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Whether Africa is developed or not, depends on how and what one addresses. Development is relative. Nonetheless, the fact is: Africa developed Europe; and thereby became underdeveloped. Addressed academically, the notion of development creates many questions amongst which are: Development in what? Whose development? Development for whom? Who defines development? In this volume, the development dealt with is polygonal; and touches on politico-economic sequels which also affect the social aspect. No doubt. Africa is abundantly rich in terms of resource and culture. Paradoxically, however, Africa is less developed economically compared to Europe thanks to the history of unequal encounters, among other reasons. We cannot emphasise enough the fact that Africas underdevelopment is the price of the development of Europe which is based on historical realities gyrating around Europes criminal past wherein slavery and colonialism enabled Europe to spawn its future capital and investment. How can anyone quibble about Europes development resulting from perpetual plunderage of Africa with impunity committed by European treasure-hunting adventurers? This volume prescribes Africas restorative recompense as the only way forward for the duo and the world.
Quotes are great source of knowledge, wisdom and insight. They help us to learn through forerunners and pathfinders who pioneered certain paths in life that we are yet to travel. They are great tools to reinforce and reaffirm what we already know but do not understand, or what we do and react to in our daily basis but do not make a philosophy out of it. It is such ignored realities or less attended to histories and discoveries which when they become words uttered by famous or successful people they become quotes, references and philosophy enough to help us accept it, or an idea, we apply it and see transformations in our lives. Quotes discover a philosophy, strengthen a belief or ideology, create a driving force in people to pursue their dreams. They are an effective weapon to uphold or dismiss certain philosophies in our midst. They are sophisticated way or simple art of using few words to mean a lot. A Case of Love and Hate is a book to give you insights, uphold and dismiss certain philosophies or notions in our midst, be it politically, socially and economically. To achieve this complex task, difficult and great piece of art, the author Cecil Jones Myondela (Chenjerai Mhondera) committed himself to intense focus, long term diligence, and effort. Success in every field requires a definite goal, burning desire to go after it and determination to do whatever it takes in order to succeed. The book of Quotes themed A Case of Love and Hate, Volume 1 is a product of such a bitter struggle, endurance and resilience by the author- on ground and in world of literature. To understand Mugabe, this is the book! To understand Zimbabwe, this is the book! To understand Africa, this is the book! Do not resist your chance to understand and keep in line with a Revolution in Africa!
WOMANDLA! Women Power!
(2018)
Rolene Miller registered Mosaic, Training, Service and Healing Centre to empower abused women, and like a Mosaic to put the broken pieces of their lives together and make their lives more beautiful, Womandla! Women Power! is an account of Mosaics Community Workers and Court Workers lives, training and services and Rolenes writings describing the journey. Their humour and laughter is present whilst constantly moving through the difficult days at Mosaic. This book describes Mosaics support from our caring God. It is a human story where honest values are realised and peoples lives are changed forever. It is for readers who want to know the Herstory of a ground-breaking and innovative Mosaic working with abused women for 25 successful years and still surviving today. Womandla! Women Power! belongs to everyone who in our patriarchal culture and society wants to prevent and stop Women Abuse and Domestic Violence and who needs to seriously and critically condemn it.
Der Umbau der Krankenhäuser zu Unternehmen wird immer wieder als in sich konsistente Rationalisierungsstrategie verhandelt. Aus soziologischer Perspektive wird hingegen deutlich: Die viel diskutierte "Ökonomisierung" der Krankenhäuser ist ein in sich widersprüchlicher Prozess.
Robin Mohan zeichnet die Geschichte des Krankenhauses mithilfe einer an Marx, Weber und Bourdieu orientierten Gesellschaftstheorie der Ökonomisierung nach, die den Widerspruch von Gebrauchswert und Tauschwert zum verbindenden Leitmotiv erhebt. Ergänzt wird die Analyse durch eine arbeitssoziologische Studie, die rekonstruiert, wie sich die Ökonomisierungsprozesse aus der Sicht der Pflegekräfte darstellen.
Stephen Kauta Msiska was ordained to the ministry in 1945 and served the Livingstonia Synod in a number of lakeshore parishes before being appointed ?rst a tutor and later Principal of the united CCAP Theological College at Nkhoma where he taught from 1962 to 1974. His ?rm stand for what he understood to be the principles of the Christian Gospel led to a clash with the one-party regime and he was forced to ?ee to his home village and to live there in relative obscurity. This book makes accessible some of the fruits not only of his years of active pastoral ministry and theological teaching but also of his time of lonely suffering and sorrow. Distinctive in the writing of this pioneering theologian is a profound, though not uncritical, sympathy with the traditional religion of his people combined with a passionate concern for authentic Christian discipleship. Careful readers of this original and thoughtful book will ?nd the 'golden buttons' which Stephen Kauta is determined should not be lost.
A Dark Energy
(2018)
Don is the only child of a happy family full of love, but it does not last. At 6 years old Don s parents are burned in a fire through arson, and suspects his father s brother is the culprit. As the family fights over his father's wealth nobody wants anything to do with Don, particularly the Uncle whom he suspects of arson and ends up taking most of his father s wealth. After a difficult upbringing in orphanages and living with an abusive old man Don starts working as an agent in Central Investigations Organisation, Zimbabwe s security intelligence organisation. Despite this apparent success Don never deals with the existential dilemmas he has as a result of his childhood. He becomes a loner, he doesn't believe in love, marriage, or happiness... until he meets Lilian. Soon after he is called into the president s office to cover up an extramarital affair. When a political rival of the president, the corrupt defence minister, bones gets wind of the cover up and unsuccessfully tries to blackmail Don something terrible happens and Don becomes thrown back into the darkness. Straddling literary genres this novel explores themes related to family, love, politics, life and existence. It is the story of a man pushed to breaking point and how that, inevitably, impacts society.
A Conversation : A Contact
(2018)
Logbook written by a drifter
(2018)
Logbook written by a drifter, is a cycle of interlinked poems that deal with life, spirituality, language, philosophy, love and relationships. A main theme are relationships which have changed the character. Those which the character doesn't know how to deal with; which have make the character into a wreck, emotionally, psychologically, or spiritually: he is in a small space. This collection encourages us to keep those spaces, spaces of the drift, until we have faced our challenges, afterall sometimes drifting is all we can do!
Vote rigging, voter apathy, intimidations, biased reporting, hubristic political leaders, political gerrymandering, a confused world, and a tired and timid electorate: add to this the decay or death of every governance system or structure in Zimbabwe alongside an economy that is all but dead. These are the issues addressed in this poetry collection Mad Bob Republic. Is there an end to Zimbabwe's problems? The poet contributes to ongoing discourses on the country.
Under The Steel Yoke
(2018)
In Under The Steel Yoke I hear the wailing of fellow citizens as leadership subversion takes root. When servants become masters- that is a subversion, waves of despair threaten our people. I attempt to reflect the resilience of fellow Zimbabweans as we fight on for survival, hope refuses to die. The ideals of the true liberators prick our collective conscience. These poems are meant to provoke debate about nation building and they are an assertion that there can never be peace without justice. These poems are the voices heard on the streets, in pubs, factories, churches, homes and wherever our people irk a living. These voices yearn for a glorious future.
Ilorin O Poetry of Praise
(2018)
Abdul-Rasheed Na'Allah's Ilorin ó is a unique collection of praise poems in English, Yoruba, and Hausa passionately celebrating and illuminating the city of Ilorin's wealth of culture, history, Islamic heritage, and individual achievements. It is a work that is solid in content, form, and techniques. There are many quotable lines, a measure of poetic strength. I cannot forget the line about the child hearing Koranic recitation from the mother's womb. Also, the moral authority combined with oratory in a wise one who can be heard by a dumb ruler! In addition to the rich Islamic heritage and the success of Ilorin individuals in the areas of justice and bravery, the poet praises the city's delicious trademarked foods such as Warankasi, Tuworesi, and Gbegiri. Among the best executed poems are Onikepe Aduke Opo and Why the Sun Has Not Diminished in Light. Na'Allah has handled the praise poetry form dexterously, and that means at times even a critical appraisal of an item of praise. The reader comes out with a feeling of satisfaction for the poetic effulgence and knowing Ilorin better in its multiple areas of distinction and especially for its multicultural, Islamic, and tolerant character from an Ilorin-born and raised fine poet. - Tanure Ojaide, poet and scholar, Frank Porter Graham, Professor of Africana Studies, The University of North Carolina at Charlotte, USA.
Sangaya
(2018)
Possibly the most outstanding Malawian church leader of the 1960s and 1970s was the Very Reverend Jonathan Sangaya, General Secretary of the Church of Central Africa Presbyterian (CCAP) Synod of Blantyre. To him fell the task of guiding his church into the post-missionary era and his dynamic leadership was a major factor in the success with which that transition was completed. This vivid biography offers many insights into the history of the church and society during his lifetime. It is a welcome addition to the literature covering the transition from mission to church in African Christianity, and will enable many readers to become acquainted with a great Malawian of a former generation.
The National Cohesion and Integration Commission (NCIC) was set up to facilitate and promote equality of opportunity, good relations, harmony and peaceful coexistence between persons of the different ethnic and racial communities of Kenya, and to advise the Government on all aspects thereof after the violence that followed the December 2007 elections. In Kenya, Bridging Ethnic Divides: A Commissioner's Experience on Cohesion and Integration, Commissioner Alice Wairimu Nderitu looks behind the scenes at the NCIC's efforts to ensure peaceful co-existence. Such as, working with elders, mediating confidentially between political leaders at the highest levels and co-founding and working as first Co-Chair of Uwiano Platform for Peace, a conflict prevention agency largely credited with leading efforts in ensuring peaceful processes during the 2010 Constitutional referendum and 2013 General elections. The book tells of NCIC's efforts in grappling with the seemingly intractable problem of managing the negative consequence of ethnic differences on questions such as: Why is Kenya so ethnically polarised? Why is an ethnic group the key defining factor in Kenyan politics? What hope is there for an inclusive Kenya? The book shows that positive policies and intra- and inter-ethnic spaces can be used to counter negative influences that lead to fear, exclusion and violence. The diversity of Kenya's ethnicities and races need not be a pretext for conflict, but a source of truly national identity. It proves that dialogue on understanding differences and commonalities leads to improved relationships and understanding on societal dynamics. This in turn, contributes to preventing and transforming conflicts through appropriate inclusion policies, identifying entry points for change as well as opportunities to tackle the norms and behaviours that underpin structural disparities.
? La vérité blesse ? ou encore ? la vérité est une pilule amère à avaler ? sont des adages depuis fort longtemps passés de mode. Cependant, dans La Logorrhée du poète ou lHistoire des Camerouns en 33 gouttelettes, le poète évoque et symbolise dune manière nouvelle et dune esthétique fascinante le mal-vivre de Southern Cameroons/Ambazonia avec ses frères/voisins de la République du Cameroun. Le premier ayant choisi (en 1961) la fédération avec la République du Cameroun qui nen voulut point au départ, sen veut et pour ce, cherche à défaire cette relation sans fondement ni base. Ce vouloir étant accueilli par une brutalité sanguinaire et féroce na laissé à ce poète engagé que le choix dexposer la laideur de la tyrannie, de la tuerie, de linsouciance, et de lhypocrisie de ceux sensés gouverner. Les sévices subis par le peuple du Southern Cameroons/Ambazonia semblent souligner la volonté du poète à faire valoir aux Ambazonians, leur droit de quête de liberté. Cette prise de position rappelle la perspective Sartrienne de lengagement littéraire. Bref, ce recueil est riche sur le plan esthétique et aussi historique de fond en comble.
So much ink has already been spilled on the issues of climate change. In this collection, Bill F. Ndi blends environmental sciences with poetic art in a bit to make the strange ordinary and the ordinary strangely extraordinary. The poems challenge the denialists in desperate need for some material to chew on. The poems in this collection, written with both provocativeness and compassion, are about the wondrous working of nature. This brilliant work of poetic artcrafted with poignancy and beautyuses a fixed form, for the most part, as if to say Natures splendor should not be meddled with in the same way man has and still does. This collection is an exquisite, an incredible as well as a great and a rare gift from the plume of Bill F. Ndi.
For Want of a Totem
(2018)
Zonipha is a rural girl newly inaugurated into the city as a domestic worker. Ambitious but righteous, she seeks to improve herself. Life disagrees and Zonipha finds herself ensnared by an abusive man, her employer. Unable to escape, she falls pregnant with a child who can never know his father, and following her unhappy decision will never know his mother. Fate intervenes at a tuckshop when Eugenia, who has longed for child, discovers the abandoned baby. In doing so, she pioneers a movement that seems to defy culture as she tries to encourage the idea of adoption. For Want of a Totem explores the meaning of family and what it means to be a parent. If a child is abandoned, who must raise her. This short but moving novel raised important questions about culture and its adaptability as it responds to contemporary and sometimes contentious issues.
Waste Not Your Tears
(2018)
Wowed by the lights and prospects of city life, Loveness leaves her small mining town in search of a new life in Harare. She imagines herself falling for a hot-shot city man becoming his wife and spending her life in luxury while tending to her city children. The man she considers the love of her life is anything but a hot shot, and he is abusive and uncaring. To top all this off, he his HIV positive. Loveness is at a crossroads. She must consider her choices. Although, Waste Not Your Tears does not shy away from misfortune, it is also a novel of forgiveness and hope. Loveness is an unlikely heroine on a stage set during the crisis of HIV/AIDS in Zimbabwe. She lives, however, amongst us, and reading this sensitive and thoughtful novel provides insights into the challenges of making the wrong choices, but having the strength to move forward.
Season of Shadows
(2018)
In this wide-ranging collection of forty-three poems, John Ngong Kum Ngong undertakes a critical and acerbic diagnosis of the socio-political situation in postcolonial Africa through a deceptively simple, aesthetically complex, and ideologically intriguing style. The multi-facetted and interrelated motifs of shadows and seasons, together with a plethora of literary devices such as paradox, suspense, metaphors, allusions, personification, irony, satire, humour, and contrast, are the weapons through which the poet drives home his message. The poems, in this collection, are not only politically correct but are also artistically profound. - Zuhmboshi Eric Nsuh, PhD. Lecturer, Literary Critic, and Political Analyst
Tears of the Earth
(2018)
The Tears of the Earth, without pretense, practically holds court for environmental or eco-concerns with global ripples, staking a legitimate claim as a landmark tributary to the mainstream discourse and current debates on global warming and climate change, especially by portraying Africa, still trapped and anaesthetized in the web of post-colonial vassalage, compelled to mortgage her natural resources for savage exploitation with little or no regard to either environmental impact or sustainability. The poems are an expression of the authors noble indignation at societys governing elite for allowing collective natural resources Mother Earth to be callously butchered, so ingloriously ransacked, liberally poisoned and gagged Beyond Recognition for mere lucre or Midas touch which procures and sustains the infernal binary of Power and Pride deified by our societies.
Denis Norman was born into an ordinary farming family in Oxfordshire, England in 1931, and 22 years later he travelled to Africa to become an assistant on a tobacco farm in Southern Rhodesia. Within a few years, he had bought his own farm, and had begun to rise through the ranks of the countrys agricultural administration. He was President of the Commercial Farmers Union when Robert Mugabe came to power in 1980 and, with no previous political affiliations, he was appointed Minister of Agriculture in the inaugural Zimbabwean government. His story throws a unique and fascinating light on the political and economic development of Zimbabwe. His assessment of its politicians; whether colleagues or adversaries; is candid and acute. In particular he offers an unusually nuanced and rarely glimpsed portrait of Mugabe, who, having asked him to leave government after the 1985 elections, later invited him back to be Minister of Transport, then Minister of Energy, and finally Minister of Agriculture again before Norman resigned in 1997.. Written with a fine balance of the personal, the professional and the political, this memoir offers an observant insiders view of the early promise, and subsequent decline, of a newly independent country finding its way in the world. Denis Norman faced many difficult situations as a government minister, but his penchant for focusing on the positive earned him the nickname, Nothing Wrong Norman. His engaging story reflects his encouraging attitude and he remains hopeful for the future..