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Nachdem Martin Doerry im Spiegel die Krise der Germanistik wiederbelebt hat, bleibt unklar, ob es diese jemals gegeben hat, immer schon gab oder ob wir es hier mit einem Zombie des Feuilletons zu tun haben. Der Artikel zeugt zunächst einmal von einer enttäuschten Erwartung an die Germanistik, die dem Fach eine merkwürdige Potenz zuschreibt. Nur gut, dass die Historiker dieser Erwartung nachkommen, denn bei ihnen werden noch "die großen Fragen der Zeit diskutiert". Doerry hat sich offensichtlich mehr von den Literaturwissenschaftlern erwartet.
Innerhalb nur eines Jahres haben sich zwei Autoren im deutschsprachigen Literaturbetrieb öffentlich zu Wort gemeldet und der Literaturkritik wie der Literaturwissenschaft eine Lehre erteilt: Christian Kracht und Clemens Setz. Die beiden Reden sollten wir uns merken. Als Literaturwissenschaftlerin wünscht man sich, dass der Gegenstand nicht die Art des wissenschaftlichen Zugriffs diktiert. Schwierig wird es, wenn ein sehr lebendiger und sprachgewandter Autor meint, ein Wörtchen im Umgang mit seinen Texten mitzureden zu haben und sich selbst zum Gegenstand der wissenschaftlichen und feuilletonistischen Debatten macht. Dieses Problem tut sich nach dem postmodernen Tod des Autors vor allem auf, wenn Autor*innen gebeten werden, nicht aus ihrem Werk, sondern über ihr Werk zu lesen. Das geschieht im heutigen Literaturbetrieb recht häufig, denkt man an all die Poetikdozenturen im deutschsprachigen Raum oder Vorträge und Dankesreden im Rahmen von Literaturpreisverleihungen.
Handbook of best practice and standards for 2D+ and 3D
imaging of natural history collections
(2020)
Digitising a collection is key to make it last even after the physical objects are no longer available. Almost all of the techniques currently available to digitise a natural history collection in 2D+ and 3D are listed herein. The techniques are explained in a way that even one without any knowledge on the subject may understand their principle. The strong and weak points of the techniques are discussed, and an overview of suitable collections and specimens are given for each one of them. Also, plenty of examples already digitised with each technique are provided together with the links to visualise them in 3D. After explaining all the different digitisation options, the subsequent chapters provide information on how to improve the 2D+ and 3D digital twins of the specimens and techniques are compared to each other by means of test specimens. These give a fast overview of the capabilities of the digitisation techniques. Possible solutions to avoid digitisation errors are equally provided. Lastly, the dissemination of the results and the data management of the 3D models are briefly discussed in the final chapters. Also, a large chapter is provided with several workflows that can be followed to get the best possible results.
The vividly coloured Neotropical genus Callipia Guenée (1858) (Lepidoptera Linnaeus, 1758, Geometridae (Leach, 1815), Larentiinae (Leach, 1815), Stamnodini Forbes, 1948) is revised and separated into four species groups, according to a provisional phylogeny based on Cytochrome Oxidase I (COI) gene data and morphology. Fourteen new species are described using COI data and morphology: a) in the balteata group: C. fiedleri sp. nov., C. jakobi sp. nov., C. lamasi sp. nov.; b) in the vicinaria group: C. hausmanni sp. nov., C. walterfriedlii sp. nov.; c) in the parrhasiata group: C. augustae sp. nov., C. jonai sp. nov., C. karsholti sp. nov., C. levequei sp. nov., C. milleri sp. nov., C. sihvoneni sp. nov., C. wojtusiaki sp. nov. and d) in the constantinaria group: C. hiltae sp. nov., C. rougeriei sp. nov. One new subspecies is described: C. wojtusiaki septentrionalis subsp. nov. Two species are revived from synonymy: C. intermedia Dognin, 1914 stat. rev. and C. occulta Warren, 1904 stat. rev. The taxon hamaria Sperry, 1951 is transferred from being a junior synonym of C. constantinaria Oberthür, 1881 to being a junior synonym of C. occulta stat. rev. The taxon admirabilis Warren, 1904 is confirmed as being a junior synonym of C. paradisea Thierry-Mieg, 1904. The taxon languescens Warren, 1904 is confirmed as being a junior synonym of C. rosetta, Thierry-Mieg, 1904 and the taxon confluens Warren, 1905 is confirmed as being a junior synonym of C. balteata Warren, 1905. The status of the remaining species is not changed: C. aurata Warren, 1904, C. brenemanae Sperry, 1951, C. parrhasiata Guenée, 1858, C. flagrans Warren, 1904, C. fulvida Warren, 1907 and C. vicinaria Dognin. All here recognised 26 species are illustrated and the available molecular genetic information of 25 species, including Barcode Index Numbers (BINs) for most of the taxa is provided. The almost threefold increase from 10 to 26 valid species shows that species richness of tropical moths is strongly underestimated even in relatively conspicuous taxa. Callipia occurs from medium to high elevations in wet parts of the tropical and subtropical Andes from Colombia to northern Argentina. The early stages and host plants are still unknown.
The Italian Renaissance has long been studied as a point of origin for "modern" ideas about art. This approach, which can be traced back to figures like Giorgio Vasari and Jacob Burckhardt, remains central in scholarship on Renaissance art to this day. For example, on the first page of a recent textbook on Italian Renaissance art, Stephen Campbell and Michael Cole begin by laying out two contrary views of the period. To Renaissance writers like Lorenzo Ghiberti, they explain, the Renaissance meant the rebirth of classical antiquity; "to others, however, it has seemed that the importance of Italian art after about 1400 lay not in its return to origins but in the emergence of something entirely new and characteristically modern - the idea of art itself." [...] While this outlook has certainly made a lasting contribution to Renaissance art history, it has also given rise to certain blind spots and misconceptions in the field. For example, it is often assumed that the word "art" underwent a radical change of meaning in the Renaissance, anticipating the later, post-Enlightenment notion of the "fine arts" as an autonomous field of creative activity. However, close readings of period texts often suggest the opposite.
Loxosceles Heineken & Lowe, 1832 spiders are infamous for their medical importance, but a taxonomic picture of the genus is still far from complete. In this study, the Chilean species of Loxosceles are described and mapped. The males of Loxosceles surca Gertsch, 1967 and L. coquimbo Gertsch, 1967 are described for the first time. Three new species with narrow distributions are described from central and northern Chile: Loxosceles diaguita sp. nov. from the Antofagasta Region, L. pallalla sp. nov. from Coquimbo and L. vallenar sp. nov. from Atacama. The first two species are remarkable in their morphology and do not fit into any of Gertsch’s species groups, suggesting that Chile still harbours an undiscovered phylogenetic diversity of the genus. New distribution records for Loxosceles laeta (Nicolet, 1849) are provided throughout Chile.
Two new species and one subspecies of Pharnaciini, belonging to two different genera, are described from Vietnam: one species and subspecies of Phryganistria Stål, 1875 and one species of Phobaeticus Brunner von Wattenwyl, 1907. Two species currently attributed to the genus Ramulus Saussure, 1862, Ramulus magnus (Brunner von Wattenwyl, 1907) and R. chinensis (Brunner von Wattenwyl, 1907), are transferred to Baculonistria Hennemann & Conle, 2008 comb. nov. Phobaeticus longicornis Bi & Wang, 1998 and Phobaeticus yuexiensis Chen & He, 1993 represent the male and female of Baculonistria magnus (Brunner von Wattenwyl, 1907) syn. nov. A lectotype is designated for Baculonistria chinensis (Brunner von Wattenwyl, 1907). The genus Baculonistria now contains three species. Nearchus bachmaensis Ta & Hoang, 2004 is transferred to Phryganistria and the new combination Phryganistria bachmaensis (Ta & Hoang, 2004) comb. nov. is proposed. The species is redescribed and the authors’ attribution corrected, the egg is described and figured for the first time.
Phryganistria tamdaoensis sp. nov. is described and figured from both sexes and the egg. Females of P. tamdaoensis sp. nov. are easily recognised by the conspicuously enlarged lanceolate cerci, a character previously unknown in this tribe. The distribution range of Phryganistria heusii heusii (Hennemann & Conle, 1997) is extended to Tam Dao National Park. A new subspecies Phryganistria heusii yentuensis subsp. nov. is described from Tay Yen Tu Nature Reserve from adult males and females and the eggs. Males can easily be distinguished from the nominal subspecies by their colouration. This huge subspecies represents the second longest insect recorded to date. A key to the species of the genus Phryganistria is provided. Phobaeticus trui sp. nov. is described from central Vietnam. It is the first species of Phobaeticus recorded from Vietnam. Adults of both sexes are illustrated.
The new genus Lobofemora gen. nov. is described from Vietnam to accommodate three new species: L. bachmaensis sp. nov. (Bach Ma National Park, central Vietnam), L. bidoupensis sp. nov. (Bidoup-Nui Ba National Park, central Vietnam) and L. scheirei sp. nov., the type species (Cat Tien National Park and Dong Nai Biosphere Reserve, south Vietnam). It is provisionally placed in the tribe Clitumnini Brunner von Wattenwyl, 1893. The genus is the only known Clitumnini which shows tegmina and sometimes alae in the males. Females show conspicuous foliaceous lobes on the median femora. Males and females of all species and the eggs of L. scheirei sp. nov. and L. bidoupensis sp. nov. are described and illustrated. An identification key to the species and a distribution map are provided. The definition of the tribe Clitumnini sensu Hennemann & Conle (2008) is slightly adapted to include the new genus and the tribal placement is discussed. The male of L. scheirei sp. nov. is able to stridulate by rubbing the outer margins of the tegmina against the subcostal and radial veins of the alae.
The genus Otraleus Günther, 1935 is recorded from the Philippines for the first time. Four new species, Otraleus bellemansae sp. nov., O. applai sp. nov., O. christianae sp. nov. and O. elizabethae sp. nov., are described from the highlands of Northwestern Luzon. The characters allowing separation from O. hypsimelathrus Günther, 1935 and O. labanrataensis Soew-Choen, 2016, are given. A new genus closely related to Otraleus, Capuyanus gen. nov., is described with a single species, C. magwilangi sp. nov., as type-species. An identification key and distribution maps are provided for all species.
A third Supplement to the 1992 Catalog of the Scolytidae and Platypodidae (Coleoptera) of the World (Wood and Bright 1992) is presented. This Supplement updates the taxonomy, distribution, and biology pertaining to these families of Coleoptera from 2000 to the end of 2010. A few 2011 taxonomic references are included in order to make the nomenclature as current as possible. The format of this Supplement differs slightly from the format of the original 1992 Catalog and the two previous Supplements. Only references relating to general biology, systematics and distribution were selected to be included. Tribal arrangement follows the scheme established in the 1992 World Catalog, with additions. Each genus is listed alphabetically under the current tribe and the species are listed alphabetically under the current genus. Additional information on figures, distribution, hosts, and references relating to the above are given. The bibliography used with this Supplement lists 580 references, most published from 2000 to the end of 2010. New synonymy proposed: Phloeotribus carinatus Burgos and Equihua, 2003 (= Phloeotribus ebeneus Wood, 2007). New combinations proposed: Phloeosinus kinabaluensis Bright to Hyledius; Phloeosinus phyllocladus Bright to Hyledius.
An argument is made for the retention of the family status of the Scolytidae and Platypodidae as members of the superfamily Curculionoidea. A new subfamily and tribal arrangement is proposed: SCOLYTIDAE comprising 13 subfamilies, Hylesininae, with 12 tribes, Hyorrhynchinae, with one tribe; Scolytinae, with one tribe; Hexacolinae, with one tribe; Cylindrobrotinae, with one tribe; Scolytoplatypodinae, with one tribe; Cactopininae, with one tribe; Carphodicticinae, with one tribe; Micracidinae, with one tribe; Crypturginae, with one tribe; Ipinae, with six tribes; Cryphalinae, with one tribe and Corthylinae, with two tribes and PLATYPODIDAE comprising three subfamilies, Coptonotinae, with three tribes; Tesserocerinae, with two tribes and Platypodinae, with one tribe.
The nine British and Irish species of Enicospilus are revised, mapped and an identification key provided. One species, Enicospilus myricae sp. nov., is described as new; Enicospilus merdarius (Gravenhorst, 1829) is a senior synonym of E. tournieri (Vollenhoven, 1879) syn. nov.; the only available name for E. merdarius auctt. is Enicospilus adustus (Haller, 1885) stat. rev., and a neotype is designated for Ophion adustus Haller, 1885. Enicospilus cerebrator Aubert, 1969 and E. repentinus (Holmgren, 1860) are newly recorded from Britain. Some host data are available for eight of the nine species.
First discovered in 1934 and described as a variety of Cicindela abdominalis Fabricius (Coleoptera: Cicindelidae), the form floridana, to our knowledge, has not been recollected until we discovered it in 2007, south of the presumed type locality. From our examination of the type specimen, eight paratypes and 40 specimens from the new locality and additional study, we reinterpreted its status to be a full species. This interpretation is based on distinctive and consistent differences from the closely related Cicindelidia scabrosa (Schaupp). These differences include morphology (maculation, color and elytral microsculpture), distribution, habitat, and seasonality. We present here a more detailed description of this species within the genus Cicindelidia Rivalier, following Rivalier and Wiesner becoming Cicindelidia floridana (Cartwright) new combination.
Die folgende Bibliographie geht zurück auf eine bibliographische Liste, die im Rahmen der AG „Animation“ der Gesellschaft für Medienwissenschaft entstanden ist. Ihre Fortschreibung ist, ebenso wie die Erarbeitung einer Bibliographie der Aufsatzliteratur zum Animationsfilm, weiterhin ein Projekt der AG. Um zur laufenden Aktualisierung der Forschungsliteratur beizutragen, nehmen Sie bitte Kontakt über die Homepage der AG auf: http://ag-animation.de/. Die Bibliographie bemüht sich darum, das monographische Schrifttum zu allen Formen der Animation im Film zusammenzutragen. In einigen Feldern kann die Liste nur einen ersten Eindruck der vorliegenden Arbeiten versammeln (z.B. in den Bereichen Computeranimation, medienpädagogische Überlegungen). Und auch die selbständigen Arbeiten zu einzelnen Animateuren (wie z.B. Walt Disney) können keine vollständige Dokumentation der Schriften sein – eine genauere Aufschlüsselung wird Personalbibliographien zu einzelnen Filmemachern des Animationsfilms (einschließlich der Biographien, Kataloge und Broschüren) vorbehalten bleiben. Stets galt es, abweichende Auflagen und auch Übersetzungen zu dokumentieren. Für eine ganze Reihe von Titeln wurde zudem eine Kurzdarstellung des Inhalts angestrebt. Einige Titel konnten nicht mit Sicherheit bibliographisch nachgewiesen werden; sie sind durch ein vorangestelltes ° gekennzeichnet.
Selbst in einer Disziplin wie der Kunstgeschichte, die sich täglich mit sichtbaren Formen aller Art befasst, kommt es vor, dass Fachleute einander um Rat fragen, weil sie Literatur zum Thema "Bildbeschreibung" suchen. Zwar wird die Betrachtung und Beschreibung von Bildern vielerorts schon in der Schule praktiziert, z.B. um die Ausdrucksweise zu schärfen, und es gehört auch an der Universität zu den fachlichen Standardübungen, Kunstwerke in Worte zu fassen, um ihr konkretes Erscheinungsbild oder ihre Wirkung überhaupt diskutieren zu können. Dennoch bleibt die Übersetzung des Visuellen ins Verbale ein eher stummes Wissen, für das es offenbar keine verbindlichen Regeln gibt. [...] Einen Ausweg scheint hier Erwin Panofsky (1892–1968) zu bieten. Der in Hannover geborene und an der noch jungen Hamburger Universität tätige Kunsthistoriker, der während der NS-Herrschaft in die USA emigrierte, hatte 1932 in seinem Aufsatz "Zum Problem der Beschreibung und Inhaltsdeutung von Werken der bildenden Kunst" eine Methode zur Deutung von Bildern der Renaissance skizziert, die später eine unerwartete Karriere gemacht hat. In den USA griff Panofsky den Text und dessen Kerngedanken 1939 noch einmal für ein englischsprachiges Publikum unter dem Titel "Studies in Iconology" auf. Dieser Aufsatz wurde von ihm weiter ausgebaut, er wurde in zahlreiche Sprachen übertragen und schließlich auch ins Deutsche zurückübersetzt. Begünstigt wurde der Erfolg durch eine beigefügte Synopse, die als eine schrittweise Anleitung zur Interpretation von Bildern verstanden werden konnte. Auch unabhängig vom Text erwies sich diese Tabelle als griffige Handreichung zur Bildanalyse, sie wurde zur Grundlage von Propädeutika und ist bis heute Thema in fast jeder Einführung in die kunsthistorische Methodik zu finden. Da sie obendrein in allen erdenklichen Disziplinen, von der Geografie bis zur Soziologie und von der Pädagogik bis zur Geschichtswissenschaft zum Einsatz kommt, wird sie heute womöglich sogar häufiger außerhalb als innerhalb der Kunstgeschichte verwendet. Dies gibt Anlass zum Nachdenken und zur Rückschau.
As is well known, beauty is in the eyes of the beholder and what is considered beautiful is contextual. The itinerant symposium "Medicine, Beauty, and the Body: Materials, Texts and Artifacts" which took place from September 24 to 28, 2023 in Innsbruck, Salzburg and Vienna explored this topic in an interdisciplinary way and examined the intertwining of beauty, health and medicine from antiquity to early modern Europe. The event was a cooperation between the programme "Figurations of Transitions" of the inter-university institution Science and Art of the Paris-Lodron-University Salzburg and the University Mozarteum in Salzburg, Schloss Ambras and the Museumsverband Kunsthistorisches Museum Wien. Not only the sheer diversity of sources in the field of historical beauty cultures became apparent, but also their circulation and transformation through time and space as well as their significance as social, political, religious, and economic variables. The practical approach of the event in particular showed new paths in the field of historical beauty studies.