mortality. These poems are a tonic and leave the reader feeling refreshed, saddened and better off. Clough has participated in The Franschoek Literary Festival, and has been invited to a number of reading engagements in the Western Cape, including the McGregor Poetry Festival. Her books sell out every time she reads.
Maybe it was an error for crime reporter Maggie Cloete to ignore the call from the AIDS worker, before someone put four bullets in his chest. It is post-apartheid South Africa, at the turn of the century. But there is a threat to the country's new democracy: HIV/AIDS, which is met with fear and superstition. Now that fear has reached Pietermaritzburg and an AIDS activist is dead. Maggie's instincts are on red alert. Despite threats from politicians and gangsters, she learns too much about Balthasar's life and his work at the AIDS Mission to be distant and professional. She is deeply, and dangerously, involved. Balthasar's Gift continues the tradition of pacy, hard-boiled South African crime fiction.
They are Coming
(2014)
This is the story of a small family in Lobengula township, Bulawayo: a shoemaker, Ngwenya, his wife, MaVundla, and their two children, Ambition and Senzeni, whose lives are turned upside-down when Senzeni joins the local youth militia. Mlalazi captures the texture of everyday life in the township, the humour, warmth, rivalry and fear as neighbours interact with each other or get swept up by events outside their control. Their constant search, however, is for autonomy and independence, for the ability to have control over their own lives. They are Coming provides us with perspectives often hidden from view, in a story where particular events are part of a more complex history.
Three years after the advent of Zimbabwe's Inclusive Government in February 2009, the country still awaits the elections that people hope will lead to a more enduring political settlement. Zimbabwe: Mired in Transition reviews the experience of recent years assesses the progress that has been made. What is the public mood, and how has it changed? What steps have been taken to reform the media? How important is a new constitution. Although the economy has stabilised to some extent with the adoption of a multi-currency regime, industrial and agricultural production are depressed, and investment inflows are limited; what spaces exist for fiscal reform? Are local authority structures and the state bureaucracy equipped to handle the tasks that will ne asked of them? In terms of two important areas, the book extends its analysis further back than 2009. First, is the issue of emigration. Estimates of the number of Zimbabweans in the diaspora range from three to four million; what impact us this having on national development, and to what extent might the trend of migration be reversed? The second concerns young people, the chapter on which concludes: 'We already have a 'lost generation' - those who were once called the 'born frees'. Unless positive changes are made, we will still have another'. This collection of eleven essays examines in detail some of the pressing questions which Zimbabweans must ask as they chart a way forward.
Girl on the Edge: A Memoir
(2014)
Ruth was four years old when her father was arrested for high treason and her world was turned upside-down. She grew up in constant fear of Special Branch policemen knocking on the door to arrest her mother or father, prominent South African communist. Ruth learned how to keep her mouth shut, to look out for microphones in the walls and to beware of friends who could betray her trust. At fourteen, Ruth left South Africa, clutching her teddy bear in one hand and her drawings in the other. A plan to England carried her into exile, a new world where she struggled to reconstruct a life fractured by fear. With an artist's eye for detail and colour, Ruth recalls her life with unflinching honesty: the Treason Trial; her struggle to conform; Friern Barnet Asylum for the 'hopeless insane'; LSD, protests, and free love in London, art school and motherhood; communes and camping- all steps in a journey that finally brought her home to South Africa on the brink of change. Heart- wrenchingly sad one minute, bursting with life and vigour the next, seamed throughout by strength and courage, girl on the edge allows us to look deep into one woman's life and travel with her to the brink and back again.
African scholarly research is relatively invisible globally because even though research production on the continent is growing in absolute terms, it is falling in comparative terms. In addition, traditional metrics of visibility, such as the Impact Factor, fail to make legible all African scholarly production. Many African universities also do not take a strategic approach to scholarly communication to broaden the reach of their scholars' work. To address this challenge, the Scholarly Communication in Africa Programme (SCAP) was established to help raise the visibility of African scholarship by mapping current research and communication practices in Southern African universities and by recommending and piloting technical and administrative innovations based on open access dissemination principles. To do this, SCAP conducted extensive research in four faculties at the Universities of Botswana, Cape Town, Mauritius and Namibia.