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Snatched from the Grave
(2010)
Black Caps and Red Feathers
(2010)
In Black Caps and Red Feathers the reader is taken into Creature's subconscious on the garbage heap where he is tenant, and where he recounts his multitudinous and gruesome experiences in Traourou's underground prisons. Ancestral Earth, set within a traditional African background, indicts Akeumbin, the king and custodian of the earth of Allehtendurih, who is caught in the dilemma of stopping a plague caused by the reckless exploitation of the earth and showing affection for his fiftieth bride. In compliance with the Princes of Earth, the women who are the principal victims, bring pressure to bear on the King who condescends to the urgency of appeasing the Ancestral Earth. The common denominator in both plays is communal grudge against irresponsible leadership and its fallouts of indiscriminate victimization that allow for the anticipation of a new or renewed consciousness.
Education of the Deprived is a perceptive socio-artistic examination of the key works of some major writers of Anglophone Cameroon literary drama today. For over two decades now socio-political developments in Cameroon, including the liberalization of the press, have led to an unprecedented proliferation of political, journalistic and imaginative writings. Availing themselves of their new-found freedom of expression, Cameroonians in general are forcefully articulating their views more than even before, and creative writers, in particular, are artistically recording intimate and painful experiences in the on-going endeavour to make sense of the socio-political environment; they are mapping out, through images and symbols, the peculiar contour of the collective Cameroonian soul. What observers have noticed, with regard to Anglophone Cameroon imaginative writing, however, is that there are few significant critical works to match the burgeoning creative literature. While in the 1970s there was a cry concerning the scarcity of imaginative works by Anglophone Cameroonians, the complaint now, at the turn of the 21st century, is that there is a dearth of critical literature capable of catapulting, on to the international literary scene, the Anglophone Cameroon literature being written. This book covers both traditional and modern drama as written by Anglophones, lays bare the technical differences between the two dramatic traditions, and brings out the central themes developed by these committed dramatists.
Anxiety in Mosaic
(2010)
Anxiety In Mosaic is a sum up of a man's fears and hopes into a volume of poetry; anxieties that span a cross section of the human phenomena of greed (in ramifications) and the resultant socio-political, economic and environmental consequences; the repercussions of worsted governance, feminist, ecological, emigrational and imperialist concerns, presented from the perspective of a philosophical questioning. The charm of these thoroughly vocal, finely-crafted poems not only lie in the quasi-compendious multiplicity of subject matter but also in their creative and innovative re-chartings.
The Moogo, the region of the Moose - known as 'Mossi' in ancient literature-occupies the entire central zone of Burkina Faso. It is divided into several kingdoms, the principal one comprising today's capital of Ouagadougou. Along with the singing griots, the evening storytellers pass on the ancestral word during the evening gatherings where they provide the group with models to follow. The folktale is the most appropriate form for teaching young children to express themselves, to structure their thoughts, and to reason. The tales portraying familiar animals will be reserved for the group of youngest children. The legendary gluttony and foolishness of Mba-Katre, the hyena, in contrast with the cunning and finesse of Mba-Soamba, the hare, will interest above all children from 10 - 12 years of age. The stories describing the origin of things, the reason for various social taboos, the legitimacy of social functions and structures, as well character flaws that need correcting, are reserved as a priority for adolescents.
The Crabs of Bangui
(2010)
Every man lives for himself, using his freedoms to attain his personal aims, and feels with his whole being that he can at any moment perform or not perform this or that action. The higher a man stands in the social scale, the more connections he has with others and the more power he has over them, the more conspicuous is the predestination and inevitability of every act he commits. Upon this philosophy, a former banker, Hansel Bolingo, suddenly finds [or makes] himself the regional representative of a Chinese firm that deals in crabs in Bangui. This catapults him into a position of instant wealth. His mouth-watering affluence draws immediate attention while his hypnotic powers cause hundreds of [not-so-honest]citizens to clamour for shares from which he builds up a huge fortune. But he soon discovers that he cannot deceive everybody all the time.
A Practical Guide to Understanding Ciyawo has been developed over fourteen years and systematically explains for the novice the important aspects of Ciyawo grammar for effective communication. A practical grammar guide, the instruction is accessible, giving the basics of pronunciation, to building verb tenses, to ways of combining the different elements of the language in order to form sentences.
This book contains a major research into, and deep investigation of Basotho language oral poetry in Lesotho at the beginning of the twenty-first century. The classical form, the dithoko, which was inspired by tribal wars or battles fought by the Basotho, is explored fully, but the absence of wars, and urbanisation with the economic and social imperatives of modernism, have inspired new forms of poetry. The new forms include dithoko, i.e. 'praise poetry'; the difela, 'mine workers' chants', and the diboko, the latter which as 'family odes', are still performed in rural areas. The research work involved the live performances of 33 diroki, i.e. poets, watched and recorded in their natural environments. The investigators were led by the late Professor Abiola Irele, then of Ohio State University.
This volume presents comprehensive case studies on various topics in Religious Studies. It aims at bringing about the dynamics of change and innovations that characterise the study of religions in contemporary Nigerian society. The work focusses on Biblical Studies, Church History, Islamic Studies and African Traditional Religions.
Comparative Historical and Interpretative Study of Religions, is a historical and interpretative study of religions. The work provides a thorough methodological discussion on specific themes, historical figures and movements in Religious Studies. It delves into other themes such as the concepts of God, spirits, mysterious forces, pollution and ritual symbolism. The reference to the Urhobo is a clear demonstration of current efforts by scholars in this area of study to de-emphasise the old forms of generalisation to greater differentiation. This approach provides new impetus for meaningful interpretation and comprehensive examination of the various themes in the light of current scholarhip. Also fundamental an analysis of the methodological problems in the study of African traditional religions. Some remedies which are intended to open new avenues for researchers are highlighted.
This work provides an overview of Nigerian Christianity. it covers issues such as Pentecostalism, Charismatism, gender dynamics, Muslim-Christian relations, and the arts and performance in Christian traditions as they are transforming contemporary Nigerian society. While focussing on contemporary Christianity, these essays also reflect on Nigeria's history and cultural traditions. Understanding and interpreting the events covered in the essays will enable us to envision the nation's future.
The Beauty I Have Seen. A Trilogy comprises three phases in a poetic journey, ranging from the poet (here called a minstrel) as a public figure, a traveller and observer of humanity, to one grounded in the landscape and fate of his native land. In the various sections of 'The Beauty I have Seen', 'Doors of the Forest' and 'Flow and other Poems', Tanure Ojaide expresses multifarious experiences, private and public, that capture the poet's sensitive life in sensuous images. In these poems that flow like a narrative, form and content fuse into a mature poetic voice at once passionate and restrained, relaxed and poignant.
Issues in African Literature
(2010)
The multitudinous nature of African literature has always been an issue but really not a problem, although its oral base has been used by expatriate critics to accuse African literature of thin plots, superficial characterisation, and narrative structures. African literature also, it is observed, is a mixed grill: it is oral; it is written in vernacular or tribal tongues; written in foreign tongues English, French, Portuguese and within the foreign language in which it is written, pidgin and creole further bend the already bent language giving African literature a further taint of linguistic impurity. African literature further suffers from the nature of its 'newness' and this created problems for the critic. Because it is new, and because its critics are in simultaneous existence with its writers, we confront the problem of 'instant analysis'. Issues in African Literature continues the debate and tries to clarify contemporary burning issues in African literature, by focussing on particular areas where the debate has been most concerned or around which it has hovered and been persistent.
This book publishes Martin Legassick's influential doctoral thesis on the preindustrial South African frontier zone of Transorangia. The impressive formation of the Griqua states in the first half of the nineteenth century outside the borders of the Cape Colony and their relations with Sotho-Tswana polities, frontiersmen, missionaries and the British administration of the Cape take centre stage in the analysis. The Griqua, of mixed settler and indigenous descent, secured hegemony in a frontier of complex partnerships and power struggles. The author's subsequent critique of the 'frontier tradition' in South African historiography drew on the insights he had gained in writing this dissertation. It served to initiate the debate about the importance of the precolonial frontier situation in South Africa for the establishment of ideas of race, the development of racial prejudice and, implicitly, the creation of segregationist and apartheid systems. Today, the constructed histories of 'Griqua' and other categories of indigeneity have re emerged in South Africa as influential tools of political mobilisation and claims on resources.
Windhoek in the early 1960s: the 34-year-old politician Clemens Kapuuo knocks at the door of the senior advocate Israel Goldblatt to solicit advice regarding the myriad of difficulties encountered by Africans daily under the apartheid regime. An unusual relationship and friendship develops, one that transcends the racial divide in this South African-governed Territory and will last for nearly 10 years. Meeting in Goldblatt's chambers, at his home and in the Old Location, other participants in the consultations included the veteran politician Chief Hosea Kutako and a group of younger nationalists, among them Rev. Bartholomews Karuaera and Levy Nganjone. Through Kapuuo, Goldblatt also met Kaptein Samuel Witbooi and counselled the long-term prisoner from Caprivi, Brendan Simbwaye. Israel Goldblatt's notes on these meetings were discovered after his death and form the core of this book. They are complemented by additional biographical information about his interlocutors, and annotations that place his notes in their historical and political context. Illustrated with many photographs, this publication pays tribute to Israel Goldblatt and the Namibian nationalists who attempted to build bridges where apartheid entrenched racism and suspicion.
This study explores the service-citizenship nexus in Nigeria, using the National Youth Service Corps (NYSC) programme as an empirical backdrop. It attempts to understand the relationship between civic service and citizenship on the one hand, and it examines the question as to whether youth service promotes a sense of citizenship and patriotism on the other. In the relevant studies on service and sociology, the assumption that service is antecedent to, and impacts positively on citizenship, is taken for granted. However, conclusions from this study call for an urgent rethinking of this wisdom. Using data from open-ended interviews, questionnaires and focus group discussions, the study traces the ways in which political dynamics in Nigeria have affected the implementation of the NYSC programme. The study articulates allegiance to national ideals as an essential foundation for creating and nurturing citizenship. Although it upholds the potential of national service as a tool for national integration, this research cautions against unalloyed faith in its presumed agency, arguing that the limitations imposed by the prevailing socio-political ecology should not be ignored.
Reforming the Malawian Public Sector argues that the new public management model that Malawi, like most African countries, adopted under the influence of donor organisations has not led to the intended development. The book examines decentralisation, performance contracting, and public-private partnerships as key aspects of the reforms and comes to the conclusion that at best, it can be argued that the failures have been due to poor implementation and this could be attributed to the fact that the process was led by donors who lacked the necessary institutional infrastructure. The book uses the 2005/6 fertiliser subsidy programme, which the government embarked on despite donor resistance that it went against market models, but which turned out to be overwhelmingly successful to demonstrate the state's developmental ability and potential. This volume is essential reading for academics, students, and practitioners seeking a deeper understanding of public administration, management, policy, development and governance in Africa and the rest of the developing world. The book is dedicated to the memory Guy Mhone, a Malawian, who was among Africa's leading scholars in public administration and governance. His works focused mainly on public sector reforms and development.
To many young people, the term sport has an exhilarating ring; to many older persons, it signifies recreation and leisure. From colonial times, it has been viewed as a means of social control. Increasingly, it is being touted by governments and donor agencies as a self-evident tool of Africa's development. How accurate are these individual, romantic and moral notions of sport? In this volume, eleven African scholars offer insightful analyses of the complex ideological and structural dimensions of modern sport as a cultural institution. Drawing on various theories and cross-cultural data, the contributors to this volume highlight the various ways in which sport norms, policies, practices and representations pervasively interface with gender and other socially constructed categories of difference. They argue that sport is not only a site of competition and physical recreation, but also a crossroad where features of modern society such as hegemony, identities, democracy, technology, development and master statuses intertwine and bifurcate. As they point out in many ways, sport production, reproduction, distribution and consumption are relational, spatial and contextual and, therefore, do not pay off for men, women and other social groups equally. The authors draw attention to the structure and scope of efforts needed to transform the exclusionary and gendered nature of sport processes to make them adequate to the task of engendering Africa's development. Gender, Sport and Development in Africa is an immensely important contribution to current debates on the broader impacts of sport on society. It is an essential reading for students, policy-makers and others interested in perspectives that interrogate the grand narratives of sport as a neutral instrument of development in African countries.
The events of May 2008 in which 62 people were killed simply for being 'foreign' and thousands were turned overnight into refugees shook the South African nation. This book is the first to attempt a comprehensive and rigorous explanation for those horrific events. It argues that xenophobia should be understood as a political discourse and practice. As such its historical development as well as the conditions of its existence must be elucidated in terms of the practices and prescriptions which structure the field of politics. In South Africa, the history of xenophobia is intimately connected to the manner in which citizenship has been conceived and fought over during the past fifty years at least. Migrant labour was de-nationalised by the apartheid state, while African nationalism saw the same migrant labour as the foundation of that oppressive system. Only those who could show a family connection with the colonial and apartheid formation of South Africa could claim citizenship at liberation. Others were excluded and seen as unjustified claimants to national resources. Xenophobia's conditions of existence, the book argues, are to be found in the politics of post-apartheid nationalism where state prescriptions founded on indigeneity have been allowed to dominate uncontested in conditions of an overwhelmingly passive conception of citizenship. The de-politicisation of an urban population, which had been able to assert its agency during the 1980s through a discourse of human rights in particular, contributed to this passivity. Such state liberal politics have remained largely unchallenged. As in other cases of post-colonial transition in Africa, the hegemony of xenophobic discourse, the book contends, is to be sought in the specific character of the state consensus.
Bulozi under the Luyana Kings : Political Evolution and State Formation in Pre-Colonial Zambia
(2010)
Bulozi under the Luyana Kings is a study of the Lozi Kingdom in Western Zambia in the pre-colonial period. The study traces the origins of the Luyana and the Lozi people; the founding of the Luyana Central Kingship and the invasion by the Makololo in the mid-nineteenth century; and ends with the study of the Lozi response to European intrusion at the end of the nineteenth and early twentieth centuries. Bulozi under the Luyana Kings was first published in 1973 by Longman, London. After wide consultations at home and abroad, the book is now republished in its original form.
Strengthening popular participation in the African Union : a guide to AU structures and processes
(2010)
The African Union (AU) has committed to a vision of Africa that is 'integrated, prosperous and peaceful - driven by its own citizens, a dynamic force in the global arena' (Vision and Mission of the African Union, May 2004). This guide is an effort to take up the challenge of achieving this vision. It is a tool to assist activists to engage with AU policies and programmes. It describes the AU decision-making process and outlines the roles and responsibilities of the AU institutions. It also contains a sampling of the experiences of those non-governmental organisations (NGOs) that have interacted with the AU.
Uganda's broadcast media landscape has witnessed tremendous growth in recent years. While the public broadcaster remains the dominant national player - in terms of reach - in both radio and television, commercial broadcasters have introduced a substantial level of diversity in the industry. Public broadcasting faces serious competition from the numerous private and independent broadcasters, especially in and around the capital Kampala and major urban centres. In fact, the private/commercial sector clearly dominates the industry in most respects, notably productivity and profitability. The public broadcaster, which enjoys wider geographical coverage, faces the challenge of trying to fulfil a broad mandate with little funding. This makes it difficult for UBC to compete with the more nimble operators in the commercial/private sector. Overall, there appears to be a healthy degree of pluralism and diversity in terms of ownership.
Since the collapse of apartheid, there have been major increases in migration flows within, to and from the Southern African region. Cross-border movements are at an all-time high across the region and internal migration is at record levels. The implications of greater mobility for areas of origin and destination have not been systematically explored. Migration is most often seen as a negative phenomenon, a result of increased poverty and the failure of development. More recently, the positive relationship between migration and development has been emphasised by agencies such as the Global Commission on International Migration, the Global Forum on Migration and Development, the United Nations Development Programme and the African Union. The chapters in this publication are all based on primary research and examine various facets of the relationship between migration, poverty and development, including issues that are often ignored in the migration-development debate like migration and food security and migration and vulnerability to HIV. The book argues that the development and poverty reduction potential of migration is being hindered by national policies that fail to recognise and build on the positive aspects and potential of migration. As a result, as these studies show, migrants are often pushed to the margins where they are forced to 'survive on the move'. Their treatment violates labour laws and basic human rights and compromises the potential of migration as a means to create sustainable livelihoods, reduce poverty and food insecurity, mitigate the brain drain and promote the productive use of remittances. This book shows that migrant lives and livelihoods should be at the centre of international and African debates about migration, poverty and development.
Social Accountability in Africa: Practitioners' Experiences and Lessons is a collection of case studies from Africa on social accountability. This collection attempts to build a consolidated body of knowledge on social accountability efforts across the continent. The case studies are diverse and present unique approaches to how social accountability strategies and interventions are implemented within different countries. The book is written by practitioners, for practitioners, providing first hand experience of designing and implementing social accountability initiatives and the challenges, methods and successes each one presents.
The relationship between migration, development and remittances in Lesotho has been exhaustively studied for the period up to 1990. This was an era when the vast majority of migrants from Lesotho were young men working on the South African gold mines and over 50 percent of households had a migrant mineworker. Since 1990, patterns of migration to South Africa have changed dramatically. The reconfiguration of migration between the two countries has had a marked impact on remittance flows to Lesotho. The central question addressed in this report is how the change in patterns of migration from and within Lesotho since 1990 has impacted on remittance flows and usage.
The book interrogates the relationship between democracy and development and how underdevelopment prevents citizens from participating in democracy. Section One is a collection of experts' writing on key issues such as the single-party state; development policy; poverty, inequality and growth; the institutions of governance; the public service; and the role of civil society. Section Two, Idasa's Democracy Index 2010, releases Idasa's findings on Participation, Elections, Accountability, Political Freedom, Human Dignity and Democracy. The third in Idasa's Democracy Index series, this book argues that democracy needs economic development along with an embedded system of institutions, supported by active citizens and a vibrant political culture.
South Africa's provincial education departments have been reduced to provincial administrations, for reasons that include the powerful role national government plays in delivering education services. This book looks in detail at education spending and asks: Can we afford to maintain administrations that cannot possibly change the course of poor quality education and engineer a brighter future for our poor and deprived learners? The authors believe this question and the future role of provincial education departments need to be discussed, openly and publicly, without delay.
Few African countries provide for an explicit right to a nationality. Laws and practices governing citizenship effectively leave hundreds of thousands of people in Africa without a country. These stateless Africans can neither vote nor stand for office; they cannot enrol their children in school, travel freely, or own property; they cannot work for the government; they are exposed to human rights abuses. Statelessness exacerbates and underlies tensions in many regions of the continent. Citizenship Law in Africa, a comparative study by two programs of the Open Society Foundations, describes the often arbitrary, discriminatory, and contradictory citizenship laws that exist from state to state and recommends ways that African countries can bring their citizenship laws in line with international rights norms. The report covers topics such as citizenship by descent, citizenship by naturalisation, gender discrimination in citizenship law, dual citizenship, and the right to identity documents and passports. It is essential reading for policymakers, attorneys, and activists. This second edition includes updates on developments in Kenya, Libya, Namibia, South Africa, Sudan and Zimbabwe, as well as minor corrections to the tables and other additions throughout.
Undisciplined Heart
(2010)
When Jane Katjavivi becomes involved in London in support of change in Southern Africa, she meets and marries a Namibian activist in exile. Moving with him to Namibia at the time of Independence in 1990, she faces a new life in a starkly beautiful country. She starts to publish Namibian writing and opens a bookshop. In Windhoek she develops friendships with a group of strong, independent women, who have also come from other countries, and are engaged in different ways to overcome the divisions of the past. Over coffee, drinks and food, they support each other through times of happiness and sadness, through juggling careers and family, and through illness and death. When her husband is made Ambassador to the Benelux countries and the European Union, and later Berlin, Jane has to build a new identity as the wife of an ambassador, and come to terms with her own ill-health without her friends around her to support her. Set against the backdrop of the historical, political and social development of newly independent Namibia, Undisciplined Heart tells the story of Jane's love for her family, friends and her adopted country, in a gentle and honest way that reflects the joys and tragedies of life
This Place I Call Home
(2010)
Ten stories. Ten voices. Ten diverse perspectives of what home has meant to South Africans that country's challenging history. In this thought provoking collection we are drawn into the lives of others. From an old widower who seems content on the outside but feels that his world is unravelling in the new South Africa, to an immigrant who has fled racial persecution in 1930s Europe and now finds himself on a barren sheep farm in the Karoo, to a Polokwane teacher confronted with the moral dilemma of xenophobic sentiments in her township, This Place I Call Home, leaves the reader deeply aware of local realities. Even though these powerful stories are often characterised by hardship and personal loss, one cannot help but emerge inspired by the tenacity of the human spirit and the resilience of South Africa's people.
Lava Lamp Poems
(2010)
Piece Work
(2010)
Ingrid Andersen was born in Johannesburg, read for a degree in English literature at Wits and is presently completing her Masters. Her work has been published in literary journals for 16 years. Excision, her first volume of poetry, was published in 2004. Her influences include the French Romantic poets, Imagism and the writings of Basho. She is the founding editor of Incwadi, an SA journal that explores the interaction between poetry and image. An Anglican priest, she works in human rights, healing and reconciliation.
The Thin Line
(2010)
Arja Salafranca is an accomplished writer, having twice won the Sanlam Literary Award in South Africa. The stories in her new book engage and reel in the reader on that 'thin line' from the start. The carefully drawn characters are haunting: Corinna trapped in her huge teenage body, Cleo in love with a married man after all these years, and poor skinny Mark, as he sees his love teeter away from him.'Ten Minutes to Hate' tells of an armed robbery in a packed theatre, and its effect, emotionally and psychologically, on two of the people involved. 'Collage' is the story of a possessive love so fierce, that only death can resolve it. Searingly honest, sometimes painfully so.
The bed, dressed in hand sewn quilt or threadbare blanket, may in and of itself be memorable, but it is what happens in the bed - the sex and lovemaking, the dreams, the reading, the nightmares, the rest, giving birth and dying - which give 'bed' special meaning. Whether a bed is shared with a book, a child, a pet or a partner, whether lovers lie in ecstasy or indifference, whether 'bed' relates to intimacy or betrayal, it is memories and recollections of 'bed', in whatever form, which have triggered the writing of these thirty stories by women from southern Africa. Well known writers Joanne Fedler, Sarah Lotz, Arja Salafranca, Rosemund Handler and Liesl Jobson will delight, but you will discover here new writers from Botswana, Zimbabwe, Mozambique, Malawi, Namibia and Zambia, each with a unique voice as they cast light on the intimate lives of women living in this part of the world and the possibilities that are both available to and denied them. The BED BOOK of short stories - some quirky and tender, others traumatic or macabre - is the perfect companion to take to bed with you, to keep you reading long into the night.
This nine-country study of higher education financing in Africa includes three East African states (Kenya, Tanzania and Uganda), five countries in southern Africa (Botswana, Lesotho, Mozambique, Namibia and South Africa), and an Indian Ocean island state (Mauritius). Higher Education Financing in East and Southern Africa explores trends in financing policies, paying particular attention to the nature and extent of public sector funding of higher education, the growth of private financing (including both household financing and the growth of private higher education institutions) and the changing mix of financing instruments that these countries are developing in response to public sector financial constraints. This unique collection of African-country case studies draws attention to the remaining challenges around the financing of higher education in Africa, but also identifies good practices, lessons and common themes.
Morgan Tsvangirais appointment as Zimbabwes Prime Minister in 2009 followed many years leadership of the Zimbabwe Congress of Trades Unions and the Movement for Democratic Change. How has that experience equipped him for high national office? Does he have the personal, intellectual and political qualities required to be President? In July 2004, as he was awaiting the verdict in his treason trial, Tsvangirai spent several days in conversation with Stephen Chan. Chan was concerned to find out if Tsvangirai was more than merely a charismatic leader of the opposition; if he had his own intellectual agenda [and] political philosophy. His questions were even-handed and astute. Discussion by discussion, Morgan Tsvangirai had become more open, more human less cautious and, paradoxically, more obviously and naturally presidential. Five years later, having reviewed the events since their discussions took place, Chan writes: I have not made a saint of him, not even an Atlas. I hope I have not criticized him too much or too unfairly. Probably no one could have done for Zimbabwe what he has. Citizen of Zimbabwe is a rare and intimate portrait of political leadership in Africa.
This is an introductory textbook on the Zimbabwean legal system. It sets the stage for a comprehensive description of that legal system by opening with some theoretical issues on the nature of law in general, particularly a definition of law, the role and purpose of law in society, the relationship between law and justice and how morality impacts on law. After outlining this theoretical framework, it turns to the Zimbabwean legal system and covers the following key areas: sources of Zimbabwean law, the scope of Roman-Dutch law in Zimbabwe, the law-making process and the role of Parliament, the structure of the courts in Zimbabwe, the procedures in the civil and criminal courts, the legal aid system and the nature of the legal profession. It covers the process of appointment of judges and its effect on the independence of the judiciary. It has a long closing chapter on the interpretation of statutes covering all the rules, maxims and presumptions.
The ongoing crisis in Zimbabwe has led to an unprecedented exodus of over a million desperate people from all strata of Zimbabwean society. The Zimbabwean diaspora is now truly global in extent. Yet rather than turning their backs on Zimbabwe, most maintain very close links with the country, returning often and remitting billions of dollars each year. Zimbabwe's Exodus. Crisis, Migration, Survival is written by leading migration scholars many from the Zimbabwean diaspora. The book explores the relationship between Zimbabwe's economic and political crisis and migration as a survival strategy. The book includes personal stories of ordinary Zimbabweans living and working in other countries, who describe the hotility and xenophobia they often experience.
Memory is the Weapon
(2010)
Donato Francesco Mattera has been celebrated as a journalist, editor, writer and poet. He is also acknowledged as one of the foremost activists in the struggle for a democratic South Africa, and helped to found both the Union of Black Journalists, the African Writer's Association and the Congress of South African Writers. Born in 1935 in Western Native Township (now Westbury) across the road from Sophiatown, Mattera can lay claim to an intriguingly diverse lineage: his paternal grandfather was Italian, and he has Tswana, Khoi-Khoi and Xhosa blood in his veins. Yet diversity was hardly being celebrated at that time. In one of apartheid's most infamous actions, the vibrant multicultural Sophiatown was destroyed in 1955 and replaced with the white suburb of Triomf, and the wrenching displacement, can be felt in Mattera's writing. The story of his life in Sophiatown as told in this essay is intricate. Covering Mattera's teenage years from 1948 to 1962 when Sophiatown was bulldozed out of existence, it weaves together both his personal experience and political development. In telling the story of his life as a 'coloured' teenager, Mattera takes on the ambitious goal of making us recapture the crucial events of the 1950s in Sophiatown, one of the most important decades in the history of black political struggles in South Africa.
The State of Africa 2010
(2010)
The State of Africa series project was conceived by the Africa Institute of South Africa (AISA) during its 2003-2004 financial year for purposes of mapping out on a regular basis critical issue areas relating to intra- and inter-African as well as extra-African relations. The first and second volumes of the series were published in 2004 and 2008 respectively. Volume 1: The State of Africa: Thematic and Factual Review served as an exploratory piece and covered a broad range of issues relating to politics and governance, millennium development goals (MDGs), peace and conflict and regional development. Volume 2: The State of Africa: Post-Conflict Reconstruction and Development focused thematically and examined - from critical and comprehensive perspectives - issues associated with post-conflict in Africa. The volume was grounded on the continent's quest for conflict prevention, management and resolution as a means of creating an enabling environment for the consolidation of democracy and reconstruction of societies affected by crisis in general and war in particular. This volume, Volume 3: Parameters and Legacies of Governance and Issue Areas takes a multi-pronged and multi-faceted approach to some of these issues by providing in-depth analysis of dynamics at national, regional, continental and international levels. The global transformation in the 1980s and 1990s, which witnessed the crumbling of the Soviet Union, the Warsaw Pact and opened a window of opportunities for East-West bipolar rapprochement, particularly between the United States and Russia, also had impact on Africa at the national, regional and continental levels. Focusing on conceptual units, such as the state, indigenous organisations, regional and continental organisations as well as selected priority issues - in particular gender and empowerment, the global South, and space science - the chapters in the book provide useful insights into the nature and impact of the transformation and its impact on the socio-economic and politico-security situation in Africa.
The Coming African hour is not a slogan, nor wishful thinking. It is a conclusion that derives from an insightful analysis of the current situation pertaining on the continent. Several African scholars, coming from different regions and academic backgrounds are elaborating ideas and arguments in order to explain the constraints and to illustrate the opportunities. The result of that scientific gathering is a book that synthesizes and renews the reflections on development. What is at stake is not to be pessimistic or optimistic about Africa. The epistemological challenge is to understand what is going on. By focusing on converging and diverging African realities, on the issues of state, civil society, gender and development strategies, the authors of the book show under which conditions the African hour is coming. At that level, the commitment for political science meets the commitment for Africa. The main success of this book is to overcome the preconceived ideas and self-fulfilling prophecies about Africa. Here, the analysis avoids the trap of indulgence; then hope is based on truth. Consequently, the coming African hour is not inescapable: it is, as analyzed, a possibility that its achievement depends on institutional, human, political, social and economic factors.
This report on the broadcast media in Nigeria finds that liberalisation efforts in the broadcasting sector have only been partially achieved. More than a decade after military rule, the nation still has not managed to enact media legislation that is in line with continental standards, particularly the Declaration on Freedom of Expression in Africa. The report, part of an 11-country survey of broadcast media in Africa, strongly recommends the transformation of the two state broadcasters into a genuine public broadcaster as an independent legal entity with editorial independence and strong safeguards against any interference from the federal government, state governments and other interests. The report was written by Mr. Akin Akingbulu Executive Director, Institute for Media and Society, IMS, Nigeria.
Im Mittelpunkt des Textes, so scheint es, steht die trauernde Verarbeitung eines lang zurückliegenden Ereignisses, damit zugleich Erinnerung und Abschied als Grundmotive des Werkes von Droste-Hülshoff, wie sie auch in anderen Texten wie "Meine Toten" oder dem Byron-Gedicht "Lebt Wohl" zum Ausdruck kommen. In der "Taxuswand" durchmisst Droste-Hülshoff eine lange Zeitspanne, achtzehn Jahre, die zwischen der Begegnung und seiner dichterischen Verarbeitung stehen. Die Frage, die in diesem Zusammenhang im Raum steht, ist die nach dem grundsätzlichen Verhältnis von dichterischer Erinnerungsleistung und biographischem Erlebnis im Werk der Annette von Droste-Hülshoff. Dass beide in ähnlicher Weise wie bei Baudelaire nicht einfach zusammenfallen, sondern auseinandertreten, ist die Vermutung, der es im Folgenden nachzugehen gilt.
Les Colloques de Cerisy
(2010)
Die Tagung "Blickwechsel Rainer Maria Rilke: Leben und Werk" hat vom 13. bis zum 20. August 2009 sechzig Personen aus acht verschiedenen Ländern versammelt und so dem internationalen Auftrag des Kulturzentrums von Cerisy-la-Salle entsprochen. Es war die erste im Schloß von Cerisy stattfindende dreisprachige Tagungswoche zu Person und Werk von Rainer Maria Rilke.
Rilke in Salvador, Brasilien
(2010)
Im Jahr 1990 wurde in Salvador, Bahia, die Iniciativa Cultural Austro-Brasileira (ICAB) gegründet, eine Plattform für Vermittlung und Austausch österreichischer Kultur in Brasilien. [...] In allen folgenden Literaturveranstaltungen der ICAB (unter anderem zu Trakl, Schnitzler und Hofmannsthal) war Rilke ein fester Bestandteil, in Auszügen aus seiner Korrespondenz, in Lesungen und Zitaten.
Am 3. Februar 2009 ist in Ittigen bei Bern, im Seniorenheim Tertianum, wo er die letzte Lebenszeit verbracht hat, Professor Dr. Jacob Steiner gestorben. Er war, 1982 auf Schloss Duino gewählt, bis 1993 Präsident der Rilke-Gesellschaft und danach ihr Ehrenpräsident. Es ist in den letzten Jahren sehr ruhig um Jacob Steiner geworden, wie man es nicht erwartet hätte, wenn man seine Biographie, sein akademisches Curriculum ansieht.
Rezension zu Rainer Maria Rilke's The Book of Hours. A New Translation with Commentary. Translated by Susan Ranson. Edited with and Introduction and Notes by Ben Hutchinson. Camden House. Rochester New York. 2009. XLIV + 240 S.
Die Literatur zu Rilke befindet sich noch immer in einem dynamischen Wachstumsprozess, so daß ein Bericht darüber immer in Gefahr ist, das gerade Aktuelle zu übersehen, und um Geduld nachsuchen muß und Nachsicht für unvermeidliche Verspätungen und kaum voraussehbare Nachträge. [...] Die Rilke-Literatur ist folglich zwar beinahe unübersichtlich umfangreich, aber es lassen sich doch einige Grundzüge erkennen. Erstens: Die Rilke-Literatur ist international. [...] Zweitens: Die Dichtung Rilkes ist beinahe unantastbar geworden.
"Ein so reines wie genaues Bild" : Einblick in Rilkes Briefwechsel mit Olga Quaas-von Eisenstein
(2010)
Rilke antwortet auf eine Bitte um ein Erinnerungsbild mit dem im Januar 1912 auf Schloß Duino entstandenen "Marien-Leben". Er widmet Olga Quaas-von Eisenstein ein Exemplar und gerät dabei ins Nachdenken über sich selbst und nimmt die Erinnerung an seine Zeit in St. Pölten dankbar auf. Er schreibt an Olga Quaas von Eisenstein einen dreiseitigen Brief
An Ostern 1923 erhielt Rainer Maria Rilke auf Château de Muzot Besuch vom "Burgherrn", seinem Freund und Gönner Werner Reinhart (1884-1951). In dessen Begleitung erschienen zwei weitere Gäste, der Maler Edmund von Freyhold sowie eine Rilke damals noch unbekannte Musikerin: die australische Violinistin Alma Moodie (1898-1943). Nach dem österlichen Treffen entspann sich zwischen dem Dichter und der Musikerin ein loser Briefwechsel, der mehrere Jahre andauerte. Rilkes Briefe an die Geigerin wurden nie publiziert. Mindestens zwei davon sind auf Auktionen aufgetaucht, die meisten jedoch haben bislang als verschollen gegolten. Ein Teil des Briefwechsels befindet sich jedoch im Besitz von Frau Heidi Spengler-Bickel, der Schwiegertochter Alma Moodies, die es ermöglicht hat, ihn hier zu veröffentlichen. Die insgesamt zwölf Briefe - fünf davon stammen von Rilke - können nicht nur den Briefwechsel des Dichters um einige Teilstücke vervollständigen. Seine Beziehung zu der australischen Musikerin erhält durch die Briefe genauere Konturen - darüber hinaus ermöglichen sie einige seltene Einblicke in das Tourneeleben einer jungen Berufsmusikerin zu Beginn des 20. Jahrhunderts. Rilkes Begegnung mit Alma Moodie wird im Folgenden in groben Zügen nachgezeichnet; dabei erschien es sinnvoll, die Briefe in den Lauftext einzurücken, so dass der Zusammenhang des in ihnen Besprochenen aus der Chronologie der Ereignisse hervorgeht. Ergänzt wird der Briefwechsel durch Auszüge aus bislang ebenfalls unveröffentlichten Briefen Alma Moodies an Werner Reinhart.
Die Veröffentlichung der folgenden Briefe aus dem Jahre 1912 ist der Beginn einer Publikation aller Briefe Rilkes an Pia Valmarana in den Blättern der Rilke-Gesellschaft - voraussichtlich noch in zwei weiteren Folgen. Pia Valmaranas Briefe an Rilke sind nicht erhalten. Vermutlich wurden sie nach Rilkes Tod zurückgegeben und von Pia selbst oder von ihren Erben der Veröffentlichung entzogen. Im Jahr 1939 schenkte Pia Valmarana Ernst Zinn einen Teil der an sie und ihre Mutter Giustina gerichteten Briefe Rilkes in maschinenschriftlicher Abschrift, eingeheftet in einen grauen Umschlag; es handelt sich um 35 Briefe, chronologisch nicht geordnet. Nach ihrem Tod im Jahr 1948 fanden sich in ihrem Nachlaß weitere 38 Briefe, darunter auch ganz kurze Mitteilungen, zumeist auf Visitenkarten. Die Handschriften, im Jahr 1952 von den Erben verkauft, befinden sich jetzt im Rilke-Archiv der Schweizerischen Nationalbibliothek in Bern. Ernst Zinn wurden Photokopien aller Manuskripte zur Verfügung gestellt; dazu gehören auch eine Reihe von Widmungsexemplaren und zehn photographische Ansichten von Ronda mit Erläuterungen von Rilke auf der Rückseite. Dieser Bestand, der bis jetzt in kein Archiv eingegliedert ist, wird ergänzt durch Notizen von Ernst Zinn, durch Listen und Protokolle. Wolfgang Herwig, Schüler und Mitarbeiter von Ernst Zinn, hat im Jahr 1950 ein Verzeichnis des ganzen Bestandes angelegt und darüber hinaus alle Briefe in ein maschinenschriftliches Manuskript übertragen; es ist Grundlage dieses Textes, der erneut an den Autographen der Briefe überprüft wurde; Entwürfe zu den Briefen konnten nicht nachgewiesen werden. Ihr Text ist diplomatisch getreu wiedergegeben, das heißt Verschreibungen und Flüchtigkeitsfehler sind nicht korrigiert, lediglich durch ein <sic> gekennzeichnet; Rilkes Großschreibung von Substantiven, wenn sie Dinge bezeichnen, die ihm wichtig waren, wird nicht als Fehler angesehen und bleibt ohne diese Kennzeichnung; dies gilt auch für die zahlreichen Stellen, an denen Rilke in Bedingungssätzen mit "si" statt des korrekten Indikativs die Konditionalform verwendet. Unterstreichungen Rilkes sind als solche beibehalten; die wenigen Korrekturen von Rilkes Hand sind, soweit noch leserlich, in den Fußnoten festgehalten. Mit Hilfe des Briefwechsels Taxis konnte die fehlende oder unvollständige Datierung der Briefe aus Venedig ergänzt werden (in eckigen Klammern), seine Register waren darüber hinaus eine Hilfe bei der Bestimmung der vielen von Rilke erwähnten Personen, mit denen er in Venedig und während der Herbstwochen auf Duino umging.
Natürlich wäre es ein vergebliches, möglicherweise unzulässiges Unterfangen, dem Bekenntnis der Kolmar, Rilke habe sie "vielleicht" durch die "Plastik" seiner "späteren Gedichte" und mit "Einzelheiten aus [seinem] Werk beeinflußt", nun nachzugehen und es gar belegen zu wollen. Allein und dennoch: legitimiert wäre man mit jenem Eingeständnis schon und sich selbst der Subjektivität bei solchem Versuch durchaus bewußt.
Rilkes Gedichtband "Das Buch der Bilder" wird allgemein von der Forschung als eine Art Übergangswerk gesehen. Ihm folgen die - weitaus höher eingeschätzten - "Neuen Gedichte", die noch heute als ein Höhepunkt in Rilkes Schaffen gesehen werden und "den Dichter mit seiner neuen […] poetologischen Orientierung zu einem der bedeutendsten Vertreter der literarischen Moderne mach[en]." Daß trotzdem auch einem "Übergangswerk" ein nicht zu unterschätzender poetischer Wert innewohnen kann, zeigt unter anderem Rilkes Beschäftigung mit der Liebesthematik im "Buch der Bilder". In diesem Zusammenhang kann das Gedicht "Die Liebende" als eine Art Zäsur in Rilkes poetischer Gestaltung der Weiblichkeit angesehen werden. [...] Das Gedicht "Die Liebende" im "Buch der Bilder" markiert eine Umkehr von der motivbehafteten Darstellung des Weiblichen hin zur poetischen Darstellung einer Theorie der intransitiven Liebe, die - entgegen gesellschaftlichen Vorstellungen - nicht auf Erwiderung zielt.
Die Nachklänge der Zeitauslegung Augustins in Rilkes Dichtung sind vor allem ein Echo seiner 'Confessiones'-Lektüre. Mit diesem Werk hat sich Rilke, wie er berichtet, intensiv befaßt und 1911 sogar begonnen, es ins Deutsche zu übersetzen. Äußerlich faßbare Spuren seiner Augustinus-Lektüre treten wohl erstmals in der Rodin-Monographie von 1902 hervor. Dort spielt Rilke auf eine Stelle aus dem Proömium der 'Confessiones' an, die zusätzlich auf die Untersuchung des Seins der Zeit in deren elftem Buch hindeutet. Die Passage, die mit der Feststellung beginnt, Rodin sei ein Greis, dessen Leben einmal "begonnen" habe, nun "tief in ein großes Alter" hineingehe und für uns so sei, "als ob es vor vielen hundert Jahren vergangen wäre", verbindet Rilke mit einem charakteristischen Gedanken Augustins. Am Beginn seiner Betrachtungen zu Rodin mutmaßt er über dessen Leben: "Es wird eine Kindheit gehabt haben, irgendeine, eine Kindheit in Armut, dunkel suchend und ungewiß. Und es hat diese Kindheit vielleicht noch, denn -, sagt der heilige Augustinus einmal, wohin sollte sie gegangen sein?" Damit klingt schon Rilkes große Sehnsucht nach einem Bleiben an, die zugleich als Nachklang der Zeitauslegung in Augustins 'Confessiones' zu lesen ist und auch seine in vielen Abschattungen immer wiederkehrende Frage bestimmt, die den Titel der vorliegenden Untersuchung bildet: "Giebt es wirklich die Zeit, die zerstörende?" Rilkes Dichtung war trotz mancher Distanz zum christlichen Dogma tief in den Themen und Antworten des christlichen Glaubens beheimatet. Dies neu zu beachten, mag eine Aufgabe der Rilke-Forschung wie der Theologie sein.
Kleine Planeten oder Planetoiden, zu denen auch der Planetoid "Rilke" gehört, sind Überreste aus der Zeit der Entstehung unseres Sonnensystems. In den Bereichen, in denen sich die Mehrzahl der kleinen Planeten auch jetzt noch befindet (dem Planetoidengürtel), sind sie auch entstanden - vor etwa fünf Milliarden Jahren. In diesen Bereichen unseres Sonnensystems hatte die Menge des für die Bildung fester Körper verfügbaren Materials nicht einen einzigen großen Körper, sondern eine Vielzahl kleiner Körper gebildet.
In einer oft zitierten Aussage aus dem Jahr 1924 hat Rilke erklärt, daß unter allen seinen Inspiratoren Cézanne der Wichtigste war, und er diesem "stärkste[n] Vorbild" "seit 1906" "auf allen Spuren nachging." In seinem Vortrag versucht Peter Por, diese Aussage so zu deuten, wie Rilke sie gelten lassen wollte, also im Bezug auf das ganze Lebenswerk; und Por versucht gerade die Wendung darzulegen, die Rilke von der Poetik, die er in seiner Auseinandersetzung mit Cézannes Raumschöpfung und besonders mit Cézannes Perspektivenbehandlung erarbeitet hatte, zu jener Poetik führte, die er sich aufgrund seiner Auseinandersetzung mit Klees Raumschöpfung und besonders mit dessen Perspektivenbehandlung angeeignet hatte.
Ausgehend von den Karussell-Gedichten Lessings und Rilkes sowie vor dem Hintergrund des Lessing'schen Laokoon und brieflicher Äußerungen Rilkes sollten einige Übereinstimmungen und Abgrenzungen ihrer ästhetischen Positionen sichtbar werden - man kann die angedeuteten Koinzidenzen für überraschend halten oder für längst bekannt: manchmal gleichen die Versuche, Relationen zwischen zwei Künstlern auszuloten, dem zufälligen Gespräch im Eisenbahnabteil: man muß nur lange genug miteinander sprechen, dann trifft man auf gemeinsame Bekannte. Und doch scheint etwas mehr im Spiel zu sein: Paradox formuliert, zeigt sich die Gemeinsamkeit zwischen Lessing und Rilke, diesen so weit auseinander liegenden Gestalten, eben darin, daß sie voneinander nichts wußten. Daß beide die ästhetische Erfahrung, auf die es hier ankommt, unabhängig voneinander, und aus unterschiedlichsten Zeit- und Lebenszusammenhängen machen, spricht für ein 'fundamentum in re' dieser Erfahrung, einer entscheidenden und unbedingten Erfahrung aus der Arbeit in der Sprache.
Es ist erstaunlich, daß die umfangreiche und hoch entwickelte Literatur zu Rainer Maria Rilke bislang noch kaum die Beziehung zwischen der auf die 'Dinge' bezogenen Lyrik seiner mittleren Phase und der anglo-amerikanischen Bewegung des Imagismus in den Blick genommenen hat, obwohl Affinitäten zwischen dem "image" des Imagismus und dem "Ding" Rilkes auf der Hand liegen. Ein Grund dafür ist sicher, daß es keine nachweisbaren Beziehungen zwischen den Imagisten und Rilke gibt. Englische und amerikanische Lyriker wie T. E. Hulme, Richard Aldington, Ezra Pound und William Carlos Williams wußten nichts von der Existenz des deutschen Lyrikers Rilke und Rilke seinerseits war die Lyrik der englischen und amerikanischen Imagisten unbekannt. Es ist aber dennoch für eine angemessene Würdigung Rilkes im Kontext des Modernismus unabdingbar, seine "Neuen Gedichte" vergleichend mit avantgardistischen zeitgenössischen Gedichten des englischen Sprachraums zu betrachten. Dabei sind verwandte Kunstprinzipien und kompositorische Eigenheiten zu eruieren, die es erlauben, die in Rede stehende Lyrik dem Frühmodernismus zuzuordnen. [...] Wolfgang G. Müller stellt in seinen Darlegungen zunächst die Begriffe "image" und "Ding" einander gegenüberstellen und an einigen Texten veranschaulichen. Danach kommt er auf das Phänomen der Epiphanie zu sprechen, das in der imagistischen Lyrik und in Rilkes "Neuen Gedichten" gleichermaßen gegenwärtig ist. Schließlich behandelt er Gemeinsamkeiten und Unterschiede in der Verwendung der Ikonizität bei den Imagisten und Rilke.
In der Forschung zu Rilkes posthum erschienenen Briefen über Cézanne wird einhellig die Pionierleistung des Dichters in der tiefen Durchdringung von Cézannes Werk und dem Erkennen der epochalen Bedeutung hervorgehoben. Die kunsthistorische Forschung gelangte dagegen erst Jahrzehnte später auf denselben Stand. Katharina Kippenberg meinte gar, die Kunsthistoriker müßten sich beschämt vor der Lektüre der Briefe zurückziehen. Aber trifft diese für die Fachwissenschaft wenig schmeichelhafte Einschätzung wirklich zu? Hat Rilke allein aus sich heraus und im intensiven Austausch mit den Werken Cézannes und der Beschäftigung mit dem Leben des "Sonderlings aus Aix" seine Erkenntnisse gewonnen? Die folgenden Ausführungen versuchen einmal den Blickwinkel zu wechseln und von der Kunstgeschichte auf den Dichter zu schauen. Die Sichtung der kunsthistorischen Forschung zu Rilkes Zeit soll die Besonderheit der Seh-Erfahrungen des Dichters herausarbeiten. Die Betrachtung der darauf folgenden kunstwissenschaftlichen Literatur kann darüber hinaus aufzeigen, inwieweit Rilkes Äußerungen über Cézanne tatsächlich wegweisend waren.
Wahrnehmen wahrnehmen, das Sehen sehen - solche Wendungen gehören mittlerweile zum Jargon des (radikalen) Konstruktivismus und der Systemtheorie ebenso wie zum universitätsgeschulten Kunstjournalismus und klingen so vertraut, als ob sie immer schon dagewesen wären. Dabei haben diese Konzepte ihre Geschichte, die um 1900 beginnt. Mit dem Dreieck, das der Biologe Jakob von Uexküll, der Mathematiker und Phänomenologe Edmund Husserl und Rainer Maria Rilke bilden, ist zu zeigen, daß es mehrere Disziplinen waren, die sich um das Problem der Wahrnehmung gekümmert haben - alle drei sind noch obendrein geschult am erkenntniskritischen Werk Kants, das sie mehr oder weniger gründlich kennen und das immer wieder anklingt. Im Zentrum steht dabei die Frage der Wahrnehmung von Welt und der Ausbildung eines symbolischen Zwischenraums, der Kunst sein kann - und den man im Projekt des "neuen Sehens" von unterschiedlicher Seite aus konstituieren möchte. Die 'Neuen Gedichte' erscheinen dann in einem Commercium vielfältiger Wissensgebiete, die Rilke auch sucht, um der Skepsis gegenüber dem eigenen Ausdruckmedium zu begegnen. Aus diesen Kontexten heraus sollen nicht nur Begriffe des "sachlichen Sagens" und "neuen Sehens", sondern einige Charakteristika dieser selbstbezüglichen, antimimetischen Wortgebilde kommentiert werden, die trotz aller Selbstreferenz der Eigenwelt durchaus auf eine Umwelt gerichtet sind und an einer Zwischenwelt zur Wirklichkeit arbeiten.
Die "Neuen Gedichte" von 1907 und "Der Neuen Gedichte anderer Teil" von 1908 bilden einen Einschnitt in Rilkes Lebenswerk. Auf der einen Seite stehen die großen Arbeiten der früheren Jahre: "Das Stundenbuch" (1899-1903) und "Das Buch der Bilder" (1902-1906), auf der anderen aber weht ein neuer Wind: härter vielleicht, ein wenig schärfer, jedenfalls aber ein Wind, der von der Vergangenheit in die Zukunft weht. Am Ende, vierzehn Jahre später, stehen die vollendeten "Duineser Elegien" und die "Sonette an Orpheus" und mit ihnen ein anderer Geist. Doch die "Neuen Gedichte" bildeten schon lange vorher einen Unterbau für das Gebäude mit einer neuen Architektur der dichterischen Sprache. [...] Die sich nun entwickelnde Weltanschauung in Rilkes Werk, die zu dieser Zeit Gestalt annahm, kann unter anderem durch seine neue Auffassung der bildenden Künste erklärt werden.
In den "Neuen Gedichten" tritt bekanntlich das Subjektive zurück. So hatte sich Rilke bereits in dem 1899 erschienenen Gedichtband "Mir zur Feier" von der Erlebnislyrik abgewandt. An deren Stelle waren Rollengedichte oder auch evokative Landschaften getreten. Im "Stunden-Buch" setzen sich die Rollengedichte fort. Ähnlich im 1902 erschienenen "Buch der Bilder". In vielem bereitet sich in diesem Werk aber auch schon die Poetik der "Neuen Gedichte" vor: Das einzelne "Ding" - oder besser: ein scharf abgegrenzter Gegenstand, ein Thema - gerät in den Blickpunkt. Dabei wird nun auch das Häßliche, Abstoßende, Widerwärtige nicht länger ausgespart. Rilke beginnt, wie er sagt, "sehen zu lernen". Dabei handelt es sich um ein Geöffnetsein, das an Selbstverlust grenzt, jedoch gerade dadurch die kreativen inneren Kräfte weckt und aktiviert - ein "von sich Fortsehen", wie Rilke es 1900 schon nennt. Die dergestalt am Sehen orientierte Poetik zeigt sich, wie gesagt, bereits in manchen Gedichten des "Buchs der Bilder", vor allem in der zweiten Ausgabe von 1906. Für die "Neuen Gedichte", die zwischen 1903 und 1908 entstehen, wird sie dann konstitutiv.
Kein Thema, so scheint es, ist bei einem Rilke-Kolloquium in Paris besser angebracht als das der Beziehung Bonnefoys zu Rilke. Yves Bonnefoy, Jahrgang 1923, der bereits 1953 mit dem Gedichtband "Du mouvement et de l'immobilité de Douve" auftrat, ist die heute bedeutendste Dichterfigur Frankreichs. Sein Werk ist weit über die Nationalgrenzen hinaus gedrungen. Im Besonderen genießt es einen hohen Ruf in Deutschland, wo es in großem Umfang übersetzt wurde. Es besteht nicht nur aus Gedichten, sondern auch aus zahlreichen Essay-Bänden zur Kunst- und Literaturkritik, Monographien zu Giacometti oder Goya und einer nicht geringen Zahl an Übersetzungen. Damit steht er an Rang und Breite Rilke zur Seite. Befaßt man sich nun mit seiner Lyrik und Dichtung, so wird man vieler Parallelen mit Rilke gewahr. Um nur einige davon zu nennen: Bei beiden nimmt das "Offene", das "Einfache", gar der Tod einen zentralen Stellenwert ein, beide Lyriker lehnen die Erlöserfigur des christlichen Gottes ab, messen dem Unsichtbaren hohen Wert bei und bekennen sich entschieden zum Hiesigen. Beinahe neigt man zu der Annahme, daß die Frage der Beziehung von Yves Bonnefoy zu Rilke sich aus seinen Gedichten und seinem Werk geradezu aufdrängt.
Personne, à ma connaissance, ne s'est encore intéressé aux rapports que Rainer Maria Rilke a entretenus avec la revue 'Commerce' qui, à la fin de 1924, fut la première à publier quelquesuns de ses poèmes français. Les nombreuses études consacrées à cet auteur ne s'étendent pas sur cette question et par conséquent, les données qui figurent dans les lettres et les notes des textes édités n’ont pas encore été présentées dans un ensemble cohérent. Dans cet article, je me propose de mettre en lumière les rapports entre Rilke et 'Commerce' en me basant sur seize lettres inédites de Rilke à Marguerite Caetani, la mécène de la revue, conservées dans des archives privées, à Rome. Ceci me permettra d'ajouter quelques éléments à l'image existante de la vie et de l'oeuvre de Rilke à Paris, qui, quoique minutieusement documentée, ne cesse de s'affiner. Pour cela, il faut d'abord que je réponde à la question de savoir quelle est la stratégie suivie par 'Commerce' dans ses rapports avec les auteurs et leurs contributions.
Rita Rios' Essay befaßt sich mit Rilkes Verhältnis zu Paris im Lichte seines ersten Nachkriegsbesuchs im Jahre 1920. Vor allem geht es ihr um den Aufenthalt selbst, um die Motivation Rilkes, sich auf den Weg nach Paris zu machen. Seit dem Kriegsausbruch besaß er nichts mehr in dieser Stadt; die Unruhe ständiger Ortswechsel verursachte ihm Unbehagen und er befand sich bereits auf der Suche nach einem dauerhaften und ländlichen Wohnort. Sein Entschluß zur Reise läßt sich nur aus dem Wunsch erklären, durch den erneuten Aufenthalt in der französischen Hauptstadt noch ein Mal in den Schaffensfluß einzutauchen, der ihm zur Zeit der Neuen Gedichte vergönnt war. Rilkes Glaube an die stimulierende Macht dieser Stadt wird im Kontext des allgemeingültigen, mythologisierten Bildes von Paris leichtverständlich. Rios beschränkt sich darauf, auf Rilkes eigene Vorstellungen von dieser Stadt einzugehen. Ihre Gedankengänge verknüpfen biographische, historische und literarische Fakten, womit sie mehr Klarheit über diesen Zeitraum in Rilkes Leben gewinnen möchte. Diese Lebensphase ist - wie sie zu zeigen versucht - auf unterschiedliche Weise für den Schriftsteller der Duineser Elegien entscheidend.
Kreative Negativität : zu Rilkes späten französischen Gedichten außerhalb der Gedichtsammlungen
(2010)
Dieser Vortrag befaßt sich nur mit Gedichten, die während des letzten Pariser Aufenthalts von Januar bis August 1925 entstanden sind und keinem der vier autorisierten Gedichtbände ("Vergers", "Les Quatrains valaisans", "Les Roses" und "Les Fenêtres") zuzuordnen sind. Rilke kommt aus der Klinik Valmont oberhalb von Montreux als noch Kranker nach Paris. Er findet sein einstiges Paris nicht wieder. Die Stadt ist hastig geworden, er findet sie jetzt sogar amerikanisiert, im Vergleich zu ihrer Atmosphäre in der Entstehungszeit des "Malte". In den meisten während des letzten Pariser Aufenthalts entstandenen französischen Gedichten gibt es Abgelehntes, das sich von einer anderen, gültigen Instanz abhebt. Oft könnte von einer gespaltenen Doppelpräsenz die Rede sein. Diese strukturelle Verwandtschaft zwischen elf in Paris entstandenen Gedichten stellt Bernhard Böschenstein in skizzierender, komprimierter Übersicht dar.
"Paris ist für mich", schreibt Rilke 1907, "eine unermeßliche Erziehung, dadurch, daß es meinem Blick und meinem Gefühl, die entlegensten, äußersten, die schon nicht mehr nachweisbaren Thatsachen seelischen Erlebens bis zu beispielloser Sichtbarkeit (ja, Weithinsichtbarkeit) verdichtet, hinhält". Diesem in bzw. an Paris erfahrenen Zusammenhang von Blick und Gefühl, Sichtbarkeit und seelischem Erleben, Sehen-Lernen und Innerlichkeit geht Karin Winkelvoss hier noch einmal nach.
1 rue de Médicis - vom Balkon der im 5. Stock dieser Pariser Adresse gelegenen Wohnung des Schriftstellers und Übersetzers Maurice Betz eröffnete sich der Blick auf den Jardin du Luxembourg, links zwischen den Bäumen erahnte man die Fontaine Médicis, geradeaus blickte man auf den Palais, rechts auf das hintere Portal des Théâtre de l'Odéon. Während der ersten Monate des Jahres 1925 ging Rilke jeden Vormittag aus dem in unmittelbarer Nachbarschaft gelegenen Hotel Foyot, 33 rue de Tournon, zu dieser Wohnung, um dort gemeinsam mit Betz an der Übersetzung der "Aufzeichnungen des Malte Laurids Brigge" zu arbeiten. An diesem Ort entstand ein zentrales Dokument des produktiven Austauschs zwischen den beiden Autoren und ihren Sprachwelten, das die Rilke-Rezeption in Frankreich wesentlich mitbestimmten sollte. [...] Es ist durchaus lohnend, über das bisher in dieser Reihe zu Maurice Betz Gesagte hinaus einen eingehenderen Blick auf sein Leben, seine Tätigkeit und seinen Austausch mit Rilke zu werfen.
FINANCIAL SERVICES PROVIDERS ARE EXPOSED TO DIFFERENT SOURCES OF INSTITUTIONAL PRESSURE ARISING FROM THE INTENSE COMPETITION AND REGULATION IN THE BANKING SECTOR. AGAINST THIS BACKGROUND, THIS ARTICLE ANALYZES THE DETERMINANTS OF GRID ASSIMILATION AND THE ROLE OF INSTITUTIONAL PRESSURE IN THE GRID ASSIMILATION PROCESS.
AS A MATTER OF COURSE, QUANTITATIVE DATA SUCH AS TIME SERIES AND QUARTERLY FIGURES ARE FREQUENTLY USED IN FINANCIAL ANALYSIS. SUCH DATA CAN BE PROCESSED AUTOMATICALLY AND INTERPRETED RATHER EFFICIENTLY. HOWEVER, A SIGNIFICANT PERCENTAGE OF RELEVANT INFORMATION ORIGINATES FROM UNSTRUCTURED SOURCES, PRIMARILY TEXTUAL DATA, WHICH REQUIRE MANUAL (HUMAN) INTERPRETATION. WE EXPLORE EMPIRICALLY HOW MACHINE LEARNING TECHNIQUES CAN PROVIDE SUPPORT FOR ANALYZING AND INTERPRETING SUCH TEXTUAL DATA SOURCES.
THE EUROPEAN POST-TRADING LANDSCAPE IS RECENTLY CHANGING FUNDAMENTALLY DUE TO THE FINANCIAL CRISIS, REGULATORY ACTIONS, AND THE STRONG LINKAGE OF GLOBAL FINANCIAL MARKETS. THE SYSTEMIC IMPORTANCE OF POST-TRADING INFRASTRUCTURES UNDERLINES THE INDUSTRY’S SIGNIFICANT DEPENDENCE ON SAFE AND EFFICIENT RISK MANAGEMENT PROCESSES. USING THE DELPHI METHODOLOGY IN A STUDY AMONG A MULTITUDE OF EXPERTS FROM DIFFERENT AREAS OF POST-TRADING, WE TRIED TO DEVELOP A JOINT AND COHERENT VIEW OF THE MOST IMPORTANT ISSUES FOR THE EUROPEAN POST-TRADING SYSTEM IN THE NEAR FUTURE.
THE PRESENT ARTICLE TRIES TO DEMYSTIFY THE LINK BETWEEN THE SUBPRIME BANKING CRISIS AND THE SUBSEQUENT FALL IN GROSS DOMESTIC PRODUCT. AN UP-TO-DATE REVIEW OF THE LITERATURE ON THE REAL CONSEQUENCES OF THE LOSS OF BANK LENDING CAPACITY IS PROVIDED, PRESENTING EVIDENCE OF A DECLINE IN NEW BANK LOANS ALONG WITH EVIDENCE OF CORPORATE REACTIONS TO THIS DECLINE. FINALLY, IT IS SHOWN HOW THE PRESENTED FACTS CAN ADD UP TO AN EVENT OF MACROECONOMIC DIMENSION.
The financial crisis – consequences for online banks : interview with Dr. Markus Walch, DAB bank
(2010)
NEW TECHNOLOGIES LIKE GRID COMPUTING WHICH CAN CONNECT RESOURCES AT DIVERSE LOCATIONS ARE MORE AND MORE ADOPTED FROM ORGANIZATIONS. SUCH TECHNOLOGIES CAN BOTH TRIGGER LINKAGES BETWEEN ORGANIZATIONS AND DIFFERENT DEPARTMENTS IN ONE SINGLE ORGANIZATION. WE DEVELOP A MODEL WHICH ACCOUNTS BOTH FOR INTER- AND INTRA-ORGANIZATIONAL INFLUENCE FACTORS ON THE ADOPTION PROCESS AND EMPIRICALLY IDENTIFIES THE MOST SIGNIFICANT INFLUENCE FACTORS.
IN THE PAST YEARS THE CUSTOMER FEEDBACK METRIC RECOMMENDATION INTENTION HAS GAINED IMPORTANCE, ESPECIALLY DUE TO THE WIDESPREAD CONCEPT NET PROMOTER SCORE (NPS). THE NPS CONCEPT IMPLIES A POSITIVE, NON-LINEAR RELATIONSHIP BETWEEN RECOMMENDATION INTENTION AND CUSTOMER VALUE. THIS ARTICLE INVESTIGATES THE RELATIONSHIP BETWEEN RECOMMENDATION INTENTION OF INDIVIDUAL CUSTOMERS AND THEIR VALUE FOR THE FIRM. THE RESULTS SHOW THAT RECOMMENDATION INTENTION SIGNIFICANTLY INCREASES CONTRIBUTION MARGIN BUT NEITHER RETENTION NOR CUSTOMER VALUE. THE METRIC SATISFACTION HAS A SIGNIFICANT, POSITIVE IMPACT ON CUSTOMER VALUE AND CAN THUS BE USED AS A LEADING INDICATOR. THEREFORE, THE RESULTS DO NOT CONFIRM THE SUPERIORITY OF THE NPS CONCEPT FOR CUSTOMER MANAGEMENT.
Foreign exchange markets and electronic trading : interview with Carlo Kölzer, 360 Treasury Systems
(2010)
WE STUDY WHETHER PRIVATE EQUITY (PE) FIRMS HAVE A POSITIVE IMPACT ON THE FINANCIAL PERFORMANCE OF THEIR GERMAN PORTFOLIO COMPANIES BEFORE AND AFTER THE IPO. OUR EMPIRICAL ANALYSIS IS BASED ON A UNIQUE AND LARGE DATASET OF ALL IPOS IN GERMANY BETWEEN 2000 AND 2007. WE FIND THAT PE FIRMS SELECT COMPANIES WITH BELOW AVERAGE PERFORMANCE AND THEN IMPROVE PERFORMANCE SUBSTANTIALLY UNTIL THE IPO DATE AND IN MANY CASES ALSO THEREAFTER. THIS IMPLIES THAT PE FIRMS FILL A VOID ALSO IN GERMAN FINANCIAL MARKETS AND THAT THEY WILL ALSO PLAY A FUTURE ROLE IN FINANCING GERMAN ENTERPRISES.
In 2007 the residents of the town of Sannieshof in North West Province declared a dispute with the Tswaing Local Municipality on the grounds that the state of local service delivery left much to be desired. The ratepayers then formed the Sannieshof Inwoners Belastingbetalers Unie (SIBU) which literally took over the functions of local government of the town, functioning as a local government within a local government.
This article provides a historical narrative of the conflict between SIBU and Tswaing Local Municipality, a dispute which was taken as far as the provincial High Court. Then follows an outline of conditions in Sannieshof and the townships of Agisanang and Phelindaba. Attention is given to the perceptions of local residents on the prevalent conditions, specifically in respect of water supply and sanitation service delivery. In the third section there are some theoretical perspectives on political culture, socialisation and happiness. A debate is provided on how these phenomena manifest under existing conditions in Sannieshof, and more particularly, in its adjacent townships of Agisanang and Phelindaba.
Orientation: The work of industrial/organisational (I/O) psychologists presents an interesting and relevant context for studying meaning and engagement as components of happiness. Research purpose: The aim of this study was to determine how I/O psychologists experience the meaning of their work and to investigate the relationships between their experiences of work-role fit, meaning of work, psychological meaningfulness and work engagement, utilising the happiness framework proposed by Seligman (2002). Motivation for the study: I/O psychologists spend more than 88% of their working day with people, and they are primary role models for happiness in the workplace. Information about their work engagement and experiences of meaning is therefore needed. Research design, approach and method: A survey design was used. A convenience sample (n = 106) was taken of I/O psychologists in South Africa. A biographical questionnaire, the Work-Role Fit Scale, the Work-Life Questionnaire, the Psychological Meaningfulness Scale, the Work Engagement Scale and a survey measuring the actual and desired time spent on six broad categories of work were administered. Main findings: Work-role fit predicted psychological meaningfulness and work engagement. The calling orientation to work predicted both psychological meaningfulness and work engagement. Work-role fit mediated the relationship between the meaning of work and psychological meaningfulness. Work-role fit partially mediated the relationship between a calling orientation to work and work engagement. Practical implications: A calling orientation to work should be fostered in I/O psychologists because it contributes to experiences of work-role fit, psychological meaningfulness and work engagement. Contribution/value-add: The results of this study contribute to scientific knowledge about work-role fit, engagement and meaning as components of happiness of I/O psychologists.