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Aufgrund von § 4 Abs. 5 des Gesetzes zum Staatsvertrag über die Errichtung einer gemeinsamen Einrichtung für Hochschulzulassung vom 15. Dezember 2009 (GVBl. I S. 705) und § 3 Abs. 7 der Verordnung über die Vergabe von Studienplätzen in zulassungsbeschränkten Studiengängen der Hochschulen des Landes Hessen (Studien-platzvergabeverordnung Hessen) vom 7. Mai 2013 (GVBl. S. 172), zuletzt geändert durch Verordnung vom 30. April 2014 (GVBl. S. 115), hat der Senat der Johann Wolfgang Goethe-Universität am 23. Juli 2014 die nachstehende Satzung erlassen:...
Aufgrund von § 3 Abs. 1 S. 2 des Gesetzes zum Staatsvertrag über die Errichtung einer gemeinsamen Einrichtung für Hochschulzulassung vom 15. Dezember 2009 (GVBl. I S. 705) sowie §§ 37 Abs. 8 und 84 Abs. 5 Satz 2 des Hessischen Hochschulgesetzes vom 14. Dezember 2009 (GVBl. I, S. 666 ff.), zuletzt geändert durch Gesetz vom 27. Mai 2013 (GVBl. S. 218), in Verbindung mit § 13 Abs. 1 Satz 1 der Kapazitätsverordnung vom 10. Januar 1994, zuletzt geändert durch Verordnung vom 20. Juni 2005 (GVBl. I, S. 532 ff.), hat das Präsidium der Johann Wolfgang Goethe-Universität Frankfurt am Main am 27.05.2014, 17.06.2014 und am 24.06.2014 die nachstehende Satzung erlassen:...
Searching for Bate Besong
(2014)
The future of the country in Searching for Bate Besong is compromised by irresponsible leadership, falsehoods, blind tyranny, waste, and lawlessness. Visionaries like Dockinta (a literary incarnation of Bate Besong, one of Cameroon's most fiery and revolutionary authors) who try to question or expose the status-quo are incarcerated and tortured by the brute forces of dictatorship. It however only needs the strong will and audacity, the messianic self-sacrifice and determination (which are the values Dockinta incarnates), to expose, ridicule and destroy power drunkenness. This play is sine qua non to searching for the collective memory of a community marginalized and subjugated by successive regimes of exploitation and repression. It promises the rediscovery of the dignity and destiny of an active volcano wrongfully rendered docile. The Search will liberate a people who agonized from the whips by the Germans, the hypocrisy of the British, the outright exploitation of the French and the eternal domination of La Republique du Cameroun. The search will culminate in liberating not only Cameroonians, but Africa from corruption, nepotism, tribalism, organized crime, wars and the abuse of basic human rights and freedoms.
African scholarly research is relatively invisible globally because even though research production on the continent is growing in absolute terms, it is falling in comparative terms. In addition, traditional metrics of visibility, such as the Impact Factor, fail to make legible all African scholarly production. Many African universities also do not take a strategic approach to scholarly communication to broaden the reach of their scholars' work. To address this challenge, the Scholarly Communication in Africa Programme (SCAP) was established to help raise the visibility of African scholarship by mapping current research and communication practices in Southern African universities and by recommending and piloting technical and administrative innovations based on open access dissemination principles. To do this, SCAP conducted extensive research in four faculties at the Universities of Botswana, Cape Town, Mauritius and Namibia.
From my friendships and loves are born the lines herein. My greatest desire is that we must learn to love to the best of our abilities and not better than the Best of our abilities. Requesting the latter would be demanding the impossible. For me, every heart is filled with goodness and love that only a positive posturing and channeling of their energies can warrant the transcendence of these terrestrial realities to flirt with their divine counterparts.
Einar Schleef zählt zu den herausragendsten Theaterregisseuren der 1990er Jahre. Seine Theaterstücke polarisierten, waren unbequem und verlangten den Zuschauern ein Höchstmaß an Konzentration ab. Er wurde gefeiert und verflucht gleichermaßen. Weniger bekannt war allerdings, dass er sich auch als Schriftsteller betätigte und auch hier ausufernd und kompromisslos war. Erst nach seinem Tod 2001 rückten zunehmend seine epischen Werke in das Bewusstsein eines breiteren Publikums. Einar Schleefs "halbdokumentarische[r] Familien- oder Heimatroman" Gertrud, geschrieben in den Jahren nach seiner "Republikflucht" 1976, ist der schier endlose, auf nahezu tausend Seiten ausgebreitete Erinnerungsstrom einer alten, in Sangerhausen geborenen und dort lebenden Frau, Gertrud (Trude) Schleef, geborene Hoffmann. Sie ist die Mutter des Autors, die (durch das Sprachrohr Schleef) in einem ständigen Wechsel von Monologen, Briefen, Tagebuchnotizen ihr Leben erzählt. Als der erste Band gedruckt vor ihm liegt, schreibt Schleef in sein Tagebuch: "Mutter, ich habe dir eine Pyramide errichtet, einfach Schotter übereinander. Für eine Deutsche Familientragödie."
Women in Islam explores the complexities of gender relations in Muslim communities in the Horn of Africa and beyond, engaging critically with the social, political and cultural challenges associated with the intersection of Islam and gender. With an eclectic selection of essays, academic papers, opinion pieces and personal narratives punctuated with poetry and art, the journal seeks to spark creative and forward-looking discussions on how to effectively improve the status of women in Muslim societies. Women in Islam is published annually by SIHA, the Strategic Initiative for Women in the Horn of Africa. Issue One of Women in Islam includes investigations of social issues, profiles of inspiring women, book and film reviews, and opinion pieces. The theme of the dossier, 'Unveiling Hijab', includes a selection of in-depth articles on the hijab and the practice of veiling. Highlights include an introduction to the life and work of Amina Wadud, a discussion of masculinity and fatherhood in a Muslim context, and reflections on what it means to be a 'moderate' Muslim today.
The book, the translation of Long Time Coming into Ndebele from English, brings together short stories and poems from thirty-three writers that provide snapshots of this turbulent period in Zimbabwe's history. Snapshots of living in a country where basic services have crumbled: where shops have no food, taps no water, banks no money, hospitals no drugs, bars no beer. Snapshots of characters surviving against seemingly insurmountable odds. Horrific snapshots of the abuse of power, of violence and oppression, of the destruction of dreams. But this is Zimbabwe and there are lighter moments and moments of hope: in some of life's simple pleasures, in the coming of the rains, in the wink and the smile of a stranger, in a challenge to patriarchy, in the inner strength of the people, in fighting back.
The short stories and poems in this collection were written by students at King George VI School and centre for physically disabled children in Zimbabwe's second city, Bulawayo. HIV and AIDS have had a devastating effect on all the communities of Zimbabwe, and those with disabilities have not been exempt from the effects of the virus, as is reflected in many of the pieces in this collection. The book clearly demonstrates both the talent of the students and their concern about the issues facing their community and wider society. Some of the stories and poems tell the stories of their lives, some come straight from their imagination, and some simply speak of their dreams for a better future.
In the 1960s and 1970s, Third World governments prescribed and imposed a certain kind of journalism variously called 'objective' journalism or 'development journalism'. They understood this as journalism restricted to reporting 'facts' as dished out by their propagandists and did not tolerate the questioning of government policy. By 'development journalism', they meant the mere reporting of government efforts to provide services, amenities and infrastructures and the singing of praises anytime a bridge was inaugurated, irrespective of whether it was well-built or whether the contract to build was awarded according to the norms of transparency and probity. This one-sided journalism was prevalent especially in state-owned media and media practitioners in the few private news publications that existed who did not toe the line were subjected to constant harassment and incarceration. However, with the coming of well-trained journalism graduates into the scene in the 1970s and the advent of global liberalization in the late 1980s and 1990s, daring journalists like Sam-Nuvala Fonkem thought it was time to take the bull by the horn and start taking a more critical look at government pronouncements, matching policy statements with real action in the field; in short, moving from 'objective' journalism to interpretative and investigative journalism. This collection of Sam-Nuvala Fonkem's writings is a sampling of the fruit of that new spirit to dare where angels hitherto feared to tread, to hold public officials to account and to expose the falsehood cached behind the political masquerade of the ruling class.
So Bright a Darkness
(2014)
Okafor ran wildly through the jungle, the phantom captain and his ghoulish platoon in hot pursuit. The faster he ran the more they gained on him. The earth suddenly became marshy and slippery under his feet, impeding speed and balance. He came to an intersection where the jungle paths crossed and saw a mound of earth about four feet high. Just beyond the mound stood a giant Iroko tree. Intuitively, he knew that if he jumped over the mound and quickly climbed up the tree, the ghostly captain and his soldiers would lose him. Eons merge in interstellar whirls. Realism, science fiction and fantasy fuse to drive this drama of transition, cross civilisation and self-discovery.
In the 1980s, the University of Cape Town s social anthropology department was predominantly oriented by an expos style of critical scholarship. The enemy was the apartheid state, the ethical imperative was clear and a combative metaphor for doing research motivated the department. Andrew David Spiegel, known affectionately as Mugsy by his students and colleagues, has been a central, if understated, figure of this history and helped to frame the theoretical charge of a generation of students looking to counter apartheid from inside . In a series of interviews between the senior professor and one of his students Jessica Dickson Spiegel offers a unique perspective from the centre of anthropology s recent history in South Africa.
Der vollständige Titel der vorliegenden Arbeit lautet: Sprachwandel in Chur: 'Aufnahmen des Sprachatlasses der deutschen Schweiz (SDS) konfrontiert mit der Mundart von heute'. Entsprechend dieses Programmes sollen folgende Fragen beantwortet werden:
o Was für Aenderungen können wir in der Churer Mundart ausmachen?
o In welche Richtung gehen diese Aenderungen? Lassen sich Tendenzen ausmachen?
o Welche Einflüsse führten zu den festgestellten Veränderungen?
Es ist klar, dass im Rahmen dieser Arbeit nur ein Teil allen Sprachwandels in Chur festgehalten werden konnte. Es ist aber durchaus möglich, anhand der erfassen Veränderungen Schlüsse zu ziehen, die sich auch auf die Mundart von Chur überhaupt übertragen lassen.
Schwerpunktmässig wurden für diese Arbeit Vokalismus und morphologisch-syntaktische Probleme bevorzugt behandelt. Für Konsonantismus eignet sich die Form der schriftlichen Umfrage wenig (Vgl. Kap.l.3.). Der Wandel im mundartlichen Wortschatz ist zu gross, als dass er auch nur annähernd vollständig behandelt werden könnte. Und Stiefkinder mussten auch satzmelodische und rhythmische Probleme bleiben. Dafür wurden anhand ausgesuchter Beispiele Phänomene erfasst, bei welchen der SDS nicht als Grundlage dienen konnte.
Wichtig ist für diese Arbeit, dass mit "der Mundart von heute" auch wirklich heutige Mundart erfasst wurde. Es sollte also keineswegs eine "richtige" Churer Mundart rekonstruiert (auch wenn dies mit den Verweisen auf die SDS-Karten implizit natürlich gemacht worden ist), sondern vielmehr mit den Aussagen der Gewährspersonen (Gwp) gearbeitet werden. In diesem Sinne kann Sekundärliteratur Erhellung bringen, soll aber nicht Untersuchungsgegenstand sein.