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Born with Voice
(2015)
Born with Voice examines the psyche and scrape of the victims of various crimes, especially sexual discrimination-cum-exploitation, rape, and the killing of people with albinism. The author digs deeper into the hearts and minds, and plights of victims to inspire the society to stand with, and support them. The book offers some nuggets such as, understanding the phenomenon, confronting it and stopping wars that cause sufferings such as rape and death. It champions the urgency of voice for all and sundry. It challenges the industries of technologies of crime and violence to rise above selfish self-interest in the interest of human rights and voicing the voiceless victims of their greed.
Soul On Sale
(2015)
Soul On Sale (SOS) sounds like a rap song though it isn't. It isn't purely a poem but a long- provocative and vigorous song focusing on the history of injustices and those suffering from injustice urging them to take action. It explores colonialism, corruption and neocolonialism Africa faces. It chides victims to self-reinvent so as to change the status quo manned by begging and venal potentates. It seeks to provoke readers to feel empowered and responsible. Thus, stand and change the world's status quo sui generis. It employs an enthralling-flow style in free verse to catch the attention of the reader.
In A Predicament All My Life marks out some of the distressing ills of the postcolonial elite and the challenges of present-day African societies and cultures. The Poems in this collection bring into conversation precolonial Africa and Africa since colonialism. In particular, the poems explore Cameroon's predicament, its reunification traits, and its existential challenges. They represent a people who are out of favour, have lived in misery for most of their lives but are determined to stand firm and seek justice. In addition, the poems depict how women deal with gender oppression in a patriarchal society caught between and betwixt.
Largely concerned with Family Politics and Deception in northern North America and West-Central Africa, this book is intended mostly to provoke and enlighten. The book fossungupalogizes on whether or not northern North American courts are able to live up to the standard of 'exclusively saying exactly what the law is' in regard of the apparent war between the mounting same-sex marriage legalization drive and the traditional Western religious conception of marriage as endorsed by America's 1996 Defense of Marriage Act. It also tackles some intriguingly troubling matters emanating from African customary marriages and inheritance, subjects presenting some odd faces of marriage and family very similar at times to those engendered by same-sex marriage in northern North America. Its underlying preaching is that positive things could often be found even in tragedies. Hence, you should learn to make the best of your troubles instead of letting these haunt you - a goal easily attained by cultivating the habit of looking at the larger picture of things. Even one's 'stupid' and non-professional ideas could be learning ground to more people than one ever could have imagined.
This is a comprehensive, insightful, lucid, intense and unrivalled text on the general part of the criminal law in Cameroon. Beginning with an account of the historical development of the criminal law generally, the author proceeds to analyse and discuss in detail the principles governing application of the criminal law, criminal responsibility, participation in crime, penalties, and sentencing. These principles are broadly the same in other jurisdictions. The book balances theoretical content with case-law illustrations to enhance readability, comprehension and assimilation. It is an invaluable source and essential reading for law students and teachers, and lawyers in private practice and government service.
This Book is the outcome of a long project begun thirty years ago. It is a book on the makings of pan-Africanism through the predicaments of being black in a world dominated by being white. The book is a tribute and celebration of the efforts of the African-American and African-Caribbean Diaspora who took the initiative and the audacity to fight and liberate themselves from the shackles of slavery. It is also a celebration of those Africans who in their own way carried the torch of inspiration and resilience to save and reconstruct the Free Humanism of Africa. As a story of the rise from the shackles of slavery and poverty to the summit of Victors of their Renaissance Identity and Self-Determination as a People, the book is the story of African refusal to celebrate victimhood. The book also situates women as central actors in the Pan-African project, which is often presented as an exclusively masculine endeavour. It introduces a balanced gender approach and diagnosis of the Women actors of Pan-Africanism which was very much lacking. The problem of balkanisation of Africa on post-colonial affiliations and colonial linguistic lines has taken its toll on Africa's building of its common identity and personality. The result is that Africans are more remote to each other in their pigeon-hole-nation-states which put more restrictions for African inter-mobility, coupled by education and cultural affiliations, the communication and transportation and trading networks which are still tied more to their colonial masters than among themselves. This book looks into the problem of the new wave of Pan-Africanism and what strategies that can be proposed for a more participatory Pan-Africanism inspired by the everyday realities of African masses at home and in the diaspora. This book is the first book of its kind that gives a comprehensive and multidimensional coverage of Pan-Africanism. It is a very timely and vital compendium.
The Swamps
(2015)
The Swamps presents a debauched tapestry of an utterly dehumanised Cameroonian society seeking regeneration through s a judicious deployment of myth, history, parables, song, mimicry and dance. The inclusion of these features of orature in this political allegory creates particular moods and atmospheres and lends colour and movement to dramatic action. The structure and function of the play defines the individual's identity within the cosmic context which approximates the past and present. Inyang's analysis of class political behaviour in Cameroon exposes the complete erosion of civil liberties by corrupt and venal elite. He impresses the theatre audience with his dramatic eloquence and the fervour of his commitment, and emblazones his name in the front ranks of alternative theatre. This is a rare theatrical gem that demonstrates a brilliant, sustained invention, with great depth and suggestive power.
Usually shunned, condemned or narcotised as quickly as acknowledged, the absurd remains nevertheless a large part of reality. Loyal to their poetic pen, Teena and Yanee Dewoo choose to embrace and transcribe a fragment thereof in this book, in the manner in which it coloured their own thoughts or materialised around them in the past year in Mauritius - as zealous objection to human existence as defined by Science or Religion, and consequently, as a sort of de-stigmatisation of psychosis.
A Pebble In The River
(2015)
Akli is an old man now. He is in prison. It is from there that he begins telling his story of the colonisation of Northern Africa. Of his village especially, Thadarth. It is a narrative of revolution, war, torture, dispossession, corruption, intolerance, betrayal, terrorism, religious extremism but, above all, resistance. A narrative of inevitability and loss. The loss of faith in a higher power. The loss of those closest to him, which he would endlessly try, in vain, to prevent since his adolescence. He would forever carry the burden of their death and absence, the regret of not having been able to protect them, to be with them. This forged him into a cynic, a man without hope for a better future, a man who wishes for death every day that passes. But his is also a story of love. Unconditional. Pure love. The ineffable kind which he has for his country, his land, the mountains, his family, his friends, his people. A story of his life's first love, Martine, daughter to the French settler, Fino, who left him with a lot of frustrations but also good remembrances. If his story begins in gloom, it is one through which secretly, intimately and ultimately runs the thread of hope. Hope because he is released from prison at the time of the narration. Hope that his daughter, Zira, the fruit of the rape of his wife by terrorists, brings back into his life. It is a story about the persistence of beauty, of good and goodness, even in the face of chaos. It is a story about truth. His truth. Eternal even when obscured. No man can be broken badly enough to not feel love, to not see and enjoy beauty. No man can tear the world apart so much that love and beauty no longer exist. Once this truth is accepted, however chaotic or scary the outside world can be, peace can be found. Peace within one's own being. Peace which Akli finds too.
Coffee Time
(2015)
In Coffee Time, Mary Njeri Kinyanjui uses her childhood experiences in a rural coffee farm to show the struggles that farmers go through to earn a living. They linger in poverty as intermediaries along the coffee value chain rake huge profits. It is a story of trade injustice in an asymmetrical world.
Takumbeng and Other Poems from Abakwa is a tribute to the Takumbeng in Cameroon. This collection of poems celebrates the prowess of the Takembeng, a militant female secret society in the Northwest Region of Cameroon. The poems address human rights violations, rape of democracy, misgovernment, and other forms of societal ills that plague post-colonial Cameroon. It is written in impeccable Standard English. The strength of the book resides in the vastness of the thematic terrain broached.
African Modernities and Mobilities : An Historical Ethnography of Kom, Cameroon, C. 1800-2008
(2015)
In this book Walter Gam Nkwi documents the complexities and nuances embedded in African modernities and mobilities which have been overlooked in historical discourses in Africa and Cameroon. Using an ethnographic historical approach and drawing on the intricacies of what it has meant to be and belong in Kom- an ethnic community in the Northwest Region of Cameroon - since 1800, he explores the discourses and practices of kfaang as central to any understanding of mobility and modernity in Kom, Cameroon and Africa at large. The book unveils the emic understanding of modernity through the history and ethnography of kfaang and its technologies and illustrates how these terminologies were conceived and perceived by the Kom people in their social and physical mobilities. It documents and analyzes the historical processes involved in bringing about and making kfaang a defining feature of everyday life in Kom and among Kom subjects.
This book argues that the basic component of any society's social security and sustainability is cultural capital and its ability to fully recognise diversity in knowledge production and advancement. However, with regard to African societies, since the dawn of racial slavery and colonialism, cultural capital - indigenous knowledge in particular - has iniquitously and acrimoniously suffered marginalisation and pejorative ragtags. Increasingly since the 1990s, cultural capital informed by African knowledge systems has taken central stage in discussions of sustainability and development. This is not unrelated with the recognition by America and Europe in particular of the central role that cultural capital could and should assume in the logic of development and sustainability at a global level. Unfortunately, action has often failed to match words with regard to the situation in Africa. The current book seeks to make a difference by exploring the role that African cultural capital could and should assume to guarantee development and sustainability on the continent and globally. It argues that lofty pan-African ideals of collective self-reliance, self-sustaining development and economic growth would come to naught unless determined and decisive steps are taken towards full recognition of indigenous cultural capital on the continent.
A la tète du client is a vitriolic indictment of the unsettling myths and stereotypes surrounding the HIV/AIDS pandemic in Cameroon. It problematizes and lampoons the unethical practices of medical personnel that have made this disease an intractable ailment in Cameroon and beyond. The English translation of A la tète du client titled Fly over the Crooks' Crooked Nest denounces and scourges the predatory behaviour of the wicked who take advantage of the weakest in a context of HIV/AIDs. When two rascals decide to open their own laboratory for medical analysis, without any skills or equipment, the least harmful results amount to 'Obama... blood type O, Axelrod...blood type A...'
Boundaries
(2015)
In Boundaries, Musang, from the Grassfields, falls in love with Etonde from the Coast. Although aware of some existing tension and unfounded mistrust between both camps, the couple is ready to marry when Etonde's father, incredibly, rejects the marriage proposal at the last minute. Although traumatized, Musang, finally, deems the rejection a sign from heaven and so reconsiders a lingering vocation idea - the priesthood. Meanwhile, a devastated Etonde, now defiant of men, struggles on to regain her equilibrium. Years after, however, and barely months away from his ordination into the priesthood, Musang, an exemplary postulant, is suddenly given the deprecating choice to go on probation or leave the seminary; he leaves.
Tori Shweet for Cameroon Pidgin English is a compendium of short stories written in Cameroon's most widely spoken lingua franca commonly called Cameroon Pidgin English (CPE). The grassfields of Cameroon serves as the nursery where these culturally enriched stories are nurtured. The collection comprises animal trickster tales, bird survival tales and human-interest stories. In conformity with the philosophy of French novelist, Stendhal, this anthology of short stories is a mirror that reflects the folklore and mores of the ethnic groups that constitute the grassland region of Cameroon. It serves as a window to the worldview, mindset and value systems of the grafi.
The King's Wages
(2015)
Containing hints of political satire, The King's Wages is a play that seeks to unmask the wicked absurdity of getting power at all costs. It tells the story of a man called Tutu who wants to be king and murders his own brother in pursuit of his plan. Tutu finally becomes king, but soon realizes that there is more to it than he bargained for. The chief among the Akan gods, Tano, becomes angry and is bent on punishing Tutu for the fratricide he committed. The ghost of Tutu's brother comes back to haunt him and Tutu is desperate to avert this from happening again. He does not only do the unthinkable as an expedient to save his life, but also manifests his weakness by following the advice of his long-time friend Bota. As a result, he is cursed by his own daughter who commits suicide immediately afterwards. In the end, he loses everything but his life. The story may strike us as mythical, but Brempong deliberately goes beyond the limits of the natural to invest his story with more beauty and profound pathos. He uses glittering expressions and simple language, with slight touches of archaism and interspersed with Akan proverbs. The story he tells is interesting enough, but his brilliant writing style also makes it one of the outstanding works to be seen in modern African literature.
On perusing Stream of Consciousness: Poetics of the Universal by Peter Wuteh Vakunta, one is struck by the eclectic and englobing nature of themes broached. Vakunta's poetry is both a transversal and longitudinal dissection of our world. The poet assumes the posture of a divinity casting interrogative glances at the deeds of humans. Not a single terrestrial creature evades his prying eyes. Even the most subtle creatures on Planet Earth are scathed by the poet's effusion of vitriolic emotions. The poet pursues evil-doers right into their graves. Even in their death throes, he continues to deal them fatal blows. Armed with a caustic pen, this chronicler does not sit on the fence and watch events transpire. Instead, he speaks for the downtrodden of all races and social strata: black, white, yellow, Papuan, Andalusian, wretched, opulent. This adds grist to the title of the book. The poet distances himself from the rigor of Kant and the moralism of La Rochefoucauld. Weary of hearing the voices of humans in distress, he paints the portrait of another kind of Humanity. Vakunta's poetry celebrates the harmonious cohabitation of verbal sophistry with the power of the word.
This Book is the outcome of a long project begun thirty years ago. It is a book on the makings of pan-Africanism through the predicaments of being black in a world dominated by being white. The book is a tribute and celebration of the efforts of the African-American and African-Caribbean Diaspora who took the initiative and the audacity to fight and liberate themselves from the shackles of slavery. It is also a celebration of those Africans who in their own way carried the torch of inspiration and resilience to save and reconstruct the Free Humanism of Africa. As a story of the rise from the shackles of slavery and poverty to the summit of Victors of their Renaissance Identity and Self-Determination as a People, the book is the story of African refusal to celebrate victimhood. The book also situates women as central actors in the Pan-African project, which is often presented as an exclusively masculine endeavour. It introduces a balanced gender approach and diagnosis of the Women actors of Pan-Africanism which was very much lacking. The problem of balkanisation of Africa on post-colonial affiliations and colonial linguistic lines has taken its toll on Africa's building of its common identity and personality. The result is that Africans are more remote to each other in their pigeon-hole-nation-states which put more restrictions for African inter-mobility, coupled by education and cultural affiliations, the communication and transportation and trading networks which are still tied more to their colonial masters than among themselves. This book looks into the problem of the new wave of Pan-Africanism and what strategies that can be proposed for a more participatory Pan-Africanism inspired by the everyday realities of African masses at home and in the diaspora. This book is the first book of its kind that gives a comprehensive and multidimensional coverage of Pan-Africanism. It is a very timely and vital compendium.
Representing research from east, central, west, and southern Africa, Engaging Children and Youth in Africa provides a well-balanced analysis of on-the-ground data with methodological and phenomenological issues that abound in much of research in Africa today. With an introduction that charts out some of the most critical approaches in African-centred research on children and youth, contributors to this volume give the reader a glimpse of the product of engaged research that places children and youth at the centre of analysis. The authors follow recent studies that have insisted on seeing African childhood and youth beyond constraining Western notions of vulnerability or innocence, to capture the ways in which recent advances in technology, the intensification of global processes, and continued weakening of the nation-state have not only contributed to new ways of being children and youth but how they have also provided a new lens through which to study social change.
The Forest: An African Traditional Definition seeks to provide the conservationist with some basic ideas as to which cultural areas to explore. It utilises illustrative African cultures: from ecologically and culturally rich forest zones of Cameroon which has earned the description of Africa in miniature due to its diversity; and representativeness of ecological and cultural landscapes that reflect the continent. These aim to direct the conservationist to the appropriate beliefs and customs that could be exploited in favour of conservation. There is no overemphasising that most, if not all, African cultures have at least some rudimentary aspects of conservation in the modern sense. These aspects constitute the strong colours that could be used to create an indelible picture of the importance of conservation on the continent.
When Africa stumbled into independence in the 1960s, the blossoming of newspapers of nearly every political persuasion was widely hailed as a critical stepping stone toward true multiparty democracy. However, rather than marking a clean break with an authoritarian past, the era of multiparty politics in Africa has been a time of increased hardship and repression for journalists who dare criticize powerful incumbents. Media repression continues to rise. After decades of retreat, authoritarian regimes are using social media and other sophisticated systems in a new era of repression to thwart democracy and trample human rights. For consecutive decades, the state of freedom has declined - more people in more places face more repression. While systemic torture in war-torn Somalia and the return of a military dictatorship in Egypt captured headlines, there is also widespread, insidious and 21st-century style surveillance elsewhere with abuse or imprisonment or both of political activists. For the media to play its role as priests of democracy, Tatah Mentan maintains that media freedom must be rigorously defended as integral to the democratic way of life.
This Book is the outcome of a long project begun thirty years ago. It is a book on the makings of pan-Africanism through the predicaments of being black in a world dominated by being white. The book is a tribute and celebration of the efforts of the African-American and African-Caribbean Diaspora who took the initiative and the audacity to fight and liberate themselves from the shackles of slavery. It is also a celebration of those Africans who in their own way carried the torch of inspiration and resilience to save and reconstruct the Free Humanism of Africa. As a story of the rise from the shackles of slavery and poverty to the summit of Victors of their Renaissance Identity and Self-Determination as a People, the book is the story of African refusal to celebrate victimhood. The book also situates women as central actors in the Pan-African project, which is often presented as an exclusively masculine endeavour. It introduces a balanced gender approach and diagnosis of the Women actors of Pan-Africanism which was very much lacking. The problem of balkanisation of Africa on post-colonial affiliations and colonial linguistic lines has taken its toll on Africa's building of its common identity and personality. The result is that Africans are more remote to each other in their pigeon-hole-nation-states which put more restrictions for African inter-mobility, coupled by education and cultural affiliations, the communication and transportation and trading networks which are still tied more to their colonial masters than among themselves. This book looks into the problem of the new wave of Pan-Africanism and what strategies that can be proposed for a more participatory Pan-Africanism inspired by the everyday realities of African masses at home and in the diaspora. This book is the first book of its kind that gives a comprehensive and multidimensional coverage of Pan-Africanism. It is a very timely and vital compendium.
Despite all the talk about African renaissance, much of the continent is plagued by poverty and instability. To break out of that cycle, the guardians of African heritage (the old independence freedom fighters turned political leaders and their successors) and much of Afrocentric literature rightly promote African ideas and solutions for African problems. While the idea in itself is noble, the danger is for Africa to close itself off and ignore 'outside' technical and intellectual innovations that it desperately needs to advance further. Africa through Structuration Theory - ntu joins the discourse by attempting to restore intellectual freedom and convincingly defends structuration theory not only as the way forward for Africa but also as a legitimate African concept. It is innovative, refreshing and deserves to be heard across the world and appreciated especially by African graduates, current and future leaders of various African institutions or businesses, non-Africans who might hesitate to refer to such a theory when trying to understand and deal with African problems and the wider public who constitute the audience for this book.
Flashlight on Drama and Film succinctly describes how to use drama to afford target audiences opportunities to analyse environmental situations, presented through drama, with a view to enabling them to make informed decisions and take responsible actions in similar situations in the real world. This constitutes the guiding principle of Drama for Situation Analysis (DRASA), with Flashlight on Drama and Film as its training guide.in the drama effort. The guide is divided into three parts. Part One looks at the development of the play script from the research stage. Part Two describes the stages involved in interpreting a play, including the skills, techniques and terminology of acting, from a simple definition of drama. Part Three gives a rundown of the stages in rehearsing and presenting a play, either as stage drama or film production.
Milestones in Green Transition and Climate Compatible Development in Eastern and Southern Africa
(2015)
It is widely recognised that climate change poses significant serious threats to sustained economic growth and agricultural development, poverty reduction, food security and political stability globally. Nowhere are these challenges more marked than in Africa where two-thirds of all available land is classified either as desert or dry land, in relation to which the Intergovernmental Panel on Climate Change (IPCC) (2013) has classified the continent as the most vulnerable to climate change variability. This anthology is a product of a call from OSSREA to collate evidence based researches in a book in a bid to assess how far countries in eastern and southern Africa are implementing the UNFCCC, Rio+20, Agenda 21 and other global and Africa-wide decisions concerning the need to address climate change. This will contribute to post-2015 development agenda for sustainable development goals (SDGs), in which climate change and disaster risk reduction will be priority areas of focus. We hope this book will serve as a valuable tool for experts, advisers and policymakers in pursing effective green growth policies and practices and achieving climate compatible development and in doing so inspire readers to choose a more sustainable pathway for humanity. It will also help in looking at climate change as both a challenge and opportunity for development. Further, this book aims at stimulating more research in climate compatible development and climate financing which have put most countries at crossroads.
The Regional Economic Communities (RECs) in Eastern and Southern Africa have been at the forefront to developing new energy policies and programmes aimed at reaching the UN goal of Ensuring Access to Clean Energy for All by 2030. In the year 2006, the East African Community passed the EAC Strategy to Scale Up Access to Modern Energy Services, committing its Member States to reach the UN goal of -access to all- by 2030. The Inter-governmental Authority for Development adopted its Environmental and Natural Resources Policy in 2007 which includes issues of renewable energy. The Common Market for Eastern and Southern Africa launched its Model Energy Programme in 2012, followed the same year by its comprehensive baselines database on renewable resources covering all its Member States. In the year 2009, the African Union General Assembly at its 12th Ordinary Session adopted the Policy on 'Scaling Up Renewable Energy in Africa'. The regional policies have been domesticated by Member Sates of the RECs. Although their targets are very ambitious, implementation programmes launched at national level are robust and producing results. Both in the policies and implementation programmes, gender issues have, however, not featured prominently. Noting this deficit, the Organisation for Social Science Research in Eastern and Southern Africa called for researchers to assess the extent to which energy policies in Eastern and Southern Africa have taken gender issues on board. This book is the product of that project. It has ten chapters that investigated the gender-energy nexus in Zimbabwe, Ethiopia, Tanzania, Swaziland, Sudan and Kenya. The book will prove useful to all policy makers, researchers and analysts who may be interested in strengthening the gender content of the programmes as we move towards 2030. We believe it triggers and helps policy makers and researchers to create platforms to use its findings, and those of others, to see how in gender terms those at the bottom of the energy access pyramid can be factored into these programmes, to make sure they are not left behind.
The Rwandan justice system know as Gacaca, originally preserved by word of mouth was revived, documented, tested and used successfully to handle millions of legal cases in the aftermath of the Rwandan genocide against the Tutsi. This monograph begins by depicting the general picture of customary law and ponders on the practical challenges in the production of the modern Gacaca law in three versions: Kinyarwanda, French and English. The author demonstrates that translation involves language use and transfer, as well as communication within a cultural setting. The book amply demonstrates that linguistic, textual, contextual and cultural cues in translation should not be downplayed. It also shows that the cultural turn in translation has transformed and re-conceptualised the translation theory to integrate non-western thought about translation discipline since time immemorial. A major theme within the book is that teranslation as a mediating form between cultures and contexts should not overlook cultural differences because language is a marker of identity.
The volume constitutes Klaus Fiedler's crowning contribution to scholarship. Essays in the first half of the book focus on Malawian Christianity and how contrasting Powers, Gospel and Secular, engage each other, creating social, political and cultural conflict in the process. In the second half, Fiedler examines general missiological themes. These essays provide a broader missiological background, offering a theoretical framework necessary for appreciating the essays in the first half. He concludes with a chapter that reviews selected seminal books on themes under study. Throughout the volume Fiedler applies the 'restorationist revival theory' he constructed in The Story of Faith Missions, an earlier 1994 work putting emphasis on non classical missions and churches, not systematically covered in earlier scholarship. This volume, the first of its kind on Malawian Christianity, will long remain an indispensable text for those interested in Missiology and Malawian Christianity.
Re-Viewing Resistance in Namibian History brings together the work of experienced academics and a new wave of young Namibian historians - architects of the past - who are working on a range of public history and heritage projects, from late nineteenth century resistance to the use of songs, from the role of gender in SWAPO's camps to memorialisation, and from international solidarity to aspects of the history of Kavango and Caprivi. In a culturally and politically diverse democracy such as Namibia, there are bound to be different perspectives on the past, and history will be as plural as the history-tellers. The chapters in this book reflect this diversity, and combine to create a remarkable collection of divergent voices, providing alternative perspectives on the past. Re-Viewing Resistance in Namibian History writes 'forgotten' people into history; provides a reading of the past that reflects the tensions and competing identities that pervaded 'the struggle'; and deals with 'heritage that hurts'.
Bites of Insanity
(2015)
In this collection of poems Nsah Mala casts a critical compassionate gaze at the predicaments in the lives of present day Cameroonians. The poet lambasts power abuse in Cameroon and Africa. He decries the lost glory of traditional values sacrificed at the altar of ingratiation and materialism. Insalubrities are condemned, ignorance and its ramifications satirised, and wanton destruction of the environment indicted. With a fascinating richness of imagery, Mala conveys the disillusionment, bitterness and traumas of ordinary Cameroonians - young and old - debased with impunity by the lethal and sterile grip on power of the high and might. The moral depravity and human frailties mused about in this exceptionally compelling collection have no room in Mala's paradise of Cameroon.
Unmasking Social Science Imperialism : Globalization Theory As A Phase Of Academic Colonialism
(2015)
Contemporary social science is a product of the capitalist world-system and Eurocentrism is constitutive of the geoculture of this system characterized by the parochiality of its universalism, assumptions about the superiority of Western civilization and imposition as the sole theory of global progress. The creation of these structures of knowledge, specifically the institutionalization of the social sciences, is a phenomenon that is inextricably linked to the very formation and maturation of Europe's capitalist world system or imperialism. There is therefore nothing that is natural, logical, or accidental about the institutionalization of the social sciences. These Europeanized structures of knowledge are imposed ways of producing knowledge of the world. This Eurocentrism of social science has justifiably come under increasingly vigorous scrutiny, especially in the period since 1945 with the formal decolonization of Africa, Asia, and much of the Caribbean. This book forcefully argues that if social science is to make any progress in the twenty-first century, it must overcome its Eurocentric heritage that has distorted social analyses and its capacity to deal with the problems of the contemporary world and embrace other non-Western funds of knowledge production.
Society, Women and Literature in Africa explores the ideological, literary, political, cultural and ethical issues related to feminist writing. She discusses how contemporary African writers have tried to counteract men?s false assumptions about sex, love, society, fecundity and womanhood, and further details how African writers have responded to the demands of feminism. ?Woman?s Cross Cultural Burden in the selected works of West African Female writers? explores the recurrent themes of motherhood, polygamy, abandonment and widowhood in the works of Nwapa, Emecheta, Alkali, Aidoo and Mariama Bâ. In ?Prostitution: A Metaphor for the Degradation of Womanhood in Bode Osanyin?s the Noble Mistress?, the author approaches the subject of woman degradation in society from the perspectives of comprehensive research and an in-depth referencing. ?Gendered Social Division of Labour in the African Novel? explores the theme of unfairness, of institutionalized differentiation in the African novel. It reveals the total emasculation of woman in patriarchy and her desire to be liberated from male-annexation. ?The Prison World of Nigeria Woman: Female Reticence in Sefi Attah?s ?Everything Good Will Come?, the author explores the dimensions of ?gender silences?. She shows how woman?s voice has been stolen in patriarchy, thus rendering her a social and political mutant. ?Womanhood as a Metaphor for Sexual Slavery in Nawal El Saddawi?s Woman at Point Zero? underscores that in patriarchy a woman is educated to make an object of herself for male pleasure. She is excluded from politics as a result of religion. ?The Ugly Face of Ghana in the New Millennium: Alienation of Children in Amma Darko?s Faceless? is a stylistic study of the consequences of globalization in postindependent Ghana. In ?The Theme of Dispossession in A.N Akwanya?s the Pilgrim Foot?, the author examines the myriad perspectives of dispossession and the dispossessor.
This is a commemorative volume devoted to the late Professor Willfried F. Feuser, a literary icon and a comparatist of no mean repute. Though German by origin, Professor Feuser showed great concern to the Africanist agenda of self-realisation, and therefore devoted the greatest part of his productive academic life to the cultural revival and socio-economic emancipation of Africa and the Diaspora through his scholarly publications. This book contains 20 essays on a wide range of issues in literary criticism.
African Short Stories: Vol 2
(2015)
Bequeathing an enduring tenet for the creative enterprise, African Short Stories vol 2 boldly seeks to upturn the status quo by the art of narration. Whether they are stories of the whistle blower estranged and yet sounding the warning for heaven and earth to hear, or a ragtag army fleeing in the wake of a monstrous reptilian onslaught upon her peace, there pervades a sense of ultimate victory in this collection. We can feel the gentle kick of a baby in the womb of a maiden in desperation, or we can muse at the two adolescent genii on the trail of their dreams from the sunset of mutual deceit into the daylight of true becoming. Victory is laid out in that awesome kindness of a total stranger which affirms the divinity latent in even our most harrowing existence. With thirty five stories in two parts these literary experiments compel attention to the courageous hearts and minds that brighten the African universe of narration. Their vibrant notes coming from all corners of north, west, east and south fill us with encouragement and optimism for the contemporary short fiction in Africa.
In twenty-five chapters this book covers phonology, morphology, syntax and semantics. The chapters are organized in four discrete parts: phonology, morphology, syntax and semantics. They are uneven in terms of scope covered, length, the density of their contents and their degrees of difficulty. Each chapter ends with ?Some References? relevant to both the topic(s) treated in the chapter, in Igbo linguistics, and in general linguistics.
This commemorative volume is the 12th edition in the Nigerian Linguists Festschrift Series devoted to Professor (Mrs.) Appolonia Uzoaku Okwudishu. The majority of the papers were presented at the 27th Annual Conference of the Linguistic Association of Nigerian (CLAN) which was held at the Benue State University, Makurdi, Nigeria, and the 26th CLAN which was held at the University of Ibadan, Nigeria. The title derives from the theme of the 27th CLAN: Language Endangerment: Globalisation and the Fate of Minority Languages in Nigeria. A large number of the papers address the major theme of the conference, while the balance address various aspects of Nigerian linguistics, languages, communication, and literature. Fifty-one papers are included, ranging from sociolinguistics through applied linguistics to formal areas of linguistics which include phonology, morphology and syntax of Nigerian languages. Papers on language endangerment and language revitalisation strategies for safeguarding the vanishing indigenous tongues of Nigeria are the major focus, and the book serves as important reference material in various aspects of language and linguistic studies in Nigeria.
NEW BLACK AND AFRICAN WRITING Vol. 2 is our concluding edition of a series that has featured many critical entries and reviews on canonical African fiction, poetry, drama and non-fiction. This second edition explores intricacies of relationships and associations, the recurrent tropes for the interpretation and understanding of historical connections, and the shaping of thought brought into fictional and cultural renditions that are evolving and continually reassessed although around the periphery of older canons. The quest for a meaningful heuristic for approaching contemporary arts is almost totally redefined by the contributions of eminent scholars of our time whose balancing and correspondence create room for complementarity of values and toward cultural understanding and value appreciation in contemporary society.
In literature the ambiguous portraiture of female characters by some male writers and the phallic nature of men's writings have proved a matter of concern to female writers in Africa. For decades within African writing the issue of silencing was interrogated particularly as it addressed the muting and marginalisation of black women by male writers through the script of patriarchy which men follow. In this series we continue the literary and dramatic tradition of feminist concern for women's issues and we review novels, plays and poetry which demonstrate a commitment to exploring the challenges facing modern women in changing times and excerpting the issues of gender, feminism, identity, race, history, national and international politics specifically as they affect women. Female Subjectivities collectively answers the need to question and adumbrate the possibilities of literary revisions, showing what it would mean to revise even the Feminist psychoanalyst in a discourse on the subjectivity of women of colour.
This study of oral tradition in African literature is borne from the awareness that African verbal arts still survive in works of discerning writers and in the conscious exploration of its tropes, perspectives, philosophy and consciousness, its complementary realism, and ontology, for the delineation of authentic African response to memory, history and other possible comparisons with modern existence such as witnessed in recent developments of the African novel. In this series we have strived to adopt innovative and multilayered perspectives on orality or indigeneity and its manifestations on contemporary African and new literatures. These studies use multi-faceted theories of orality which discuss and deconstruct notions of history, truth-claims and identity-making, not excluding gender and genealogy (cultural and biological) studies in African contexts.
Crossing Borders showcases intellectual attempts to commit the process of African interrogation of postcoloniality and postmodernity to the exploration of perspectives on black identities and interactions of contemporary cultural expressions beyond the borders of Africa and across the Atlantic. We have particularised on theoretical and critical perspectives that show how the controversial influence of westernisation of Africa has demanded remedial visions and counteractive propositions to the cycle of abuses and fragmentation of the continent. We have consequently distilled some very significant historic and informative insights on modern African and black literary traditions methodically espoused to articulate the greater unity in the diversities, fusions and hybrids that have been embedded in the external and subjective realities of our universe.
This edition commits to the depths of black identities in modern black texts. The cultural reclamation of an African origin and/or roots as tied to the solemn remembrance of the Ancestor has demanded the intense attention of enlightened black writers for the social and psychic revaluation of their generation and others that follow. In this series we further examine the status of the oral performer in African traditional societies which encouraged a wide range of human expression to create identity for members of the community Africa -and we have proposed a challenge to sustain the methods of creative transmission through the continuing presence of these African performers who are living proofs of the survival of her oral traditions, especially in the propulsion of communicative action and the communicative strength of men, women and children in the community.
This collection of essays documents the growth of African history as a discipline at the University of Basel since 2001. It thus pays tribute to fourteen years of research and teaching by Patrick Harries at the Department of History and the Centre for African Studies Basel. The Festschrift covers a broad range of topics from mine labour to missionary endeavour and the production of knowledge, reflecting some of his core research interests. The contributions engage with Patrick Harries' oeuvre with reference to the authors' own scholarship or vice-versa. Some directly address his publications while others take his teaching, correspondence, remarks or intellectual life more broadly as a point of reference. They all pay tribute to a brilliant and inspiring scholar, a great teacher and a kind person.
South Africa is an example of a relatively successful political transition. Nevertheless, the first democratic elections in 1994 did not change the systemic and structural inequalities, the socioeconomic legacies of discrimination or the alienation of the different population groups. At the centre of this study is the transformation potential of two formerly white neighbourhoods in Johannesburg - Norwood and Orange Grove. Both neighbourhoods have experienced considerable demographic changes and the various population groups differ in terms of their expectations and their willingness to adjust to the changes provoked by the transition. At the local level, patterns of discrimination and oppression continue. Spaces, opportunities and leverage of social networks engaged in the community are influenced by the resources people are able to access. Moreover, cooperation is contested in a context of pervasive inequality because there is no incentive for privileged groups to change arrangements that benefit them. In this context of conflicting interests and unequal access to power and resources, decentralisation and the promotion of participatory structures in local communities are a problem and the reliance on local networks as agents of development is questionable.
National Culture in Post-Apartheid Namibia : State-sponsored Cultural Festivals and their Histories
(2015)
National Culture in Post-Apartheid Namibia' addresses the challenges of creating a 'national' culture in the context of a historical legacy that has emphasised ethnic diversity. The state-sponsored Annual National Culture Festival (ANCF) focuses on the Kavango region in north-eastern Namibia. Akuupa critically examines the notion of Kavango-ness as a colonial construct and its subsequent reconstitution and appropriation. He analyses the way in which cultural representations are produced by local people in the postcolonial African context of nation building and national reconciliation by bringing visions of cosmopolitanism and modernity into critical dialogue with the colonial past. Competing cultural festivals are used as celebratory social spaces in which performers and local people participate whilst negotiating a sense of national belonging in an ongoing tension between the need to celebrate diversity, yet strive for unity. This is the first study to discuss the comprehensive role played by those cultural festivals, which were organised in the ethnic homelands during the time Namibia fell under South African control.
The book highlights, the gradual change in the status of the land and relationships with land in Mali in general and in the Niger river basin in particular. It is suggested that despite these inevitable transformations, institutional reforms need to be measured. They must be done in a prudent, methodical way with patience and determination while taking into account certain realities to mitigate its impact on the rural populations.
CODESRIA, UNFEMMES and UNESCO, partner in research, the results of which for Senegal are set out in this book. It has been found that, despite their demographic weight, women are still marginalized in key sectors of the economy. Compared to men, they are less educated (often for cultural reasons), less paid, more likely to work in the informal sector, with a higher level of vulnerability and vulnerability. Faced with neoliberal globalization, they are the greatest victims of economic, financial and political crises. At the sociopolitical level, they continue to be subjected to multiple and multifaceted violence and are still very little involved in making decisions governing their lives and their society. Moreover, the social division of labor in households reinforces, more than ever, the invisibility of the tasks linked to their role of reproduction.
Contributions collected here discuss the experiences of the citizens of Angola, Cape Verde, Guinea-Bissau, Mozambique and Sao Tome and Principe, and suggest some answers to the challenges they face. Each of the authors presents studies that carefully examine the situation and the political, social and economic context suggest that the progress made in recent decades in women's rights and empowerment, democratic governance, Human rights, access to employment, education and health, are still very modest on the long journey our countries must make to win the welfare of citizens. Therefore imperative that dynamic and competent social movements favour process processes and more effective and sustainable development.