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The relationship between police and the public in formerly colonised countries of Africa has never been smooth. It is plagued with clich's of suspicion, mistrust, and brutality which are all a result of the legacy of draconian policing in colonial Africa. This colonial hangover has chiefly been an upshot of sluggish switching from the mantra of colonial policing to community progressive policing advocated in democratic societies. This book, the result of five years of ethnographic and library research on the interaction and relationships between police and members of the public in Zimbabwe, is a clarion call for a generative progressive working together between the police and the public for a peaceful and orderly society. While it traces the historical trends and nature of policing in Africa and in particular Zimbabwe, the book demonstrates how law, morality and policing enrich one another. The book offers critical insights in the interpretation of contemporary policing in Zimbabwe with a view to inform and draw lessons for both police and the public. It should be of interest not only to legal anthropologists but also political scientists, members of the public, police instructors, police officers, and students and educators in academic disciplines such as criminal justice, criminology, law, sociology, African studies, and leadership and conflict management.
Revolution: Struggle Poems
(2015)
Revolutionary as a way of solving problems bedevilling our place under the sun, revolutions we witnessed in The Middle East, revolutionary in writing, text, textiness of text, the poetic genre, attitude of mind, ideas, living. Poems in Revolution take the experimental approach as they deal with the above struggle issues and many others. They go further in bringing into focus how our revolutions have not delivered us across the line, and how to get across the line.
In A Predicament All My Life marks out some of the distressing ills of the postcolonial elite and the challenges of present-day African societies and cultures. The Poems in this collection bring into conversation precolonial Africa and Africa since colonialism. In particular, the poems explore Cameroon's predicament, its reunification traits, and its existential challenges. They represent a people who are out of favour, have lived in misery for most of their lives but are determined to stand firm and seek justice. In addition, the poems depict how women deal with gender oppression in a patriarchal society caught between and betwixt.
Representing research from east, central, west, and southern Africa, Engaging Children and Youth in Africa provides a well-balanced analysis of on-the-ground data with methodological and phenomenological issues that abound in much of research in Africa today. With an introduction that charts out some of the most critical approaches in African-centred research on children and youth, contributors to this volume give the reader a glimpse of the product of engaged research that places children and youth at the centre of analysis. The authors follow recent studies that have insisted on seeing African childhood and youth beyond constraining Western notions of vulnerability or innocence, to capture the ways in which recent advances in technology, the intensification of global processes, and continued weakening of the nation-state have not only contributed to new ways of being children and youth but how they have also provided a new lens through which to study social change.
Finding a Way Home
(2015)
Home is a place in ourselves where we are happy with ourselves, where we find peace with ourselves, where we are satisfied, fulfilled... The important theme coursing through all the stories in the novel, Finding a way home, is that we have to make the journey to find our homes, we have to find the path, and start walking in that path.
When Africa stumbled into independence in the 1960s, the blossoming of newspapers of nearly every political persuasion was widely hailed as a critical stepping stone toward true multiparty democracy. However, rather than marking a clean break with an authoritarian past, the era of multiparty politics in Africa has been a time of increased hardship and repression for journalists who dare criticize powerful incumbents. Media repression continues to rise. After decades of retreat, authoritarian regimes are using social media and other sophisticated systems in a new era of repression to thwart democracy and trample human rights. For consecutive decades, the state of freedom has declined - more people in more places face more repression. While systemic torture in war-torn Somalia and the return of a military dictatorship in Egypt captured headlines, there is also widespread, insidious and 21st-century style surveillance elsewhere with abuse or imprisonment or both of political activists. For the media to play its role as priests of democracy, Tatah Mentan maintains that media freedom must be rigorously defended as integral to the democratic way of life.
On perusing Stream of Consciousness: Poetics of the Universal by Peter Wuteh Vakunta, one is struck by the eclectic and englobing nature of themes broached. Vakunta's poetry is both a transversal and longitudinal dissection of our world. The poet assumes the posture of a divinity casting interrogative glances at the deeds of humans. Not a single terrestrial creature evades his prying eyes. Even the most subtle creatures on Planet Earth are scathed by the poet's effusion of vitriolic emotions. The poet pursues evil-doers right into their graves. Even in their death throes, he continues to deal them fatal blows. Armed with a caustic pen, this chronicler does not sit on the fence and watch events transpire. Instead, he speaks for the downtrodden of all races and social strata: black, white, yellow, Papuan, Andalusian, wretched, opulent. This adds grist to the title of the book. The poet distances himself from the rigor of Kant and the moralism of La Rochefoucauld. Weary of hearing the voices of humans in distress, he paints the portrait of another kind of Humanity. Vakunta's poetry celebrates the harmonious cohabitation of verbal sophistry with the power of the word.
This book brings together twenty think-pieces on contemporary Human Rights issues at the international, regional and national level by one of Africa's foremost scholars of International Human Rights and Constitutional Law, J. Oloka-Onyango. Ranging from the 'Arab Spring' to the Right to Education, the collection is both an in-depth analysis of discrete topics as well as a critical reflection on the state of human rights around the world today. Taking up issues such as the African reaction to the International Criminal Court (ICC), the question of truth and reconciliation before the outbreak of post-election violence in Kenya and the links between globalization and racism, the book is a tour de force of issues that are both unique as well as pertinent to human rights struggles around the world.
African Modernities and Mobilities : An Historical Ethnography of Kom, Cameroon, C. 1800-2008
(2015)
In this book Walter Gam Nkwi documents the complexities and nuances embedded in African modernities and mobilities which have been overlooked in historical discourses in Africa and Cameroon. Using an ethnographic historical approach and drawing on the intricacies of what it has meant to be and belong in Kom- an ethnic community in the Northwest Region of Cameroon - since 1800, he explores the discourses and practices of kfaang as central to any understanding of mobility and modernity in Kom, Cameroon and Africa at large. The book unveils the emic understanding of modernity through the history and ethnography of kfaang and its technologies and illustrates how these terminologies were conceived and perceived by the Kom people in their social and physical mobilities. It documents and analyzes the historical processes involved in bringing about and making kfaang a defining feature of everyday life in Kom and among Kom subjects.
This book argues that the basic component of any society's social security and sustainability is cultural capital and its ability to fully recognise diversity in knowledge production and advancement. However, with regard to African societies, since the dawn of racial slavery and colonialism, cultural capital - indigenous knowledge in particular - has iniquitously and acrimoniously suffered marginalisation and pejorative ragtags. Increasingly since the 1990s, cultural capital informed by African knowledge systems has taken central stage in discussions of sustainability and development. This is not unrelated with the recognition by America and Europe in particular of the central role that cultural capital could and should assume in the logic of development and sustainability at a global level. Unfortunately, action has often failed to match words with regard to the situation in Africa. The current book seeks to make a difference by exploring the role that African cultural capital could and should assume to guarantee development and sustainability on the continent and globally. It argues that lofty pan-African ideals of collective self-reliance, self-sustaining development and economic growth would come to naught unless determined and decisive steps are taken towards full recognition of indigenous cultural capital on the continent.
Boundaries
(2015)
In Boundaries, Musang, from the Grassfields, falls in love with Etonde from the Coast. Although aware of some existing tension and unfounded mistrust between both camps, the couple is ready to marry when Etonde's father, incredibly, rejects the marriage proposal at the last minute. Although traumatized, Musang, finally, deems the rejection a sign from heaven and so reconsiders a lingering vocation idea - the priesthood. Meanwhile, a devastated Etonde, now defiant of men, struggles on to regain her equilibrium. Years after, however, and barely months away from his ordination into the priesthood, Musang, an exemplary postulant, is suddenly given the deprecating choice to go on probation or leave the seminary; he leaves.
Tori Shweet for Cameroon Pidgin English is a compendium of short stories written in Cameroon's most widely spoken lingua franca commonly called Cameroon Pidgin English (CPE). The grassfields of Cameroon serves as the nursery where these culturally enriched stories are nurtured. The collection comprises animal trickster tales, bird survival tales and human-interest stories. In conformity with the philosophy of French novelist, Stendhal, this anthology of short stories is a mirror that reflects the folklore and mores of the ethnic groups that constitute the grassland region of Cameroon. It serves as a window to the worldview, mindset and value systems of the grafi.
A la tète du client is a vitriolic indictment of the unsettling myths and stereotypes surrounding the HIV/AIDS pandemic in Cameroon. It problematizes and lampoons the unethical practices of medical personnel that have made this disease an intractable ailment in Cameroon and beyond. The English translation of A la tète du client titled Fly over the Crooks' Crooked Nest denounces and scourges the predatory behaviour of the wicked who take advantage of the weakest in a context of HIV/AIDs. When two rascals decide to open their own laboratory for medical analysis, without any skills or equipment, the least harmful results amount to 'Obama... blood type O, Axelrod...blood type A...'
The Forest: An African Traditional Definition seeks to provide the conservationist with some basic ideas as to which cultural areas to explore. It utilises illustrative African cultures: from ecologically and culturally rich forest zones of Cameroon which has earned the description of Africa in miniature due to its diversity; and representativeness of ecological and cultural landscapes that reflect the continent. These aim to direct the conservationist to the appropriate beliefs and customs that could be exploited in favour of conservation. There is no overemphasising that most, if not all, African cultures have at least some rudimentary aspects of conservation in the modern sense. These aspects constitute the strong colours that could be used to create an indelible picture of the importance of conservation on the continent.
Despite all the talk about African renaissance, much of the continent is plagued by poverty and instability. To break out of that cycle, the guardians of African heritage (the old independence freedom fighters turned political leaders and their successors) and much of Afrocentric literature rightly promote African ideas and solutions for African problems. While the idea in itself is noble, the danger is for Africa to close itself off and ignore 'outside' technical and intellectual innovations that it desperately needs to advance further. Africa through Structuration Theory - ntu joins the discourse by attempting to restore intellectual freedom and convincingly defends structuration theory not only as the way forward for Africa but also as a legitimate African concept. It is innovative, refreshing and deserves to be heard across the world and appreciated especially by African graduates, current and future leaders of various African institutions or businesses, non-Africans who might hesitate to refer to such a theory when trying to understand and deal with African problems and the wider public who constitute the audience for this book.
Life, Love, Lies
(2015)
Life, Love, Lies is a collection of reflections on perhaps the two most mundane yet fundamental aspects of human existence: love and the concept of living. In between, are matters benign and not so benign - on life - amassed, experienced and/or lived, for well over half a century now; on everything from the tabula rasa of childhood to the flow of world history.
This Book is the outcome of a long project begun thirty years ago. It is a book on the makings of pan-Africanism through the predicaments of being black in a world dominated by being white. The book is a tribute and celebration of the efforts of the African-American and African-Caribbean Diaspora who took the initiative and the audacity to fight and liberate themselves from the shackles of slavery. It is also a celebration of those Africans who in their own way carried the torch of inspiration and resilience to save and reconstruct the Free Humanism of Africa. As a story of the rise from the shackles of slavery and poverty to the summit of Victors of their Renaissance Identity and Self-Determination as a People, the book is the story of African refusal to celebrate victimhood. The book also situates women as central actors in the Pan-African project, which is often presented as an exclusively masculine endeavour. It introduces a balanced gender approach and diagnosis of the Women actors of Pan-Africanism which was very much lacking. The problem of balkanisation of Africa on post-colonial affiliations and colonial linguistic lines has taken its toll on Africa's building of its common identity and personality. The result is that Africans are more remote to each other in their pigeon-hole-nation-states which put more restrictions for African inter-mobility, coupled by education and cultural affiliations, the communication and transportation and trading networks which are still tied more to their colonial masters than among themselves. This book looks into the problem of the new wave of Pan-Africanism and what strategies that can be proposed for a more participatory Pan-Africanism inspired by the everyday realities of African masses at home and in the diaspora. This book is the first book of its kind that gives a comprehensive and multidimensional coverage of Pan-Africanism. It is a very timely and vital compendium.
A Pebble In The River
(2015)
Akli is an old man now. He is in prison. It is from there that he begins telling his story of the colonisation of Northern Africa. Of his village especially, Thadarth. It is a narrative of revolution, war, torture, dispossession, corruption, intolerance, betrayal, terrorism, religious extremism but, above all, resistance. A narrative of inevitability and loss. The loss of faith in a higher power. The loss of those closest to him, which he would endlessly try, in vain, to prevent since his adolescence. He would forever carry the burden of their death and absence, the regret of not having been able to protect them, to be with them. This forged him into a cynic, a man without hope for a better future, a man who wishes for death every day that passes. But his is also a story of love. Unconditional. Pure love. The ineffable kind which he has for his country, his land, the mountains, his family, his friends, his people. A story of his life's first love, Martine, daughter to the French settler, Fino, who left him with a lot of frustrations but also good remembrances. If his story begins in gloom, it is one through which secretly, intimately and ultimately runs the thread of hope. Hope because he is released from prison at the time of the narration. Hope that his daughter, Zira, the fruit of the rape of his wife by terrorists, brings back into his life. It is a story about the persistence of beauty, of good and goodness, even in the face of chaos. It is a story about truth. His truth. Eternal even when obscured. No man can be broken badly enough to not feel love, to not see and enjoy beauty. No man can tear the world apart so much that love and beauty no longer exist. Once this truth is accepted, however chaotic or scary the outside world can be, peace can be found. Peace within one's own being. Peace which Akli finds too.
This book, the first of its kind on Anglophone Cameroon, brings significant local context into the practice of law particularly at a juncture when civil practice has been radically altered by Cameroon's ongoing effort at harmonization of both the substantive and procedural laws applicable in the courts. The book covers a wide spectrum of topics including: the commencement of civil actions, jurisdiction, simplified recovery procedures and measures of execution, provisional execution and stay of execution. It provides a detailed analysis of the relevant rules of court applicable in both the high court and court of appeal. One of its major strengths lies in its use of recent cases to demonstrate the way Cameroonian judges have dealt with local procedural laws, as well as how the differences between Cameroonian indigenous rules of practice and those imported particularly from Nigeria and England are reconciled.