Refine
Year of publication
Document Type
- Article (112) (remove)
Language
- Portuguese (112) (remove)
Has Fulltext
- yes (112)
Is part of the Bibliography
- yes (112) (remove)
Keywords
- Übersetzung (16)
- Brasilien (9)
- Literatur (9)
- Deutsch (7)
- Rezeption (7)
- Brecht, Bertolt (6)
- Deutsche Literatur (5)
- Moderne (5)
- Psychoanalyse (5)
- Benjamin, Walter (4)
- Das Erhabene (4)
- Film (4)
- Freud, Sigmund (4)
- Intertextualität (4)
- Kant, Immanuel (4)
- Modernismus (4)
- Romantik (4)
- Ästhetik (4)
- Avantgarde (3)
- Das Andere (3)
- Expressionismus (3)
- Imagologie (3)
- Kafka, Franz (3)
- Kongress (3)
- Literaturkritik (3)
- Literaturwissenschaft (3)
- Nietzsche, Friedrich (3)
- Portugiesisch (3)
- Österreich (3)
- Anthropologie (2)
- Ausländer, Rose (2)
- Autonomie (2)
- Cunha, Euclides da / Os Sertões (2)
- Deutschland (2)
- Episches Theater (2)
- Ethik (2)
- Ethnologie (2)
- Fichte, Hubert (2)
- Flusser, Vilém (2)
- Fremdheit <Motiv> (2)
- Fremdsprachenlernen (2)
- Freud, Sigmund / Das Unbehagen in der Kultur (2)
- Freud, Sigmund / Das Unheimliche (2)
- Germanistik (2)
- Goethe, Johann Wolfgang von / Die Leiden des jungen Werthers (2)
- Goethe, Johann Wolfgang von / Faust I (2)
- Großstadt <Motiv> (2)
- Identitätsfindung <Motiv> (2)
- Judenvernichtung (2)
- Literaturtheorie (2)
- Musik (2)
- Müller, Heiner (2)
- Novalis / Die Lehrlinge zu Sais (2)
- Photographie (2)
- Postmoderne (2)
- Realismus (2)
- Roman (2)
- Rosa, João Guimarães (2)
- Schiller, Friedrich (2)
- Schlegel, Friedrich von (2)
- Schleiermacher, Friedrich (2)
- Shakespeare, William (2)
- Sprachphilosophie (2)
- Subjektivität (2)
- Surrealismus (2)
- Theater (2)
- Vergleichende Literaturwissenschaft (2)
- Übersetzungswissenschaft (2)
- Abolitionismus (1)
- Abstrakte Kunst (1)
- Abwesenheit (1)
- Adaption <Literatur> (1)
- Adlon, Percy / Out of Rosenheim (1)
- Adorno, Theodor W. (1)
- Afrobrasilianischer Kult (1)
- Akin, Fatih (Regisseur) (1)
- Allegorie (1)
- Allen, Woody (1)
- Alves, Castro (1)
- American Football (1)
- Andrade, Mário de (1)
- Arbeiterklasse (1)
- Assis, Joaquim Maria de (1)
- Ausbildung (1)
- Ausländerfeindlichkeit (1)
- Autobiographie (1)
- Avantgardeliteratur (1)
- Beleuchtung (1)
- Benjamin, Walter / Der Sürrealismus. Die letzte Momentaufnahme der europäischen Intelligenz (1)
- Bernhard, Thomas / Verstörung (1)
- Bewegung <Motiv> (1)
- Bild (1)
- Bildungsroman (1)
- Boal, Augusto (1)
- Brasilienbild (1)
- Brecht, Bertolt / An die Nachgeborenen (1)
- Brecht, Bertolt / Der gute Mensch von Sezuan (1)
- Breuer, Josef (1)
- Briefroman (1)
- Busch, Wilhelm (1)
- Bürger, Peter (1)
- Celan, Paul / Todesfuge (1)
- Darstellung (1)
- Das Cabinett des Doktor Caligari (1)
- Defoe, Daniel / Robinson Crusoe (1)
- Der Student von Prag (1)
- Der goldne Topf (1)
- Deutsch als Fremdsprache (1)
- Deutschland / Vereinigung (1)
- Deutschland <DDR> (1)
- Deutschland <DDR> / Revolution <1989> (1)
- Dias, Antônio Gonçalves (1)
- Doppelgänger <Motiv> (1)
- Dyserinck, Hugo (1)
- Döblin, Alfred / Berlin Alexanderplatz (1)
- Ecocriticism (1)
- Eich, Günter / Träume (1)
- Eisler, Hanns (1)
- Empfindsamkeit (1)
- Engagierte Kunst (1)
- Engel der Geschichte (1)
- Entfremdung (1)
- Enzensberger, Hans Magnus (1)
- Erinnerung <Motiv> (1)
- Erotik <Motiv> (1)
- Erzähltechnik (1)
- Essay (1)
- Essayismus (1)
- Ethik <Motiv> (1)
- Ewers, Hanns Heinz (1)
- Exilschriftstellerin (1)
- Exotopie (1)
- Experimentelles Theater (1)
- Fassbinder, Rainer Werner (1)
- Faustdichtung (1)
- Feminismus (1)
- Fichte, Hubert / Explosion (1)
- Fichte, Johann Gottlieb (1)
- Fiktion (1)
- Formale Ästhetik (1)
- Fragment (1)
- Fremdheit (1)
- Freud, Sigmund / Breuer, Joseph / Über den psychischen Mechanismus hysterischer Phänomene (1)
- Freud, Sigmund / Der Dichter und das Phantasieren (1)
- Fußball (1)
- Geschichte (1)
- Geschichtsphilosophie (1)
- Goethe, Johann Wolfgang von (1)
- Grammatische Relation (1)
- Grass, Günter / Die @Blechtrommel (1)
- Habermas, Jürgen (1)
- Hegel, Georg Wilhelm Friedrich (1)
- Heidegger, Martin (1)
- Heine, Heinrich (1)
- Hermeneutik (1)
- Heym, Georg (1)
- Hoffmann, E. T. A. (1)
- Hoffmann, E. T. A. / Das fremde Kind (1)
- Hofmannsthal, Hugo von (1)
- Hofmannsthal, Hugo von / Die Frau ohne Schatten (1)
- Hyperion, oder der Eremit in Griechenland (1)
- Hölderlin, Friedrich (1)
- Hörspiel (1)
- Idealismus (1)
- Identität <Motiv> (1)
- Innenwelt <Motiv> (1)
- Interaktion (1)
- Interdisziplinarität (1)
- Interferenz <Linguistik> (1)
- Interkulturalität (1)
- Intermedialität (1)
- Jandl, Ernst (1)
- Jauß, Hans Robert (1)
- Jugendliteratur (1)
- Kafka, Franz / Das Schloss (1)
- Kaiserpanorama (1)
- Kamerun, Schorsch (1)
- Kant, Immanuel / Kritik der Urteilskraft (1)
- Kant, Immanuel / Opus postumum (1)
- Kaschnitz, Marie Luise (1)
- Kinderliteratur (1)
- Kleist, Heinrich von (1)
- Klemperer, Victor (1)
- Kognition (1)
- Kommunikation (1)
- Kommunikatives Handeln (1)
- Konjunktiv (1)
- Konkrete Poesie (1)
- Konnotation (1)
- Konstruktivismus <Soziologie> (1)
- Kontrastive Grammatik (1)
- Kontrastive Linguistik (1)
- Kosmischer Rhythmus (1)
- Kraus, Karl / Die dritte Walpurgisnacht (1)
- Kreativität (1)
- Kulturtheorie (1)
- Kunst (1)
- Kunstgeschichte (1)
- Kunstwerk (1)
- Leere (1)
- Lessing, Gotthold Ephraim (1)
- Liebe (1)
- Linguistik (1)
- Lispector, Clarice (1)
- Literarische Übersetzung (1)
- Literarisierung (1)
- Logik (1)
- Luhmann, Niklas (1)
- Lévinas, Emmanuel (1)
- Malerei (1)
- Maxime (1)
- Medien (1)
- Medientheorie (1)
- Meirelles, Fernando (1)
- Memoria <Begriff> (1)
- Metafiktion (1)
- Metapsychologie (1)
- Metrik (1)
- Metropole <Motiv> (1)
- Mittelhochdeutsch (1)
- Modernität (1)
- Moers, Walter / Die Stadt der träumenden Bücher (1)
- Montage <Künste> (1)
- Musil, Robert / Der Mann ohne Eigenschaften (1)
- Musil, Robert / Die Verwirrungen des Zöglings Törless (1)
- Musil, Robert / Vereinigungen (1)
- Müller, Heiner / Der glücklose Engel (1)
- Mündliche Literatur (1)
- Nachkriegszeit (1)
- Nacht <Motiv> (1)
- Nassar, Raduan (1)
- Nationalsozialismus (1)
- Natur (1)
- Natur <Motiv> (1)
- Naturalismus (1)
- Naturbeherrschung (1)
- Neuer deutscher Film (1)
- Ophüls, Max (1)
- Parodie (1)
- Pessoa, Fernando (1)
- Phantastische Literatur (1)
- Philosophie (1)
- Phraseologie (1)
- Plenzdorf, Ulrich / Die neuen Leiden des jungen W. (1)
- Politische Lyrik (1)
- Politisches Bewusstsein (1)
- Portugal (1)
- Portugiesisch / Brasilien (1)
- Presse (1)
- Projektion <Psychologie> (1)
- Rabinovici, Doron (1)
- Racine, Jean (1)
- Reich-Ranicki, Marcel (1)
- Reisebericht (1)
- Reiseliteratur (1)
- Revolution (1)
- Rezeptionsästhetik (1)
- Rhetorik (1)
- Rilke, Rainer Maria / Die Aufzeichnungen des Malte Laurids Brigge (1)
- Rio de Janeiro <Motiv> (1)
- Rosa, João Guimarães / Grande Sertão: Veredas (1)
- Rosenzweig, Franz / Der Stern der Erlösung (1)
- Roth, Joseph / Zipper und sein Vater (1)
- Rousseau, Jean-Jacques (1)
- Salinger, Jerome D. , The catcher in the rye (1)
- Satire (1)
- Schiller, Friedrich / Der Geisterseher (1)
- Schiller, Friedrich / Die Braut von Messina oder die feindlichen Brüder (1)
- Schiller, Friedrich / Die Räuber (1)
- Schiller, Friedrich / Wallenstein (1)
- Schlöndorff, Volker / Die @Blechtrommel <Film> (1)
- Schmidt, Siegfried J. (1)
- Schnitzler, Arthur / Reigen (1)
- Schreiben nach Auschwitz (1)
- Schuld <Motiv> (1)
- Schumann, Robert / Gesammelte Schriften über Musik und Musiker (1)
- Schüttler, Hans (1)
- Seghers, Anna (1)
- Selbstbezüglichkeit (1)
- Soziale Differenzierung (1)
- Spinoza, Benedictus de (1)
- Stadt <Motiv> (1)
- Stilistik (1)
- Subjekt <Philosophie> (1)
- Symbolismus (1)
- Systemtheorie (1)
- Tagebuch (1)
- Textanalyse (1)
- Textproduktion (1)
- Theaterarbeit (1)
- Tragik (1)
- Tragödie (1)
- Transformation (1)
- Türkischer Einwanderer (1)
- USA (1)
- Umwelt <Motiv> (1)
- Unterhaltungsmusik (1)
- Urteil <Motiv> (1)
- Vater-Sohn-Beziehung (1)
- Venuti, Lawrence (1)
- Verfilmung (1)
- Verfremdung (1)
- Vergangenheitsbewältigung (1)
- Verhalten (1)
- Vernunftkritik (1)
- Visuelle Medien <Motiv> (1)
- Von morgens bis mitternachts (1)
- Vorstellung (1)
- Wagner, Richard / Parsifal (1)
- Walzel, Oskar (1)
- Weltkrieg <1939-1945> (1)
- Wenders, Wim (1)
- Zeugnis (1)
- Zitat (1)
- Zukunft (1)
- Zweisprachigkeit (1)
- estar (1)
- modern (1)
- ser (1)
The relevance of the work and the influence of Franz Rosenzweig, a German Jewish philosopher of the beginning of the last century; are still to get the appreciation they deserve. Rosenzweig was the author of one of the greatest – and less read – books of the 20th century, "The Star of Redemption", where he develops his philosophical system mainly on basis of theological categories. To the "monologue of the I" of mainstream philosophy, Rosenzweig opposes a "new thinking", of existential character, which values orality and the "other", and where language substitutes reason as a tool for thought. In it one can find some correspondences with the thought of Walter Benjamin. This "new thinking", also, strongly influenced Emmanuel Levinas and nowadays bears its fruits within "linguistic turn" philosophy and theology, and post-modern Jewish thought. This philosophy found in Rosenzweig's work in translation one of its main practical applications. To translate was for Rosenzweig a necessity, emanating from an ethics constituted as "first philosophy". This article examines some aspects of Rosenzweig's writings from where his "philosophy of translation" is made explicit.
A relação pai-filho é uma das pedras angulares da pesquisa psicanalítica. Este artigo examina tal relação, assim como se apresenta no romance "Zipper und sein Vater" (1928, "Zipper e seu pai"), de Joseph Roth, em um contexto histórico e psicossocial relevante. Traçando um paralelo entre a figural paternal do Imperador Austro-Húngaro, Franz Joseph, e o pai de Arnold Zipper, e valendo-se da experiência pessoal do narrador (e do próprio Roth), o artigo apresenta uma análise da importância da figura e as consequências devastadoras de sua ausência.
Partindo das considerações de Gianni Vattimo e de Jürgen Habermas sobre a instauração nietzschiana da pós-modernidade como uma "despedida" à modernidade ocidental e ao tipo de racionalidade a ela associada, este texto analisa o modo pelo qual uma "crítica autorreferencial da razão" (Habermas) é efetivamente engendrada pelo pensamento estético nietzschiano, de modo a reconsiderar os termos pelos quais a própria "despedida" pós-moderna deve ser concebida.
The title "Paul Celan: Expression of the unspeakable" explains Celan's technique of showing the crude reality of the Third Reich with simple linguistic means, using traditional topoi of the lyric. Celan also questions the German language after Auschwitz in his poem Todesfuge.
This essay aimes to introduce the German-Jewish Poet Rose Ausländer (1901-1988) to the literary public of Brasil, where she has not been translated and is therefore nearly unknown. Proceeding from the translation of 12 paradigmatic poems, the crucial periods of her life, poetry and poetology are outlined: As her famous college Paul Celan, she was born in Czernovitch this multicultural town of the Austrian-Hungarian monarchy. An important number of her poems are the result of the intimate relation with her country. The early death of her father and the resulting poverty led her to try to find a new home in New York, but she came back in the period of beginning National Socialism and suffered the persecution of Holocaust. After long years of travelling, she settled down in a Düsseldorf home for elderly Jewish people. The central themes in her poetry are: the loss of country, the Holocaust, and survival in a kind of spiritual country, that is: language and writing.
This article deals with the annotations made by Victor Klemperer, in the diary of his 1925 journey to Rio de Janeiro. His descriptions are shown to be pervaded by his constant attempt to analyse, to interpret objectively and to compare his observations with what he already knew, and not merely a protocol of his emotions and the impressions brought about by the newness and the exotism of his experiences during the journey.
Este trabalho examina os "Escritos sobre a Música e os Músicos", do compositor alemão Robert Schumann, em especial as resenhas escritas entre 1834 e 1836, com vistas a identificar ecos das principais ideias sobre linguagem e tradução desenvolvidas na Alemanha entre o final do séc. XVIII e o início do séc. XIX. Os eixos escolhidos para construir essa ideia são os eixos do sujeito e do tempo perpassados pela noção de movimento. Do primeiro, destacase a ancoragem vertical, personalíssima, operada no interior do sujeito que transita de um sistema sígnico para outro, que traduz seus pensamentos, ou ainda que empreende a passage de uma língua para outra. Do segundo, tem-se em conta a configuração desse mergulho num produto que desmantela as barreiras do tempo e, de um só golpe, contemporiza o passado e inclui o futuro.
A tradução para a criança e para o jovem: a prática como base da reflexão e da relação profissional
(2005)
This article deals with the attempt of systematizing my experience as translator of literature written for children and young people. On the basis of some considerations about aspects shared by both, the production and the translation of this kind of literature, this article presents a number of examples taken from translations of German texts into Brazilian Portuguese. Consequences concerning the importance of concepts like interaction and creativeness in translation are then briefly discussed. A claim for a more systematic consideration of the question by Translation Studies and for a special position to be occupied by this genre of texts in the professional field is the background of the article.
"O crime do professor de Matemática", de Clarice Lispector, aborda a necessidade inconsciente de punição advinda do sentimento de culpa, que constitui elemento inexorável da psique humana. O espelhamento do homem em seu animal o conduz à aproximação de uma possível consciência deste transtorno, fato que culmina no irremissível abandono do cão. Com base nos ensaios "O estranho" e "O mal–estar na civilização", de Sigmund Freud, almeja–se entender a origem da dolente identificação entre estes dois personagens narrada no conto, bem como o corolário da cultura, responsável pela tristeza humana com a qual o professor irremediavelmente se coaduna.
The opposition city-country which appears already in Vergils Georgics and becomes very relevant in the British and French poetry of the 18th and 19th centuries, will be treated at first with regard to the German tradition of 'city-poetry'. Since about 1900 the phenomenon of the big city (metropolis) combines with demoniac and sublime motives, while French, English or American authors (Baudelaire, Wordsworth, Whitman) saw the city from a less ideological perspective. Only in the postwar-decade – after some anticipations by authors of Expressionism like Ernst Stadler or Gottfried Benn – the pluralistic, hybrid character of the city will be discovered also in German poetology. Some examples of Modern North American and Brazilian poetry will be analyzed in the last chapter of the article.
The reception of Franz Kafka’s work is normally seen from the perspective of human condition, the labyrinth, the bureaucracy that imposes itself over the individual and so on. There is no doubt about the importance of this perspective for the study of Kafka’s work. Nevertheless, the objective of the present paper is to point out another aspect in Kafka’s work, which is the relation to the visual medium Kaiserpanorama in his fictional writings. The starting points of this discussion are the books “Kafka goes to the movies” by Hanns Zischler published in 1996 and “Kafka und der Film: über kinematographisches Erzählen” by Peter-André Alt published in 2009. Thus, based on these publications this study intends to analyse the importance, that this optical medium may have had over Franz Kafka and in which ways it is possible to identify this new perception in his literary work, specially in the tale “An imperial message”. The main topic is constructed around the profundity of the 3D-image as seen through a Kaiserpanorama, and its statical plasticity.
Neste artigo, comparamos duas traduções em língua portuguesa do romance "Verstörung" (primeira edição em língua alemã em 1967) do escritor austríaco Thomas Bernhard: a tradução portuguesa (1986, por Leopoldina Almeida) e a brasileira (1999, por Hans Peter Welper e José Laurenio de Melo). Partimos da premissa de que "Verstörung" é um livro com uma dimensão performativa acentuada, ou seja, a perturbação que dá nome ao livro não está representada apenas no enredo e na caracterização dos personagens, mas também – ou sobretudo – no estilo, na linguagem do texto em alemão. Discutimos e comparamos diferentes soluções tradutórias nas referidas versões em português, assim como os paratextos que constam nas duas publicações. Constatamos duas posturas divergentes ao lidar com as especificidades da linguagem da obra, ambas com consequências para o seu efeito performativo. Por fim, sugerimos que essas posturas possam ser reflexos das diferenças da própria crítica literária em relação a Thomas Bernhard em dois momentos diversos.
Foreign immigration has become a very controversial subject in German speaking countries. This essay stresses the need to consider the problem in German language teaching in Brasil and to make the pupils aware of the situation. Proceeding on the theoretical context of the discourse analysis (Pêcheux, 1969; Orlandi, 1990 und 1999), the author discusses four newspaper articles, published between 1999 and 2001, on different aspects of Turkish immigration to Austria and discusses about the Interlocutionary Position (lugar de interlocução, Pecheux, 1969) of Turks in Austria.
In this Paper, the idea of "ethnopoetics" is seen not exclusively as the characteristic trait of Hubert Fichte's (1935-1986) work, but as one among several forms of New Ethnology, which appeared in the context of the crisis of traditional ethnology in the 20th century. The first part intends to conceptually clarify several issues introduced by Fichte, such as the transformation of the world into words, the connection between fieldwork and interpretation, the "participant observation", and the encounter between hegemonic and peripheral cultures, comparing them with the ethnographical essays of Lévi-Strauss, Malinowski, Evans-Pritchard and Ruth Benedict. The second part is devoted to Fichte's posthumous book "Explosion", published in 1993 – where he relates his experience of three journeys in Brazil, between 1969 and 1982, a text which may be considered as his working journal and guide to all his publications on Brazil. I discuss how far the author realized his proposals to write a "novel of ethnology" and to create a "new ethnology".
In September of 1997, a group of German and Brazilian literary critics met at the University of São Paulo, in order to comment on the aesthetics of two great soccer schools. As our "basic text" we chose the match Germany vs Brazil (final score: 3 : 3; half-time score: 0 : 3), which took place in Washington, in June 1993, between the two tripte World Champions. Hans Ulrich Gumbrecht (Stanford University) proposed a philosophical reflection on football/Fußball, combined with a comparative analysis of soccer and American football. In both modalities he identified the magic phenomenon of "production of presence", which expresses itself through three functions: the ontological function (action vs nothing), the "epiphany of form" (the touch of genius) and the oscillation between finality and telos (linked to the mise-en-scène of intention and contingency). These three functions manifest themselves in both American football and soccer, but in different forms. Flávio Aguiar (University of Säo Paulo) pointed out the phenomenon of empty spaces and the occupation of space. Antonio Medina (University of São Paulo) contrasted the somewhat ontologic character of American football with the mimetic character of soccer, especially as played in Brazil, where the paradigm of masters and slaves is still present. José Miguel Wisnik (University of São Paulo) elaborated on the dialectics of production of presence (resistance against interpretation, "no-hermeneutics") and production of sense. In his reply, Gumbrecht explained that the concepts of empty and occupied space imply religious allusions (transcendental emptiness). Willi Bolle (University of São Paulo) raised the question of the extent to which the issue of aesthetics, seen from the perspective of American football and soccer, must be totally reconsidered.
Brecht ainda hoje?
(2000)
This paper tries to find arguments for Bertolt Brecht's relevance to the present. It points out parallels between Brecht's epic theater and music, especially opera. A central point is the aesthetics of form, which was so important for Brecht and which is decisive for his modernity.
No ensaio "Engagement", de 1962, Theodor Adorno recoloca em discussão a dicotomia entre literatura engajada e literatura autônoma, advertindo que em seu tempo a controvérsia não se situa mais no nível da sobrevivência humana ou da vida em sociedade, mas se coloca como uma especulação intelectual. O presente texto recupera as principais ideias de Adorno a respeito do tema e procura refletir sobre elas. O pensador apresenta os dois polos de pensamento sobre o problema e inicia dizendo que a tensão entre eles agora está diluída. Seguem-se então considerações sobre as confusões que envolvem o debate sobre o engagement, reflexões sobre a filosofia da arte de Sartre e sua concretização em obras de ficção, a arte e a didática de Bertolt Brecht, bem como o tratamento que o dramaturgo alemão dá ao fascismo, a relação entre o tom da poesia e a política, o problema do sofrimento ligado à obra de arte, o experimentalismo contemporâneo de Kafka e Becket, as tradições culturais da França e da Alemanha, e as relações entre a política e a arte autônoma.
This paper deals with Kant’s differentiation between artistic beauty and the sublime in nature. In this latter, Kant subsumes everything wild, uncultivated, inanimate and makes it – apparently – available to Aesthetics. As the quintessence of resistence, the "stone" stands for everything that remains the most estranged from the human sphere. In texts of Romantic authors such as Novalis, it can be seen how the "stone" in its turn takes possession of human beings and move them away from human nature. From Romanticism up to contemporary art, the sublime establishes thus a dominion of total alterity, which evades control and keeps consciousness alert to the fact that also in human beings there is an uncontrollable element demanding its rights.
O teatro épico de Brecht
(2000)
This article is a reduced version of the chapter "Sinta o drama" from the book with the Same title. It traces Brecht's reasons for qualifying his theater as epic, based on important literary critics such as Peter Szondi, Adorno. Lukács and Anatol Rosenfeld, including Brecht himself.