Refine
Year of publication
Document Type
- Article (67)
- Part of Periodical (11)
- Report (5)
- Part of a Book (2)
- Working Paper (2)
- Conference Proceeding (1)
- Doctoral Thesis (1)
- Review (1)
Language
- Portuguese (58)
- German (26)
- English (6)
Has Fulltext
- yes (90)
Is part of the Bibliography
- no (90) (remove)
Keywords
- Brasilien (90) (remove)
Institute
This paper presents some of the major aspects of the history of German exile after 1933 and the history of the exile of German-speaking writers and intellectuals in Brazil. The second part of the title is focused on the works of exile written by Ulrich Becher and Hugo Simon in Brazil.
This article discusses some aspects of Brecht's work and its relationship with the Brazilian literary, historical and socio-political life. The focus is on the inconsistency of the struggle for the so-called Bildung, where the advances of new ideas and social forms are in conflict with a reactionary context.
Die Autorin behandelt am Beispiel Brasilien das universelle Thema der Gewalt gegen Frauen in einem international vergleichenden und interkulturell kommunikativen Zusammenhang. Wichtiges Anliegen ihrer Fallstudie zur Gewalt gegen Frauen ist deutlich zu machen, dass die kontextbedingt aktive Bewegung der Frauen wider Gewalt in Brasilien sich nicht nur von Aktionen und Diskursen aus dem internationalen Bereich inspiriert hat, sondern einen beachtenswerten eigenen Beitrag leistet, von dem auch andere Frauenbewegungen lernen könnten. Voraussetzung hierzu ist allerdings, dass in allen diesen Gesellschaften, denen innerhalb der stratifizierten globalen Zusammenhänge unterschiedlicher Status zugewiesen wird, ein interkulturell kommunikativer Lernprozess stattfindet. In der Einleitung zu dieser Studie wird auf die spezifische Problematik des Themas hingewiesen, die Untersuchungsmethode und die eigene Argumentationsweise vorgestellt, die eng mit der Motivation zur Behandlung des Themas verwoben ist. Im ersten Kapitel wird die Gewalt gegen Frauen als zugleich universales wie auch partikulares Problem diskutiert, und dementsprechend die divergierenden Definitionen der Gewalt gegen Frauen, die vielfältigen Ansätze zum Verständnis von Frauen aus verschiedenen Gesellschaften und schließlich die Vielfalt der Erfahrungen von Frauen gegenüber Gewalt im Licht der interkulturellen Kommunikation vorgestellt und kritisch analysiert. Im zweiten Kapitel werden die diskursiv analytischen Interpretationen der Gewalt gegen Frauen im Licht der interkulturellen Kommunikation behandelt. Die Autorin knüpft an das diskursive Modell der Bedürfnisinterpretation von Nancy Fraser an und wendet es als methodischer Ansatz zur Interpretation der Gewalt gegen Frauen an. Sie weist auf die gesellschaftspolitischen und kulturellen Grenzen dieses Modells (auf die nördliche Hemisphäre beschränkt) hin und versucht es im Lichte des Ansatzes von Patrick Dias zu interkulturellem Lernen im Kontext der international ungleichen Machtstrukturen kritisch weiterzuentwickeln. Das dritte Kapitel analysiert die relevanten gesellschaftlichen Bedingungen mit ihren diskursiven Konstruktionen zum Verständnis von Frauen und deren Stellung im spezifischen Kontext Brasiliens. Das vierte Kapitel stellt die brasilianische Frauenbewegung wider Gewalt gegen Frauen in ihren historischen Zusammenhängen dar: von ihren Anfängen über deren Strategien in den Achtzigern bis im ausgehenden zwanzigsten Jahrhundert hinein; und es schließt mit den Diskussionen im 21. Jahrhundert ab, die verstärkt unter der Metapher der Cidadania (Aufbau der Zivilgesellschaft) steht. Kapitel fünf fasst die Ergebnisse der Untersuchung zusammen und führt den in der Studie angewandten diskursiv analytischen Ansatz im Rahmen der interkulturell immer noch bestehenden herrschaftlichen Kommunikationsstruktur mit einem Plädoyer für ein interkulturelles Lernen, das die globalen Ungleichheiten nicht verkennt, weiter.
Instituto Martius-Staden is a German-Brazilian institution of culture, history, and language in São Paulo. Founded in 1916 as an association of German teachers, the institute survived difficult times in the fourth and fifth decades of the century. The main problems were the laws and rules of the Vargas-period and the attempted ideological expansion of Nazi-Germany. The institute set up arquives and a library of German immigration and gathered a huge collection of mainly Brazilian-based German newspapers. In later years library sections of arts, German literature, and history were added. Since 1953 the institute has issued an annual publication named "Staden Jahrbuch" with contributions of renowned authors mainly on Brazil.
In the theoretical context of Critical Applied Linguistics, this paper examines two aspects that are important for a consideration of the possible imaginaries that permeate the contact between a Brazilian student and German as a foreign language. I analyze the possible consequences of the argument that German is a very "cultivated" and difficult language, as well as the lack of incentive, in didactic material, for reflections on the peculiarities of a possible contact between a Brazilian student and the German language or a native speaker of that language. Finally, this paper intends to discuss whether if there is any didactic material used for teaching of German in Brazil which stimulates the pupils to criticize the peculiarities and the imaginaries that permeate their contact with the German culture and language.
Das bresilionische Deitsch unn die deitsche Bresilioner : en Hunsrickisch Red fo die Sprocherechte
(2006)
This paper is a contribution of the area of linguistic policies to the discussion of linguistic rights of speakers of minority languages in Brazil. The text, bilingual in Portuguese and Hunsrückisch, one of the varieties of German immigration languages spoken in Brazil, was presented by the authors (as native speakers and translators), in the Legislative Seminar on Creation of the Book of Language Registers, organized by the Institute of National Artistic Heritage (IPHAN), Institute of Investigation and Development in Linguistic Policies (IPOL) and Education and Culture Committee of the Chamber of Representatives, in Brasília, on March 2006. The idea of the Book of Languages contributes to the recognition of Brazilian linguistic diversity, represented by approximately 210 languages, from which 180 are autochthonous (indigenous) and around 30 are allochthonous (of immigration). Its recognition as an immaterial (virtual) cultural heritage is seem as an important act in favor of speakers’ linguistic rights and against linguistic prejudice that comes along with the use of minority languages in contact with the Portuguese language. This work is inserted in this perspective and it comes along with a supportive bibliography and a map of bilingual areas in the south of Brazil.
This article focuses the expeditions of Maximilian Prinz Wied zu Neuwied and Johann Moritz Rugendas to Brazil. It discusses initially basic aspects of perception from the early colonial period up to the 19th century. It will then analyze the pictorial characterization of Brazil by both travelers and the reception of their work in Europe
As linguist, we always have to deal with terms like First, Second and Foreign Languages, but many times we don’t notice, how peculiars they are and how specific and difficult are their definitions. In Brazil, we have peculiar situations of immigrant languages, which are spoken in some groups of people in some communities in their day-by-day. There is much controversy related to the denomination we give to these linguistic varieties, what concerns its status and its relationship with the other neighbor or concurrent varieties. In this paper, we intend to discuss theoretically the terms above, transporting the denomination and its application to the reality of some bilingual communities from Rio Grande do Sul, in which people speak minority languages of Germanic origins. On the basis of empirical tests, we aim to give here a profile of the socio linguistic situation of these minority varieties what concerns its speakers, the foreign language teachers (specially of the High-German) and the community in general.
German immigration to Brazil starts in the 19th century. In Brazil, the German Immigration Literature has already been a subject of many studies. Nevertheless, what was produced in Germany during the period of the great emigration by the land people of these emigrates is still unknown by the Brazilian people and also by the German folk. This article shows the results of a careful bibliographic research, that was made in German libraries and archives. In this article there is an important work: one narrative from Amalia Schoppe, Die Auswanderer nach Brasilien oder die Hütte am Gigitonhonha. They present interesting aspects about Brazil and about Germany at the e(im)migation context in the 19th century.
Photographs, articles and documents related to Herbert Caro.
Erico Verissimo’s letters to Herbert Caro, during the 1950s, offer a portrait of the translator of Thomas Mann, revealing his taste for music and movies as well as an insights in his role as a critic and confident of the Brazilian author.
This article offers a general view on the historical circumstances regarding the exile of Herbert Caro in Brazil. It also informs on his intellectual and professional background, based on official documents and research material as well as on an interview that the author realized with Herbert Caro in 1988.
This text offers a closer look on the personal environment of Herbert Caro, especially in regard to the role of his wife Nina Caro.
This text offers a closer look at Herbert Caro’s life, habits and his role as one of the founders of the Jewish Foundation SIBRA in Porto Alegre.
Herbert Caro
(2007)
A introductory text on Herbert Caro, his background and his activities in the Brazilian exile.
The Brazilian Choros combines rhythmic gesture, ongoing harmonies and sequences of motives in one single melody. This technique derives from baroque music and can be compared to the suites for cello by J.S.Bach. The Portuguese colonists brought their baroque music with them to Brazil where it later merged with the rhythmic music brought in by the West African slaves. In this means the first original Brazilian music was generated. This article will argue that both musical idioms are not as separated as one may believe.