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Women?s contributions against apartheid under the auspices of the Namibian liberation movement SWAPO and their personal experiences in exile take center stage in this study. Male and female leadership structures in exile are analysed whilst the sexual politics in the refugee camps and the public imagery of female representation in SWAPO?s nationalism receive special attention. The party?s public pronouncements of women empowerment and gender equality are compared to the actual implementations of gender politics during and after the liberation struggle.
This report on the broadcast media in Nigeria finds that liberalisation efforts in the broadcasting sector have only been partially achieved. More than a decade after military rule, the nation still has not managed to enact media legislation that is in line with continental standards, particularly the Declaration on Freedom of Expression in Africa. The report, part of an 11-country survey of broadcast media in Africa, strongly recommends the transformation of the two state broadcasters into a genuine public broadcaster as an independent legal entity with editorial independence and strong safeguards against any interference from the federal government, state governments and other interests. The report was written by Mr. Akin Akingbulu Executive Director, Institute for Media and Society, IMS, Nigeria.
This book is a comprehensive appraisal of the political history of Nigeria since colonisation, with emphasis on political parties. The author argues that party coalitions in Nigeria can be explained by the factors of heterogeneity as well as the political systems the country has experimented with. He asserts the influence of the institution of the presidency in the current trend towards a two-party system.
A Dirty Game
(2011)
Mayor Foti is accused of killing his predecessor by a veteran journalist whom he desperately wants dead. He hires assassins to kill the journalist only for the assassins to kill his own son instead. As a consummate embezzler of public funds, Mayor Foti is determined to be filthy rich and above the law. He sends his other son to Germany to assist with siphoning abroad of stolen money. For how long will Mayor Foti have the last laugh? Heavy drinking and a cardiac arrest are waiting round the corner. Whom for? Here indeed is a dirty game!
A collection of six thought-provoking stories, four of which were award-winning-stories at the 1990 literary contest of the national Association of Cameroonian Poets and Writers (APEC). The stories are set in different localities in Africa and Cameroon in particular. The author in a lucid manner explores the theme of women lib- the African way in the lead story. Ebenye, the protagonist, representing the sharp-witted African woman cannot understand why she should cook food without tasting of it. So she decides to take the bold step of eating a piece of the python that she has been ordered to cook for the men of her community. The other stories tackle themes of corruption, poverty, alcoholism, endurance, love and more.
The Raped Amulet
(2008)
An extraordinary story of a young man from Africa who tries hard to reconcile the ways he had grown up with, and those he was experiencing in his host country - Great Britain. The story is set in Coventry, in the English Midlands and is told by Dion Ekpochaba, a postgraduate student at the University of Warwick. Dion, fresh from his motherland, Cameroon, loses an amulet, a cherished heritage of his ancestry and becomes desperate about the loss. He meets an elderly English man, Tom Jones who makes a startling revelation: the amulet had just been desecrated by his dog and thrown into the depths of a lake in the campus. Dion became so flabbergasted that Tom Jones thought he might have gone out of his mind. The two strangers tried to understand each other to no avail. However, the misfortunes of time turn the tides, resulting in a friendship, which provides grounds for mutual understanding and respect for each other's ways. Read on and spark your views on making the world a better place.
The Wages of Corruption
(2009)
Corruption is endemic in Cameroon. Twice, Transparency International have accorded the country the infamous first place in corruption. As one of many concerned Cameroonians, Sammy Oke Akombi was moved and they realized that something was in fact wrong somewhere and something had to be done somehow. This collection of short stories is his contribution to the collective resolve by concerned Cameroonians to wage a war against this most unusual friend of fairness. The stories seek to elicit awareness about a social ill that is ironically championed by the very politicians, functionaries, educator, leaders and power elite whose duty it is to keep society healthy and on the rails. The stories are on corruption in different segments of society and about the people who perpetrate it. Almost everyone is immersed in it and so must make every effort to resurface from it. It takes only the will to stay alive because the wages of corruption like any other sin can only be death.
Beware the Drives
(2008)
This collection of verse, which has mostly short poems, some of which are two-liners, is an outcome of several years of keen observation of the very nature of man. The observation brought this writer to the conclusion that man is dominated by fear and in his effort to conquer it, he resorts to unbridled aggression. Such aggression has been very instrumental in much of the success that humanity has been able to achieve, so far. But at the same time, the same aggression in man's nature has been responsible for the pleasure he takes in the ruthless destruction of his own kind, the environment in which he cushions himself, plants and animals.
The role of higher education in establishing structures and procedures in society and industry is clearly articulated in scholarly discussions. The narrative has recently taken a new momentum in Kenya with acknowledgement of the creative industry involves many youth, as an area that impacts on the economy. In unravelling the link between higher education and industry, the authors focus on leadership and governance in higher education and its expected and perceived contribution to the shaping of the creative industry. Through analysis of cases, the authors interrogate the processes and structures that govern the teaching and practice of the creative subjects, noting how these affect the creative industry in Kenya. This document approaches the creative disciplines from the perspectives of the students, lecturers and university administrators. The three voices provide a balanced view of what higher creative arts education in Kenya is. The multiple authorship of the book further provides a balanced account of the development of these disciplines in higher education, and their growth in industry. The key concepts here are the development of the creative industry and how higher education should contribute to the same.
There is a general agreement that piracy; counterfeiting and passing off are unfair. However, there is often surreptitious - or even open - sympathy for, say, those who purchase counterfeit designer fashions or the latest technical gadgets. The pirate is even sometimes represented as a daring evil hero. In this book, Prof. Dora Nkem Akunyili, Director General of Nigeria's National Agency for Food and Drug Administration and Control, presents a unique study of a global phenomenon in which law-breaking and profiteering prevail at the cost of human health and life - and of the ways in which this can be fought by appropriate legislation, regulation and enforcement.
National Culture in Post-Apartheid Namibia : State-sponsored Cultural Festivals and their Histories
(2015)
National Culture in Post-Apartheid Namibia' addresses the challenges of creating a 'national' culture in the context of a historical legacy that has emphasised ethnic diversity. The state-sponsored Annual National Culture Festival (ANCF) focuses on the Kavango region in north-eastern Namibia. Akuupa critically examines the notion of Kavango-ness as a colonial construct and its subsequent reconstitution and appropriation. He analyses the way in which cultural representations are produced by local people in the postcolonial African context of nation building and national reconciliation by bringing visions of cosmopolitanism and modernity into critical dialogue with the colonial past. Competing cultural festivals are used as celebratory social spaces in which performers and local people participate whilst negotiating a sense of national belonging in an ongoing tension between the need to celebrate diversity, yet strive for unity. This is the first study to discuss the comprehensive role played by those cultural festivals, which were organised in the ethnic homelands during the time Namibia fell under South African control.
Kain : Musikdrama in einem Aufzuge / Dichtung von Heinrich Bulthaupt. Musik von Eugen d'Albert
(1905)
Der Improvisator : Oper in drei Aufzügen / Dichtung von Gustav Kastropp. Musik von Eugen d'Albert
(1902)
Der gewaltsame Kinderraub zu Bologna : zugleich ein Wort der Warnung an alle Concordatsfreunde
(1858)
Forest Echoes
(2010)
Forest Echoes is a literary quilt revealing a mature poet bestriding generations as he patches together a people's culture, their philosophy, history, along with their attendant woes into a subtle, sometimes disillusioning even, yet purposeful and poignant whole. Nol Alembong is not afraid to be himself in this work: a scholar, teacher, parent, traditionalist and, above all, an Anglophone-Cameroonian. Whatever the case, these are magisterial and equally influential individual traits that have merged into a united whole in forging this poet's identity and concerns as evident from the thematic panorama of the poems. In 'Forest Echoes', the title poem, for example, one encounters a poet who, though steeped in his people's struggles, has been able to stand back, watch and evaluate the effects of the interactions of time, events, and society. It is this ability of his, as an involved yet detached observer, along with the trend of events that have scarred his people's lives, which have yielded the powerful emotions that he has assembled in this thematically lush, historically nostalgic, and overwhelmingly evocative collection.' - Dr. Emmanuel Fru Doh
Mobilisierung der Frauen : die imperialistische Kriegsgefahr und die Frauen / von G. G. L. Alexander
(1928)
This inaugural Democracy Index for Botswana is intended to set a benchmark for democracy to be measured against. The tool, developed and honed by Idasa over many years, assesses the depth of democracy in a country through five focus areas: participation, elections, accountability, political rights, and human dignity. The research relies on expert analysis to answer a set of questions that interrogate how closely, in practice, democracy meets the broad ideal of self-representative government. More specifically, to what extent can citizens control elected officials and government appointees who make decisions about public affairs? And how equal are citizens to one another in this accountability process? The purpose of the scores is to assist citizens in making their own judgements, based on the information made available, to stimulate national debate and to provide democracy promoters with a tool for identifying issues and needs that can be addressed by education, advocacy, training, institution building and policy revision. Idasa's Democracy Index - initially developed for South Africa - is being expanded into Southern Africa in an effort to broaden the capacity of individuals and organisations monitoring and supporting democratic governance efforts in the region.
Dialogue acts in Verbmobil 2
(1998)
This report describes the dialogue phases and the second edition dialogue acts which are used in the VERBMOBIL 2 project [...]. While in the first project phase the scenario was restricted to appointment scheduling dialogues, it has been extended to travel planning in the second phase with appointment scheduling being only a part of the new scenario.
Es handelt sich hier um die portugiesische Übersetzung einer an der Universität Wien eingereichten Magisterarbeit aus dem Jahr 2004. Die übersetzte Version wurde im Jahr 2006 zudem um einige Inhalte erweitert.
Pour Qui File La Comete
(2017)
The appearance of a comet in some African beliefs is taken as a bad omen. In the 1960s, appeared in this imaginary land a comet whose shape resembles that of a sword and it can be seen only at dawn. People at once related this appearance with sad events. Soon after the appearance of the comet this land experienced painful events of civil war. Adouma, the main character of the story and son of a Marabout (an Islamic scholar), has attended both schools, Coranic and French. He lived through this troubled period which took place between 1960 and 1990. He waged war and also endured the harms of war. It is an enthralling and moving narrative that combines fantastic story with auto-fiction.
This book is an uncompromising analysis of Senegal's decentralisation policy in rural areas. It discusses the state's inability to promote local development, despite this being its main raison d'?tre in a context of poverty. To identify reasons for the shortcomings, the author goes beyond policy statements and explores, sociologically, the compatibility of the behaviour and the cultural context of actors with the pursuance of local development objectives. Yet, there are indeed solutions to the actors' lethargy and to the weak coverage of the initiatives undertaken. The solutions can be found in the methodical and civic mobilisation around more ambitious actions that are more adapted to receptive localities, though opened to modernity and perfectly anchored in the culture for positive results. Rosnert Ludovic Alissoutin holds a PhD in Law. Since 1995, he has been working as a consultant on development issues in Senegal and Africa, particularly local development issues. The particularity of his approach lies in the rejection of scientific exclusivism and recourse to a multi disciplinary, open and flexible analysis of the complexity of human development. It is this perspective that informed his doctoral thesis on La Gestion de l'eau en milieu aride, which discusses legal, anthropological, geographical, and sociological issues. For additional information on his profile and work, visit his website: http://www.ralissoutin.com.
The Lady with the Sting
(2010)
The Lady with the Sting is sequel to The Lady with a Beard. In the two novels Alobwed'Epie compares and contrasts the masculinity and femininity of the two heroines Emade, and her daughter Ntube. In the first novel, Emade shuns her sex and clinks to a false masculine mask. In spite of her achievements she fails to debunk the old system. In The Lady with the Sting, her daughter Ntube, a less charismatic heroine, allows nature take its course and in the end she seizes the opportunity the erring old system gives her and destroys it. Alobwed'Epie, author of The Death Certificate, The Lady with a Beard, The Day God Blinked, and The Bad Samaritan was born at Ngomboku in Kupe-Muanenguba Division, South-West Region, Cameroon. He studied at the Universities of Yaoundé and Leeds, and teaches Creative Writing at the University of Yaoundé 1, Cameroon.
She Seized The Balls
(2011)
In She Seized The Balls, Ntube's exploits can best be described as guided by the hand of providence. In a bid to inherit her father's compound and live comfortably, she destroys the old sacred village grove and fells totemic trees. An epidemic breaks out, killing mostly the elderly. Ntube is accused of causing it because of the destruction of the sacred places. She is brought before the clan council several times but she tantalizes the council with her flawless defences. In due course, she rebuffs her former husband's bid for reconciliation; falls in love with an influential personality and begets a child with him. She uses the man to achieve the building of a bridge across the river that had enclaved the clan for centuries. With her elevated status among her people she becomes the first woman to be given the prerogative to pour libation in a patriarchal society.
Exhumed, Tried and Hanged
(2010)
Exhumed, Tried and Hanged elucidates the abuse of folk good faith and ignorance by a conceited, ruthless and grasping leadership that sows carnage among the natives of Etambeng, culminating in unprecedented exodus, untold suffering and death of the people in neighbouring villages. Upon the death of the perpetrator the few returnees are made to listen to the gruesome stories of how the aggrieved children of his victims took revenge on his corpse.
The Bad Samaritan
(2009)
The Bad Samaritan is set in a kleptomaniac and highly corrupt imaginary African country called Ewawa. Due to mismanagement, financial institutions collapse. Salaries are slashed and there is unprecedented unemployment leading to country exodus. Professor Esole and his wife are not only aggrieved by the salary slashes, but also by the dubious closure of the Post Office Savings Bank with their savings. Desperate for money, they resort to borrowing from private sources at exorbitant interest rates. Esole toddles into politics with the aim of righting things. Will his nai͏̈ve approach to politics make or mar?
The Day God Blinked
(2008)
The Day God Blinked x-rays the politico-economic and socio-moral life of a rich and resourceful country called Ewawa from 1982 to 2007. The country had been ruled by a dynamic and insightful miser known as the Old Man. But because he had been in power for too long, his citizens longed for change. It happened when nobody expected it. The old man died suddenly in his sleep and was replaced by his handpicked successor. Unfortunately, the successor whom everybody had expected would do better plunged the country into terrible economic and moral crises. Lucia, the protagonist, narrates her predicament. To her, Ewawa is rotten in all totality. There is nowhere to turn for salvation. The custodians of the economic, social, moral and spiritual values of the land are not up to the task. The country is without hope. Is all doomed?
What a Next of Kin!
(2010)
This psycho-anthropological and socio-cultural novel logically and succinctly x-rays the foundations and raison d'être of patriarchy through the implied questions - Is wealth the basis of patriarchy? Have women any role in the system? And how far can a patriarch protect his lineage from alien blood? The extremely wealthy father of eight daughters protagonist Ndi, says yes, to the first question; no, to the second; and in the third questions he says, through dogged pursuance of looking for a male heir by any means; but his lone son whom he unknowingly begot in a remote village in his early life and whom he accidentally stumbled upon and adopted as his heir in his odyssey of looking for a male heir through a series of marriages, says no, to the first question; yes, to the second and to the third question, he says fate is the umpire; and succeeds in convincing his father that he is right.
Crying in Hiccoughs
(2011)
Crying in Hiccoughs is a graphic presentation of the more realistic phase of Africa's politico-economic and historico-moral evolution in general, and Cameroon's, in particular. From the colonial to the post-independence era, the poet sees nothing worthy of praise-singing and handclapping. So, he resorts to crying in hiccoughs and invites the blind, deaf and dumb brainwashed praise-singers to join him in singing his little songs so as to expose and challenge the demagogy.
In discussing final status issues, Palestinians and Israelis approach the question of the refugees and the right of return from radically different perspectives. The Palestinian narrative maintains that the Zionists forcibly expelled the Arab refugees in 1948. The Palestinians insist on the right of the refugees to return to their homes or, for those who choose not to do so, to accept compensation. And they demand that Israel unilaterally acknowledge its complete moral responsibility for the injustice of the refugees’ expulsion. In contrast, the Israeli narrative rejects the refugees’ right of return. Israel argues that it was the Arabs who caused the Palestinian refugee problem, by rejecting the creation of the State of Israel and declaring war upon it—a war which, like most wars, created refugee problems, including a Jewish one. Israel sees the return of Palestinian refugees as an existential threat, insofar as it would undermine the Jewish character and the viability of the state. The two sides’ traditional solutions make no attempt to reconcile these opposing narratives. Yet such an attempt is vital if the issue is to be engaged. Hence the Joint Working Group on Israeli–Palestinian Relations developed two compromise solutions. They narrow the gap between the positions, but do not fully reconcile them. The compromise solution espoused by the Palestinian members of the Joint Working Group would insist that Israel acknowledge both its responsibility for creating the refugee problem and the individual moral right of Palestinian refugees to return. But it recognizes that, in view of the changed situation of the refugees over 50 years, and taking into account Israel’s constraints, the return of only a limited number would be feasible. Israel would pay both individual and collective compensation. The Palestinians’ case for an Israeli withdrawal to the 1967 borders would be strengthened as a result of their willingness to absorb the refugees in the Palestinian state. Under the compromise solution proposed by the Israeli members of the Joint Working Group, Israel would acknowledge that it shares, with the other parties to the 1948 war, practical, but not moral, responsibility for the suffering of the refugees, and that rectification of their plight is a central goal of the peace process. Israel would accept repatriation of tens of thousands of refugees under its family reunification program. Israel would pay collective compensation to the Palestinian state, paralleled by Arab State compensation for Jewish refugees from 1948. In seeking to further reconcile these two compromise solutions, we note that they reflect a large measure of agreement between Palestinians and Israelis: that Israel had a historic role in the events that created the refugee issue; that a massive exercise of the right of return is unrealizable, and “return”/family reunification will be limited; that a larger number of Palestinians will “return” to the Palestinian state; that some resettlement will take place in host states, primarily Jordan; that Israel will pay some form of compensation; and that closing the file on the refugee issue means the dismantling of the entire international apparatus that has sustained the refugees—camps, UNRWA, etc. But there remain significant gaps between the two sides’ compromise proposals as well. These concern the nature of Israeli acknowledgement of Palestinian suffering and the responsibility for it; the nature and number of “return”/family reunification; the nature and size of compensation, and its linkage to compensation for Jewish refugees from 1948; and the size of “return” to the Palestinian state. In order to negotiate an agreed solution that bridges these remaining gaps, Israelis and Palestinians will have to develop the mutual trust required to further accommodate each other’s narratives. They will also, inevitably, have to factor the refugee/right of return issue into the broader fabric of tradeoffs and compromises that will characterize a comprehensive solution to the conflict. This will involve additional parties—primarily the refugee host countries—as well as related substantive issues, such as borders.
Eine Reihe von Penisverletzungen bei Masturbation mit Staubsaugern, die im Laufe der letzten Jahre am Klinikum rechts der Isar der Technischen Universität München zur Behandlung kam, gab Anlaß zu einer eingehenden Untersuchung dieses Problems, zumal in der Literatur bisher noch keine zusammenhängende Darstellung zum obigen Thema erschienen war. Nur Waterhouse und Gross, 1969 (52) erwähnten in ihrer Arbeit über 251 Fällen von UrogenitaltraktVerletzungen eine Staubsaugerverletzung des Penis durch Masturbation. Kammerer, 1972 fand unter 60 Penisverletzungen 8 Verletzungen durch Staubsauger...