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Presented are species-group names published in the nine coprine genera (Coleoptera: Scarabaeidae: Scarabaeinae: Coprini) having only one lateral carina on each elytron. The data include authorships, dates and pages of original descriptions, geographic distributions, and references to works pertinent to the topic.
This article is an inquiry into the concept of metaphysical experience through a joint discussion of two authors and philosophers with different approaches that nevertheless converge in the reclamation of the concept and rely both on the experience of death as an example. In both cases, the authors are guided by the central problem of how not to relinquish metaphysical experience to unscrutinized immediacy or a powerful conversion which enjoins subjection, putting it in contact with aesthetics and ethics at once. Theodor Adorno situates metaphysical experience as a problem of philosophy of history and devotes attention to the contemporary possibility of experiences that evoke transcendence. The transformations he identifies in the concept also lead him to propose art as a domain where metaphysical experience is alive. The implicit personal investment Adorno makes is much more clear in Lacoue-Labarthe who, in a dialogue with Maurice Blanchot, shows the experience as deeply bound up with literature and its links to subjectivity. The article argues that the main difference between the two approaches is modal and temporal from the side of the object, aside from the different modes of interrogation recognized with the labels deconstruction and critical theory.
A checklist of the Scarabaeoidea (except Passalidae) of the Guianas (Guyana, Suriname and French Guiana) is presented for the first time. Both recorded and potential species are included, the latter defined as being recorded from Brazil north of the Amazon/Rio Negro main channel or from Venezuela east of the Orinoco main channel. The checklist contains a total of 930 species and subspecies, with 265 validly recorded from Guyana (eight new country records), 388 from Suriname (146 new country records), 531 from French Guiana (four new country records) and 177 additional species recorded from contiguous areas of neighboring Brazil and Venezuela. Valid names as well as selected synonyms are provided. Multiple notes on presently recognized subspecies, nomenclatural problems, doubtful type localities, historical misidentifications, etc. are included. An extensive reference list is provided.
Der Aufsatz sieht in Freuds Begriff des Unheimlichen einen Schlüssel zu seiner Poetik. Den Ausgangspunkt der Untersuchung bietet allerdings nicht seine bekannte Interpretation des Textes von E.T.A. Hoffmann, sondern die narrativen Elemente des Textes, in denen er auf indirekte Weise Aufschluss über seinen Begriff der Psychoanalyse gibt. Als Theorie und Praxis der Dichtung ist Freuds Aufsatz über Das Unheimliche nicht nur eine Theorie ein wichtiger Bestandteil seiner Poetik.
The website Sci-Hub enables users to download PDF versions of scholarly articles, including many articles that are paywalled at their journal’s site. Sci-Hub has grown rapidly since its creation in 2011, but the extent of its coverage was unclear. Here we report that, as of March 2017, Sci-Hub’s database contains 68.9% of the 81.6 million scholarly articles registered with Crossref and 85.2% of articles published in toll access journals. We find that coverage varies by discipline and publisher and that Sci-Hub preferentially covers popular, paywalled content. For toll access articles, green open access via licit services is quite limited, while Sci-Hub provides greater coverage than a major research university. Our interactive browser at https://greenelab.github.io/scihub allows users to explore these findings in more detail. For the first time, nearly all scholarly literature is available gratis to anyone with an Internet connection, suggesting the toll access business model will become unsustainable.
The website Sci-Hub provides access to scholarly literature via full text PDF downloads. The site enables users to access articles that would otherwise be paywalled. Since its creation in 2011, SciHub has grown rapidly in popularity. However, until now, the extent of Sci-Hub’s coverage was unclear. As of March 2017, we find that Sci-Hub’s database contains 68.9% of all 81.6 million scholarly articles, which rises to 85.2% for those published in toll access journals. Coverage varies by discipline, with 92.8% coverage of articles in chemistry journals compared to 76.3% for computer science. Coverage also varies by publisher, with the coverage of the largest publisher, Elsevier, at 97.3%. Our interactive browser at greenelab.github.io/scihub allows users to explore these findings in more detail. We find Sci-Hub preferentially covers popular, paywalled content, containing 96.2% of citations to toll access journals since 2015. For recently requested articles by Unpaywall users, oaDOI provided access to 48.8% whereas Sci-Hub contained 81.5%. Together, oaDOI and Sci-Hub covered 94.1%, demonstrating that gaps in Sci-Hub’s coverage, especially for open access articles, can be filled using licit services. For the first time, nearly all scholarly literature is available gratis to anyone with an Internet connection. Sci-Hub’s scope suggests the subscription publishing model is becoming unsustainable.
The website Sci-Hub provides access to scholarly literature via full text PDF downloads. The site enables users to access articles that would otherwise be paywalled. Since its creation in 2011, Sci-Hub has grown rapidly in popularity. However, until now, the extent of Sci-Hub's coverage was unclear. As of March 2017, we find that Sci-Hub's database contains 68.9% of all 81.6 million scholarly articles, which rises to 85.2% for those published in closed access journals. Furthermore, Sci-Hub contains 77.0% of the 5.2 million articles published by inactive journals. Coverage varies by discipline, with 92.8% coverage of articles in chemistry journals compared to 76.3% for computer science. Coverage also varies by publisher, with the coverage of the largest publisher, Elsevier, at 97.3%. Our interactive browser at https://greenelab.github.io/scihub allows users to explore these findings in more detail. Finally, we estimate that over a six-month period in 2015–2016, Sci-Hub provided access for 99.3% of valid incoming requests. Hence, the scope of this resource suggests the subscription publishing model is becoming unsustainable. For the first time, the overwhelming majority of scholarly literature is available gratis to anyone with an Internet connection.
Para responder a la pregunta: ¿Qué es la literatura?, Sartre propone el concepto de unidad como su característica exclusiva que la relaciona con la sociedad por la vía del compromiso. Se analiza tal exclusividad, así como las objeciones de Adorno a la noción de compromiso, para encontrar, en medio de sus grandes diferencias, algunas afinidades que permitan establecer las relaciones entre la literatura y la sociedad.
Vergangenheit und Gegenwart der deutschen Spracheinflüsse an der Germanistikabteilung in Osijek
(2014)
The paper describes the influence of German language on the language and literature in Osijek, Croatia and the way these influences are being researched and kept alive at the Faculty of Humanities and Social Sciences in Osijek. The German language and culture had a strong impact both on the language and the literature of Slawonia. The literary tradition is taught as a course about 18th and 19th ct literature in Slawonia, the linguistic aspect lives through publications and has the potential to be included in courses or to be used for further research.
This paper gives a critical view to the collective volume Etudes à la loupe… Optikinstrumente und Literatur, edited at the Stefan cel Mare University publishing house Suceava. The contributors propose an ample incursion into optics as a literary motif, opening a multitude of points of view, which serve as guiding cues for interdisciplinary research.
The following mission statements by linguists and literary scholars working in different institutional and cultural contexts and at different stages of their careers are intended to map out the terrain covered by this journal. They tell similar stories about how these scholars came to cross the disciplinary boundary that too often divides their two fields, and they reveal a number of shared interests and emphases. But they also highlight the diversity of methodologies to which this journal is open – from metrics and stylistics to the cognitive sciences and Systemic Functional Grammar. The hopes and expectations voiced by the authors are partly pragmatic, expressing the wish that the journal’s Open Access format will have a broader reach than a journal published in the "traditional" way would, notably to colleagues outside of Western Europe. They also, however, emphasise the journal’s potential to shape our conception of "literary linguistics" and, therefore, to make an innovative contribution to shaping what continues to be a contested and often misunderstood "field".
Sababu man dògòn
(2010)
The reason is not small
(2010)
"Don’t forget the sugar!" my husband called after our son who was already running down the road, hopping across puddles and skirting garbage mounds. He leaned back in his chair and sighed. The plastic covered wires were stretching to the point that they would break soon. We would get it restrung again. (...)
L’analyse qui suit a pour objet la notion du double chez Alain Mabanckou. Cette notion est étudiée telle qu’elle se donne à lire dans Mémoire de porc-épic, roman paru en 2006 aux éditions du Seuil. Ce qui nous intéresse ici c’est le rapport possible existant entre double, parole et ponctuation. Présenté ainsi, nous cherchons à comprendre cette particularité du texte de Mabanckou qui est une longue phrase sans ponctuation, sinon n’étant ponctuée que par des virgules.
Dès 1980, on assiste à des publications qui séduisent par l'esthétique du verbe, le charme surréaliste de la description des unités de temps, de lieux, de personnages, d'intérêts et une certaine charge évocatrice de l'histoire et de la philosophie des peuples du Gabon. C'est le début d'un certain éveil de la conscience littéraire.
Sans qu'il soit besoin de faire la ronde des romans de la dernière période, force est de constater qu'aucun auteur ne prend le risque d'aller au-devant de ce qu'ils semblent tous considérer comme des «sujets de danger», de ces sujets qui touchent à la politique et à la vie de leurs acteurs. La problématique des romans gabonais se construit alors sur la base du consensus de la peur. Écrire sur les politiques crée une névrose dont aucun écrivain ne voudrait payer les frais. À noter pour conclure que le silence du romancier gabonais pourrait bien sourdre du « prince », lui-même écrivain et capable comme tel d'influencer le monde de l'écriture. Dire le politique dans le roman pourrait porter à contredire les publications dithyrambiques qui font l'apologie de ce que les poètes souhaitent voir se concrétiser en vain. Alors, qui prendra le risque de faire le démenti?
Un moment de ma vie
(2008)
« Et si les crocodiles pleuraient pour de vrai… » est une nouvelle dans laquelle, semblet-il, l’écrivain et théoricien Ludovic Emane Obiang paraît asseoir une conception du monde et de la littérature basée sur une figure profonde de même qu’un phénomène essentiel que sont la figure du crocodile et le phénomène de la reconstruction. Sa nouvelle paraît nous plonger au coeur d’une question essentielle source de véritables angoisses. Les crocodiles pleurent-ils ? Et s’ils pleurent, pleurent-ils pour de vrai ? A quoi devons nous faire attention lorsqu’on nous invite à penser à partir de la figure du crocodile ? Ensuite, en quoi cette figue de crocodile a-t-elle rapport avec quelque chose de l’ordre de la reconstruction, car comme le souligne Ludovic Obiang, le maître mot de sa nouvelle est le phénomène de la reconstruction ? Qu’est-ce que la reconstruction ? A quoi renvoie la réalité du crocodile ?
Au nombre de ces littératures d'Afrique subsaharienne, il y a la littérature gabonaise. Cependant, par rapport aux autres littératures d'Afrique subsaharienne francophone qui sont plus connues, la littérature gabonaise souffre encore d'un manque de visibilité et d'auteurs de renommée internationale. Et pourtant, il y a dans ce pays une vie et surtout une pratique de la littérature où les genres littéraires ont réussi à s'imposer. Nous donnerons d'abord un aperçu des premières écritures au Gabon; puis, à partir de cinq genres majeurs de la littérature gabonaise bien identifiés, à savoir le théâtre, l'essai, la nouvelle, le roman et la poésie, nous étudierons leur parcours général et leur évolution, depuis les premières publications jusqu'à celles de nos jours.