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O presente artigo versa sobre a «musealização» da arte a partir de um ponto de vista estético. Evocando o ensaio Museum Valéry Proust de Theodor W. Adorno, procuraremos compreender o processo de «musealização» da arte como condição efetiva de possibilidade da sua experiência estética. As posições sobre a matéria avançadas por Valéry em Le problème des musées e por Proust em A l’ombre des jeunes filles en fleurs, tal como apresentadas por Adorno, constituem a pedra de toque deste artigo. Pretenderemos, assim, discutir a questão da experiência (subjetiva) do objeto artístico como potencialidade de configuração da sua «segunda vida» [Zweites Leben], oposta aos processos de neutralização cultural de tal objeto. Os recentes estudos de Dario Gamboni dedicados a Odilon Redon – e à sua conceção de art suggestif, que integra uma singular perspetivação de experiência estética – serão, também, tratados.
Este artículo rastrea las categorías del proyecto moral de Adorno a partir de la barbarie experimentada en los campos de concentración nazi durante la Segunda Guerra mundial. Para ello, el autor utiliza la estrategia de pensar la filosofía a partir del modelo de la Teoría Crítica de la Escuela de Frankfort. Este novedoso proyecto orienta al hombre o cualquier idea de filosofía y ética con sentido, atendiendo nuevas categorías de la realidad fáctica. Concretamente, Adorno construye un proyecto moral que tiene como fundamento, primero, un nuevo marco para la metafísica y antropología a partir de Auschwitz y, segundo, direccionado a evitar que nuevas expresiones de barbarie como esta se repitan. Adorno expone las categorías éticas en Meditaciones sobre la metafísica en su obra Dialéctica Negativa.
This paper discusses two possible difficulties with Catherine Lu’s powerful analysis of the moral response to our shared history of colonial evil; both of these difficulties stem from the rightful place of shame in that moral response. The first difficulty focuses on efficacy: existing states may be better motivated by shame at the past than by a shared duty to bring about a just future. The second focuses on equity: it is, at the very least, possible that shame over past misdeeds ought to be brought into the conversation about present duties, in a manner more robust than Lu’s analysis allows.
Gleich zwei Anlässe bestehen für unser Gespräch mit dem Politikwissenschaftler Prof. Dr. Lothar Brock (Jg. 1939) über die „Kunst, Kriege zu beenden“: ein weltordnungspolitischer Anlass mit dem 100-jährigen Jahrestag des Beginns der Pariser Friedenskonferenz – und ein biografischer Anlass unseres Gesprächspartners. Am 30. Januar 2019 feierte Lothar Brock, der an der Goethe-Universität zunächst seit 1992 als Professor und seit 2004 als Senior-Professor lehrt, seinen 80. Geburtstag. Überlegungen zu Krieg und Frieden in Geschichte und Gegenwart.
Dass Emotionen den Subjekten eine wichtige Orientierungshilfe in jeglichen Situationen des Alltags bieten, gilt innerhalb der soziologischen Emotionsforschung mittlerweile als Allgemeingut. Was allerdings, wenn uns unsere Gefühle im Stich lassen, da sie nicht klar eingeordnet oder expliziert werden können? Was also, wenn widersprüchliche Emotionen Zweifel nähren, uns an Entscheidungen hadern lassen oder gar Entscheidungen verunmöglichen? Die hieraus resultierenden Unsicherheiten und sich daran anschließenden Handlungsprobleme sind Gegenstand des Buches. Neben Strategien des Umgangs mit emotionalen Ambivalenzerfahrungen stehen auch die individuellen Lösungswege im Mittelpunk der Analyse.
Axel Honneth的認肯理論及其教育蘊義
(2019)
本研究旨在探究Axel Honneth的認肯理論,並闡釋其在教育上的意義。本研究基於運用哲學思考法與文本詮釋學方法對Honneth的認肯理論進行理解、分析與重構出認肯理論的重要面向與實踐意涵。首先,對認肯理論的理 論基礎進行探究,並分析認肯理論的結構與相應原則;其次,將Honneth認肯理論放在其所運用的個體情感發展、社會機制反思與法理政治實踐層面進行具體分析,闡釋對現代性影響下各行動領域之發展與問題的分析;最後,基於前述對Honneth認肯理論的研究,分析在當今民主社會中教育存在之病態與可能性,並在情感、法理與社會層級中,以自愛、自尊與自我實現為目 標,具體從認知、情意與技能三面向提出在教育上的理論面與應用面的蘊義.
O tema geral do presente artigo trata da antropologia histórica encontrada em “The Authoritarian Personality” e fundamentada em “Dialética do Esclarecimento”. Especificamente, abordaremos a conceituação que compreende as movimentações pulsionais (segundo leitura da teoria freudiana) enquanto natureza interna, fundamento da concepção da antropologia aqui debatida. Com isso, ao falarmos de antropologia e de natureza, não estamos nos referindo a concepções imutáveis e “biologizantes”, mas a noções históricas e contextuais. Para tanto, iremos nos voltar à “Ideia de história natural” adorniana, precisamente à dialética entre história e natureza. No texto, Adorno trata de dois movimentos de tal dialética: uma concepção de Lukács, para quem elementos da história se tornam naturalizados enquanto segundo natureza, o que pode ser exemplificado com o esquematismo hollywoodiano promovido pela indústria cultural; o segundo movimento, sob influência de Walter Benjamin, trata da transitoriedade histórica da natureza, quando resquícios arcaicos reprimidos pelo sentido histórico dominante ressurgem, tornando-se possibilidade de outra orientação histórica. Este debate se mostra importante justamente porque se encontra no cerne da relação entre economia-política/sociologia e psicanálise, os domínios teóricos mais relevantes para a primeira geração da Teoria Crítica. Por mais que pensemos que há uma antropologia implícita para Horkheimer e Adorno – que enxergariam o ser humano enquanto naturalmente agressivo e destruidor –, o nosso intuito é mostrar que, se a antropologia e a natureza são históricas, o ser humano age a partir da pulsão de morte justamente porque o meio social que o forma é ele mesmo dominador, violento, reificado e alienante.
What does it mean to design democratic innovation from a deliberative systems perspective? The demand of the deliberative systems approach that we turn from the single forum towards the broader system has largely been embraced by those interested in designing institutions for citizen participation. Nevertheless, there has been no analysis of the practical implications for democratic innovation. Is it possible to design differentiated but interconnected participatory and deliberative settings? Does this better connect democratic innovations to mass politics? Does it promote greater legitimacy? This article analyses one such attempt to design a systems-oriented democratic innovation: the ambitious NHS Citizen initiative. Our analysis demonstrates, while NHS Citizen pioneered some cutting-edge participatory design, it ultimately failed to resolve (and in some cases exacerbated) well-known obstacles to institutionalisation as well as generating new challenges. To effectively realise democratic renewal and reform, systems-oriented democratic innovation must evolve strategies to meet these challenges.
The notion that democracy is a system is ever present in democratic theory. However, what it means to think systemically about democracy (as opposed to what it means for a political system to be democratic) is under-elaborated. This article sets out a meta-level framework for thinking systemically about democracy, built upon seven conceptual building blocks, which we term (1) functions, (2) norms, (3) practices, (4) actors, (5) arenas, (6) levels, and (7) interactions. This enables us to systematically structure the debate on democratic systems, highlighting the commonalities and differences between systems approaches, their omissions, and the key questions that remain to be answered. It also enables us to push the debate forward both by demonstrating how a full consideration of all seven building blocks would address issues with existing approaches and by introducing new conceptual clarifications within those building blocks.
Ich würde sagen, dass Individuen mal die Contenance verlieren, sich im Ton vergreifen, das kann vorkommen. Und natürlich gibt es Frustrationspotenzial und Irritationen, die auch mal ausgesprochen werden müssen. Das kann die Ebene des sachorientierten Austauschs von Argumenten durchaus verlassen. Jede Demokratie sollte das aushalten können. Aber ich würde nicht behaupten, dass Hasstiraden gerade im Netz, Trolling und Ähnliches, eine Form des produktiven Streits wären, die Bindekraft erzeugen würde. Im Gegenteil: Wenn sich das ausbreitet und systematisch wird, wirkt es zersetzend für den gesellschaftlichen Zusammenhalt. ...
Hamlet or Europe and the end of modern Trauerspiel. On some shakespearians motifs in Walter Benjamin
(2019)
Hamlet’s character sets, under different shapes and extents, the benchmark against which a large part of the European philosophy of the very long «short twentieth-century» behind us has had to measure. In the name of Hamlet as the most enigmatic among Shakespeare’s creatures, even Europe, its spirit and destiny, is identified, according to the well-known claim by Paul Valery.
Common trait to a big part of these interpretations – from the juvenile works of Pavel Florenskij and Lev S. Vygotskij (respectively written in 1905 and 1915) to Carl Schmitt’s Hamlet oder Ekuba. Der Einbruch der Zeit in das Spiel (1956) – is offered by the detection, in Hamlet’s figure, of the contradiction inherent to an epochal transition: the time of an unresolved passage between two ages that only knows the endless pain of an “interim”. My paper concerns the possibility to interpret Hamlet’s time as the time of an “interim” in light of Benjamin’s claims about Shakespeare’s drama contained in his book on the German Trauerspiel.
While Florenskij interprets Hamlet’s time as tragic and the figure of Hamlet as a tragic one, in my essay - moving from some observations on the " Hamlet Problem " by the young Franz Rosenzweig - I consider the original Benjaminian thesis about the character and the drama of Hamlet as the end of the modern Trauerspiel. Starting from a statement by Theodor Adorno in the famed Hornberger Brief to Benjamin of August 2, 1935, I outline, therefore, how Benjamin characterizes the figure of Hamlet. This, from his early writings on the relationship between tragedy and Trauerspiel up to the great book on the Origin of the German Trauerspiel.
In the frame of Benjamin’s interpretation, exactly by virtue of its distance from the thesis on the duality of tragedy (evoked by Florenskij’s interpretation as well as other ones), the Shakespearian theatrum of consciousness, paradigmatically represented in the figure of Hamlet and in the intimately dialectic character of his drama, is accounted for as necessary correlate of the Cartesian’s theatrum of consciousness. From a theoretical point of view, the Benjaminian characterization of Hamlet's figure reveals, therefore, something of the nature of modern consciousness and of consciousness in general in relation to the problem of truth and its representation. Hence the end of modern Trauerspiel coincides with the original incompleteness of its time. Consequently, I also claim Hamlet's dramatic figure to represent the aporetic characters of modern politics. This contrasts the thesis of Carl Schmitt who (in direct controversy with Benjamin) speaks, instead, of the Shakespearean drama as an expression of a pre-modern barbaric time.
This paper addresses the phenomenon of climate-induced displacement. I argue that there is scope for an account of asylum as compensation owed to those displaced by the impacts of climate change which needs only to appeal to minimal normative commitments about the requirements of global justice. I demonstrate the possibility of such an approach through an examination of the work of David Miller. Miller is taken as an exemplar of a broadly ‘international libertarian’ approach to global justice, and his work is a useful vehicle for this project because he has an established view about both responsibility for climate change and about the state’s right to exclude would-be immigrants. In the course of the argument, I set out the relevant aspects of Miller’s views, reconstruct an account of responsibility for the harms faced by climate migrants which is consistent with Miller’s views, and demonstrate why such an account yields an obligation to provide asylum as a form of compensation to ‘climate migrants.’
This article examines whether restrictions on access to welfare rights for EU immigrants are justifiable on grounds of reciprocity. Recently political theorists have supported some robust restrictions on the basis of fairness. They argue that if EU immigrants do not immediately contribute sufficiently to the provision of basic collective goods in the host state, restrictions on their access to the welfare state are justified. I argue that these accounts of the principle of reciprocity rely on an ambiguous conception of contribution that cannot deliver the restrictions it advocates. Several strategies open to those advocating reciprocity-based restrictions are considered and found wanting. This article defends that verdict from a number of objections.
El objetivo principal de este trabajo es replantear la posibilidad de realizar una síntesis entre la fenomenología de Husserl y la teoría crítica de la Escuela de Frankfurt. Para ello realizaremos una revisión crítica de los textos del primer Marcuse (1928-1933), cuyo proyecto filosófico consistió en formular una síntesis entre la ontología fenomenológica de Heidegger y el materialismo dialéctico de Marx. La tesis que defenderemos aquí es que este proyecto sigue siendo vigente, pero tomaremos como referente la fenomenología de Husserl, desde la que interpretaremos los textos de Marcuse, y no la ontología existencial de Heidegger.
Axel Honneth desenvolve o conceito de reconhecimento, encarado como uma necessidade fundamental do ser-humano, de forma a constituir-se no núcleo de uma teoria da justiça que procura especificar as condições intersubjetivas de autorrealização individual. Apresenta-se uma teoria da justiça assente na reconstrução das práticas e condições de reconhecimento já institucionalizadas, analisando as instituições sociais em um sentido amplo. Pretende-se aproximar a concepção normativa da justiça da análise sociológica das sociedades modernas, através da reconstrução normativa e ao colocar a ênfase na liberdade social, baseada na dimensão intersubjetiva das instituições de reconhecimento. A liberdade social prevê o acesso às instituições de reconhecimento. Um dos objetivos é esboçar os problemas desse avanço interpretativo da teoria crítica do reconhecimento, pelo que iremos convocar a teoria da luta pelo reconhecimento de Honneth, incluir a sua reactualização mais recente do Direito de Hegel e explorar a sua proposta normativa para as condições de uma vida ética.
En el presente escrito, proponemos pensar al trabajo como socialización desde la Teoría del Reconocimiento de Axel Honneth. Para ello, efectuaremos previamente una aproximación, por separado, a las nociones de socialización y trabajo en la perspectiva teórica de Honneth. Ello nos permitirá dilucidar al trabajo como caso de socialización y extraer algunas conclusiones en torno al carácter material de la socialización en una sociedad estructurada en términos de lucha de clases.