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The chapter engages the nature-culture divide with the generative ambivalences of weathering in both language and physics. Taking the different uses of the enantiosemic and ambitransitive verb as indicative of the human's fraught relationship with its environment and itself, it analyses multiple ways in which 'weathering' can involve subject-object relations, objectless subject-predicate relations, or even subjectless processes, and proposes to think them with mechanics, thermodynamics, and chaos theory.
Die in der Forschung bislang übersehene eigenständige Rezeption der urbanen in Paris entstandenen Persiflage durch die Frühromantiker*innen bietet eine Möglichkeit, die duale Konstellation zwischen Büchner und der Romantik um eine dritte komparatistische Perspektive zu erweitern. Es wird im Folgenden also nicht das allgemeine Phänomen der Verwendung von satirischen Mitteln in der Romantik und in Büchners Werk diskutiert, sondern eine spezifischer ausgelegte dreigliedrige Fragestellung: Der Nachweis der Attraktivität der französischen Persiflage als moderne Form boshafter Satire in der Frühromantik wird ergänzt durch die Analyse der Romantisierung der Persiflage. Erst danach kann das virtuose ausdifferenzierte Widerspiel von Persiflage und Karnevaleske in Büchners Werk vorgestellt und analysiert werden.
Adapting MAIN to Arabic
(2020)
Counter to the often assumed division of labour between content and function words, we argue that both types of words have lexical content in addition to their logical content. We propose that the difference between the two types of words is a difference in degree. We conducted a preliminary study of quantificational determiners with methods from Distributional Semantics, a computational approach to natural language semantics. Our findings have implications both for distributional and formal semantics. For distributional semantics, they indicate a possible avenue that can be used to tap into the meaning of function words. For formal semantics, they bring into light the context-sensitive, lexical aspects of function words that can be recovered from the data even when these aspects are not overtly marked. Such pervasive context-sensitivity has profound implications for how we think about meaning in natural language.
Preface: New language versions of MAIN: Multilingual Assessment Instrument for Narratives - revised
(2020)
With increasing importance of organizational effectivity and efficiency measures like Balanced Scorecard and optimization of employee work behavior to achieve higher organizational efficiency, Human Resource activities concerning leadership development and academic leadership research are growing. Throughout the course of the twentieth century, a multitude of empirical studies show primarily positive relationships between different constructs of leadership models and desirable variables of organizational behavior. It becomes apparent, though, that in academic research the selection of analyzed leadership models and their consequences is very heterogeneous. This Master Thesis has the objective to contribute to Leadership Research by applying a comparative empirical study in the–until today–often neglected study population of in-house and sales personnel within the pharmaceutical industry. For this purpose, an online employee survey with N = 137 participants from a leading pharmaceutical company in Germany was conducted. Based on contemporary leadership theory, a range of Hypotheses regarding consequences of modern leadership models is empirically tested. The results of the study reconfirm Identification with Manager, Trust & Loyalty and Employee Satisfaction as consequences of Authentic as well as Transformational leadership. Work context as in-house vs. sales setting shows moderating effects on some of the leadership-consequences relationships. As the research involves multiple structurally different variables as well as constructs and compares feedback of different study populations, tangible management implications to boost desirable work attitudes and behaviors can be derived and appropriately adapted to match the respective work context. Ramifications for future scientific research are also presented.
This paper is about what Ninan (2014) (following Wollheim 1980) calls the Acquaintance Inference (AI): a firsthand experience requirement imposed by several subjective expressions such as Predicates of Personal Taste (PPTs) (delicious). In general, one is entitled to calling something delicious only upon having tried it. This requirement can be lifted, disappearing in scope of elements that we will call obviators. The paper investigates the patterns of AI obviation for PPTs and similar constructions (e.g., psych predicates and subjective attitudes). We show that the cross-constructional variation in when acquaintance requirements can be obviated presents challenges for previous accounts of the AI (Pearson 2013, Ninan 2014). In place of these, we argue for the existence of two kinds of acquaintance content: (i) that of bare PPTs; and (ii) that of psych predicates, subjective attitudes and overt experiencer PPTs.
For (i), we propose that the AI arises from an evidential restriction that is dependent on a parameter of interpretation which obviators update. For (ii), we argue that the AI is a classic presupposition. We model both (i) and (ii) using von Fintel and Gillies’s (2010) framework for directness and thus connect two strands of research: that on PPTs and that on epistemic modals. Both phenomena are sensitive to a broad direct-indirect distinction, and analyzing them along similar lines can help shed light on how natural language conceptualizes evidence in general.
The goal of this paper is to evaluate two approaches to quantification in event semantics, namely the analysis of quantificational DPs in terms of generalized quantifiers and the analysis proposed in Schein (1993) according to which quantifiers over individuals contain an existential quantifier over sub-events in their scope. Both analyses capture the fact that the event quantifier always takes scope under quantifiers over individuals (the Event Type Principle in Landman (2000)), but the sub-events analysis has also been argued to be able to account for some further data, namely for adverbs qualifying ‘ensemble’ events and for mixed cumulative/ distributive readings. This paper shows that the sub-events analysis also provides a better account of the Event Type Principle if a broader range of data is considered, including cases with non-existential quantifiers over events: unlike the generalized quantifiers analysis, it can successfully account for the interpretation of indefinites in bare habituals and sentences that contain overt adverbs of quantification.
Korean is a generalized classifier language where classifiers are required for numerals to combine with nominals. This paper presents a number construction where the classifier is absent and the numeral appears prenominally. This construction, which I call the classifier-less number construction (Cl-less NC), results in a definite or a partitive reading where the referent must be familiar: ‘the two women’ or ‘two of the women’. In order to account for this, I argue that Korean postnominal number constructions are ambiguous between a plain number construction and a partitive construction. After motivating and proposing an analysis for the partitive structure, I argue that Cl-less NC is derived from the partitive construction, explaining its distributional restriction and the interpretation.
Bulgarian belongs to the South Slavic language group but exhibits specific linguistic features shared with the non-Slavic languages of the Balkan Sprachbund. In this paper, we discuss linguistic and cultural aspects relevant for the Bulgarian adaptation of the revised English version of The Multilingual Assessment Instrument for Narratives (LITMUS-MAIN). We address typological properties of the verbal system pertaining to a differentiated aspectual system and to a paradigm of verbal forms for narratives grammaticalized as renarrative mood in Bulgarian. Further, we consider lexical, derivational and discourse cohesive means in contrast to the English markers of involvement and perspective taking in the MAIN stories.
Over the six months in which Vajiko Chachkhiani's "Living Dog Among Dead Lions" was exhibited at the Georgian Pavilion at the 57th Venice Biennale in 2017, heavy rain was pouring inside the installation. This artificially generated process provokes thoughts on the nature of the here and now as well as of the afterlife and of the future appearance of the hut's water-sensitive insides. Eventually, the spaces and furniture exposed to rain and water stagnation will begin to rot and disintegrate, and mould and moss might grow over them. Its viewers feel caught between what they see and what they hope to see; between their perceptions and expectations, in an exceptional time zone where 'natural' weathering is being performed as a subject of meditative observation.
This paper gives an introduction to the Cantonese adaptation of Multilingual Assessment Instrument for Narratives (MAIN), which is part of the Language Impairment Testing in Multilingual Settings (LITMUS) battery. We here discuss the motivation for adapting this assessment instrument into Cantonese, the adaptation process itself and potential contexts for use of the Cantonese MAIN.
The adaptation of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN; Gagarina, et al., 2019) to Catalan contributes to advancing our knowledge of the development of children’s narrative skills in a diversity of languages using the same protocol, making it possible to evaluate narratives also in Catalan-speakers. The adaptation of MAIN will be very useful in Catalonia, because it is a region where two official languages (Catalan and Spanish) coexist, Catalan being the language of schooling, so that most of the population is bilingual. However, currently there is no instrument for assessing narrative skills that allows for parallel assessment of Catalan in bilingual children. For these reasons, this adaptation will be of great value to promote the study of narratives in the bilingual population considering Catalan within the possible language combinations. The present paper describes the process of adapting MAIN to Catalan and reports results from the first pilot study using the Catalan MAIN.
This paper describes the process of adapting the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) to Danish and the use of MAIN in a Danish context. First, there is a brief description of the Danish language followed by details of the process of translating and adapting the MAIN manual to Danish. Finally, we briefly describe some of the research contexts in which the current and previous MAIN materials have been piloted and applied.
This contribution provides an overview of the current state of affairs with respect to the Dutch version of the Multilingual Assessment Instrument for Narratives (MAIN). We describe properties of the Dutch MAIN, the creation of the Dutch MAIN, and the results of recent research with this new instrument to measure narrative competence.
The Epistemic Containment Principle (ECP) requires that epistemic modals take wider scope than strong quantifiers such as every or most (von Fintel and Iatridou, 2003). Although fairly robust in its realization, a few systemic classes of counterexamples to the ECP have been noted. Based on these, previous work has argued for two claims: subjective modals obey the ECP, whereas objective ones don’t (Tancredi, 2007; Anand and Hacquard, 2008); and every respects the ECP, whereas each violates it (Tancredi, 2007). This paper argues that explicit Questions Under Discussion (QUDs; Roberts, 1996; Ginzburg, 1996) also systematically influence the ECP: scopal orderings that provide relevant answers to the given QUDs are preferred, and this tendency can override the ECP. To support this claim, the paper presents an experimental study. The results corroborate the existence of systematic QUD effects on the ECP, and support the view that the ECP is derived from a confluence of various pragmatic and lexical biases.
Imposters are grammatically third-person expressions used to refer to the firstperson speaker or second-person addressee (e.g. ‘the present authors’ when used to refer to the first-person writer, ‘Mommy’ or ‘Daddy’ when used by parents for self-reference in child-directed speech). Current analyses of imposters differ in whether they derive the unusual referential properties of imposters using syntactic means or attribute them to semantic and pragmatics. We aim to shed light on these competing approaches by means of a psycholinguistic experiment focusing on first-person imposters that investigates the kinds of pronouns (first-person vs. third-person) used to refer to imposter antecedents. Our results show that manipulating the prominence of the first-person speaker does not significantly boost the acceptability of first-person pronouns in imposter-referring contexts. However, our results suggest that a purely syntactic approach may not be sufficient either, as psycholinguistic processing factors also appear to be relevant.
This paper presents the Croatian version of the Multilingual Assessment tool for Narratives (MAIN), outlines its development and describes the research that has used it to assess narrative skills in monolingual and bilingual speakers. The Croatian version of MAIN has so far been used in three research projects and results have been presented in five peer-reviewed articles (published or in press) covering a total of 175 children in the age range from 5;0 to 9;0 (20 with developmental language disorder) and 60 adults, age range from 22 to 76. The accumulated results indicate that MAIN can differentiate narrative skills of speakers in distinct age groups and can distinguish children with language disorders form children with typical language development.
Following Hannah Arendt's remarks on refugee camps as spaces of 'worldlessness', I examine how, in films on European asylum facilities, systemic violence 'makes itself known' in images of nature. Nature separates and isolates ("La Forteresse", "Forst"), it constitutes a sphere of domination and control ("View from Above"), and it functions directly as a murder weapon ("Purple Sea"). Nature, in these films, indicates the Outside within, haunted by the latent and ghostly presence of systemic violence.
The essay investigates the meteorological phenomena represented in Dante Alighieri's Commedia and their interrelation with the subjectivity of the dead in Hell, Purgatory, and Heaven. Examining how the dead weather the afterlife and how the elements affect them, in turn, the essay takes the complex enantiosemy of the word 'weathering' as a conceptual guiding thread for the exploration of dynamics of exposure ('Inferno'), vulnerability ('Purgatorio'), and receptivity ('Paradiso').
One of the theoretical tensions that has arisen from Anthropocene studies is what Dipesh Chakrabarty has called the 'two figures of the human', and the question of which of these two figures of the human inheres in the concept of the Anthropocene more. On the one hand, the Human is conceived as the universal reasoning subject upon whom political rights and equality are based, and on the other hand, humankind is the collection of all individuals of our species, with all of the inequalities, differences, and variability inherent in any species category. This chapter takes up Deborah Coen's argument that Chakrabarty's claim of the 'incommensurability' of these two figures of the human ignores the way both were constructed within debates over how to relate local geophysical specificities to theoretical generalities. This chapter examines two cases in the history of science. The first is Martin Rudwick's historical exploration of how geologists slowly gained the ability to use fossils and highly local stratigraphic surveys to reconstruct the history of the Earth in deep time, rather than resort to speculative cosmological theory. The second is Coen's own history of imperial, Austrian climate science, a case where early nineteenth-century assumptions about the capriciousness of the weather gave way to theories of climate informed by thermodynamics and large-scale data collection.
This chapter argues that paying attention to the weather and its associated processes of geological, biological, and social weathering can destabilize knowledge traditions that insist on dichotomies. Looking to specific histories and current conditions in Guyana and Suriname, this chapter shows how notions of weathering can accommodate a wide range of referents, ranging from the weathering of rock to socio-political and historical afterlives of violent colonial displacements.
This essay restages Arendt's 'Auseinandersetzung' with Heidegger regarding 'political beginnings'. Sketching Heidegger's exceptionalist account of 'new beginnings' and Arendt's dispute with him in relation to the tension between the spheres of 'philosophy' and 'politics', I trace her position about 'political founding'. I claim that Arendt invites us to recognize the 'principle of an-archy' innate to 'political beginnings', which cannot be absorbed by exceptionalist invocations of the 'history of Being'.
Radiating exposures
(2020)
The brief explorations of radiation exposures presented within this essay draw primarily from nuclear art and culture and contribute to the field of nuclear aesthetics, which has long been fixated on the problem of visibility and the representation of nuclear residues. The examples draw primarily from photographic technologies and other aesthetic registers that capture visual residues of radiation. The challenges of nuclear aesthetics are also political and social. This constellation of objects and inquiries is meant to explore the fraught political, environmental, and social relations between radiation, visibility, toxicity, through the concept of exposure. They offer feminist glimpses into other ways of thinking exposure, as it develops in relation to (often imperceptible) toxicity that is not inscribed into a logic that partitions the passive victim of suffering from some pure or unaffected subject. They are examples that are both forms of exposure specific to the nuclear while also, perhaps, helping to expose more nuanced and complex ways of understanding forms of exposure that extend beyond nuclearity.
Enduring ornament
(2020)
This is an essay about rust. Iron usually plays the part of strength, stubbornness, and impenetrability, but rust registers the dimension of time in the material, reminding us that it always carries the potential for its own decomposition. While great expense is incurred to stave off iron's oxidization, we read the uselessness that rust precipitates as an interruption of the instrumental logics that sustain racial capitalism. Looking to the rusted ring that became Elsa von Freytag-Loringhoven's "Enduring Ornament" (1913), we consider how the discarded and defunctionalized lend themselves to ornamental redeployment. The essay then turns to works by the contemporary American artists David Hammons and Andrea Fraser, both of which transform Richard Serra's rusty steel sculptures into a backdrop for fleeting gestures of impromptu reclamation. Attending to questions of susceptibility and monumental weathering, these reflections look to rusty leakages that play out the impossibility of refusing the environment. Rust, we suggest, is a material archive of exposure that does not keep itself, but flakes apart and seeps away.
The essay confronts the question of weathering by considering its excess to the conceptual dimension and relating it to what Jacques Derrida names (the) 'trace'. The study of the 'logic' of weathering/the trace is confronted with Giorgio Agamben's critique of Derrida's project. Their two different conceptions of language, of its presuppositional structure, and of its order of 'metaphysical presence' are considered, in particular by turning to Werner Hamacher's work on these and related matters.
Preface
(2020)
The intensifying ecological devastation of the planet is being registered across scientific disciplines and activist, artistic, or more broadly cultural endeavours in ways that rethink the temporal dimensions of a catastrophe that can no longer be considered 'looming'. In many political contexts - trying to get scientists heard, mobilizing state power and international agreements to curb the extractivist rapaciousness of global capitalism - it might still seem essential to create a sense of urgency, of a rapidly closing interval, last chance, now or never. Yet taking stock not only of the planetary sum totals of global climate change but its present local manifestations, the devastations of neocolonial extractivism, the irreversible extinctions of countless species, destruction of ecotopes on land and in the sea, has produced a growing awareness that in many crucial senses, it is 'too late' - that the time can no longer be given as 'five minutes to midnight' but has moved a lot closer to the dead of night, whether this is being regarded primarily as a question of the cumulative loss of biodiversity as part of what is now known as the 'sixth mass extinction' or as the approach of several 'tipping points' of global climate change, such as the current ice sheet disintegrations in the polar regions, the greenhouse gas release triggered by the loss of permafrost, and irreversible desertifications. The complexion of ecology, over these last years, has turned from juicy green to dark and brittle. The most decisive recent interventions, while acknowledging the overwhelming pessimist thrust of ecological thought, have tried to use a more complex, more differentiated account of the temporality of environmental ruination in order to reflect on the diminished possibilities for life in these ruins while avoiding familiar registers both of science fiction dystopias and self-healing planets.
This chapter explores the intrinsic relationship between weather/weathering and the imaginary of the sea, which features in the work of artist Arthur Bispo do Rosário. Bispo was a black man who spent most of his life in psychiatric institutions. There is an important interplay between his psychotic deliriums and the production of hundreds of objects, many of them ships or forms that relate to the sea. These objects open up a discussion on decoloniality as they are embedded with marks left by the transatlantic slave trade.
What is the effect of weathering in a confined space? What if this space is the bathroom of the famous Mexican painter Frida Kahlo? Writer Mario Bellatin and photographer Graciela Iturbide venture into this once intimate room and through a series of artistic interventions breathe new life into it. The logic of the archive is their guiding principle: in order to preserve what has been locked away and stored, it must be exposed and put to new uses.
Einleitung
(2020)
This paper describes in detail the development of the Polish version of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN). We first describe its two earlier versions, the unpublished version and the published version, developed in 2012, as well as the revised version. We also justify the differences between the unpublished Polish version developed in 2012 and the original MAIN. Then we summarize the results from studies that used the unpublished version of the Polish MAIN. We end with outlining a study that could be conducted to compare the two slightly different procedures in order to examine whether the results obtained with MAIN are resistant to changes in the procedure details.
This paper provides the background to the process of translation and piloting of the Serbian version of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN), Multilingvalni Test za Procenu Narativa (MTPN). Our review of the sparse research literature on Serbian children’s narrative abilities reveals a need for a well-designed narrative instrument, which will enable researchers and practitioners to assess the production and comprehension of narratives in children of a wide age range, typically and atypically developing, monolingual and bilingual, crucially allowing for cross-linguistic comparisons. We encountered two kinds of challenges during the process of translation and adaptation of the instrument from English into Serbian. The first concerned the lack of established Serbian technical terminology needed to describe test administration to the future users of the test: researchers and practitioners working in different disciplines such as linguistics, psychology, Speech and Language Therapy. The second challenge concerned the translation of linguistic structures required to produce a successful rendition of the narrative: in contrast to English, but in line with other Slavic languages, Serbian relies heavily on verbs marked for perfective aspect in story-telling. Our discussion of preliminary data from four Serbian monolingual children, aged 5;5-10, demonstrates that MTPN is a successful tool in assessing narrative abilities in children acquiring Serbian.
The adaptation of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) for use with Slovak speaking children is a vital step in the process of creating a transparent evaluation of children’s narrative abilities. Since its first translation and adaptation in 2012, new pilot data from different groups of children has been collected in Slovakia. This paper describes the process of adapting the instrument to fit the Slovak language and reports on analyses of narrative production in monolingual (103 Slovak-speaking children) and bilingual (37 Slovak-English speaking) pre-school children. Within a pilot study, the story elicitation method was also compared (telling vs. retelling) within a small sample of 10 monolingual Slovak-speaking children. All results show transparent and detailed possibilities in terms of finding a meaningful evaluation that can evaluate a child’s complex narrative abilities.
This paper presents the Italian version of the Multilingual Assessment tool for Narratives (MAIN), describes how it was developed and reports on some recent uses of MAIN within the Italian context. The Italian MAIN has been used in different research projects and for clinical purposes; results have been presented at conferences and in peer reviewed papers. The results indicate that MAIN is an appropriate assessment tool for evaluating children’s narrative competence, in production and comprehension from preschool age (5 years) to school age (8 years) in typical language development, bilingual development and language delay/disorders.
This paper describes the experience of using the Norwegian and Russian versions of LITMUS-MAIN to elicit narrative data from bilingual Norwegian-Russian children as well as from Norwegian- and Russian-speaking monolinguals (Rodina 2017, 2018). The paper reports on the slight adaptations to the standardized design, procedure and analysis that were done to make the tasks more suitable for this specific population. It highlights the advantages, challenges, and potential associated with the task against a backdrop of the research conducted with Norwegian-Russian bilinguals in Norway.