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Iredi War : A Folkscript
(2014)
Iredi War was the winner of The Nigeria Prize for Literature 2014. The playwright introduces the notion of 'folk script' with its special stamp. The use of the oral literature genre allows for the full exploitation of the creative licence which allows for the swings from the historical to the oral, the natural to the supernatural, the real to the fantastic.
A Torrent of Terror
(2014)
Rome Aboh's poetry unmistakably enwraps the condition of the politically and socially cannibalised segment of his society; and the beauty of the verse radiates from his facility with language as the stylist and linguist. The section 'patriotism' with such poems as 'hour of truth' aptly brings out the socially obligatory role of the poets whose mission goes beyond versifying and sharing their personal fantasies and urges. Similarly the poem 'letter to the mp' echoes the agonies of the common masses who feel deceived by the ruling elite in their so-called democratic nations.
The Fourth Masquerade
(2014)
As one of the most important Nigerian poets who continue to write the nation in verse, Yeibo, in this fifth collection of poems, has strategically fashioned a kind of poetry that does not only derive its idiom from the prosody and folk tradition of the Izon of Nigeria, it equally advances the poet's vision through form and structure. His recourse to folklore and reliance on oral materials in the image making process gives coherence and form to the poems. However, what distinguishes this collection from the previous ones is the question of the form through which he demonstrates an intense awareness of the Nigerian experience.
Kokori: The Struggle for June 12 is the candid account of Chief Frank Kokori, former General Secretary of The Nigeria Union of Petroleum and Natural Gas Workers (NUPENG). It details the roles he and other individuals played in the quest to revalidate the June 12, 1993 presidential election, which was annulled by Gen. Ibrahim Babangida. The book details, in depth, the events before, during and after the election, up until the incarceration of Chief Kokori as well as the political fall-out which followed.
This book is a comprehensive appraisal of the political history of Nigeria since colonisation, with emphasis on political parties. The author argues that party coalitions in Nigeria can be explained by the factors of heterogeneity as well as the political systems the country has experimented with. He asserts the influence of the institution of the presidency in the current trend towards a two-party system.
Nigeria at 100: What Next?
(2014)
This book details the historical background, legal basis and philosophy which lie behind the development of the Economic and Financial Crimes Commission in Nigeria (EFCC). It also explores in detail the present set-up and structure of the agency, its apparatus or tools for executing its operational functions, how well it executed its roles, and analyzed its constraints or problems it grappled with and how they may have impeded its roles and their ramifications for the organization and the polity.
Oil Thefts and Pipeline Vandalization in Nigeria focuses on leakages in oil revenue through thefts and vandalisation which has now become a national shame and embarrassment. The book presents a scholarly evaluation of the evolution, etiology, causes, nature, extent, characteristics, legal aspects, trends rationale and modus operandi of the phenomena in the country. This study is a substantial academic contribution to our knowledge on the subject matter for further research by social scientists and scholars, legal practitioners, law enforcement professionals, criminal justicians, corporate officials and other interest groups and stakeholders.
Gender Issues in African Literature examines the ways in which some protagonists of African fictions are made to counter and challenge intertwined Western discourses on gender, employment, sexuality, and health. Here the conflict between Tradition and Modernity is argues from the favourite premise of male supremacist ideology showing how women have -unlearned- these false concepts to build a sustained feminist movement and (re)learn the value of sisterhood. There is a bold attempt to reread Achebe as a consistent in urging women to fight the seemingly oppressive structures that have traditionally discriminated against them, and to disregard their diversity and embrace their unity. A chapter of Feminist Re-writing disagrees with the attempt to equate theory with political activism and presents Feminist literature as more than a verbal assertion that points to Feminist aesthetics and politics. The use of the trauma theory and testimonio literature to explore traumatisation of female characters and its impact for Zimbabwean civil society is a useful addition to these gender studies in African literature.