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Seit mehr als 60 Jahren dominiert in der historisch-phonologischen Umlaut-Landschaft EIN Aufsatz, eine vierseitige Skizze des althochdeutschen Umlauts von W. Freeman Twaddell. Keller (1978: 160) nennt diese Theorie 'one of the finest achievements of American linguists'. Ähnliche Lobsprüche findet man mehrmals in der Literatur und der Artikel bleibt bis heute noch DER Eckpfeiler der Umlaut-Debatte (s. Krygier 1997, Schulte 1998).
In den letzten paar Jahren haben wir mit einigen Kollegen – Anthony Buccini, Garry Davis, David Fertig, Dave Holsinger, Robert Howell, Regina Smith – einen neuen Ansatz entwickelt, die wir "ingenerate Umlaut" nennen. "Ingenerate" heißt hier ungefähr 'vorprogrammiert, inhärent, angeboren' und deutet darauf hin, daß wir die Wurzeln vom Umlaut in der Phonetik – noch genauer: in der Koartikulation – suchen. Auch meinen wir, die allmähliche Entfaltung des Prozesses in den "Ausnahmen" zum Umlaut sehen zu können, mit anderen Worten genau in den umlautlosen Formen, die in der Twaddellschen Tradition als willkürliche Ergebnisse der Analogie gesehen werden müssen.
Zum Informationsangebot deutscher Aussprachewörterbücher für tschechische Germanistikstudierende
(2013)
Aussprachewörterbücher stellen für nichtmuttersprachliche Germanistikstudierende nach wie vor eine der wichtigsten Informationsquellen über die gesprochene Form der deutschen Gegenwartssprache dar. Beim Vergleich der gängigen Aussprachewörterbücher des Deutschen kann man jedoch gravierende Unterschiede feststellen, die einen Nichtmuttersprachler leicht zu desorientieren (wenn nicht gerade zu verwirren) vermögen. Im Beitrag werden die zwei gebräuchlichsten Aussprachewörterbücher der deutschen Sprache (DUDEN Das Aussprachewörterbuch und De Gruyter Deutsches Aussprachewörterbuch) im Hinblick auf das darin enthaltene Informationsangebot für tschechische Germanistikstudierende verglichen. In den Vordergrund tritt somit die Darstellung der für tschechische Deutschstudierende problematischen phonetischen Erscheinungen. Des Weiteren wird folgenden Aspekten Aufmerksamkeit geschenkt: konzeptionelle Ausgangspunkte, Umfang und Stichwörterauswahl, theoretische Beschreibung des phonetisch-phonologischen Systems des Deutschen sowie der deutschen Standardlautung, Aktualitätsbezug, Beschreibung von regionalen Varietäten, Berücksichtigung der Phonostilistik usw.
This article deals with the Tashlhiyt dialect of Berber (henceforth TB) spoken in the southern part of Morocco. In TB, words may consist entirely of consonants without vowels and sometimes of only voiceless obstruents, e.g. tft#tstt "you rolled it (fem)". In this study we have carried out acoustic, video-endoscopic and phonological analyses to answer the following question: is schwa, which may function as syllabic, a segment at the level of phonetic representations in TB? Video-endoscopic films were made of one male native speaker of TB, producing a list of forms consisting entirely of voiceless obstruents. The same list was produced by 7 male native speakers of TB for the acoustic analysis. The phonological analysis is based on the behaviour of vowels with respect to the phonological rule of assibilation. This study shows the absence of schwa vowels in forms consisting of voiceless obstruents.
This paper shows that several typologically unrelated languages share the tendency to avoid voiced sibilant affricates. This tendency is explained by appealing to the phonetic properties of the sounds, and in particular to their aerodynamic characteristics. On the basis of experimental evidence it is shown that conflicting air pressure requirements for maintaining voicing and frication are responsible for the avoidance of voiced affricates. In particular, the air pressure released from the stop phase of the affricate is too high to maintain voicing, which in consequence leads to a devoicing of the frication part.
The contribution of von Kempelen’s “Mechanism of Speech” to the ‘phonetic sciences‘ will be analyzed with respect to his theoretical reasoning on speech and speech production on the one hand and on the other in connection with his practical insights during his struggle in constructing a speaking machine. Whereas in his theoretical considerations von Kempelen’s view is focussed on the natural functioning of the speech organs – cf. his membraneous glottis model – in constructing his speaking machine he clearly orientates himself towards the auditory result – cf. the bag pipe model for the sound generator used for the speaking machine instead. Concerning vowel production his theoretical description remains questionable, but his practical insight that vowels and speech sounds in general are only perceived correctly in connection with their surrounding sounds – i.e. the discovery of coarticulation – is clearly a milestone in the development of the phonetic sciences: He therefore dispenses with the Kratzenstein tubes, although they might have been based on more thorough acoustic modelling. Finally, von Kempelen’s model of speech production will be discussed in relation to the discussion of the acoustic nature of vowels afterwards [Willis and Wheatstone as well as von Helmholtz and Hermann in the 19th century and Stumpf, Chiba & Kajiyama as well as Fant and Ungeheuer in the 20th century].
Dutch has a three-way contrast in labiodental sounds, which causes problems for native speakers of German in their acquisition of Dutch, since German contrasts only two labiodentals. The present study investigates the perception of the Dutch labiodental fricative system by German L2 learners of Dutch and shows that native Germans with no or little knowledge of the Dutch language categorize the Dutch labiodental voiced fricative and approximant as their native voiced fricative. Advanced learners, however, succeed in acquiring a category for the voiced fricative, illustrating that plasticity in the perception of a second language develops with the amount of exposure to the language.
The present study argues that variation across listeners in the perception of a non-native contrast is due to two factors: the listener-specic weighting of auditory dimensions and the listener-specic construction of new segmental representations. The interaction of both factors is shown to take place in the perception grammar, which can be modelled within an OT framework. These points are illustrated with the acquisition of the Dutch three-member labiodental contrast [V v f] by German learners of Dutch, focussing on four types of learners from the perception study by Hamann and Sennema (2005a).
It has been hypothesized that sounds which are less perceptible are more likely to be altered than more salient sounds, the rationale being that the loss of information resulting from a change in a sound which is difficult to perceive is not as great as the loss resulting from a change in a more salient sound. Kohler (1990) suggested that the tendency to reduce articulatory movements is countered by perceptual and social constraints, finding that fricatives are relatively resistant to reduction in colloquial German. Kohler hypothesized that this is due to the perceptual salience of fricatives, a hypothesis which was supported by the results of a perception experiment by Hura, Lindblom, and Diehl (1992). These studies showed that the relative salience of speech sounds is relevant to explaining phonological behavior. An additional factor is the impact of different acoustic environments on the perceptibility of speech sounds. Steriade (1997) found that voicing contrasts are more common in positions where more cues to voicing are available. The P-map, proposed by Steriade (2001a, b), allows the representation of varying salience of segments in different contexts. Many researchers have posited a relationship between speech perception and phonology. The purpose of this paper is to provide experimental evidence for this relationship, drawing on the case of Turkish /h/ deletion.
In the research field initiated by Lindblom & Liljencrants in 1972, we illustrate the possibility of giving substance to phonology, predicting the structure of phonological systems with nonphonological principles, be they listener-oriented (perceptual contrast and stability) or speaker-oriented (articulatory contrast and economy). We proposed for vowel systems the Dispersion-Focalisation Theory (Schwartz et al., 1997b). With the DFT, we can predict vowel systems using two competing perceptual constraints weighted with two parameters, respectively λ and α. The first one aims at increasing auditory distances between vowel spectra (dispersion), the second one aims at increasing the perceptual salience of each spectrum through formant proximities (focalisation). We also introduced new variants based on research in physics - namely, phase space (λ,α) and polymorphism of a given phase, or superstructures in phonological organisations (Vallée et al., 1999) which allow us to generate 85.6% of 342 UPSID systems from 3- to 7-vowel qualities. No similar theory for consonants seems to exist yet. Therefore we present in detail a typology of consonants, and then suggest ways to explain plosive vs. fricative and voiceless vs. voiced consonants predominances by i) comparing them with language acquisition data at the babbling stage and looking at the capacity to acquire relatively different linguistic systems in relation with the main degrees of freedom of the articulators; ii) showing that the places “preferred” for each manner are at least partly conditioned by the morphological constraints that facilitate or complicate, make possible or impossible the needed articulatory gestures, e.g. the complexity of the articulatory control for voicing and the aerodynamics of fricatives. A rather strict coordination between the glottis and the oral constriction is needed to produce acceptable voiced fricatives (Mawass et al., 2000). We determine that the region where the combinations of Ag (glottal area) and Ac (constriction area) values results in a balance between the voice and noise components is indeed very narrow. We thus demonstrate that some of the main tendencies in the phonological vowel and consonant structures of the world’s languages can be explained partly by sensorimotor constraints, and argue that actually phonology can take part in a theory of Perception-for-Action-Control.
This paper addresses remarks made by Flemming (2003) to the effect that his analysis of the interaction between retroflexion and vowel backness is superior to that of Hamann (2003b). While Hamann maintained that retroflex articulations are always back, Flemming adduces phonological as well as phonetic evidence to prove that retroflex consonants can be non-back and even front (i.e. palatalised). The present paper, however, shows that the phonetic evidence fails under closer scrutiny. A closer consideration of the phonological evidence shows, by making a principled distinction between articulatory and perceptual drives, that a reanalysis of Flemming’s data in terms of unviolated retroflex backness is not only possible but also simpler with respect to the number of language-specific stipulations.
The study investigates the contribution of tactile and auditory feedback in the adaptation of /s/ towards a palatal prosthesis. Five speakers were recorded via electromagnetic articulography, at first without the prosthesis, then with the prosthesis and auditory feedback masked, and finally with the prosthesis and auditory feedback available. Tongue position, jaw position and acoustic centre of gravity of productions of the sound were measured. The results show that the initial adaptation attempts without auditory feedback are dependent on the prosthesis type and directed towards reaching the original tongue palate contact pattern. Speakers with a prosthesis which retracted the alveolar ridge retracted the tongue. Speakers with a prosthesis which did not change the place of the alveolar ridge did not retract the tongue. All speakers lowered the jaw. In a second adaptation step with auditory feedback available speakers reorganised tongue and jaw movements in order to produce more subtle acoustic characteristics of the sound such as the high amplitude noise which is typical for sibilants.
This article presents new experimental data on the phonetics of syllabic /l/ and syllabic /n/ in Southern British English and then proposes a new phonological account of their behaviour. Previous analyses (Chomsky and Halle 1968:354, Gimson 1989, Gussmann 1991 and Wells 1995) have proposed that syllabic /l/ and syllabic /n/ should be analysed in a uniform manner. Data presented here, however, shows that syllabic /l/ and syllabic /n/ behave in very different ways, and in light of this, a unitary analysis is not justified. Instead, a proposal is made that syllabic /l/ and syllabic /n/ have different phonological structures, and that these different phonological structures explain their different phonetic behaviours.
This article is organised as follows: First a general background is given to the phenomenon of syllabic consonants both cross linguistically and specifically in Southern British English. In §3 a set of experiments designed to elicit syllabic consonants are described and in §4 the results of these experiments are presented. §5 contains a discussion on data published by earlier authors concerning syllabic consonants in English. In §6 a theoretical phonological framework is set out, and in §7 the results of the experiments are analysed in the light of this framework. In the concluding section, some outstanding issues are addressed and several areas for further research are suggested.
At the outset of this dissertation one might pose the question why retroflex consonants should still be of interest for phonetics and for phonological theory since ample work on this segmental class already exists. Bhat (1973) conducted a quite extensive study on retroflexion that treated the geographical spread of this class, some phonological processes its members can undergo, and the phonetic motivation for these processes. Furthermore, several phonological representations of retroflexes have been proposed in the framework of Feature Geometry, as in work by Sagey (1986), Pulleyblank (1989), Gnanadesikan (1993), and Clements (2001). Most recently, Steriade (1995, 2001) has discussed the perceptual cues of retroflexes and has argued that the distribution of these cues can account for the phonotactic restrictions on retroflexes and their assimilatory behaviour. Purely phonetically oriented studies such as Dixit (1990) and Simonsen, Moen & Cowen (2000) have shown the large articulatory variation that can be found for retroflexes and hint at the insufficiency of existing definitions.
In the following study we present the results of three acoustic experiments with native speakers of German and Polish which support implications (a) and (b). In our experiments we measured the friction phase after the /t d/ release before the onset of the following high front vocoid for four speakers of German and Polish. We found that the friction phase for /tj/ was significantly longer than that of /ti/, and that the friction phase of /t/ in the assibilation context is significantly longer than that of /d/.
The current paper explores these two sorts of phonetic explanations of the relationship between syllabic position and the voicing contrast in American English. It has long been observed that the contrast between, for example, /p/ and /b/ is expressed differently, depending on the position of the stop with respect to the vowel. Preceding a vowel within a syllable, the contrast is largely one of aspiration. /p/ is aspirated, while /b/ is voiceless, or in some dialects voiced or even an implosive. Following a vowel within a syllable, both /p/ and /b/ both tend to lack voicing in the closure and the contrast is expressed largely by dynamic differences in the transition between the previous vowel and the stop. Here, vowel and closure duration are negatively correlated such that the /p/ has a shorter vowel and longer closure duration. This difference is often enhanced by the addition of glottalization to /p/. In addition to these differences, there are additional differences connected to higher-level organization involving stress and feet edges. To make the current discussion more tractable, we will restrict ourselves to the two conditions (CV and VC) laid out above.
Articulatory token-to-token variability not only depends on linguistic aspects like the phoneme inventory of a given language but also on speaker specific morphological and motor constraints. As has been noted previously (Perkell (1997), Mooshammer et al. (2004)), speakers with coronally high "domeshaped" palates exhibit more articulatory variability than speakers with coronally low "flat" palates. One explanation for that is based on perception oriented control by the speaker. The influence of articulatory variation on the cross sectional area and consequently on the acoustics should be greater for flat palates than for domeshaped ones. This should force speakers with flat palates to place their tongue very precisely whereas speakers with domeshaped palates might tolerate a greater variability. A second explanation could be a greater amount of lateral linguo-palatal contact for flat palates holding the tongue in position. In this study both hypotheses were tested.
In order to investigate the influence of the palate shape on the variability of the acoustic output a modelling study was carried out. Parallely, an EPG experiment was conducted in order to investigate the relationship between palate shape, articulatory variability and linguo-palatal contact.
Results from the modelling study suggest that the acoustic variability resulting from a certain amount of articulatory variability is higher for flat palates than for domeshaped ones. Results from the EPG experiment with 20 speakers show that (1.) speakers with a flat palate exhibit a very low articulatory variability whereas speakers with a domeshaped palate vary, (2.) there is less articulatory variability if there is lots of linguo-palatal contact and (3.) there is no relationship between the amount of lateral linguo-palatal contact and palate shape. The results suggest that there is a relationship between token-to-token variability and palate shape, however, it is not that the two parameters correlate, but that speakers with a flat palate always have a low variability because of constraints of the variability range of the acoustic output whereas speakers with a domeshaped palate may choose the degree of variability. Since linguo-palatal contact and variability correlate it is assumed that linguo-palatal contact is a means for reducing the articulatory variability.
Articulatory token-to-token variability not only depends on linguistic aspects like the phoneme inventory of a given language but also on speaker specific morphological and motor constraints. As has been noted previously (Perkell (1997), Mooshammer et al. (2004)) , speakers with coronally high "domeshaped" palates exhibit more articulatory variability than speakers with coronally low "flat" palates. One explanation for that is based on perception oriented control by the speaker. The influence of articulatory variation on the cross sectional area and consequently on the acoustics should be greater for flat palates than for domeshaped ones. This should force speakers with flat palates to place their tongue very precisely whereas speakers with domeshaped palates might tolerate a greater variability. A second explanation could be a greater amount of lateral linguo-palatal contact for flat palates holding the tongue in position. In this study both hypotheses were tested.
This paper reconciles the standpoint that language users do not aim at improving their sound systems with the observation that languages seem to improve their sound systems. Computer simulations of inventories of sibilants show that Optimality-Theoretic learners who optimize their perception grammars automatically introduce a so-called prototype effect, i.e. the phenomenon that the learner’s preferred auditory realization of a certain phonological category is more peripheral than the average auditory realization of this category in her language environment. In production, however, this prototype effect is counteracted by an articulatory effect that limits the auditory form to something that is not too difficult to pronounce. If the prototype effect and the articulatory effect are of a different size, the learner must end up with an auditorily different sound system from that of her language environment. The computer simulations show that, independently of the initial auditory sound system, a stable equilibrium is reached within a small number of generations. In this stable state, the dispersion of the sibilants of the language strikes an optimal balance between articulatory ease and auditory contrast. The important point is that this is derived within a model without any goal-oriented elements such as dispersion constraints.