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This paper focuses on an ongoing project that began in 2012, entitled "The Collection of Jane Ryan & William Saunders". This project is an attempt to reconstitute the Marcos Collection. Sourced from auction catalogues, museum archives, and scant government records, their lavish inventory of commissioned portraits, jewellery, Regency silverware, and old master paintings is reproduced as photographic installations, postcards, and three-dimensional prints. Reconstruction, in this instance, becomes a sustained democratic gesture, allowing an increasingly forgetful public to access a collection that has remained unavailable through a systemic failure by successive post-dictatorial governments to institutionalize collective acts of remembering.
This essay is an excerpt from Jumana Emil Abboud's ongoing journal, which she started keeping in 2010. With the help of photographer Issa Freij, the artist identified spirited water spots in the topography of Palestine, based on her childhood memories and a 1922 study on "Haunted Springs and Water Demons in Palestine". The text was written as part of a performance by Abboud at the Khalil Sakakini Cultural Center in 2016.
This paper demonstrates that there are no empirical and theoretical motivations for regarding verbal predicate focus constructions as (diachronically) derived from cleft constructions. Instead, it is argued that predicate fronting for the purpose of focus or topic is comparable to verb (phrase) fronting structures in other languages (e.g., Germanic). The proposed analysis further indicates that related doubling strategies observed in certain languages are the consequences of parallel chains that license the fronted verb (phrase) in the left periphery, and the Agree-tense-aspect features inside the proposition.
This paper deals with left and right dislocation in Embɔsi, a Bantu language (C25) spoken in Congo-Brazzaville. The prosody of dislocation has gathered considerable attention, as it is particularly informative for the theories of the syntax-prosody mapping of Intonation Phrases (a.o. Selkirk, 2009, 2011; Downing, 2011). Concentrating on selected Bantu languages, Downing (2011) identifies two main phrasing patterns. She primarily distinguishes languages in which only right dislocated phrases display a lack of prosodic integration ("asymmetric" languages), from languages in which both left and right dislocations phrase separately ("symmetric" languages). Hiatus avoidance processes, boundary tones and register expansion/reduction indicate that Embɔsi displays a somewhat more intricate phrasing pattern. In this language, both left and right dislocated items sit outside of the Intonation Phrase formed by the core-clause, but only the latter form their own Intonation Phrase. We also discuss the prosody of multiple dislocations (i.e. with two dislocated arguments), which have not so far received all the attention they deserve. What we observe in Embɔsi is that either the two dislocated items phrase together and are not integrated to the core Intonation Phrase, or only the outermost dislocated element phrases separately.
This paper draws a link between the typological phenomenon of the paradigmatically supported evidentiality evoked by perfect and/or perfectivity and the equally epistemic system of modal verbs in German. The assumption is that, if perfect(ivity) is at the bottom of evidentiality in a wide number of unrelated languages, then it will not be an arbitrary fact that systematic epistemic readings occur also for the modal verbs in German, which were preterite presents originally. It will be demonstrated, for one, how exactly modal verbs in Modem German still betray sensitivity to perfect and perfective contexts, and, second, how perfect(ivity) is prone to evincing epistemic meaning. Although the expectation cannot be satisfied due to a lack of respective data from the older stages of German, a research path is sketched narrowing down the linguistic questions to be asked and dating results to be reached.
This essay analyzes the semantics of fog in the context of neoliberal austerity in Portugal. Drawing on portraits of young Portuguese in the style of vignettes, the essay historicizes the political and epistemological uses of fog as a medium. Attending to the materiality of fog - a blurring through which visibility occurs - the argument unearths the logical structure of recurrence in and as crisis as it affects the powers of decision-making. The goal is to push the limits of this recurring structure into the present, in order to better expose how two seemingly opposite historical eras - authoritarianism and neoliberalism - share, in fact, the enduring structure of potentiation in language and governance.
Counter to the often assumed division of labour between content and function words, we argue that both types of words have lexical content in addition to their logical content. We propose that the difference between the two types of words is a difference in degree. We conducted a preliminary study of quantificational determiners with methods from Distributional Semantics, a computational approach to natural language semantics. Our findings have implications both for distributional and formal semantics. For distributional semantics, they indicate a possible avenue that can be used to tap into the meaning of function words. For formal semantics, they bring into light the context-sensitive, lexical aspects of function words that can be recovered from the data even when these aspects are not overtly marked. Such pervasive context-sensitivity has profound implications for how we think about meaning in natural language.
This chapter argues against the view that Derrida's emphasis on change makes him complicit in the neoliberal requirement of flexibility that results both in precarity and in the dominance of English. To the contrary, the essay argues that Derrida's idea of 'différance' includes the view that openness both involves loss and is always partial (since incision involves excision), that the singular is precious, and that deconstruction is justice since it is alert to what is excluded even by efforts at inclusiveness. Examples of the preciousness and loss of the singular are circumcision (where incision is excision), hospitality (in which unconditional hospitality has material limitations and conditions), subjectivity (which is never based on full presence), language (which both is my own and comes from an other), and neighbourhoods (since they continue only by incorporating new people). Deconstruction, the essay concludes, need not be complicit in neoliberal dominance but, properly understood, makes us aware of the power dynamics by which the openness of plurilingualism can lead to the dominance of English.
Predication and equation
(2001)
English is one language where equative sentences and non-equative sentences have a similar surface syntax (but see Heggie 1988 and Moro 1997 for a discussion of more subtle differences). In this paper we address the fact that many other languages appear to use radically different morphological means which seem to map to intuitive differences in the type of predication expressed. We take one such language, Scottish Gaelic, and show that the real difference is not between equative and non-equative sentences, but is rather dependent on whether the predicational head in the structure proposed above is eventive or not.
We show that the aparently odd syntax of “equatives” in this language derives from the fact that they are constructed via a non-eventive Pred head. Since Pred heads cannot combine with non-predicative categories, such as saturated DPs, “equatives” are built up indirectly from a simple predicational structure with a semantically bleached predicate. This approach not only allows us to maintain a strict one-to-one syntax/semantics mapping for predicational syntax, but also for the syntax of DPs. The argument we develop here, then, suggests that the interface between the syntactic and semantic components is maximally economical— one could say perfect.
The Atlas Group created a digital mixed-media archive of contemporary Lebanese history, made up of produced and found documents. These archives look immediately ambiguous: they don't collect historical documents; they actually contain visual artefacts created by the Lebanese artist Walid Raad. These digital mixed-media archives - partly accessible on the web but also physically exhibited and performed - are not intended to preserve the memory of the past, but they become indeed useful to actualize history by giving it back in the form of a historical fiction. What if archives should not deal with memory, but with amnesia? And what kind of historical temporality do they re-activate?
A translation process is often seen as only a simple code exchange, but, in fact, it always requires an adaptation of terms, expressions, and structures, which is not exactly straightforward. This paper describes the process of translating and adapting the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) to Brazilian Portuguese. A brief description of the project, concerning both historic and linguistic aspects, was done in order to emphasize the cultural and linguistic challenges faced during the process.
This paper studies the acquisition process of Spanish verbal morphology in a monolingual child. The study focuses on the period of the first 50 verb lemmas. This covers the period from age 1;7 till 1;10.
The data shows that the verb acquisition process of this Spanish child follows three main stages:
1. A lexical stage in which verbs are only acquired as a lexical element.
2. A syntactic stage in which the verb, still contemplated as a non-split word, becomes the main element in the development of thematic and semantic relations.
3. A morphological stage in which verb suffixes begin to be analysed separately. At this stage, the relationship between form and meaning starts and the functional categories linked to the verb (tense, aspect, agreement, mood... ) begin to be acquired. Just at this moment, the first miniparadigms appear, which suggests that the acquisition process of verb morphology has started.
The first two stages are premorphological and cover in our child the period till 1;9. In the last stage, which begins at 1;10, the child enters the protomorphological stage.
Korean is a generalized classifier language where classifiers are required for numerals to combine with nominals. This paper presents a number construction where the classifier is absent and the numeral appears prenominally. This construction, which I call the classifier-less number construction (Cl-less NC), results in a definite or a partitive reading where the referent must be familiar: ‘the two women’ or ‘two of the women’. In order to account for this, I argue that Korean postnominal number constructions are ambiguous between a plain number construction and a partitive construction. After motivating and proposing an analysis for the partitive structure, I argue that Cl-less NC is derived from the partitive construction, explaining its distributional restriction and the interpretation.
This chapter is a journey of thought exploring decolonial critique as a situated practice while thinking through exilic consciousness and its constitutive conditions. I begin by reflecting on decolonialities to gesture toward varied forms of decolonial projects that need to be situated, given that each location generates different sets of questions/problems that demand different answers. In this way, I reconfigure the exilic condition, and the space of displacement in general, as a plurilingual space that unsettles various colonial forms of epistemic monolingualism predicated on the selfsufficiency of thought. To this end, I reflect on the potentiality of exilic consciousness to generate decolonial critique when thinking from/about the Global South. Finally, this chapter demonstrates the significance of acknowledging the diverse locations and trajectories of decolonial critique and the plurality of thought embedded within the exilic intellectual formation that can potentially undo colonial forms of knowledge-making and being in the world.
Ambrosia artemisiifolia causes agricultural losses and severe health problems. Whether the species also has a negative influence on plant species richness and the composition of the vegetation is a matter of ongoing debate. The question whether common ragweed impacts biodiversity or not is of great importance as this impact may be an additional motive for the prevention of import and control. It would also have an influence as to which administrative sector is competent and responsible for these measures. In Germany, for example, where the species is not yet wide spread, the Federal Nature Protection Act provides a legal framework the management of invasive alien species. Only if ragweed would have proven negative effects on other species, communities, or habitats, could this be applied in the fight against the species.
It is common knowledge in the field of Philippine linguistics that an ang-marked direct object in a non-actor focus clause must be definite or generic, while a ng-marked object in an actor focus clause typically receives a nonspecific interpretation. However, in contexts like wh-questions, the oblique object in an antipassive may be interpreted as specific, as noted by Schachter & Otanes (1972), Maclachlan & Nakamura (1997), Rackowski (2002), and others. […] In this paper, I propose to account for the specificity effects […] within the analysis of Tagalog syntax put forth by Aldridge (2004). I analyze Tagalog as an ergative language […]. Cross linguistically, antipassive oblique objects receive a nonspecific interpretation, while absolutives are definite or generic. I show in this paper how the Tagalog facts can be subsumed under a general account of ergativity.
The reactivation of Rudi Fuchs' 1983 exhibition 'Summer Display' took place in 2009 as part of the collection series, 'Play van Abbe part 1: The Game and the Players', and was entitled 'Repetition: Summer Display 1983'. The reconstruction questioned the codes and systems used within (but also consciously and unconsciously outside) the museum and raised several questions, including: what story did the original composers want to tell, and how can this piece of history be understood today? Is the new presentation a separate exhibition entirely or a copy of the 'original' one? What is then the difference between the idea of copy, repetition, and reenactment? And what is the role of the museum's archive in the process of restaging? What can curatorial institutional archives tell us about the museum itself?
The goal of this paper is to evaluate two approaches to quantification in event semantics, namely the analysis of quantificational DPs in terms of generalized quantifiers and the analysis proposed in Schein (1993) according to which quantifiers over individuals contain an existential quantifier over sub-events in their scope. Both analyses capture the fact that the event quantifier always takes scope under quantifiers over individuals (the Event Type Principle in Landman (2000)), but the sub-events analysis has also been argued to be able to account for some further data, namely for adverbs qualifying ‘ensemble’ events and for mixed cumulative/ distributive readings. This paper shows that the sub-events analysis also provides a better account of the Event Type Principle if a broader range of data is considered, including cases with non-existential quantifiers over events: unlike the generalized quantifiers analysis, it can successfully account for the interpretation of indefinites in bare habituals and sentences that contain overt adverbs of quantification.
In many languages, a passive-like meaning may be obtained through a noncanonical passive construction. The get passive (1b) in English, the se faire passive (2b) in French and the kriegen passive (3b) in German represent typical manifestations. This squib focuses on the behavior of the get-passive in English and discusses a number of restrictions associated with it as well as the status of get.
In this paper I investigate a change in the word order patterns of Greek nominalizations that took place from the Classical Greek (CG) period to the Modem Greek (MG) one. Specifically, in CG both the patterns in (A), with its two subtypes, and (B) were possible; the MG system, on the other hand, exhibits only the (B) pattern. The difference between the two systems is that agents can only be introduced in the form of prepositional phrase in MG nominals in a position following the head noun, while they could appear in a prenominal position bearing genitive case in CG. Moreover, the theme genitive, i.e. the objective genitive, could precede the head nominal in CG; this is no longer the case in MG, where the theme genitive follows the head noun obligatorily:
(A) i) Det-(Genagent)-Nprocess-Gentheme 1 ii) Det-Gentheme-Nprocess
(B)Det-Nprocess-Gentheme (Ppagent)
I argue that the unavailability of (A) in MG is linked to the nature and the properties associated with a nominal functional projection contained within process non~inals and to other related changes in the nominal system of Greek.
This paper is a preliminary comparative study of the relation between word order and information structure in three Null Subject Languages ((NSLs) Spanish, Italian and Greek). The aim is twofold: first I seek to examine the differences and the similarities among these languages in this domain of their syntax. Secon, I investigate the possible derivations of the various patterns and attempt to localize the differences among these languages in different underlying syntactic structures.
It has often been noticed that one syntactic argument position can be realized by elements which seem to realize different thematic roles. This is notably the case with the external argument position of verbs of change of state which licenses volitional agents, instruments or natural forces/causers, showing the generality and abstractness of the external argument relation. (1) a. John broke the window (Agent) b. The hammer broke the window (Instrument) c. The storm broke the window (Causer) In order to capture this generality, Van Valin & Wilkins (1996) and Ramchand (2003) among others have proposed that the thematic role of the external argument position is in fact underspecified. The relevant notion is that of an effector (in Van Valin & Wilkins) or of an abstract causer/initiator (in Ramchand). In this paper we argue against a total underspecification of the external argument relation. While we agree that (1b) does not instantiate an instrument theta role in subject position, we argue that a complete underspecification of the external theta-position is not feasible, but that two types of external theta roles have to be distinguished, Agents and Causers. Our arguments are based on languages where Agents and Causers show morpho-syntactic independence (section 2.1) and the behavior of instrument subjects in English, Dutch, German and Greek (section 2.2 and 3). We show that instrument subjects are either Agent or Causer like. In section (4) we give an analysis how arguments realizing these thematic notions are introduced into syntax.
The German word also, similar to English so, is traditionally considered to be a sentence adverb with a consecutive meaning, i.e. it indicates that the propositional content of the clause containing it is some kind of consequence of what has previously been said. As a sentence adverb, also has its place within the core of the German sentence, since this is the proper place for an adverb to occur in German. The sentence core offers two proper positions for adverbs: the so-called front field and the middle field. In spoken German, however, also often occurs in sentence-initial position, outside the sentence itself. In this paper, I will use excerpts of German conversations to discuss and illustrate the importance of the sentence positions and the discourse positions for the functions of also on the basis of some German conversations.
This paper briefly presents the current situation of bilingualism in the Philippines, specifically that of Tagalog-English bilingualism. More importantly, it describes the process of adapting the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) to Tagalog, the basis of Filipino, which is the country’s national language. Finally, the results of a pilot study conducted on Tagalog-English bilingual children and adults (N=27) are presented. The results showed that Story Structure is similar across the two languages and that it develops significantly with age.
This paper is about what Ninan (2014) (following Wollheim 1980) calls the Acquaintance Inference (AI): a firsthand experience requirement imposed by several subjective expressions such as Predicates of Personal Taste (PPTs) (delicious). In general, one is entitled to calling something delicious only upon having tried it. This requirement can be lifted, disappearing in scope of elements that we will call obviators. The paper investigates the patterns of AI obviation for PPTs and similar constructions (e.g., psych predicates and subjective attitudes). We show that the cross-constructional variation in when acquaintance requirements can be obviated presents challenges for previous accounts of the AI (Pearson 2013, Ninan 2014). In place of these, we argue for the existence of two kinds of acquaintance content: (i) that of bare PPTs; and (ii) that of psych predicates, subjective attitudes and overt experiencer PPTs.
For (i), we propose that the AI arises from an evidential restriction that is dependent on a parameter of interpretation which obviators update. For (ii), we argue that the AI is a classic presupposition. We model both (i) and (ii) using von Fintel and Gillies’s (2010) framework for directness and thus connect two strands of research: that on PPTs and that on epistemic modals. Both phenomena are sensitive to a broad direct-indirect distinction, and analyzing them along similar lines can help shed light on how natural language conceptualizes evidence in general.
Discourses in the historical (or narrative) use of the simple present in English prohibit backshifting, though they allow forward sequencing. Unlike both reference time theories and discourse coherence theories of these temporal inferences, we propose that backshifting has a different source from narrative progression. In particular, we argue that backshifting arises through anaphora to a salient event in the preceding discourse.
The semantics of adjectives related to nominals denoting societal roles, such as presidential (from president), have remained understudied. We examine the semantics of what we call role-denoting relational adjectives, providing a formal analysis using the notion of a frame, a unified representation for lexical knowledge, world knowledge, and context. The frames we propose are based on a constructivist philosophical understanding of social roles, leading us to posit a multi-tiered ontology of events and individuals. Using frames and our ontology, we provide a general semantics for role-denoting relational adjectives and roles
This article examines striking similarities between stereotypical characters in Caroline Lee Hentz's US-American plantation novel "The Planter's Northern Bride" (1854), and Charlotte Brontë's classic "Jane Eyre" (1847). Especially, a connection can be made between Hentz's Italian "Madwoman in the attic" Claudia, and Brontë's transatlantic Caribbean counterpart Bertha. An intersectional methodology performed through a close reading will show how both women are literally and metaphorically trapped within spaces and stereotypes. This article transfers imagology into a global setting while extending its scope beyond investigating national characteristics.
In this work, I provide an analysis of adjectival depictive constructions which accounts for most of their fundamental properties. First, I focus on the restrictions having to do with the integration of the depictive and the verbal predicate: they are based on aspectual compatibility between the two predicates, which, in turn, will depend on the ability, on the part of the depictive, to make reference to some (sub)event in the event structure of the verbal predicate. Facts not captured by previous approaches in the literature will be straightforwardly accounted for, among them the possibility to have I-L depictive constructions, and the impossibility to combine a depictive with some non-stative verbal predicates. Second, it will be shown that the informational import of the depictive in the sentence can be equivalent to that of the verbal predicate: both can be the primary lexical basis of predication. This is reflected in the sentence in various ways, having to do with aspectual modifiers, and in the properties of the sentential subject. In this connection, we will reconsider the notion of subject, arguing that no subject-predicate relation takes place in the lexical domain of sentences, and hence that the argument the depictive is oriented to, the common argument, cannot be a subject of the depictive. Finally, a minimalist analysis is proposed for the syntax of the construction, in terms of direct syntactic merge of predicative constituents and sidewards (q-to-q) movement for the common argument, from the lexical domain of the depictive to the lexical domain of the verb. As to morphosyntactic properties, a syntactic Double Agree relation is assumed to hold between T/v, as probes, on the one hand, and the common argument and depictive, as simultaneous goals, on the other, which would allow for the deletion of Case features on both goals. The assumed presence of Structural Case on the adjectival depictive will be responsible for the well-known restriction on the orientation of depictives to the sentential subject or object.
Transforming a text - narrative or poetic - into a play, made of dialogues and organized into scenes, has been one of the most frequent forms of literary transcodification both in the past and in the present. We can find examples of this procedure at the very origins of Italian theatre, which indeed began as the rewriting of earlier texts, both in the "sacre rappresentazioni" and in the profane field: the Bible in the first case and the Ovidian mythologies in the second. Poliziano's "Fabula d'Orfeo" and "Cefalo e Procri" by Niccolò da Correggio are the first well-known examples of this process. Thus, the metamorphosis of a text into a dramatization has many models in the history of theatre and literature. It would be of great interest to start with an overview of the different types, aims, and forms of transcodification of texts that are enacted in order to create dramatizations capable of being performed on stage. Erminia Ardissino attempts to offer an introduction to her study of Giovanni Giudici's play about Dante's "Paradiso" with a brief discussion of three different practices of theatrical transcodification. She looks at three pièces written at the request of the Italian scenographer Federico Tiezzi between 1989 and 1990 as stage productions of the three cantiche of the Divine Comedy. Although they belong to the same project, are inspired by the same person, and share a unified aim, the three pièces created by Edoardo Sanguineti, Mario Luzi, and Giovanni Giudici show three different approaches to the task of transcodifying a text in order to produce a drama - the task, in Genette's words, of creating a theatrical palimpsest.
This paper describes Estonian version of the Multilingual Assessment Instrument for Narratives (LITMUS-MAIN) to Estonian. A short description of Estonian, some challenges in the adapting MAIN to Estonian, the first experiences of using the Estonian MAIN and a summary of the first results are presented.
The encoding of images by semantic entities is still an unresolved task. This paper proposes the encoding of images by only a few important components or image primitives. Classically, this can be done by the Principal Component Analysis (PCA). Recently, the Independent Component Analysis (ICA) has found strong interest in the signal processing and neural network community. Using this as pattern primitives we aim for source patterns with the highest occurrence probability or highest information. For the example of a synthetic image composed by characters this idea selects the salient ones. For natural images it does not lead to an acceptable reproduction error since no a-priori probabilities can be computed. Combining the traditional principal component criteria of PCA with the independence property of ICA we obtain a better encoding. It turns out that the Independent Principal Components (IPC) in contrast to the Principal Independent Components (PIC) implement the classical demand of Shannon’s rate distortion theory.
This article discusses the function of tension in autobiographies written by eighteenth-century doctors George Cheyne, Francis Fuller, Claude Revillon, and the Viscount de Puysegur. It studies how their rhetorical strategies stir tensions in readers through the narration of their own periods of infirmity and search for a remedy. The descriptions of their recoveries offer resolution, legitimate their medical practices, and help diffuse their works. Through the staging of these reversals, the authors suggest a shift in the way the role of medical doctors was perceived as well as a fundamental change in their relationship to illness.
The claim advanced in this paper is that the presence of a left-dislocated element together with a resumptive clitic in Bulgarian is a special case of argument saturation with implications for the focus structure of the clause, while contrast involves discontinuous focus (contrastive topics/foci) with no clitics present in the derivation. Contrastive topic/focus constructions in Bulgarian can be united on the view that they involve (sets of) ordered pairs where the higher element is valuing a contrastive feature (cf. OCC in Chomsky 2001) while the element in the VP is a non-contrastive topic or focus. The contrastive feature participates in wh-structures but not in clitic-left-dislocated structures where pairing between arguments is 'accidental'.
In this fifteen-minute lecture-performance, Malin Arnell presents her dialogue with the work of French-Italian artist Gina Pane (1939–1990). Oriented around textual and visual traces of Pane and Arnell's historical intra-action, this ongoing dialogue explores performance art documentation and historical narratives. The project interrogates the operations of archives, asking: 'How do queer feminist performance archives make you vulnerable, how do they make you feel, act, react?' 'Whose bodies remain present, and which bodies are lost?' The framework of the work - its repetition with variations and its artistic and queer feminist methodologies - enables an exploration of history, documentation, and bodily epistemology as an attempt to take responsibility for what is not known by doing, through action - through performance.
Who's afraid of ideology?
(2023)
Artist Marwa Arsanios shares textual fragments from research she conducted for the first and second parts of a video trilogy titled "Who's Afraid of Ideology?" Meditating on the voiding effects of war, and the ecological and affective texture of communal resistance and eco-feminist praxis as they emerge in Iraqi Kurdistan, Lebanon, and northern Syria, the text takes us to ecological milieux made of wild medicinal plants, fig trees, Kurdish guerrillas, and farmers in a women-only commune.
Dynamic semantic accounts of presupposition have proven to quite successful improvements over earlier theories. One great advance has been to link presupposition and anaphora together (van der Sandt 92, Geurts 95), an approach that extends to integrate bridging and other discourse phenomena (Asher and Lascarides 1998a,b). In this extended anaphoric account, presuppositions attach, like assertions, to the discourse context via certain rhetorical relations. These discourse attachments constrain accommodation and help avoid some infelicitous predictions of standard accounts of presupposition. Further, they have interesting and complex interactions with underspecified conditions that are an important feature of the contributions of most presupposition triggers.
Deictic uses of definites, on the other hand, seem at first glance to fall outside the purview of an anaphoric theory of presupposition. There seems to be little that a discourse based theory would have to say. I will argue, however, that a discourse based account can capture how these definites function in conversation. In particular such accounts can clarify the interaction between the uses of such deictic definites and various conversational moves. At least some deictic uses of definites generate presuppositions that are bound to the context via a rhetorical function that I'll call unchoring, which if successful entails a type of knowing how. If this anchoring function is accepted, then the acceptors know how to locate the referent of the definite in the present context. I'll concentrate here just on definites that refer to spatial locations, where the intuitions about anchoring are quite clear. But I think that this view extends to other deictic uses of definites and has ramifications for an analysis of de re attitudes as well.
This paper surveys a range of constructions in which prosody affects discourse function and discourse structure.We discuss English tag questions, negative polar questions, and what we call “focus” questions. We postulate that these question types are complex speech acts and outline an analysis in Segmented Discourse Representation Theory (SDRT) to account for the interactions between prosody and discourse.
Shattered maceheads at early bronze age Tel Bet Yerah: symbolic power and destruction, but whose?
(2019)
An unusually large number of stone macehead fragments were found in a large open court in the Early Bronze Age site of Tel Bet Yerah, Israel. Maces, which first appear in the Levant in the seventh millennium BCE, are considered the earliest dedicated combat weapons in western Asia; in later periods they take on a symbolic role. We discuss the sequence of events leading to the accumulation of maceheads at Bet Yerah, the people who may have been implicated in it and its possible political significance.
In this paper, focusing on the relevance-theoretic view of cognition, I discuss the idea that what is communicated through an utterance is not merely an explicature upon which implicature(s) are recovered, but rather a propositional complex that contains both explicit and implicit information. More specifically, I propose that this information is constructed on the fly as the interpreter processes every lexical item in its turn while parsing the utterance in real time, in this way creating a string of ad hoc concepts. While hearing an utterance and incrementally constructing a context, the propositional complex communicated by an utterance is pragmatically narrowed and simultaneously pragmatically broadened in order to incorporate only the set of optimally relevant propositions with respect to a specific point in the interpretation. The narrowing of propositions from the initial context at each stage allows relevant propositions to be carried on to the new level, while their broadening adds to the communicated propositional complex new propositions that are linked to the lexical item that is processed at every step of the interpretation process.
This paper presents a new account of the generalization that focused elements cannot be elided, framed within Unalternative Semantics, a framework that does away with syntactic F-marking. We propose the mirror image of the generalization: what is elided cannot introduce alternatives. We implement this as a focus restriction in UAS and then go on to show how to account for MAXELIDE effects using the same technique, without making reference to any transderivational constraints.
What are called 'natural languages' are artificial, often politically instituted and regulated, phenomena; a more accurate picture of speech practices around the globe is of a multidimensional continuum. This essay asks what the implications of this understanding of language are for translation, and focuses on the variety of Afrikaans known as Kaaps, which has traditionally been treated as a dialect rather than a language in its own right. An analysis of a poem in Kaaps by Nathan Trantraal reveals the challenges such a use of language constitutes for translation. A revised understanding of translation is proposed, relying less on the notion of transfer of meaning from one language to another and more on an active engagement with the experience of the reader.
Aumiller writes lists to externalize what overwhelms her. To be in control. To master and move on. Yet, her lists circle back to her. The process of writing the same list every day or the same act of writing the list is a looping. She returns to herself, to the parts she can remember and to the parts she can't remember, but also can't leave behind.
This chapter identifies two contrasting methodological reductions utilized in philosophical scepticism: withdrawal/doubt [R–]; immersion/attention [R+]. Moving toward a feminist ethics grounded in phenomenological scepticism, Aumiller explores how reduction relates to experiences of personal and global uncertainty such as a pandemic. Reduction involves our entire embodied being, challenging how we are fundamentally in touch with the world. How we respond to being disrupted makes all the difference.