Refine
Year of publication
- 2010 (2780) (remove)
Document Type
- Article (974)
- Doctoral Thesis (378)
- Book (338)
- Part of Periodical (337)
- Part of a Book (212)
- Contribution to a Periodical (144)
- Review (141)
- Working Paper (84)
- Report (71)
- Conference Proceeding (31)
Language
- German (1694)
- English (842)
- mis (105)
- Portuguese (49)
- French (32)
- Croatian (29)
- Multiple languages (12)
- Italian (7)
- dut (3)
- Spanish (3)
Is part of the Bibliography
- no (2780) (remove)
Keywords
- Mosambik (114)
- Mozambique (114)
- Moçambique (113)
- Filmmusik (96)
- Deutsch (75)
- Christentum (65)
- Bibel (63)
- bible (63)
- christianity (63)
- Literatur (40)
Institute
- Extern (296)
- Medizin (295)
- Präsidium (235)
- Gesellschaftswissenschaften (99)
- Biowissenschaften (98)
- Biochemie und Chemie (97)
- Physik (87)
- Geschichtswissenschaften (68)
- Geowissenschaften (59)
- Wirtschaftswissenschaften (55)
This is a timely book on the contemporary African priesthood. Just as in other parts of the globe, the African priesthood currently faces a serious crisis of identity. The unfolding crisis puts stress on the clerics and augments the tension with lay people. The model of the Church-as-Family of God opted for by the Church in Africa is a new milestone that puts pressure on Catholic priests to define their role in the new context. The identity and image of priests need to be specified as lay ministries render the Church active from the grassroots. Reflection about the ministry of the clergy in Africa is urgent, and indeed it is an important aspect of enculturation. Nyenyembe demonstrates an admirable capacity to situate his rich theological reflections in an African context.
Bernard Nsokika Fonlon, 1924-1986, rose from humble origins to become one of Cameroon's most famous sons. He was a scholar, a poet, a politician, a philosopher, a man of action and a man of courage. He was never too busy to see someone who was troubled, never too tired to take up the case of the oppressed or the downtrodden. He was a man who could communicate, with style, in half a dozen world languages but who could also use Pidgin English if it meant putting his listeners at ease. He was a man who moved in opulent circles but who collected for himself not money but the hearts of those who got to know him. It is easy to use superlatives of someone like Bernard Fonlon, easy to make him sound like a sage or a saint; it is less easy to describe the humour and the courtesy and the gentleness that irradiated all that he said and did. This book describes briefly the life and times of a man whose story incorporates the history of a young nation and whose autobiography, The Pathfinder, has all the excitement of an adventure novel. We could use a lot of words and still not get to the heart of the matter because ordinary words are for ordinary men and Bernard Fonlon was unique. To those who knew him, no introduction is necessary; to those who did not know him, no short introduction is enough. Bernard Fonlon did not leave a worldly legacy to his family and friends and country. He left much more. He left ideas that can never be buried and ideals that will challenge new generations.
Writing Therapy
(2010)
Writing therapy is a varied collection of poems of a brisk, forward taste. The poet uses her poems as a form of expression of the harmonies and tensions that reassure and perturb the mind, heart and Spirit. This is a canvas of emotional expression from the frustration of the African youth to the declaration of the feminist, the desolation of the lovelorn and finally the weathered contentment of the Christian believer!
Pieces of Silver
(2010)
Rosi-Daniela Kouoh, a female Divisional Officer newly appointed to Njopongo, steps into office at a time when preparations for elections in the Riders Union sows panic in the hearts of the town's barons and a tragic road accident ignites feelings of vengeance and survival. In order to determine the root-cause of the rising tension and build a platform for lasting calm and justice, she gets two men out of police custody; Sadi, a loser and bitter father of an unborn child, and Esingi, a daring, retired streetboy and chauffeur to the powerful Lord Mayor and business tycoon. This is the thrilling tale of a woman determined to purge her town of injustice, corruption and greed. It is also the story of the niece of the Lord Mayor torn between family loyalty and her love for a poor bus driver.
This book discusses the social and political consequences of the economic and financial crisis that befell African economies since the 1980s, using as case study the plantation economy of the Anglophone region of Cameroon. The focus is thus on recent efforts to liberalize and privatize an agro-industrial enterprise where overseas capital and its domestic partners have converged, the consequent modes of production and labour, and the alternatives proposed and resistance generated. The study details how the unprecedented crisis caused great commotion in the region, and presented a serious challenge to existing theories on plantation production and capital accumulation. The crisis resulted in the introduction of a number of neoliberal economic reforms, including the withdrawal of state intervention and the restructuring, liquidation and privatisation of the major agro-industrial enterprises. These reforms in turn had severe consequences for several civil-society groups and their organisations that had a direct stake in the regional plantation economy, notably the regional elite, chiefs, plantation workers and contract farmers. On the basis of extensive research in the Anglophone Cameroon region, Konings shows that these civil-society groups have never resigned themselves to their fate but have been actively involved in a variety of formal and informal modes of resistance.
Laughing Store is just what we need in times of troubles and uncertainties such as these. A book of humour from an acclaimed master of laughter, it lifts our hearts and raises our spirits. Jokes that touch about every domain of existence - from sex to religion, from births to deaths, from politics to the beer parlour, from the courtroom to the hospital. And most important of all, conceived in the supremely original Cameroonian flavour of jokes.
This book was first published as a two-part essay in 1965 and 1967 in ABBIA - Cameroon Cultural Review - under the title 'Idea of Culture'. Its main argument is that indigenous Africans cultures must be the foundation on which the modern African cultural structure should be raised; the soil into which the new seed should be sown; the stem into which the new scion should be grafted; the sap that should enliven the entire organism. This culture, the object of imperialist mockery and rejected, needs rehabilitation. However, such rehabilitation of African culture cannot be a mere archaeological enterprise. It will not answer to dig up the past and live it as it was. Not only is African culture not without its imperfections, times change and African culture must adapt itself, at every turn, to the changing times. In restoring African culture, it is imperative to steer clear of two extremes: on the one hand, the imperialist arrogance which declared everything African as only fit for the scrap-heap and the dust-bin, and, on the other hand, the overly enthusiastic and rather naive tendency to laud every aspect of African culture as if it were the quintessence of human achievement.
Here is a collection of sixty-two beautifully crafted poems on some of the deepest of human emotions. They celebrate love, constancy, beauty, marriage, birth and death; in the poems are hailed intellectual labour, leadership and duty. Occasionally, the poet depicts the states of his mind against the backdrop of nature, interfusing description, memory and meditation in a manner essentially romantic. The best in Ambanasom's poetry is matter and manner combined. The striking force of the poems lies in the intriguing relationship between romanticism and romance. Ambanasom's romanticism is concerned with the concept of nature as a universal being or a cosmic entity, nostalgia, the attempt to link his childhood with the present and the future, and the response to nature at different levels of his development. The poet also demonstrates a penchant for rural subject matter, places and people. In the poet of romance there is a more direct expression of basic human emotions, in particular of love that is enchanting, possessing, seductive, and alluring. We find in the poems, love that is reciprocal and imbued with constancy and understanding.
The New World Order Ideology expressed in the form of neoliberal globalization has been used by numerous politicians, scholars and media men through the ages. It refers to a worldwide conspiracy to effect complete and total control over the planet through money farming. This book examines the case of Africa put directly on the chopping board as client states by this ideology - when less hampered by idealistic slogans as human rights, raising living standards and democratization - to better the achievement of the agenda of the money farmers whose goal is to establish government by loan operations. The money farmers' strategy, as in credit card companies, is to lend as much as the subject target can borrow and still pay fees, charges and interest payments. This means to encourage them to borrow, loan after loan, consolidate all other loans and keep lending - up until the crop of foreign exchange seems in jeopardy. The ideal from the Lending Agency viewpoint is to get an African country maxed out on loans to the point that it actually operates all of its government and the nation on LOANS. Once that goal is achieved, you basically have a never ending crop of FOREIGN EXCHANGE from helpless and hopeless African governments and people. Here is Tatah Mentan at his trenchant best!
This is an original and innovative study of mobile phones in Africa from a theological perspective. The First and the Second Special Assemblies for Africa of the Synod of Bishops, held in Rome in 1994 and 2009 respectively, made an urgent appeal to the Church in Africa to employ various media forms of social communications for evangelization and the promotion of justice and peace. Evidently, electronic media are now increasingly used for evangelization across Africa. The proliferation of the mobile phone in Africa is a most welcome development to this end. On the basis of a thorough review of the growing literature on the mobile phone and the cultures it inspires, Goliama highlights the ambivalent nature of mobile cultures for the Roman Catholic Church's evangelization mission in Africa. He argues not only for the continued merits of face-to-face communication for the Church's pastoral approach in the African context. He points to how this could be enriched by a creative appropriation of the mobile phone as a tool for theological engagement, in its capacity to shape cultures in ways amenable to the construction of a Cell phone Ecclesiology. Such emergent mobile cultural values include the tendency of mobile users to transcend social divides, to promote social interconnectedness, and to privilege the question 'where are you?'. This informed and well articulated exploration of Cell phone Ecclesiology is thus envisaged to aid the Church in Africa to wrestle more effectively with challenges that diminish human life and promote instead qualities that are life-affirming to all categories of people in the Church and society.
Toil and Delivery
(2010)
Bill NDI's Toil and Delivery can be as playful and loaded as the clues in a cryptic crossword puzzle, which is to say that they are marked by a strange, energetic hybridity. They occupy a dynamic space between nursery rhyme and visionary Romantic verse, between the colloquial and the archaic, between postmodernity and anachronism. They are local and global, political and personal, Western and non-Western. With experiences traversing both Africa and the West, Bill F. NDI is one of those poets who gives meaning to the word globalisation. He embraces poetry as a material act in a troubled world, with poetry's power conveyed with typical irony.
In the olden days, after a day's work in the farms, children and parents returned home feeling worn out. As a sort of evening entertainment, children of the same family, compound or village then gathered round a story-teller to listen to folk tales and riddles. This was common in every African home. The listeners participate with joy by joining in the songs and choruses. Sometimes the children were given the opportunity to tell stories that they had known while the adult story-teller listened attentively in order to add more details where necessary. In telling these stories and riddles, children were expected to learn something through all those activities connected with the customs, environment, language and religious practices of their people. This book provides children with stories, riddles and some proverbs that parents ought to have told their children at home but have failed because of their present day busy schedules. Teachers will fill that vacuum at school as they guide the children in reading the stories, riddles and proverbs in their second language-English. As an instructional tool, this collection will foster literacy, promote cultural awareness and create situations where learners share with one another their personal experiences and traditions.
Patrick Tataw Obenson, alias Ako-Aya, the rabid critic, social crusader and witty journalist, all rolled up in one, was indeed a popular and widely admired pioneer in daring journalism and social commentary in Cameroon. Little wonder that when he died, he left behind countless painful hearts and many questions on the lips of his admirers. As a man of the people, the fallen hero of Cameroon's Fleet Street shared his experiences, be they good or bad, with his readers. He was a virile critic even of the sordid things in which he himself secretly indulged. Obenson's mind was open, and through his popular newspaper column - Ako-Aya - he exposed society and social action in all their dimensions. He had an axe to grind with all perpetrators of social vices, especially those of them that infringed on the rights of the common man. He gave them a good fight, using his newspaper as his only weapon - a weapon which could not be neutralized even by the most affluent nor the most coercive leadership. And he did so with nerve and valour and venom. Only Tataw Obenson could spit out really scathing pieces of satire, aimed directly at the highest governing authorities of his society. Only Obenson could make allusions even to his own apparently ugly self. Only he could be liberal and honest enough to confess how he boarded a taxi and later bolted without paying the driver. Only Obenson was able to foresee his imminent demise from the face of the earth and literarily wrote his own epitaph
This book addresses the key issues of reinstating the veritable nature of African values and most specifically those of the Bamilikes that had been discarded since Western Christianity came into contact with black Africa considered animist. This task is warranted by the malaise experienced in churches by some African Christians. This is further made necessary and even pressing by the sense failure that the first wave of evangelisation, which has proven incapable of incorporating the Words of God in the African religious belief systems. This analysis takes into account the exigencies of the present context. The media as well as educated men talk ceaselessly of globalisation and the global village. The question we should be asking is to know if globalisation can be attained without due consideration of African values. This work aims at showing the scientific, sociological and cultural bases of African values so far castigated by colonial discourse. One of the ways to make this known is to expose it, analyse it and show its importance at various levels.
The Earth Mother
(2010)
The fight against evil remains at the core of this play, pitting Kamsi and her supporters against a few daring councillors. Skilfully scripted by a renowned actor and playwright, this drama exposes the alliances and explosive tensions in Nyong village overwhelmed by unseen but supposedly harmful forces. Spiced with witty proverbs and humour, The Earth Mother will not fail to thrill its readers.
Strange Passion
(2010)
In Strange Passions John Ngong Kum Ngong's vocation and prime obsession remain constant - the soul of the nation. Passion, the central symbol in this collection is the patriotic sentiment in its various manifestations. As a self-conscious artist, Ngong summons his audacious technical dexterity to sublimate the sauciness characteristic of his style and direct it towards ideological ends. The significance of his contribution is as much in the urgency, originality and authenticity of his message as in the full range and complexity of his style, and the depth and density of his thoughts.
A remarkable feature of the collapse of the British Empire is that the British departed from almost every single one of their colonial territories invariably leaving behind a messy situation and an agenda of serious problems that in most cases still haunt those territories to this day. One such territory is the Southern British Cameroons. There, the British Government took the official view that the territory and its people were 'expendable'. It opposed, for selfish economic reasons, sovereign statehood for the territory, in clear violation of the UN Charter and the norm of self-determination. It transferred the Southern Cameroons to a new colonial overlord and hurriedly left the territory. The British Government's bad faith, duplicity, deception, wheeling and dealing, and betrayal of the people of the Southern Cameroons is incredible and defies good sense. Ample evidence of this is provided by the declassified documents in this book. Among the material are treaties concluded by Britain with Southern Cameroons coastal Kings and Chiefs; and the boundary treaties of the Southern Cameroons, treaties defining the frontiers with Nigeria to the west and the frontier with Cameroun Republic to the east. The book contains documents that attest to the Southern Cameroons as a fully self-governing country, ready for sovereign statehood. These include debates in the Southern Cameroons House of Assembly; and the various Constitutions of the Southern Cameroons. The book also reproduces British declassified documents on the Southern Cameroons covering the three critical years from 1959 to 1961, documents which speak to the inglorious stewardship of Great Britain in the Southern Cameroons. This book removes lingering doubts in some quarters that the people of the Southern Cameroons were cheated of independence. Its contents are further evidence of their inalienable right and sacred duty to assert their independence. No one who reads this book can possibly be indifferent to the just struggle of the Southern Cameroons for sovereign statehood.
What a Next of Kin!
(2010)
This psycho-anthropological and socio-cultural novel logically and succinctly x-rays the foundations and raison d'être of patriarchy through the implied questions - Is wealth the basis of patriarchy? Have women any role in the system? And how far can a patriarch protect his lineage from alien blood? The extremely wealthy father of eight daughters protagonist Ndi, says yes, to the first question; no, to the second; and in the third questions he says, through dogged pursuance of looking for a male heir by any means; but his lone son whom he unknowingly begot in a remote village in his early life and whom he accidentally stumbled upon and adopted as his heir in his odyssey of looking for a male heir through a series of marriages, says no, to the first question; yes, to the second and to the third question, he says fate is the umpire; and succeeds in convincing his father that he is right.
How else does the ramified phenomenon of greed (corruption, nepotism, extreme self-aggrandizement, megalomanic tendencies etc) become nefarious to both the physical and mental worlds of a people either individually or collectively? It brings about a retrogressing, catabatic state in their evolution in both regards, eating back into the socio-economic and political set up of a given society as well as unquestionably impairing the mindset of its people.
Bill NDI's Bleeding Red: Cameroon in Black and White is another masterpiece from a poet with a deeply political vision. This collection of poems with Cameroon as the particular focal point is a paragon of socio-political and cultural alertness in verse that will get every reader on their toes. Bill NDI's world is fraught with topsy-turvydom. It is a world darkened by experience and a keen sense of the wrongs plaguing his beloved country. He points out, without preaching, where it all went wrong, how it can, or what it will take to, be redeemed. The acerbity of Bill NDI s criticism runs from the very first poem of the collection 'Anthem for Essingang' through The Promise to the very last one 'Papa Ngando Yi Mimba for Camelun'. What a clime characterised by a 'clan of mbokos, clan of bandits' It is just natural that as they perpetrate 'death and sadness' in his beloved fatherland, nothing but 'disgrace', 'great shame', and 'repudiation' awaits them for evermore.