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It is well known that Luis Kutner (1908-1993) played an important role in the development of the living will (advance directive, Patientenverfügung). But it is not clear when he developed his concept. We have screened the Luis Kutner Papers,deposited at the Hoover Institution Archives at Stanford University to answer this question. We found out that in the second half of 1967, Kutner dealt intensively with the issue of euthanasia. On December 7, 1967, he delivered a speech at the annual meeting of the Euthanasia Society in New York and presented the concept of the living will to the audience. So Kutner surely was a pioneer in this field, but further research is necessary to clarify, if he (or maybe Elsa W. Simon or Abraham L. Wolbarst) was the "originator" of the living will concept in the sense of passive euthanasia.
BILAKHULU! : Longer Poems
(2015)
VONANI BILA was born in 1972 in Shirley village, Limpopo, where he still lives. He is the author of five books of poems in English and eight story-books for newly literate adult readers in Sepedi, Xitsonga and English. Bila is a driving force in South African poetry - founding editor of the Timbila poetry journal, publisher of Timbila books and founder of Timbila Writers' Village, a rural retreat centre for writers. Married with three children, he teaches in the Department of English Studies at the University of Limpopo, and in the MA in Creative Writing at Rhodes University.
In Cameroon and Africa, lakes are sacred and often secret places. They fascinate curiosity and have often served as repositories of local histories, memories and dreams. In Mystique, Bime offers the reader a rich and seductive menu of reflection on the significance of legends and myths on and around lakes in Cameroon, Ghana, Benin and Tanzania. She tells her stories with the talent and elegance of a writer who does not only have an ear for what others tell her but who also has the ability to transform what she hears into something uniquely hers and truly universal. Mystique is a must-read and an opportunity for progeny to keep alive a tested and cherished heritage of story-telling. This is truly innovative and culturally relevant entertainment that invites the reader to unchain her spirit to explore. Beatrice Fri Bime, an international management consultant, who enjoys humanitarian affairs, holds a Master of Business Administration (MBA) degree from the University of Wisconsin-Whitewater, USA. A Cameroonian, she has worked in Banking, government, national and international organizations and is author of Some Place, Some Where. She lives with her family in Yaounde.
Someplace, Somewhere
(2009)
Someplace, Somewhere is an exemplary piece of socio-political satire. It is a collection of short reflective stories that highlight the predicament of a people and exposes the ills of a society where neglect and decay are the nauseating lure and allure of everyday life. Carefully knit, this collection vividly provokes the nostalgia of the round-the-hearth rural evening story-telling atmosphere of yesteryears. Indeed, Bime has this knack for the fine details of story-telling, which blends so magically with her flare of crude humour, a combination that makes her social satire simply irresistible.
The Dialectics of Praxis and Theoria in African Philosophy : An Essay on Cultural Hermeneutics
(2011)
This book is a clarion call for African renaissance informed by African spirituality. It develops the vision that Africans can be the same in the process of change. Africans have to coincide with their ways of perceiving values, and to retrieve their identity wiped out by regrettable historical events. Even in this involvement of revalorisation of their stifled ways, Africans have to be aware of the fact that history has evolved and new human environments are taking place. Any attempt to recover African personality involves a triple necessity. First, to remember the past, second, to analyse critically what Africans have inherited from their past, and lastly, to project new ways and means for a genuine renaissance, free from alienation and exploitation. Bin-Kapela sees in Cultural hermeneutics an appropriate philosophical method to achieve this end of recognising and projecting African spirituality as a universal value.
Shooting Snakes
(2013)
An old man is woken up by the wailing of a prophetess. Sitting on the veranda and staring into the dry veld he is beset with images of snakes hiding in the cellar beneath him. His peace is further disturbed by visits from his angry daughter, Susanna. Memories of his childhood on a remote mission station in Venda come flooding in. Johannes remembers his father's internment at Koffiefontein during World War II, leaving him and his sister free to make friendships, explore the mythical forests that surround their house and to connect with the spirit world of the Bavenda . On his return, the missionary tries to impose order on the mission station with tragic consequences.
The poems, stories and essays of Mphutlane wa Bofelo operate within a framework of thinking that is an amalgam of philosophies: that of black consciousness, humanistic Islam and socialism. His voice is both lyrical and satirical, expressing anger and tenderness even as his barbs are sharp and his kisses tender. His beats are complex polyrhythms that roll on in incantatory style or achieve mystical brevity. Bofelo entered the world of sociopolitical and cultural activism in the early 1980s through the black consciousness movement in Zamdela Township in Sasolburg. He lives in Durban, where he has built up an audience as a performer of poetry, a speaker and a facilitator. He has self-published two poetry collections and is represented in journals, newspapers and on web sites.
The birth of a new nation is an exciting time. Mick Bond spent the years 1962-73 as a District Officer and a District Commissioner, actively participating in the demise of the colonial regime and then as a civil servant in independent Zambia. This detailed account of his life and work includes the daily routine of a colonial officer, his personal experiences of the 1964 Lumpa conflict and his involvement in the elections of 1962, 1964, and 1968.
Africa is richly blessed with cultural and natural heritage, key resources for nation building and development. Unfortunately, heritage is not being systematically researched or recognised, denying Africans the chance to learn about and benefit from heritage initiatives. This book offers a preliminary discussion of factors challenging the management of intangible cultural heritage in the African communities of Zanzibar, Mauritius and Seychelles. These islands are part of an overlapping cultural and economic zone influenced by a long history of slavery and colonial rule, a situation that has produced inequalities and underdevelopment. In all of them, heritage management is seriously underfinanced and under-resourced. African descendant heritage is given little attention and this continues to erode identity and sense of belonging to the nation. In Zanzibar tensions between majority and minority political parties affect heritage initiatives on the island. In Mauritius, the need to diversify the economy and tourism sector is encouraging the commercialisation of heritage and the homogenisation of Creole identity. In Seychelles, the legacy of socialist rule affects the conceptualisation and management of heritage, discouraging managers from exploring the island's widerange of intangible heritages. The author concludes that more funding and attention needs to be given to heritage management in Africa and its diaspora. Rosabelle Boswell is a senior lecturer in the Anthropology Department at Rhodes University, South Africa and a specialist of the southwest Indian Ocean islands. Her research interests include ethnicity, heritage, gender and development. Boswell's PhD was on poverty and identity among Creoles in Mauritius and her most recent work is onthe role of scent and fragrances in the heritage of the Swahili islands of the Indian Ocean region.
Erina
(2003)
Johan comes to Africa to manage a tea plantation. He meets Erina, and his life changes forever. The story takes a leap into the unknown, cleverly blending an African setting with the fantastic premise at its core: the arrival of a black female Christ-figure. The use of AIDS as a weapon to effect the ultimate defeat of Satan adds a powerful and provocative dimension. Erina won Best First Book at the Zimbabwe Book Publishers Association awards
Boxing is no Cakewalk! : Azumah 'Ring Professor' Nelson in the Social History of Ghanaian Boxing
(2019)
Boxing is no cakewalk! Azumah Ring Professor Nelson in the Social History of Ghanaian Boxing explores the social history of boxing in Ghana and its interesting nexus with the biography of Azumah Nelson, unquestionably Ghanas most celebrated boxer. The book posits that sports constitute more than mere games that people play. They are endowed with enormous political, cultural, economic and social power that can influence peoples lives in various ways. Boxing is no cakewalk! interrogates the social meaning and impact of boxing within the colonial and postcolonial milieux of popular culture in Ghana. Consequently, it reconsiders the prevailing conception of boxing as adversative to enlightened human culture by arguing that it is a positive formulator of individual and national identities. The historicising of sports and the lives of sportspersons in Ghana provides an eloquent backdrop for an understanding of the past social dynamics and their effect in the present. The books analytical narrative offers an intellectual contribution to the promising areas of social and cultural history in Ghanas historiography and the scholarly discourse on identity formation and social empowerment through the popular culture of sports.
In poet and artist Elena Botts new poetry collection: epochs of morning light, we see a shimmering, variegated new voice; we hear: where the trees still talk to each other, and winter feels like a song... (from When I have died we will be here). We feel the weather of her emotions; a contract with the ethereal and the visceral, as when we stand within the short but large poem: blossoms back to under the earth: I felt your ghost move through me out past the Baltic as though you had been in my heart the whole time. In this sensual canvas, beauty never suffers from loneliness, nor the sublime. Each poem herein as Botts wanders memory and weaves tapestries of word worlds, reveals a true and original voice in modern poetry: allowing light to conquer darkness; darkness to defy the estate of the sun, and colors mixed in ways only an artist of the pen could fathom
In the context of AIDS and a declining economy, one strategy for children to ensure their own livelihood is to engage in domestic employment. Here, Michael Bourdillon presents the findings of research based on interviews and discussions with child domestic workers in Zimbabwe. It looks at the circumstances that pushed them into employment, the hardships and humiliations they face therein, as well as the benefits they derive, including, in some cases, education. Most children wanted improvements in their living and working conditions. They did not want to be stopped from working, perceiving that this would worsen their already harsh lives. While child domestic wok is problematic, and often lays children open to various types of abuse, it can also offer critical support and patronage to very disadvantaged children.
A comprehensive revision of the Subfamily Parandrinae (Coleoptera, Cerambycidae) from the Afrotropical Region is presented. Two new genera are described: Adlbauerandra and Meridiandra. The known species from the Afrotropical Region are excluded from Parandra Latreille, 1802, which resulted in the following new combinations: Acutandra beninensis (Murray, 1862), A. comoriana (Fairmaire, 1895), A. gabonica (Thomson, 1858), Adlbauerandra morettoi (Adlbauer, 2004) and Meridiandra capicola (Thomson, 1861). Eighteen new species are described: Acutandra amieti, A. barclayi, A. camiadei, A. dasilvai, A. delahayei, A. gaetani, A. garnieri, A. grobbelaarae, A. hugoi, A. jolyi, A. leduci, A. leonardi, A. lucasi, A. noellae, A. oremansi, A. plenevauxae, A. quentini, and A. vingerhoedti. The species Parandra comoriana Fairmaire, 1895 is revalidated and a lectotype is designated. Parandra beninensis Murray, 1862 and Parandra conradti Kolbe, 1893 are revalidated. A lectotype is designated for Parandra gabonica Thomson, 1858 as the designation by Quentin and Villiers (1975) was considered as invalid. Keys are presented to separate genera and all species of African Parandrinae from each other. Illustrations are provided for all the species including many special characters used in the keys.
A Pebble In The River
(2015)
Akli is an old man now. He is in prison. It is from there that he begins telling his story of the colonisation of Northern Africa. Of his village especially, Thadarth. It is a narrative of revolution, war, torture, dispossession, corruption, intolerance, betrayal, terrorism, religious extremism but, above all, resistance. A narrative of inevitability and loss. The loss of faith in a higher power. The loss of those closest to him, which he would endlessly try, in vain, to prevent since his adolescence. He would forever carry the burden of their death and absence, the regret of not having been able to protect them, to be with them. This forged him into a cynic, a man without hope for a better future, a man who wishes for death every day that passes. But his is also a story of love. Unconditional. Pure love. The ineffable kind which he has for his country, his land, the mountains, his family, his friends, his people. A story of his life's first love, Martine, daughter to the French settler, Fino, who left him with a lot of frustrations but also good remembrances. If his story begins in gloom, it is one through which secretly, intimately and ultimately runs the thread of hope. Hope because he is released from prison at the time of the narration. Hope that his daughter, Zira, the fruit of the rape of his wife by terrorists, brings back into his life. It is a story about the persistence of beauty, of good and goodness, even in the face of chaos. It is a story about truth. His truth. Eternal even when obscured. No man can be broken badly enough to not feel love, to not see and enjoy beauty. No man can tear the world apart so much that love and beauty no longer exist. Once this truth is accepted, however chaotic or scary the outside world can be, peace can be found. Peace within one's own being. Peace which Akli finds too.
The King's Wages
(2015)
Containing hints of political satire, The King's Wages is a play that seeks to unmask the wicked absurdity of getting power at all costs. It tells the story of a man called Tutu who wants to be king and murders his own brother in pursuit of his plan. Tutu finally becomes king, but soon realizes that there is more to it than he bargained for. The chief among the Akan gods, Tano, becomes angry and is bent on punishing Tutu for the fratricide he committed. The ghost of Tutu's brother comes back to haunt him and Tutu is desperate to avert this from happening again. He does not only do the unthinkable as an expedient to save his life, but also manifests his weakness by following the advice of his long-time friend Bota. As a result, he is cursed by his own daughter who commits suicide immediately afterwards. In the end, he loses everything but his life. The story may strike us as mythical, but Brempong deliberately goes beyond the limits of the natural to invest his story with more beauty and profound pathos. He uses glittering expressions and simple language, with slight touches of archaism and interspersed with Akan proverbs. The story he tells is interesting enough, but his brilliant writing style also makes it one of the outstanding works to be seen in modern African literature.
The botanical exploration of Eastern Asia by European travellers and botanists has for a long time attracted the author's attention, and the greater part of the materials for the present work were brought together, many years ago, from various sources of information, frequently unprinted, some of which were only obtainable in China. ...
Milah books & manuals
(2009)
1.1 Introduction 1.1.1 Aim of project .To compare the abundance of invertebrate and weed seed food resources available to birds on orzanic and conventional farmland. The objective of the studv was to assess accurately the likely benefit of these farming systems to birds feeding on farrn'land, by sampling invertebrates and weed seeds. 1.1.2 Factors implicit to achieving the project aims Variation between farms within one system could influence' invertebrate or weed seed abundance and bias results, To minimise such effects and provide results 'representative of the farming systems as a whole, sampling was based on an extensive approach; farms were sampled in groups. The inference that either of the farming systems is beneficial to feeding birds is dependent on: (i) prior knowledge of the relevance of a particular invertebrate or seed as a food-source: evidence (ii) that this foodsource is present in sufficient abundance and (iii) that the food-source is readily accessible, The methodology described below was refined to address these criteria. 1.1.3 Methodology Sampling concentrated on cereal crops, with an additional comparison of organic grass ley fields at a limited number of sites. Sampling initially consisted of sucking invertebrates from the crop using a vacuum insect net and extraction from soil cores. To aid the interpretation of results from this sampling, it was decided that more information was required on the diet of birds. This was achieved by analysing faecal sacs for undigested fragments of invertebrates that therefore represented a dietary component. Skylark chick faecal sacs were chosen for analysis as this was the key species for the intensive ornithological studies and samples could be taken during routine fieldwork. As a result of this study, the main invertebrate sampling technique was changed to pitfall traps, since this was a superior method for assessing those invertebrates found to be important food-sources. It was also anticipated that pitfall trapping would provide more accurate estimates of invertebrate availability, with greater numbers per sample, than the previous two techniques. Studies of weed seed food resources consisted of field surveys using a quadrat to assess the presence and abundance of species, and the use of a small hand held suction machine to suck seeds from post-harvest stubble. The interpretation of the results emphasised the aspects of the ecology of species known to be food-sources that might influence their availability to birds. 1.2 Soil core and vacuum samples 1.2.1 Significantly more dipteran immature stages and Coleoptera were found in soil cores on organic grass ley fields and significantly more earthworms on organic cereal fields than conventional cereal fields. Earthworms and dipteran larvae such as tipulids are known to be important food-sources for birds that specialize in soil invertebrates. 1.2.2 Total numbers of invertebrates trapped by both methods did not differ significantly between the two farming systems. Significantly more invertebrates were trapped, however, by both methods on organic grass ley fields than either conventional or organic cereals. 1.2.3 Significantly more Staphylinidae tCol.), especially the species Tachyporus hypnorum, were found on conventional fields, The relevance of this species as a food-source is, however, doubtful. 1.2.4 The weevil Sitona lineatus and the carabid Demetrias atricapillus were found in significantly greater numbers on organic fields. The former may constitute a food-source for skylarks, which have been shown to feed on this insect under laboratory conditions. 1.3 Faecal sac analysis 1.3.1 Carabid beetles were an important component of skylark chick diet, forming 47 % of identifications. In some cases it was possible to identify the species present. 1.3.2 Coleoptera, other than carabids, from the families Elateridae, Curculionidae, Chrysomelidae and Staphylinidae were identified as food-sources. 1.3.3 Spiders and tipul ids were also important components. 1.3.4 Reservations are expressed that the technique may under-represent soft-bodied invertebrates, which are susceptible to complete digestion by skylark chicks. 1.4 Pitfall trap samples 1.4.1 Twelve key species of carabid beetles were analysed. of which five cornmon species were trapped in significantly greater numbers on organic farms. These were Pterostichus melanarius (the dominant species captured), Pterostichus madidus, Harpalus affinis, Harpalus rufipes and Nebria brevi collis. The other species analysed showed no significant variance between farming systems. 1.4.2 Williams' Index of Diversity was significantly greater for conventional fields, although caution is expressed over the reliability of this result due to the small sample size of species. 1.5 Botanical studies 1.5.1 The abundance of weed plants in quadrats was significantly greater on organic fields. 1.5.2 The abundance of weed seeds was not significantly different between farming systems. However, the relative proportions of monocotyledonous and dicotyledonous seeds in samples differed between farming systems. A larger proportion of the seeds from organic fields were dicotyledonous and from conventional fields were monocotyledonous. 1.5.3 Preliminary examination of the size of plants and the number of seeds produced suggested that those on organic fields may have been nitrogen deficient. 1.5.4 Weed species were significantly more diverse on organic fields. although diversity has less relevance to bird feeding than abundance. 1.6 Proposals for future work 1.6.1 Replication of the pitfall trapping exercise in subsequent years would substantiate the trends established from the data of one season. It would also be beneficial 10 extend the range (If habitats sampled to take into account set-aside and other crops besides cereals. 1.6.2 More comprehensive information. on the diet of farmland birds in general. could he achieved by analysing the faecal sacs of a wider variety of species. 1.6.3 Greater integration of field studies on birds with invertebrate sampling would enhance the effectiveness of the latter as an indicator of diet. Areas of farmland frequently selected as feeding sites by birds could be sampled intensively for invertebrates and compared to other areas, selected at random. This would provide useful information on the invertebrates likely to be important as food-sources and the habitats that favour them. 1.6.4 Extending the range of farms sampled would provide more accurate results. 1.6.5 More work is required to-investigate the possible link between nitrogen deficiency in plams and organic systems, and its implications for the provision of bird food-sources, particularly for weed abundance and phytophagous insects.
The Chanukah omission
(2008)
Conviviality in Bellville: An Ethnography of Space, Place, Mobility and Being in Urban South Africa
(2014)
This book provides insight into the experiences of mobility and migration in contemporary South Africa, contributing to a field of literature about multiculturalism and urban public space in globalizing cities. It takes into consideration the greater international political and local socio-economic factors that drive migration, relationships and conviviality, and how they are intertwined in the everyday narrative of 'insiders' and 'outsiders'. The Bellville central business district demonstrates the realities of interconnected local and global hierarchies of citizenship and belonging and how they emerge in a world of accelerated mobility. The book further demonstrates how the emergence of conviviality in everyday public life represents a critical field for contemplating contemporary notions of human rights, citizenship and belonging.
Urbanization in Africa also means rapid technological change. At the turn of the 21st century, mobile telephony appeared in urban Africa. Ten years later, it covered large parts of rural Africa and thanks to the smartphone became the main access to the internet. This development is part of technological transformations in digitalization that are supposed to bridge the urban and the rural and will make their borders blurred. They do so through the creation of economic opportunities, the flow of information and by influencing peoples definition of self, belonging and citizenship. These changes are met with huge optimism and the message of Information and Communications Technologies for Development (ICT4D) for Africa has been one of glory and revolution. Practice, however, reveals other sides. Increasingly, academic publications show that we are facing a new form of digital divide in which Africa is (again) at the margins. These technological transformations influence the relation between urban and rural Africa, and between Africa and the World, and hence the field of African Studies both in its objects as well as in its forms of knowledge production and in the formulation of the problems we should study. In this lecture, Mirjam de Bruijn reflects on two decades of research experience in West and Central Africa and discusses how, for her, the field has changed. The author was forced to decolonize her thinking even further, and to enter into co-creation in knowledge production. How can these lessons be translated into a form of critical knowledge production and how does the study of technological change inform the redefinition of African Studies for the 21st century?
Parading respectability: The cultural and moral aesthetics of the Christmas Bands Movement in the Western Cape, South Africa is an intimate and incisive portrait of the Christmas Bands Movement in the Western Cape of South Africa. Drawing on her own on background as well as her extended research study period during which she became a band member and was closely involved in its day-to-day affairs, the author, Dr Sylvia Bruinders, documents this centuries-old expressive practice of ushering in the joy of Christmas through music by way of a social history of the coloured communities. In doing so, she traces the slave origins of the Christmas Bands Movement, as well as how the oppressive and segregationist injustices of both colonialism and apartheid, together with the civil liberties afforded in the South African Constitution (1996) after the country became a democracy in 1994 have shaped the movement.
This study investigates supralaryngeal mechanisms of the two way voicing contrast among German velar stops and the three way contrast among Korean velar stops, both in intervocalic position. Articulatory data won via electromagnetic articulography of three Korean speakers and acoustic recordings of three Korean and three German speakers are analysed. It was found that in both languages the voicing contrast is created by more than one mechanism. However, one can say that for Korean velar stops in intervocalic position stop closure duration is the most important parameter. For German it is closure voicing. The results support the phonological description proposed by Kohler (1984).
Campground
(2017)
Through poetry and fiction that engage the readers heart and mind, Loretta Burns explores the beauties, perils, and mysteries of day to day life. With a graceful simplicity of style and an often intimate voice, she represents a range of experiences and observations that include stories and memories of childhood, encounters with nature and music, and poignant reminders of Americas racial history. With delicate craftsmanship and an ear attuned to the eloquence of everyday language, she moves from quiet contemplation to youthful exuberance and from love to the pain of loss with sensitivity and understanding. Implicit throughout is a resilient affirmation of the fractured joy of being human.
My Brother, My Sister
(2012)
The fiery passion and epigrammatic terseness with which Loretta Burns re-enacts her experiences and observations as an African American woman in contemporary America reveal her as a poet of life who transcends the labels African American, feminist, and/or womanist. Her poetry captures moments and scenes of living that echo her impressions and intuitions of a world trapped between appearance and reality, illusion and disillusion, expectation and realization, the material and the spiritual. Through her deceptive simplicity of diction, she explores the nooks and crannies of her psyche as well as her society's. It is a poetry written from the depths of the heart that calls attention to the mystery and sacredness of the everyday. It therefore comes as no surprise that Loretta Burns and Bill F. Ndi, the Cameroonian-born poet with a fierce drive for global peace and the oneness of humanity, should collaborate on a collection of poems. With vibrancy and a sense of urgency, their lines evoke humanity's perpetual struggle for freedom and its search for meaning.
Witch Girl
(2015)
This is modern Lusaka, Zambia, where the line between magic and religion is blurred, the arcane and the mundane muddle and nothing is what it seems. Luse is a sharp street child combing the gang-ridden city in a desperate search for Doctor Georgia Shapiro who she hopes can offer her a way back into her once-bright past. The doctor is trying to unravel the mystery of a friend's sudden death while attending to the AIDS crisis laying waste to the country around her. Meanwhile The Blood Of Christ Church and its enigmatic leader Priestess Selena Clark gain popularity with their murky promises of salvation and violent clandestine rituals. A small silver box links them in ways they cannot foretell. It will force Luse and Georgia to question who they trust, who they are and for whom they fight. Tanvi Bush's Witch girl is a crime thriller that juggles the past and the present effortlessly, blending AIDS activism, witchcraft, religious extremism and romance to create a well-paced narrative. Luse is so feisty, charming and resourceful that you'll miss her after you finish the book.
This crowning collection brings together seven of Bole Butake's finest plays since 1984, namely: Dance of the Vampires; Family Saga; Lake God; Betrothal Without Libation; And Palm Wine Will Flow; The Rape of Michelle; and Shoes. More than an academic, Butake has distinguished himself as a playwright, unearthing and foregrounding the ills, travails and predicaments of a land and people trapped by the blood-dripping impunities of vampires in power. In his rich repertoire of over ten plays, Butake takes sides with the downtrodden, the wretched of the earth, the deprived and the underdogs. His jabs and jibes, aimed at the rulers, are scathing, at times vitriolic. He has excelled at a stubborn determination to ignore the sinecures, lure and allure of power without responsibility.
Removing
(2011)
Melissa Butler lives in Cape Town and Pittsburgh, PA. In the US, she teaches kindergarten. In South Africa, she writes and works with pre schools in the Eastern Cape. She has a Masters degree in Curriculum Theory from Penn State University and a Masters degree in Creative Writing from the University of Cape Town. This is her first book of poetry.
On 20th January 1964, at the Colito Army Barracks just outside Dar es salaam, 15 officers of the Tanganyika Army that was inherited from the colonial state led a mutiny against the independent Tanganyika government. One group went to the State House with the intention of forcing President Julius Nyerere to accept their demands. What would have happened if they had succeeded in entering the State House and if President Nyerere had refused to accept their demands, as he most likely would have done? Anything could have happened and in the worst case scenario Tanzanias history and indeed the history of the whole of Africa would have been seriously affected. This book is about the courage and quick thinking of Peter Bwimbo, the then head of the Presidential Protection Unit and Nyereres Chief Body Guard who, alone, planned and executed an ingenious and successful evacuation of President Nyerere and Vice President Rashid Kawawa, whisking them away from the State House before the mutineers got there. By a clever ruse he convinced the ferry operators on duty before dawn to ferry them across the Kigamboni Creek. From there they walked several miles to a hiding place in a house that was offered by an ordinary citizen and where they stayed until the situation was normalised several days later.
When Amin Cajee left South Africa to join the liberation struggle he believed he had volunteered to serve 'a democratic movement dedicated to bringing down an oppressive and racist regime'. Instead, he writes, in this powerful and courageous memoir, 'I found myself serving a movement that was relentless in exercising power and riddled with corruption'. Fordsburg Fighter traces an extraordinary physical journey - from home in South Africa, to training in Czechoslovakia and the ANC's Kongwa camp in Tanzania to England. The book makes a significant contribution to the hidden history of exile, and documents Cajee's emotional odyssey from idealism to disillusionment.
This monograph focuses on Gnokholo, a precolonial province of Senegal that has long been landlocked because of its eastern position and inhabited by Mandingoans. The decline of the Malian empire in the 15th century has been confined to a situation of geographical marginality in the foothills of the mountains Of the Fouta Djalon. This book reconstructs the geography, history, economy, culture and social structures of the pre-colonial Gnokholo Kingdom. It fills a deficit insofar as social studies have neglected these populations considered as part of a minority culture. Written in a simple and clear style, this book is in keeping with the tradition of the work of Father Boilat. It is an anthropological collection of a body of knowledge revealing various aspects of the country and the inhabitants of the Gnokholo.
War and Peace in Contemporary Eritrean Poetry focuses on Eritrean written poetry from roughly the last three decades of the twentieth century. The poems appear in the anthology Who Needs a Story? Contemporary Eritrean Poetry in Tigrinya, Tigre and Arabic from which a selection is offered here in their original scripts of Ge'ez or Arabic, and in English translation. Who Needs a Story? is the first anthology of contemporary poetry from Eritrea ever published, and War and Peace in Contemporary Eritrean Poetry is the first book on the subject. Therefore, the groundbreaking effort of the former warrants a discussion of its means of cultural production. All of the poets in Who Needs a Story? participated in the Eritrean struggle for independence (1961-91) as freedom fighters and/or as supporters in the Eritrean diaspora. Thus, contemporary Eritrean poetry divides itself between experiences of war and peace, although one can contain the other as well. War and Peace in Contemporary Eritrean Poetry also includes an extended analysis of one of Eritrea's most famous contemporary poets Reesom Haile, as an example of the kind of extended analysis that many of the poets of Who Needs a Story? should stimulate and, last but not least, a meditation on how the author, a non-native speaker, personally becomes involved in Eritrean poetry translation.